How to do a barrel roll dance
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aashkajoshii
aashka joshi || dancer
Replying to @oogieboogiezz here is the full video of the actual dance with the barrel rolls!! #aashdances #dancer #performer #bollywooddancer #nagadasangdhol #deepikapadukone #lehenga #barrelrolls #50thbirthdayparty #browngirl #browntiktok #indiantiktok #garba
157.1K Likes, 297 Comments. TikTok video from aashka joshi || dancer (@aashkajoshii): "Replying to @oogieboogiezz here is the full video of the actual dance with the barrel rolls!! #aashdances #dancer #performer #bollywooddancer #nagadasangdhol #deepikapadukone #lehenga #barrelrolls #50thbirthdayparty #browngirl #browntiktok #indiantiktok #garba". Nagada Sang Dhol.
1.1M views|
Nagada Sang Dhol - Shreya Ghoshal & Osman Mir
danceshowerrepeat
Dance Shower Repeat
When your dance instructor tells you to practice Barrel Rolls, you go out social dancing and practice your barrel rolls! 💙🔥🕺 #fypage #dance #dancevlog #fy #countryswing #countryswingdancing #countrytwostep #countryswingdance #barrelroll #SchickAsks #CloroxMistChallenge
TikTok video from Dance Shower Repeat (@danceshowerrepeat): "When your dance instructor tells you to practice Barrel Rolls, you go out social dancing and practice your barrel rolls! 💙🔥🕺 #fypage #dance #dancevlog #fy #countryswing #countryswingdancing #countrytwostep #countryswingdance #barrelroll #SchickAsks #CloroxMistChallenge".
Bless The Broken Road.
6031 views|
Bless The Broken Road - Rascal Flatts
aashkajoshii
aashka joshi || dancer
when you wanna show your mom your barrel rolls but forget about the other people around you😂 #fyp #foryou #browngirl #dancer #clumsy #browntiktok #indiantitktok #aashdances #barrelroll #lehenga
367.6K Likes, 787 Comments. TikTok video from aashka joshi || dancer (@aashkajoshii): "when you wanna show your mom your barrel rolls but forget about the other people around you😂 #fyp #foryou #browngirl #dancer #clumsy #browntiktok #indiantitktok #aashdances #barrelroll #lehenga". suara asli - Bollylovers.
1.7M views|
suara asli - Bollylovers
mya_labelle19
mya
True true
117 Likes, 7 Comments.
TikTok video from mya (@mya_labelle19): "True true". My knee | Barrel roll in dance . original sound.
1505 views|
original sound - Phaggotron
aashkajoshii
aashka joshi || dancer
Replying to @oogieboogiezz yall really hyped me up so much in my last video of this that i decided to do the barrel rolls at a performance!! thank you all so much for the love on the last video❤️ appreciate you guys❤️ #aashdances #fyp #foryou #browngirl #browntiktok #indiantiktok #barrelroll #dancer #lehenga
31K Likes, 70 Comments. TikTok video from aashka joshi || dancer (@aashkajoshii): "Replying to @oogieboogiezz yall really hyped me up so much in my last video of this that i decided to do the barrel rolls at a performance!! thank you all so much for the love on the last video❤️ appreciate you guys❤️ #aashdances #fyp #foryou #browngirl #browntiktok #indiantiktok #barrelroll #dancer #lehenga".
suara asli - Bollylovers.
586.1K views|
suara asli - Bollylovers
jaycubies
jaycubes
final show i like barrel rolls thanks choreographer #fyp #dance
TikTok video from jaycubes (@jaycubies): "final show i like barrel rolls thanks choreographer #fyp #dance". i died | my foot ⬆️. original sound.
877 views|
original sound - zzvex
aashkajoshii
aashka joshi || dancer
i wanted to thank you all so much for 1 million views on my barrel roll video ❤️ i appreciate each & everyone of you more than you all know🤍 i finally have made the tutorial for anyone who wants to learn how to do it! #aashdances #barrelroll #lehenga #browngirl #browntiktok #dancetutorial #tutorial #dancer #bollywooddancer #danceteacher
6.
4K Likes, 37 Comments. TikTok video from aashka joshi || dancer (@aashkajoshii): "i wanted to thank you all so much for 1 million views on my barrel roll video ❤️ i appreciate each & everyone of you more than you all know🤍 i finally have made the tutorial for anyone who wants to learn how to do it! #aashdances #barrelroll #lehenga #browngirl #browntiktok #dancetutorial #tutorial #dancer #bollywooddancer #danceteacher". TUTORIAL TIME | STEP 1 : first step the right leg then left leg and bring the right leg completely over turning counter clockwise | RIGHT | .... suara asli - Bollylovers.
55.1K views|
suara asli - Bollylovers
dancekae
Kaeli Dance
it’s called a barrel roll #thepic #thepicture #thepicturetrend #dancephotography #dancephoto #dance @tdcameraman is a genius
299 Likes, 5 Comments.
TikTok video from Kaeli Dance (@dancekae): "it’s called a barrel roll #thepic #thepicture #thepicturetrend #dancephotography #dancephoto #dance @tdcameraman is a genius". “THE” pic trend but DANCE. "The Photo".
6767 views|
"The Photo" - EX7STENCE™
Barrel Turns | The Ballet Bag
This post is devoted to big jumps, usually the territory of male dancers, though some of them are also done by ballerinas. These tend to draw gasps and applause from audiences (after all, some of them are extremely hard!) and comments in dance reviews. Given there are plenty of jumps in the ballet syllabus, we will focus first on a small subset. As usual, our intention is not to teach but to pass on general knowledge and illustrate the movements with words, images and video links.
Grand Jeté
This is probably a jump that features on most ballet performances. Jeté means, literally, thrown. In this step the dancer throws each leg at 90 degrees (and opposite directions) while jumping.
It is usually preceded by a step like a glissade to gain momentum, followed by an arabesque position or attitude.
Alina Cojocaru and Johan Kobborg doing parallel grand jetés. Photo: Bill Cooper - The Royal Ballet ©. Source: Dansomanie
When grand jetés are done around the stage in a continuous sequence, as is typical in a classical male variation (note the princes’s variations in Swan Lake & The Sleeping Beauty), they are usually refered to as Jetés en manège.
Jeté Entrelacé (or Tour Jeté)
A grand jeté done in a circle. While the dancer throws the front leg, the body turns and the second leg is thrown to the back.
Here Dutch student Marijn executes a beautiful entrelacé.
Cabriolé
A step in which both legs are beaten in the air. The dancer starts with a grand battement and the leg that is underneath follows and beats the front leg, sending it higher. The dancer lands on the leg underneath. If there are two beats, it is usually referred as double. This step can be done from any position of the body (devant, derriere or à la seconde).
The Royal Ballet’s Johan Kobborg executes a couple of cabriolés, in the Don Quixote variation.
Saut de Basque
This is a travelling jump. The dancer starts with a grand battement à la seconde, and the body turns, while the pushing foot folds into the other leg, positioning itself in a coupé position (that is, in front of the ankle) and landing in fondu.
Here Houston Ballet’s Randy Herrera does a saut de basque at the end of a sequence of turns.
Barrel Turns
This is a very flashy bravura step. The dancer turns in the air, throwing one leg to the back in attitude to lead the movement, while bringing the other leg along.
The Royal Ballet’s Carlos Acosta does a series of barrels (around the 1.53 mark), in this extract of Le Corsaire, with some saut de basques at the beginning.
The “540”
A variation of the barrel turn where the body turns 540 degrees. The throwing leg stays in the same position, while the other leg moves over it. This daredevil, not-your-everyday-jump is usually reserved for galas.
Here Mariinsky’s Denis Matvienko does a couple of 540’s in the coda of Le Corsaire.
Sources and Further Information:
Technical Manual and Dictionary of Classical Ballet by Gail Grant. BN Publishing. ISBN 1607960311.
Note: Whilst we have used widely known names for these jumps, note that terminology might vary slightly from school to school.
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7 tips for those who want to learn how to dance
September 9, 2020Reno5Life
Dancing is a great way to make friends with your body and gain self-confidence.
And yes, they can be mastered at any age.
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01. Choose your style
The idea here is the same as with sports: if you secretly hate yoga or iron exercises, you are unlikely to go to workouts week after week. To achieve noticeable progress in dancing, a beginner will have to practice a lot and regularly, so it’s better not to torture yourself and choose a direction that really ignites.
You can focus on the music that you like - you need to catch the drive from movements to it. It is music that forms the style of dance and its energy, so decide what is closer to you: for example, funk lovers should try popping or locking, folk fans may like Irish dancing, and if you respect jazz, swing and everything like that, take a closer look at lindy hop.
Another criterion is the nature of the movements. Some are closer to dynamic, as in hip-hop, others are smooth and sensual - for this in tango. There are also health restrictions to consider.
So, twerk is not suitable if there are problems with the lumbar spine, with sore knees it is better not to get involved in shuffle, and it will be difficult for an aged person to master house.
2. Set a goal
Photo: Iakov Filimonov / ShutterstockYou can start dancing at any age, but it's important to keep in mind why you started it in the first place. It is perhaps too bold to expect that in half a year of classes it will be possible to reach the level of international dance championships from scratch. But if you want to try dancing in order to develop plasticity and learn to feel the body better, great, go ahead.
Don't expect everything to work out the first time. When you learn from scratch, difficulties are absolutely normal, the main thing is not to score in classes. Over time, both the correct posture and a beautiful gait will be developed, and as a bonus you will also get self-confidence - with freedom of movement, freedom from complexes will come.
3.
Don't forget about sports Some dances in themselves make for a good workout. A vigorous shuffle will replace cardio, and a break can give a load to almost all muscle groups. And yet, without preparation, it will not be easy. A more or less good stretch is needed in any type of dance, and, for example, strong arms and strong abdominal and back muscles are also useful for pole dancing. You can combine dancing with strength exercises, but you need to give the body time to recover and not plan classes in a row, but allocate at least a day of rest between them.
And don't forget to warm up before dancing. So that the training does not end with an injury, the muscles and joints need to be prepared for the load. You can allocate 10–15 minutes for a warm-up, it should include simple articular gymnastics (at least elementary rotational movements of the shoulders and knees), tilts and dynamic stretching.
4. Take some lessons from a trainer
Especially if you have never danced before.
Those with experience can learn new styles at home with video tutorials, but that's because they already know how to control their bodies. Beginners are unlikely to succeed, but disappointment in themselves and demotivation are guaranteed - if you can’t repeat elementary movements, then there’s no point in doing it.
Nothing really strange here. Without preparation, it is difficult to just take it and start moving freely. At least the basic elements are better to master under the guidance of a pro, and when you feel that you are coping, supplement these lessons with home workouts.
5. Learn something new in every class
When you repeat the same set of exercises and movements over and over again, classes turn into a good way to pass your free time, only you can forget about progress. Acquaintance with new elements is the same mandatory part of any workout as a warm-up. It doesn't matter if you work with a mentor or on your own.
Do not immediately try to copy cool dancers.
First, study the basic movements, then try to combine them into bundles until you hone them to automatism, and then experiment and improvise, creating something new based on familiar elements.
6. Record yourself on video
You don't need to record the whole workout from the warm-up on, it's enough to record only those moments with which you have problems. These can be separate movements or bundles that are not given in any way. Review the video and, if possible, objectively assess what is wrong: perhaps there are technical problems that are difficult to notice in the process. When you understand what's wrong, try to repeat the movement and record it on video again - and so on until you achieve a good result.
This approach will help you find errors and track progress. You can not even limit yourself to memorized ligaments, but improvise - then see how it looks from the outside.
7. Find like-minded people
Photo: Iakov Filimonov / Shutterstock If you need an extra reason not to miss classes, then meeting new people can be a good motivation.
It is easier here for those who train in a group. Often the dance school becomes the center of a close-knit community, where people come not only for the sake of classes, but also just to spend time together at dance parties.
Finally, the more partners around, the more experience. Do not limit yourself to dancers of your level of training and practice with those who are stronger or weaker than you. In the first case, you will be able to improve your skills, and in the second, you will try yourself as a coach - this, by the way, is a good way to learn to take more initiative and understand the very principle of movement in dance, and not just memorize the alternation of chords.
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Show smart watch and headphones!Read also 🧐
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12 Life hacks to quickly learn how to dance from Mamita Dance
Dancing
Author: Pavel Collect
Psychologist, Teacher of Salsa and Tango
Dances
Author: Pavel Pavel Pavel Pavel Psychologist, Teacher of Salsa and Tango
At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.
This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.
1. Listen to music
The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.
An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.
2. Watch videos of good dancers
It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).
Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.
It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.
Tango Z. Showreel.
Online modern tango courses
Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.
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3. Dance in salsatecas/milongas/discotheques
A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.
In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.
4. Dance with partners or partners not of your level
The conventional wisdom that you need to practice in groups of your level does not stand up to the test of experience.
Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.
It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.
How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.
Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers
Dominican Bachata Women's Style Online Course
Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.
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5. Learn to dance for a partner and for a partner
Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.
In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.
6. Do not memorize links
Always try to look deeper and understand the through principle and idea of movement.
Understanding what and how is done will make it possible to independently generate any sequences and chips.
Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.
In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.
7. Develop your body
Many years of experience in teaching pair dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.
The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up.
It is vital to tune the body and understand how it works.
You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.
8. Try on the images of inspiring dancers
A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.
With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself.
Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.
9. Dance to offbeat music
Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.
The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.
Search, improvise, do not be afraid to go beyond, develop in different directions, be inspired by music atypical for style
10. Try your hand at basic dance directions
dances exist according to their own non-choreographic laws.
This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.
Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.
11. Look for battle sensations
Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of large cities.
If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them).
I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.
The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.
Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.
12. Communicate with professionals
The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way.
