How you love me line dance
CopperKnob - Backstreet Boys - As Long as You Love Me
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As Long as You Love Me
Backstreet Boys
Line Dances To This Music
As Long As You Love Me Kim Eun Jung Cona (KOR) - January 2022
48 Count 4 Wall Phrased Improver Music: As Long as You Love Me - Backstreet Boys
I Can't Get You Out of My Head Georgie Mygrant (USA) - 28 November 2021
32 Count 4 Wall Beginner Music: As Long as You Love Me - Backstreet Boys
As Long As You Love Me Jun Jae Lee (KOR) - November 2021
32 Count 4 Wall Improver Music: As Long as You Love Me - Backstreet Boys
As Long As You Love Me (Thrills) - AB Annemaree Sleeth (AUS) - October 2021
32 Count 4 Wall Absolute Beginner Music: As Long as You Love Me - Backstreet Boys
As Long As You Love Me Muhammad Yani (INA) - September 2021
32 Count 4 Wall Improver Music: As Long as You Love Me - Backstreet Boys
Love Is All That Matters Pat Newell (USA) - 25 August 2021
32 Count 2 Wall Beginner Music: As Long as You Love Me - Backstreet Boys
As Long…. .(fr) Christiane FAVILLIER (FR) - August 2018
32 Count 4 Wall Débutant facile Music: As Long as You Love Me - Backstreet Boys : (Album: Backstreet's Bach)
As Long….. Christiane FAVILLIER (FR) - September 2018
32 Count 4 Wall Easy Beginner Music: As Long as You Love Me - Backstreet Boys : (Album: Backstreet's Bach)
Just Love Me Robbie Carrington (USA) - February 2017
32 Count 2 Wall Beginner Music: As Long as You Love Me - Backstreet Boys
Yes, I'll Luv U For-Ev Dolly Embee (CAN) - March 2016
32 Count 4 Wall Ultra Beginner Music: As Long as You Love Me - Backstreet Boys
Will Love You Forever Dolly Embee (CAN) - March 2016
32 Count 4 Wall Beginner / Intermediate Music: As Long as You Love Me - Backstreet Boys
As Long As U Love Me Tender Ira Weisburd (USA) - January 2016
32 Count 4 Wall Beginner - Slow Cha Cha Music: As Long as You Love Me - Backstreet Boys
As Long As U Love Me Ira Weisburd (USA) - January 2016
64 Count 4 Wall Intermediate Slow Cha Cha Music: As Long as You Love Me - Backstreet Boys
As Long as You Love Me Judy Rodgers (USA) - November 2013
32 Count 2 Wall Intermediate Music: As Long as You Love Me - Backstreet Boys
As Long As You Love Me Ron Hendricks (SG) - July 2012
64 Count 2 Wall Intermediate Music: As Long as You Love Me - Backstreet Boys
Don't Care Hazel Morris (UK) - June 2008
32 Count 4 Wall Beginner / Intermediate Music: As Long as You Love Me - Backstreet Boys
Backstreet Attitude Jamie Davis (USA) - May 2008
32 Count 4 Wall Intermediate Music: As Long as You Love Me - Backstreet Boys
Back In 5 Andie Ghidiu (USA)
48 Count 4 Wall intermediate/advanced Music: As Long as You Love Me - Backstreet Boys
As Long As You Love Me Norman Mullinix Jr.
24 Count 4 Wall beginner Music: As Long as You Love Me - Backstreet Boys
Dances and Songs - cuestacountrylinedancingclub
DANCE TYPE OF DANCE SONG TITLE ARTIST
AGGIE SWING Couples free style Brand New Girlfriend Steve Holy Devil Went Down To Georgia Charlie Daniels Band Swing Trace Adkins Swing Batter Batter Trace Adkins Swingin' LeAnn Rimes Old Alabama Brad Paisley
ALL JACKED UP 4-wall line dance Crazy Ex Girl Friend Miranda Lambert Good Girls Kerry Underwood Mama’s Broken Heart Miranda Lambert Telescope Hayden Panatiece
BABY LIKES TO ROCK IT 2-wall line dance Baby Likes To Rock It The Tractors
BARN DANCE Couples pattern dance circular All My Friends Say Luke Bryan Beer On The Table Josh Thompson Cheatin' On My Honky-Tonk Trent Tomlinson Good Directions Billy Currington Good Time Alan Jackson Meat And Potato Man Brice Long Nothin' Bout Love Makes Sense Leann Rimes Where I Come From Alan Jackson
BLACK VELVET 2-wall line dance Black Velvet Alanna Myles
BOOT SCOOTIN’ BOOGIE 2-wall line dance Boot Scootin’ Boogie Brooks & Dunn
CHA CHA SLIDE 4-wall line dance Cha Cha Slide DJ Casper
CHIL FACTOR 4-wall line dance Booze Cruse Blackjack Billy Last Night Chris Anderson
COASTIN’ 4-wall line dance Boogie Woogie Fiddle Blues Charlie Daniels Band Lord Of The Dance Celtic Orchestra What Was I Thinkin Dierks Bentley CONTINENTAL COWBOY Couples pattern dance circular A Long Hot Summer Keith Urban Red Taylor Swift Tangled Up Billy Currington Why Don’t We Just Dance Josh Turner
COPPERHEAD STOMP 4-wall line dance Copperhead Road Steve Earle
COTTON EYED JOE 4-wall line dance Cotton Eyed Joe Rednex
COWBOY CHA CHA Couples pattern dance circular Bittersweet Big Head Todd & The Monsters Dancin', Shaggin On The Boulevard Alabama How 'Bout Them Cowgirls George Strait I Don’t Want This Night To End Luke Bryan I Gotta Get To You George Strait Isn't She Carolina Rain I Told You So Keith Urban Last Christmas Taylor Swift Lipstick Promises George Ducas Love’s Gonna Play It Alright George Strait My Maria Brooks & Dunn Neon Moon Brooks & Dunn Nothing On The Radio Gary Allan One More Goodbye Randy Rogers Band Restless Jason Aldean Since You Brought It Up James Otto Some Beach Blake Shelton When The Sun Goes Down Kenny Chesney Wild Wild West Randy Houser Your Man Josh Turner
DIZZY 4-wall line dance Dizzy Scoter Lee
DRIFTER Couples pattern dance circular Blown Away Carrie Underwood Good Little Girls Blue Country Hallaluy’all Bomshel Jeep Jeep Krista Marie Kerosene Miranda Lambert Loud Big & Rich Put You In A Song Keith Urban Radio Big & Rich Sell Me A Fake I D Brooks & Dunn Up Getcha Good Shania Twain Work Hard, Play Harder Gretchen Wilson
EAST COAST SWING Couples free style Boogie Woogie Rhythem Scooter Lee Brand New Girlfriend Steve Holy Diamond Light Boogie Cherry Poppin' Daddy’s Drink Myself Single Sunny Sweeney Money In The Middle Rodney Atkins
EL PASO Couples pattern dance circular Aw Naw Chris Young Bartender Lady Antebellum Brokenharts Ville Joe Nichols Country Girl Shake It For Me Luke Bryan Crying On A Suitcase Casey James Dangerous Man Trace Atkins Drunk On A Plane Dierks Bentley Holly Water Big & Rich Let Me Down Hard John Eddie Lonely Eyes Chris Young Stand Rascal Flatts Winning At A Loosing Game Rascal Flatts
ELECTRIC SLIDE 4-wall line dance Built For Blue Jeans Bomshel Here For The Party Gretchin Wilson Sharp Dressed Man ZZ Top You Don't Have To Go Home Gretchen Wilson
FAKE ID 4-wall line dance Sell Me A Fake I D Big & Rich
FAT SALLY LEE 4-wall line dance Fat Sally Lee Rednex
FOOT LOOSE 4-wall line dance Foot Loose Kenny Logins
GO GO STOMP 2-wall line dance Backwoods Justin Moore Boys Round Here Blake Sheldon Last Name Carrie Underwood Pirate Flag Kenny Chesney Redneck Yacht Club Craig Morgan
GOD BLESSED TEXAS 2-wall line dance God Blessed Texas Little Texas
GOOD TIME 4-wall line dance Good Time Alan Jackson
GOT TO BE FUNKEY 4-wall line dance (Every Thing I Do) Got To Be Funkey Maurice John Vaughn
GREAT SHAKES 4-wall line dance Girls Love To Shake It Love & Theft
HICK HOP 4-wall line dance Cricket On A Line Colt Ford Rhett Akins
HICK TOWN 4-wall line dance Hick town Jason Aldean
HILLBILLIES 2-wall line dance Hillbillies Hot Apple Pie
HONKY TONK 4-wall line dance Honky Tonk Badonkadonk Trace Atkins
HORSESHOE Couples pattern dance circular Cool To Be A Fool Joe Nichols Pretty Good At Drinking Beer Billy Currington Wrapped George Strait
LINDA LOU 2-wall line dance Georga Peaches Lauren Alaina Turn On The Radio Reba Mc Entire Whose Bed Have Your Boots Shania Twain
LINE WALTZ 1-Wall couples pattern dance Easy Rascal Glatts I’M Moving On Rascal Flatts Red On A Rose Alan Jackson Strawberry Wine Deanna Carter You Look So Good In Love George Strait You Save Me Kenny Chesney
MAVERICK 2-wall line dance 1994 Jason Aldean Brown Chicken Brown Cow Trace Adkins Bubba Shot The Jukebox Mark Chesnutt She’s Country Jason Aldean She’s A Hottie Toby Keith
MEN IN BLACK 4-wall line dance Men In Black Will Smith
mMm Bop 4-wall line dance Good Girls Carrie Underwood Wildflower Jane Dear Girls
OUTLAW 4-wall line dance Whiskey Drinkin’ Son Of A Bitch Mickel Knight
POWER JAM 4-wall line dance I’m A Cowboy Smokin Armadillos Jam Michael Jackson Remix-Save A Horse Rice A Cowboy Big & Rich
RED NECK ANGEL 4-wall line dance Merry Go Round Jane Dear Girls Somethin Bad Miranda Lambert/Carrie Underwood
REGGAE COWBOY 4-wall line dance Get Into Reggae Cowboy The Bellamy Brothers
ROCKEY TOP 1-wall line dance Bomshell Stomp Bomshell
SADDLE UP SHAWTY 4-wall line dance Saddle Up Michael Knight
SEXY TRACTOR 2-wall line dance She Thinks My Tractors Sexy Kenny Chesney
SKI BUMPUS 1-wall line dance All You Ever Do I Bring Me Down The Mavericks Barlight Charlie Robins Every Little Thing Carlene Carter (I Never Promised You A)Rose Garden Martina McBride
SLAPIN’ LEATHER 4-wall line dance Say You Love Me Rodney Crowell Stuck Like Glue Sugar Land
SOMETHING IN THE WATER Barefoot & Buckallo Laupen Alaina Something In The Water Brooke Fraser
STROKIN’ 4-wall line dance Strokin’ Clarence Carter
TEN STEP Couples/singles pattern dance circular Cheater Cheater Joey and Rory
TRAVELING 4 CORNERS Couples pattern dance circular Long White Cadillac Dwight Yoakam Men Forester Sisters Mississippi Mud Hank Williams III Surprise Trent Willmon That Girl's Been Spyin On Me Billy Dean
TUSH PUSH 4-wall line dance Down In Mississippi Sugarland Fire Cracker Josh Turner They Call Me The Fireman George Strait Ain't Going Down Garth Brooks
TWO STEP Couples pattern dance circular All I Ever Wanted Chuck Wicks As If Serra Evans Beer In Mexico Kenny Chesney Between The River and Me Tim McGraw Chicks Dig It Chris Cagle Come On Over Jessica Simpson Days Go By Keith Urban Fishin' In The Dark Nitty Gritty Dirt Band Fishin' In The Dark Nathan Carter For She Was Mama Clay Walker Free And Easy (Down The Road I Go) Dierks Bentley Georgia Clay Josh Kelley Guitar Slinger Crossin Dixon Gunpowder & Lead Miranda Lambert His Kinda Money (My Kinda Love) Eric Church Honkeytonk U Toby Keith I Love Women My Momma Can' Stand Jerrod Niemann Jezebel Chely Wright Just To See You Smile Tim Mc Graw Little Bit of Life Craig Morgan Little White Church Little Big Town Long Black Train Josh Turner Love Don't Live Here Lady Antebellum Midnight Rider Willie Nelson My, Oh My The Wreckers 19 Somethin' Mark Wills Nothin Better To Do Leann Rimes Ordinary Love Shane Minor Pickn' Wildflowers Keith Anderson Red High Heels Kellie Pickler Ring Of Fire Allen Jackson feat. Smoke A Little Smoke Erick Church Somebody Like You Keith Urban Talkin' Dirty Russel Walker Tequila Makes Her Clothes Fall Off Joe Nichols Tennessee River Run Darryl Worley The One In The Middle Sarah Johns Ticks Brad Paisley Tu Compania Keith Urban Why, Why, Why Billy Currington Wrapped Up In You Garth Brooks
UN DOS TRES 4-wall line dance Maria Rickey Martin
WALKING WAZZIE 2-wall line dance T.
WANNA TAKE YOU HOME 4-wall line dance Wanna Take You Home Gloriana Sideways Dierks Bentley
WATERMELON CRAWL 4-wall line dance Watermelon Crawl Tracy Byrd
WEST COAST SWING Couples free style A Cold One Erick Church All Summer Long Kid Rock Beer For My Horses Toby Keith/Willie Nelson Dirty Girl Terri Clark Hip To My Hart The Band Perry Love You Jack Ingram Mad Cowboy Disease John Michael Montgomery Need You Now Lady Antebellum Party For Two Shania Twain Duet Billy Crrington Pound Sign(#?*!) Kevin Fowler Put A Girl In It Brooks & Dunn Steam Ty Herdon Something To Talk About Bonnie Raitt Sparks Fly Taylor Swift Things That Never Cross A Man's Mind Kellie Pickler
WILD WILD WEST 2-wall line dance Wild Wild West The Escape Club
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Lee Ann Womack
R.O.U.B.L.E Travis Tritt Do you love me? – Editorial – Session Magazine
Sketch by Ekaterina Zaletaeva
SCENE1.
EPISODE 1. Restaurant kitchen.
A huge pie is laid out on a dish from the oven.
On another dish, a whole roasted pig is garnished with herbs.
Baked geese with necks arched like those of swans are surrounded by baked apples, cranberries are inserted instead of eyes.
Hands through which fat flows, juice. Someone's hand is wiping the sweat-drenched neck and chest of a plump woman with a towel, lubricating a piglet with an oily feather.
A long sturgeon is inserted into the nostrils of a parsley branch.
Hands reach out for the dish. Others follow next.
In front of the entrance to the restaurant hall, in the kitchen anteroom, waiters dressed in pseudo-Russian caftans stand in line. Each is given a dish. The first, SEREZHA, deftly holding a long plate with sturgeon on the fingers of one hand, with the other hand holds the curtain so that you can see what is happening in the hall, from where Leonard Cohen’s song “Dance Me To the End of Love” is heard .
..
EPISODE 2. Restaurant hall.
In the depths of the hall, a large table is set with peace. Behind him are men and women, who, however, are almost invisible. The stage and a platform for musicians next to it are illuminated. Musicians play live. A young singer in a pink shirt with ruffles that reveals a hairy chest, DANIA, sings Cohen's song in almost pure English. On the stage, a dance ensemble dressed in the style of "Russian cabaret" - the girls have very short skirts, golden boots with heels, kokoshniks on their heads, some clearly depict birch trees, the young men have blue Armenians embroidered with gold. In the center, a girl is dancing, who instead of a kokoshnik has a gilded church onion on her head, RITA, she is surrounded by three partners with smaller onions, they lead a round dance around her, while the male dancers create more and more divergent circles.
At a certain point in the song, the church girl starts down the stairs to the hall, accompanied by the birch girls and the coachmen.
When she reaches the last step, the waiters gracefully float out of the kitchen: sparklers burn at the edges of each dish. They line up in a semicircle in front of the table. Chefs in white coats and caps line up behind them, and a woman in an evening dress and without a cap becomes in the center of the line of cooks. This is NATASHA, the chef.
At the final bars of the song, the dancer NIKOLAY, dressed as a prince, appears at the top of the stage stairs and starts waving a huge Russian flag.
The music stops. The guests applaud.
SCENE2.
EPISODE 1. Restaurant hall.
In the center of the table sits a man in a suit with an unsmiling face of the boss, this is PAVEL OSIPOVITCH. Next to him is his secretary LENA. Opposite them is the director of the restaurant GEVORG, all overgrown with hair, and the head of the GENA ensemble.
Pavel Osipovich: I still don't understand why the final number is in English.
Gevorg: You know our contingent.
..
Lena: Pal Osich, eat the pig, it's getting cold.
Pavel Osipovich: I didn't come here to eat. I have already eaten this piglet thirty times.
Gena: But almost the rest of the program is on Russian songs! And then, there are melodies that take the soul, in all cultures, among all peoples.
Pavel Osipovich: And the text? Why can't the text be translated into Russian? For example, one verse is in English, the other in Russian.
Gena: But this will kill the entire internationality of the number.
Pavel Osipovich: It won't kill you. Believe me, Gennady, I have been in culture for twenty-eight years, I understand something about this.
[…]
Choice of nature, selection of types
SCENE6.
EPISODE 1. Natasha's apartment. Bedroom.
Natasha lies with a lit night lamp, holding a large alarm clock in her hands. At about three in the morning.
The sound of a key in the door is heard.
She quickly turns off the light, puts the alarm clock on the nightstand, turns her face to the wall. Nikolay quietly enters the room. He undresses in the dark, lies down next to Natasha. They lie facing away from each other, both of them have their eyes open.
Natasha: Let's get a divorce.
Nikolay (after a pause): As you wish.
[…]
SCENE 12. Restaurant. Butcher's room.
Carcasses hung. There are freezers. Huge cutting table. Zinc shell. There are drains for blood on the floor.
FELIX the butcher cuts the meat and puts it in a large vat.
A DISHWASHER in a dirty bathrobe and fishnet tights sits on a stool nearby. She smokes a cigarette. Quietly enters Natasha.
Dishwasher: ...and the penguin population has dropped dramatically. They began to figure out the dick to the nose. Then they realized that the penguins of the dogs, barking at them, get scared and drop their eggs. But they can’t lift it, it’s hard for them to bend over .
..
Natasha: Don't we have dirty dishes?
The dishwasher, oh, flies out of the butcher's. Felix still cuts meat.
Natasha: Have you marinated the barbecue?
Felix: Right now.
Natasha comes closer to him.
Natasha: Big again? How many times have I told you - a special recipe, only fine salt! Are you stupid?
Felix is silent. Natasha puts a pack of coarse salt in the cupboard and puts a jar of fine salt in front of it.
Natasha: And don't tell me that you don't feel with your small hand! I don't care what you feel! Who is our chef - you? Then go and command there! You don't just have to make such a face. (Felix stands with his back to her.) All the gentle ones have become very. Don't say a word to them! (Felix turns to her.) And don't be rude! And you know..
Felix puts down the knife, wipes his hands on his apron, takes Natasha by the white hands and pushes her out into the corridor.
Natasha: What are you? Absolutely?!.
. I now...
Felix: A witch.
He slams the door in her face, pulls the bolt.
Returns to the cutting table, takes coarse salt from the cupboard.
[…]
SCENE 13.
EPISODE 1. Restaurant. Hall.
Two men in leather jackets, IGOR and SASHA, are sitting at a table.
Sasha: You're drunk every evening. You don't understand, you snore, you smell, there's nothing to breathe in the room in the morning. You already got it, your text messages are those eternal “where are you?”. In Karaganda on a nail! Nauseous already, that's where! Why the hell did you break an Italian sink?
Igor: Do you want to leave?
[…]
Sketch by Ekaterina Zaletaeva
SCENE15.
Restaurant. Hall.
The whole team has already gathered in the hall: cooks, waiters, bartender, musicians, dancers, security guard, secretary Ira - in general, everything.
Svetka and Lucy are still sitting in the corner of the hall.
Svetka does her homework, Lucy smokes.
Igor and Sasha are drinking cognac. Gevorg is standing in front of them, they are talking about something.
EPISODE 1. Musicians.
Danya: ... I have five children, only whom I recognized ...
Seva: Yes, because you are a sucker.
Danya: You yourself are a sucker. If you put all my women in this hall, then they might fit, of course, but only very tightly ...
EPISODE 2. Seryozha and Nelya.
Nelya: And yours always has pressure, as if it were not her granddaughter! My mother, by the way, was not hired to sit with your child!
Serezha: Let your mother say thank you that I still haven't killed her with an axe. And we have a common child, if anyone is interested.
Selection of nature, selection of types
EPISODE 3. Meeting.
Gevorg: So. Comrades, we have three questions here, we are solving them quickly, because in the evening we have a German delegation.
So, the questions are as follows: the organization of a cell of the Beloved Russia party in our team, the congress of furriers, our dear Turkish and Greek guests come to us again, and the third is different. Including the atmosphere in the team, which I don't like...
Nelya: Nobody likes it. Here, some of the family are leaving.
Gevorg: Leaving a family is, of course, bad, but first we'll talk...
Kolya: Don't tell me, those days are gone.
Nelya: As they passed, so they will come. By the way, we have a family year!
Ira: This next year will be the year of the family.
Gevorg: Every year we have a family, and in those days, by the way, there were many good things. Therefore, I believe that if we all together, as a whole team, join the Beloved Russia party, this will somehow pull us up, maybe someone will get their brains right, someone, maybe, will return to the family ...
Supply man: Another question from the supply department: do we still buy toothpicks or not?
Gevorg: Will they let me finish? So.
Sign up for a party with Ira. We'll hand over the dues to her...
Gena: And if I don't want to join the party?
Danya: And what are the contributions?
Gevorg: So, we are not pulling anyone by force, this is a voluntary matter, but the attitude in the team towards such a person will be appropriate.
Gena: Is that a threat?
Gevorg: No, these are not threats. But some people have not adopted the program, by the way, and from some of whom we are all waiting for creativity and a good moral climate, and not the bullshit that regularly happens in your unit.
Gevorg pointedly shakes some pieces of paper.
Rita: Oh, and in the kitchen we have Valdai hymens! And in the vegetable warehouse we have cucumbers and tomatoes fucking!
Nelya: You would be silent about the kitchen, parasites!.. By the way, I was there with my husband!
Supplier: So I didn't understand, what's with the toothpicks?
Seva: Will wages ever be increased?
Sergey: Is it for you to raise your salary?! The day before yesterday, everything went to the orchestra, did you unfasten anything for our tea? How many five hats did I wear from those maramois?!
Danya: Yeah, you are the poorest of us! For the second month we have been eating the servants with sausages, and yours carries bags of pork from the kitchen!
Gevorg: Well, everyone shut up!.
. Let's move on. We have a congress of furriers. Start over. What do I want from you. To make you smile. All. Directly from the entrance. Borya, it concerns you too...
Borya: It's good that you started talking about it, Gevorg Richardovich, I don't mind smiling, but I wanted to raise the issue with the radio. I need a radio. Kind of bluetooth.
Gevorg: Borya. You, of course, do not be offended, but you are a moron. What radio? What the hell is your radio? Who will you talk to about it? With a wardrobe? By the way, we changed the plumbing, so we don’t get up like an eagle on it anymore, I repeat for the last time ...
Borya: I'm not a moron, but for business I need people to think that there are a lot of us.
Gevorg: Shut up, Borya! Nina Nikolaevna, so that I don’t see your vests on the mop anymore. I personally bought you rags, where are they? Do you eat them, or what?
Nina Nikolaevna: So the vests are softer! You can crawl into every corner with them.
..
Gevorg: Where you climb, Nina Nikolaevna, that's your business. Now for the program. So, Gennady, since the new program has not yet been adopted, we ride everything as usual. The first part is folklore, the second is "Scheherazade's Dreams". We lick the guests, as expected, remember that we have a cultural center, not a train station. And here's more.
Felix, I asked you many times. No need to pass through the hall with a knife during the evening program. And it’s not necessary during the day either...
Felix sits with a straight face.
Supplier: I'm still worried about toothpicks...
Gevorg: Will you shut up or not? You won't have toothpicks! They will pick with matches! We have a Russian restaurant! Get creative! You plant a couple of people, let them sharpen the matches! Now about the menu.
Cook: When will they give me a new uniform? In "Mashenka" the uniform is changed every month.
Gevorg: Go and work at Mashenka. And burn cutlets for them.
So I will answer you.
Natasha: He didn't burn cutlets. Everything on our equipment is on fire.
Gevorg: Don't protect your own and don't attack the equipment. And tell me better, what did you serve under the guise of a new menu? The same geese, only in profile? Your dead pigs are already making people sick. You disgrace me as the owner! What is it with us, the Turks have to eat the same thing every year? I went, climbed into the attic, found grandmother's recipes - we are waiting for creativity from you! You are now a free woman, you must be creative in your work...
Natasha jumps up and goes to the kitchen.
[…]
SCENE22.
Hotel corridor.
Lucy knocks on the door of the room. The door opens…
Lucy: Good evening. Nothing that I'm aged?
A bare man's hand pulls Lucy inside...
The door slams shut.
[…]
Sketch by Ekaterina Zaletaeva
SCENE23.
Bedroom of Nelya and Sergey.
Nelya and Sergey are fucking, Sergey is on top. Both eyes are open.
Nelya: Did you put the meat in the refrigerator?
Sergey: Folded.
Nelya: In an enameled bowl?
Sergey: I don't remember.
Nelya: How many times do I have to tell you: put the meat in an enameled bowl. Are you out of spite, or what, are you doing this to me?
Sergey: Roll over.
Nelya turns over.
Nelya: The meat stinks!
Sergey: How did you get me. And you, and your mother, and sister.
Nelya: What did your sister do to you?
Sergey: Listen, will you let me concentrate?
[…]
SCENE55.
EPISODE 2. Restaurant. Hall.
Sergey approaches the table where Anna Andreevna and Marina Ivanna are sitting. They have a laptop open on the table, papers with some plans are laid out.
Sergey: Would you like anything else?
Marina Ivanna: Another two hundred and fifty whiskeys and ice separately.
AnnaAndreevna: Explain to me, Marina Ivanna, why the hell did you put a cross on the eighth section in the very center of the cottage village?
Marina Ivanna: And because the eighth section, Anna Andreevna, we will not sell with you. We will put a stall there.
EPISODE 3. Restaurant. Hall.
Sergey at the bar. The bartender pours whiskey.
Bartender: We've already finished the bottle. Why don't they bite?
Sergey: Nope. And they don't get drunk. And they don't smile.
EPISODE 4. At the table.
AnnaAndreevna: What the hell is a stall for us, Marina Ivanna?
At that moment Sergey comes up to them, puts down the whiskey, straightens something on the table.
MarinaIvanna: What is your name?
Sergey: Sergey.
MarinaIvanna: Well, for Sergei.
They clink glasses.
Anna Andreevna: Good. And on the ninth in a circle what?
Sergey: I'm very sorry, but may I ask, what is your profession?
Pause.
Marina Ivanna and Anna Andreevna look at each other.
MarinaIvanna: And by profession, we, Sergey, are widows.
[…]
SCENE56.
Restaurant. Gevorg's office.
Gevorg is sitting at the table, studying some list. Secretary Irochka looks over his shoulder.
Gevorg: So, forty-six people… not bad. And this one is here... good. So... And who is Izmailova L.S.?
Ira: So this is Lucy.
Gevorg: What is Lucy?
Ira: Well, our Lucy.
Gevorg: What is she doing here?
Ira: Well, what's up? She came up and asked to sign up too...
Gevorg: Ira-jan, what place do you think? Lusya is not an employee of our cultural center. Lucy is a prostitute. Do you want prostitutes in our party cell?! You are crazy?
Ira: What do you think I should have told her? Lucy, you are a prostitute, go through the forest? A person wants to join the party, by the way, she was the only one who handed over the dues to me a year in advance.
Gevorg: What do you think I will say to Pal Osich when he asks me who Izmailova L.S. is?! Tell her the cell is full! There are no seats! And return her contributions to her!
Ira: Don't yell at me. I have already spent my dues. I bought two portraits and a flag.
Gevorg: Give her back the money!!!
[…]
Sketch by Ekaterina Zaletaeva
STAGE60. EPISODE 1. Restaurant. Hall.
Danya ends the song. The last chords sound. Turks applaud. Anna Andreevna rises from the table and approaches the musicians.
AnnaAndreevna: Do you know the “Blue Evening” by the group “Ladybug”?
Danya: Of course, only we have a program now. Then the disco will start.
Anna Andreevna: The disco has already started.
She hands him a thousand dollar bill.
Anna Andreevna: For Anya and Marina from Moscow.
She moves away.
Danya: The song "Blue Evening" is played for Anya and Marina from Moscow.
Anna Andreevna and Marina Ivanna go out to the middle of the hall and begin to dance with selfless abandon with concentrated faces. Waiters are bustling around the hall, delivering snacks. A drunken travel agent joins Anna Andreevna and Marina Ivanna.
[…]
SCENE65.
Restaurant. Kitchen.
Cook and Waitress.
Cook: Anything can happen in life, and I suddenly realized that I must definitely tell you this, because anything can happen, but what if I won't tell you!
Waitress: Val, what are you doing?
Cook: I like you very much. Let's meet?
Waitress: Do you love me, or what?
Cook: Well.
[…]
SCENE67.
EPISODE 1. Restaurant. Wardrobe.
Borya hangs a sign on the door of the restaurant "The restaurant is closed for a special event."
Intended casting
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Interview with Vladimir Varnava
April 29 - International Dance Day. In an exclusive interview with the "Looking" platform, the jury member of the "Dancing with the Stars" project and star choreographer Vladimir Varnava told how he got into the popular show of the "Russia 1" channel, what he appreciates in modern dance and what helps his body to think.
On April 29 the whole world celebrates International Dance Day. This holiday, dedicated to all dance styles, began to be celebrated in 1982 at the initiative of the International Dance Council of UNESCO on the birthday of the French choreographer and "father of modern ballet" Jean-Georges Noverre. As conceived by the founders, the main idea of the holiday is to unite all areas of dance as a single form of art, and this day itself is another reason to speak the same language - the language of dance. The contestants of the popular show of the TV channel "Russia 1" "Dancing with the Stars" also speak in the rhythm of tango, waltz, rumba and jive. In each program, they master completely new styles and strive to win. Someone will be able to reach the end, and someone will have to be out of the standings. This is decided by the viewers and the jury, which includes Daria Zlatopolskaya, Nikolai Tsiskaridze, Yegor Druzhinin. This year they were joined by a dancer, choreographer, twice winner of the Golden Mask award Vladimir Varnava.
In an exclusive interview with the “Looking” platform, he said that his expectations from the project were justified, what dance means to him personally and what Vaclav Nijinsky has to do with it.
- What brought you to television?
- This is an interesting platform and space to interact with. All my previous life and formation took place in the space of the theater. This is probably some kind of natural development when you develop in your business and become more recognizable. Today, the Internet is the main symbol of recognition and media coverage, but television is also a great source of information.
Shot from the program "Dancing with the Stars" (2022)
- Did your expectations from the project "Dancing with the Stars" come true?
- It's not that difficult to sit on the jury, to be honest. It is much more difficult to create numbers. And you look at the jury, give feedback. In general, I constantly wanted to ask the participants about their motivation, about what drives them when they dance, but in this format I did not always have such an opportunity.
There were, of course, some surprises, especially in the first episode of the show, but in general, the trajectory of events was assumed by me. And most importantly, the expectation that maybe a little more people will pay attention to what we are doing in our dance environment. I mean, of course, modern dance.
- Which of the participants of this year won your sympathy?
- I didn't have any sympathy before the start of the project. I really like all the participants, I feel undisguised pure sympathy for them, because they found a resource in themselves to immerse themselves in this story. We found the opportunity to take the path of a dancer, because my sincere conviction is that every person is a dancer, every person can dance, there is a dance inside each of us, and I, of course, categorically disagree with the opinion that only one or the other can dance. It's just a matter of how deep you go into it. Dedicating your life to dancing is a choice, and that's the only difference between professionals and non-professionals.
And so everyone dances, everyone can. And for me, the show "Dancing with the Stars" confirms this thesis, we see actors of different experience, different training, and how they come to dance. It makes me extremely happy to watch this. This is actually the main reason why I am here. For example, Marina Zudina feels such a passionate immersion in what she does. And it resonates with me. And every time I evaluate it, I try to feel it. I don’t rely on regalia, I respect the opinion of other jury members very much, but I operate with my own completely freely. I understand something about staging a dance, I worked as a ballet dancer for a long time. And, of course, the underground scene is what started my new round in life. I once decided to leave the ballet theater and start practicing modern dance, and in the cellars of St. Petersburg we tried to develop this art.
Shot from the program "Dancing with the Stars" (2022)
- I must give you credit that in St. Petersburg with unique ballet traditions you were not afraid to take up modern dance.
Today you are called one of the most relevant and emotional choreographers. Everything is clear with the actual, but why emotional?
- I heard that I am the most fashionable according to Vogue magazine. The most wonderful according to my mother, of course. And, of course, the youngest, but I have been young for ten years now. And it's nice! But that I'm emotional - this is news to me. I myself am a rather emotional person, I can give an eccentric one, but I think that we are talking about dance. The logic in this can be traced to the following: I am very fond of impressionism, there is no strategy in this, there is just love in this. Dance impressionism is also close to me, but in my work it is combined to a greater extent with logic, with mathematics, that is, I do not only subordinate myself to emotions. I am very interested in what drives people, as the dancer and choreographer Pina Bausch said, not only in terms of emotions and impressions, but in terms of their analysis, because dance is always imagination, a combination of fantasy and mathematics.
Is always! And I'm glad that there is such an opinion.
- I saw some productions with your participation, and a comparison with the dance innovator Vaslav Nijinsky, the star of Sergei Diaghilev's "Russian Seasons" appeared in my head.
- This is news to me! And the news is good, because just Vaslav Nijinsky is the signal with which I interact in a historical retrospective. I love Nijinsky. "Russian Seasons" is my favorite time in the development of dance art. Indeed, we have three very powerful figures, at least in my mind, these are Nijinsky, Nureyev and Baryshnikov, of course. So your comparison is very flattering to me.
- Many participants of the show "Dancing with the Stars" note that it is the work with the body that becomes the most difficult - the removal of clamps, liberation, because it is impossible to hide the psycho-emotional state in the dance. Do you have any formula how to get in touch with your body and make it think?
- You should come to my master class.
Joke! What is the topic here? Dance is a logically built system, and there are a great many systems, even within one dance genre. 100 years ago, the Chinese writer Lu Xun wrote that you begin to understand any business better when you study it comprehensively. In the dance you constantly reproduce the same movements, even the smallest ones. If I make the same movement 50 times, trace the path where it becomes more voluminous, meaningful, not only in terms of movement, but also in terms of thought, then this gives a completely different awareness of movements. Surprisingly, for me this is still a working scheme. For me, dance is a puzzle, some kind of endless puzzle. And most importantly, this puzzle is always at your fingertips. This is your body. It's great that you basically don't need anything extra - violin, cello. I am very fond of all kinds of arts, but I look at my friends and I think that the dancers are happy because their body is always with them.
Shot from the program "Dancing with the Stars" (2022)
- Are musicians grounded by the heaviness of a musical instrument?
- And that too, but it's like something else comes up.
And here, by and large, if you want to dance, you can do it on the sand, in the water, in space, you can do it anywhere. Dance is a very accessible thing, like voice. Like music that is created by our body.
- Even ten years ago contemporary people in Russia were treated in two ways. Modern stage dance was called by many a set of strange movements, nothing more. How is the attitude towards modern dance changing today? And is it changing?
- The form is changing, and we must look not for what is different in dances, but for what unites them. You know that rules exist to be broken, and it seems to me that I am now in the phase when these rules are clear to me, but it has become clear how they can be broken, but not because I don’t I know. That's what's important! I think that the audience is very much progressing in their perception of modern dance art. And in many respects thanks to TV projects. People began to look and skip the dance through their eyes to the very heart.
It's wonderful that so many people are dancing, so many people are buying subscriptions to the studio, so many people are taking care of their bodies. And what they do - dance theater or strip plastic - does not really matter, as long as it brings them pleasure and joy. Because dancing is for fun, it's my absolute religion.
- What are you currently working on?
- I would like to answer - above myself. In fact, yes. Every time you complete a project, you work on yourself. This is my way of communicating with the world. What to expect in the near future? Pretty much everything. But most of the time I'm doing what I'm building a modern dance campaign with the very purpose of popularizing modern dance art. You yourself know that the official religion of the state is academic ballet. But we don't want to be only in the museum space all the time, even if it's beautiful. And my generation of dancers is trying to change that. This is really important to me today.
