How can i dance with another

Dance to another tune Definition & Meaning

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See synonyms for dance to another tune on

Change one's manner, behavior, or attitude. For example, He'll be dancing to another tune when he finds out that the board means business. Also see change one's tune.



Smoothly step over to these common grammar mistakes that trip many people up. Good luck!

Question 1 of 7

Fill in the blank: I can’t figure out _____ gave me this gift.

Words nearby dance to another tune

dance of death, dancer, dancercise, dancerly, dance therapy, dance to another tune, dancette, dancewear, dancey, dancical, dancing girl

The American Heritage® Idioms Dictionary Copyright © 2002, 2001, 1995 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company.

Words related to dance to another tune

reverse, sing a different tune

How to use dance to another tune in a sentence

  • But the tide was turning on this issue, an email from another constituent made clear.

    Jeb Bush’s Unseen Anti-Gay Marriage Emails|Jackie Kucinich|January 9, 2015|DAILY BEAST

  • Jones is a veteran of another beloved-yet-controversial animated series on Adult Swim, The Boondocks.

    ‘Black Dynamite’ Presents Police Brutality: The Musical|Stereo Williams|January 9, 2015|DAILY BEAST

  • “I think for trans men who are dating every time they hook up they have another coming out,” Sandler said.

    Grindr’s Trans Dating Problem|David Levesley|January 9, 2015|DAILY BEAST

  • But in the case of black women, another study found no lack of interest.

    The Unbearable Whiteness of Congress|Dean Obeidallah|January 8, 2015|DAILY BEAST

  • Shortly after dawn, there was another outbreak of deadly force.

    France Mourns—and Hunts|Nico Hines, Christopher Dickey|January 8, 2015|DAILY BEAST

  • Practise gliding in the form of inflection, or slide, from one extreme of pitch to another.

    Expressive Voice Culture|Jessie Eldridge Southwick

  • The Pontellier and Ratignolle compartments adjoined one another under the same roof.

    The Awakening and Selected Short Stories|Kate Chopin

  • She walked away toward another door, which was masked with a curtain that she lifted.

    Confidence|Henry James

  • Each day she resolved, "To-morrow I will tell Felipe;" and when to-morrow came, she put it off again.

    Ramona|Helen Hunt Jackson

  • The moon seemed to smile on him; the aurora appeared to dance with unwonted vigour, as if in glee; the very stars winked at him!

    The Giant of the North|R.M. Ballantyne

How To Collab With Someone To Make A Dance Routine

It’s the day you’ve been waiting all season for. ..CHOREO PROJECTS!! Instead of making a piece by yourself, try collab-ing (collaborating) with someone else!

AKA, be the collab-hoe in this video:

Learning to make a piece with another person is full of ups and downs, but the end product will be double the jumbo.

I PROMISE you’ll be left with some good laughs, memories, and possibly a video that will haunt you (in a good way) for the rest of your dance career.

Here are some tips on how to collab with someone to make a piece – without becoming mortal enemies...

1. Communicate

Understand that a COLLAB is, well… a collaboration – which means you’ll be working with somebody else.

They might have a different style, a different dance history, and an entirely different set of ideas than you do.

Before you begin the choreography process, sit down and talk about your vision and ideas for the piece. Learn each other’s strengths and weaknesses.

Set goals for yourselves. And most importantly, make sure that your intentions for the piece lie in the same place.

*“Intention” meaning: What style are you going for? and What does this piece mean to you?

When you answer those questions and get on the same page, everything becomes much, much smoother when you actually try to make a piece!

2. Encourage each other

Let’s face it – some dancers may not be as experienced in choreographing as you are.

The last thing you want is to get competitive with each other and hurt each other’s feelings.

Compliment each other, tell them they’re doing a great job, and learn to appreciate your differences. Positive reinforcement goes a long way.

When you make a piece with someone, instead of just shooting down ideas you don’t like, get hype for the ones you do.

3. Compromise

No one has the same brain, which means your moves and ideas WILL be different. We have to be willing to adjust to each others’ preferences. Be open!

You’ll come up with a much more diverse and creative piece if you push yourself to try new movements.

For example, maybe you aren’t much of a floorwork person (ouch!), but the person you are collabing with is...

It might take some practice, but being willing to add it into your piece might surprisingly give you an outcome that you like, and otherwise would have never tried if it weren’t for the other person.

4. Trust each other

Ok ok, so you might not like one of their moves.

Or two…Or three.

But have no fear!

Everyone hears music in different ways. Just because they choose a move that you wouldn’t have initially chosen, doesn’t mean it won’t work.

If anything, it might actually turn out even better than you expected. Trust in your partner’s choices. Try it before you trash it!

& lastly…


Dancing doesn’t always have to be so serious. Don’t forget why we dance in the first place!

We dance because it’s fun, freeing, and makes us feel a type of way. Choreographing can be a stressful process, but you’ll only get what you make out of it.

It is much easier to create when you’re relaxed and having fun, rather than when you’re ripping your hairs out trying to make everything look good.


And when you’re finished? Take a deep breath, look at what you made, share your video with STEEZY, and give yourselves a huge pat on the back :)

After all, no one can move the way you do!

What are some things you've learned from collaborating with another choreographer? Comment below and share with us!

Why do we dance | PSYCHOLOGIES

Mankind learned to dance in ancient times, at the very dawn of its history. For our distant ancestors, dance was a means of communicating with the gods. True, the plots were earthly: rain for the harvest, good luck in hunting... “Initially, the dance had a sacred meaning,” explains Aida Ailamazyan, a psychologist and teacher of the musical movement. - The tribe had its own totem in the form of an animal and worshiped it in ritual dances, identifying itself with this same bear or tiger and copying the nature of its movements. Such a dance was performed not for the dancers themselves and not for the audience, but for the deity. The sacred function required the dancer to enter special states of consciousness. “It was an ecstatic practice of going beyond the personality,” adds Alexander Girshon, a specialist in dance movement therapy.

In the course of time, the sacred side of human culture separated from the secular one, in much the same way as the soul and the body were separated in our consciousness. In cult rituals, dance was significantly replaced by chants and sacred music. And secular balls, entertainment carnivals, masquerades have become a real celebration of the body and dance.

Express sexuality

Even in the most puritanical or Victorian times, the ball provided an exceptional opportunity for people of the opposite sex to touch each other, to enter into close bodily contact during the dance. And in everyday life, such touching was taboo. “In the history of civilization, couple dances were also part of sexual culture,” Alexander Girshon comments. - In this sense, dance is a demonstration of oneself, the choice and testing of partners. It is a meeting through bodily, non-verbal communication. The same role was played by the pioneer discos of the Soviet times and club parties of our days continue to play.

Dancing is also a way to experience your sexuality. “After all, a person is also an erotic creature,” Alexander Girshon explains. - Few manage to exclude this side of their nature from life. And after them there was no one left.

Curbing, control over sexual energy is one of the fundamental moments of most modern religions with their institutions of monasteries, fasting system and regulation of sexual life. “For example, the main criticism from Christian, church positions was directed against social (secular) dances, and not dance as an art, and dates back (mostly) to the 18th-19th centuries,” explains Alexander Girshon. “There are at least two reasons for this. The first is pragmatic: the need to dissociate itself from pagan movements, where dance is part of the rituals. The second is ideological: the opposition between the soul and the body, which is so important in Christianity. That is, not the dance itself, but the freedom of the body and its manifestations - that's what was rejected. So the dominance of the mind over the animal principle symbolizes the victory of the soul over the body.

But the body inevitably demands compensation. “A person always finds a way to deceive a taboo,” says psychologist, dance therapist Alexandra Vilvovskaya. “Carnivals, for example, arose as a need to circumvent the prohibitions of the church.” Hiding under a mask (as if “it's not me, but someone else”), it was possible to give vent to the daily curbed sexuality, freely express it without fear of condemnation.

Useful addresses

  • 5Life Dance School,
  • Elcentro Argentine Tango School, www.
  • Center for Musical and Plastic Development named after S. D. Rudneva "Geptakhor",

Feel the body

Why is dancing so popular today ? “Modern culture is experiencing a very strong need to regain its corporeality,” says Alexandra Vilvovskaya. - The popularity of appeal to the body - fitness, wellness and the cult of health and youth in general, the surge in the popularity of spas and other similar services, the growing popularity of dancing - all these are attempts to make up for the lack of physicality. Modern man is characterized by "separation" from his body. Therefore, sometimes even in the dance we touch each other, but we do not allow ourselves to fill this contact with feeling. We feel the other body, but we don't feel it." We have to re-learn to perceive the body (with all its needs and manifestations) as a value, learn to feel it. And dance gives us that opportunity.

In harmony with gender

Dance (as a rule) requires a clear gender identity. “At present, men and women (with varying degrees of comfort) have to play mixed social roles,” explains psychophysiologist Vita Kholmogorova. “In dance (pairs and not only) this division is very clear, he puts everything in its place.” It fills us with a sense of harmony, brings awareness of belonging to one's gender. This gives us the key to harmonious interaction with the opposite sex - at least in the process of dancing.

Turn on pleasure

“The main engine of both amateur and professional dance classes is pleasure,” Alexandra Vilvovskaya is sure. – Dance responds immediately to many human needs. It's beautiful, it gives you the opportunity to communicate, to be among people. And this is movement, because movement is natural for a person. Through pleasure, dancing for many becomes at least a favorite hobby, a great addition to the rest of life.

The key to the pleasure of dancing lies in psychophysiology, says Vita Kholmogorova: “The movement is successful and the brain immediately receives a positive signal. Dance generally gives powerful signals of reinforcement, the feeling of "I can." In the process of dancing, all internal rhythms are coordinated in the body: heartbeat, breathing, pressure in the vessels, vibrations ... And as soon as all systems begin to work smoothly, obeying a single rhythm, this relieves tension in the whole body. Something similar happens when a person, for example, drums his fingers on the table - he needs some kind of repetitive rhythmic action to coordinate systems.

Dance for two

Ballroom dancing fascinates many. In particular, because in them the relationship between a man and a woman appears in the ideal form desired by our divided world, Stanislav Popov, president of the Russian Dance Union, is convinced.

“There is a bewitching beauty in ballroom dancing, as the audience says, “not from our life”. Many people feel that dancing gives them the opportunity to touch something more beautiful than our everyday life. For me, it has always been like this: I remember how in the fifth grade I asked my mother to sew a jacket to go to the dance floor. Then, in the newly opened Luzhniki, people in jackets and ties came to dance foxtrots and waltzes. The dances were couples and the couples were beautiful. Later, a shake, a break appeared ... as if a reflection of what is happening with the modern institution of family and marriage. Today we are more divided, and looking at the exciting dance of partners, at their perfect, well-coordinated movements, many feel nostalgic for this ideal of close relationships.

To heal means to make whole

“During dance classes, those parts of the brain that used to be “sleeping” are activated,” explains Vita Kholmogorova. - The work of the right and left hemispheres is synchronized. All sensory systems are activated: we learn to simultaneously hear sounds, feel the rhythm, track movements, and due to this, the perception of the world becomes wider, more voluminous. Dancing also improves our connection with ourselves.”

It is connected with the sensual side of our nature, with the movement of emotions, not thoughts. “Passion for dance expands our consciousness, our existence acquires greater integration, integrity,” Alexander Girshon continues. – The contradiction between intellectual, analytical and sensual ways of perception is removed. In addition, dance gives us the experience of acceptance on a deep, non-verbal level, and this can be acceptance in many ways: acceptance as agreement with a partner, acceptance as approval of a group or community, acceptance as pleasure for oneself.

“I want to dance!”

Many of us felt this need in ourselves, watching with admiration the graceful steps of ballerinas or the refined movements of hip-hopers. Or maybe you should say to yourself: “I can” - and let the dance into your life? “To start dancing means to be open to change, to start changing from the inside,” Alexandra Vilvovskaya is sure. – Any changes in the life of an adult require determination, and not everyone is ready for them. But in dance, a person comes into contact with the real self. This is a very important and rare experience. And those with whom this contact happened are grateful to the dance precisely for this.

Dance as a psychotherapy

“It teaches us to understand our body language, helping us to find integrity and find contact with our life resources,” says psychotherapist, specialist in dance movement therapy Guzal Loginova.

“Dance is a communication that takes place on three levels: dance with oneself, with other people and with the world. The task of the therapist is to create a safe space for the therapeutic relationship. It is in it, analyzing the relationship on the example of movements with a dance therapist or other people (when it is a group work), a person can learn to interact with others and with himself. The dance therapist helps him feel, understand the cause of symptoms, pain, various bodily discomforts or restrictions in movement.

The dialogue with oneself is restored, the person learns to understand his body language, develops the ability to use movement to express the full range of feelings. One of the tools of this method is dance improvisation: these are moments of exploration and expression of emotions, fantasies, dreams, memories by means of symbolic movement. The fact is that when we move spontaneously, we express ourselves accurately and honestly: in this movement, the unconscious becomes visible, takes shape; we reunite with it and gain access to our inner psychological resources. As a result, additional opportunities for self-knowledge and gaining personal integrity are opened up. And that is the main goal of psychotherapy.”

Text: Ekaterina Koptelova Photo source: FOTOBANK.COM/GETTY/ALTRENDO, CORBIS/FOTO S.A

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1. Choose your style

The idea here is the same as in sports: if you secretly hate yoga or iron exercises, you are unlikely to go to workouts week after week. To achieve noticeable progress in dancing, a beginner will have to practice a lot and regularly, so it’s better not to torture yourself and choose a direction that really ignites.

You can focus on the music that you like - you need to catch the drive from movements to it. It is music that forms the style of dance and its energy, so decide what is closer to you: for example, funk lovers should try popping or locking, folk fans may like Irish dancing, and if you respect jazz, swing and everything like that, take a closer look at lindy hop.

Another criterion is the nature of the movements. Some are closer to dynamic, as in hip-hop, others are smooth and sensual - for this in tango. There are also health restrictions to consider. So, twerk is not suitable if there are problems with the lumbar spine, with sore knees it is better not to get involved in shuffle, and it will be difficult for an aged person to master house.

2. Set a goal

Photo: Iakov Filimonov / Shutterstock

You can start dancing at any age, but it's important to keep in mind why you started it in the first place. It is perhaps too bold to expect that in half a year of classes it will be possible to reach the level of international dance championships from scratch. But if you want to try dancing in order to develop plasticity and learn to feel the body better, great, go ahead.

Don't expect to get it right the first time. When you learn from scratch, difficulties are absolutely normal, the main thing is not to score in classes. Over time, both the correct posture and a beautiful gait will be developed, and as a bonus you will also get self-confidence - with freedom of movement, freedom from complexes will come.


Don't give up on sports

Some dances in themselves make for a good workout. A vigorous shuffle will replace cardio, and a break can give a load to almost all muscle groups. And yet, without preparation, it will not be easy. A more or less good stretch is needed in any type of dance, and, for example, strong arms and strong abdominal and back muscles are also useful for pole dancing. You can combine dancing with strength exercises, but you need to give the body time to recover and not plan classes in a row, but allocate at least a day of rest between them.

And don't forget to warm up before dancing. So that the training does not end with an injury, the muscles and joints need to be prepared for the load. You can allocate 10–15 minutes for a warm-up, it should include simple articular gymnastics (at least elementary rotational movements of the shoulders and knees), tilts and dynamic stretching.

4. Take some lessons from a trainer

Especially if you have never danced before. Those with experience can learn new styles at home with video tutorials, but that's because they already know how to control their bodies. Beginners are unlikely to succeed, but disappointment in themselves and demotivation are guaranteed - if you can’t repeat elementary movements, then there’s no point in doing it.

Nothing really strange here. Without preparation, it is difficult to just take it and start moving freely. At least the basic elements are better to master under the guidance of a pro, and when you feel that you are coping, supplement these lessons with home workouts.

5. Learn something new in every class

When you repeat the same set of exercises and movements over and over again, classes turn into a good way to pass your free time, only you can forget about progress. Acquaintance with new elements is the same mandatory part of any workout as a warm-up. It doesn't matter if you work with a mentor or on your own.

Do not immediately try to copy cool dancers. First, study the basic movements, then try to combine them into bundles until you hone them to automatism, and then experiment and improvise, creating something new based on familiar elements.

6. Record yourself on video

You don't need to record the whole workout from the warm-up on, it's enough to record only those moments with which you have problems. These can be separate movements or bundles that are not given in any way. Review the video and, if possible, objectively assess what is wrong: perhaps there are technical problems that are difficult to notice in the process. When you understand what's wrong, try to repeat the movement and record it on video again - and so on until you achieve a good result.

This approach will help you find errors and track progress. You can not even limit yourself to memorized ligaments, but improvise - then see how it looks from the outside.

7. Find like-minded people

Photo: Iakov Filimonov / Shutterstock

If you need an extra reason not to miss classes, then meeting new people can be a good motivation. It is easier here for those who train in a group. Often the dance school becomes the center of a close-knit community, where people come not only for the sake of classes, but also just to spend time together at dance parties.

Finally, the more partners around, the more experience. Do not limit yourself to dancers of your level of training and practice with those who are stronger or weaker than you. In the first case, you will be able to improve your skills, and in the second, you will try yourself as a coach - this, by the way, is a good way to learn to take more initiative and understand the very principle of movement in dance, and not just memorize the alternation of chords.

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