How to play the default dance on guitar

Fortnite Default Dance | guitar tab creator









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View Stave: Stave 1

(/) Slide Up (\) Slide Down (h) Hammer On (p) Pull Off (b) Bend (r) Release (v) Vibrato
 Stave 1:


Strumming Speed (fastest)

Strumming Speed (slowest)


6 String Guitar


6 String Guitar - Standard

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default dance piano meme | TikTok Search



For You




🎵🎶🎵🎶. 🎵🎶🎵🎶 #meme #memes #funny #funnyvideos #pianomeme #defaultdance #fortniteemote #fortnite #fyp #fypシ #foryoupage #xyzbca

3.6K Likes, 58 Comments. TikTok video from fastforza (@fastforzaa): "🎵🎶🎵🎶. 🎵🎶🎵🎶 #meme #memes #funny #funnyvideos #pianomeme #defaultdance #fortniteemote #fortnite #fyp #fypシ #foryoupage #xyzbca". when the music teacher leaves the classroom. original sound.


original sound - fastforza



#fortnite #defaultdance #justdancemoves #meme #kwelshau #sexyman #xbox #piano

2. 2K Likes, 68 Comments. TikTok video from Kwelsh (@kwelsh_): "#fortnite #defaultdance #justdancemoves #meme #kwelshau #sexyman #xbox #piano". original sound.


original sound - Kwelsh



Replying to @dominicc8 Default dance but piano version meme #robloxfy #meme #robloxmeme #funny #lol #robloxanimation #roblox #fyp #foryourpage #fy #foryou #animation

62.5K Likes, 1.8K Comments. TikTok video from Mariton (@maritonislegend): "Replying to @dominicc8 Default dance but piano version meme #robloxfy#meme#robloxmeme#funny#lol#robloxanimation#roblox#fyp#foryourpage#fy#foryou#animation". feat. dontnoBG. default dance but piano version.


default dance but piano version - Mariton



#fyp #piano #memes #funny #needfollwers #rat will dis make me famous?

TikTok video from ciscok1d (@ciscok1d5): "#fyp#piano#memes#funny#needfollwers#rat will dis make me famous?". Default dance | Halloween | Piano memes | .... original sound.


original sound - ciscok1d


The 🐐

Reply to @aidenha11 very quick 👍#default #dance #meme #on #piano #fyp #freememes

302 Likes, 6 Comments. TikTok video from The 🐐 (@d_nonuggi_): "Reply to @aidenha11 very quick 👍#default #dance #meme #on #piano #fyp #freememes". original sound.


original sound - The 🐐


The 🐐

Took forever to find #meme #piano #pianomemes #lmaooooooo #defaultdance #fyp #viral #fypシ

462 Likes, 11 Comments. TikTok video from The 🐐 (@d_nonuggi_): "Took forever to find #meme #piano #pianomemes #lmaooooooo #defaultdance #fyp #viral #fypシ". POV : the music teacher walks out the class:. original sound.


original sound - The 🐐



#fortnite #fortnitedance #piano #defualtdance #fyp #tiktok

314 Likes, 9 Comments. TikTok video from Thunder_Gaming (@gaming_chicken_nuggets): "#fortnite #fortnitedance #piano #defualtdance #fyp #tiktok". Try not to laugh. original sound.


original sound - Thunder_Gaming


Nathan Wiles

The first thing I have ever been able to play on piano 😂😂😂.#fyp #foryoupage #defaultdance #fortnite #piano #memestiktok

TikTok video from Nathan Wiles (@natew03): "The first thing I have ever been able to play on piano 😂😂😂.#fyp #foryoupage #defaultdance #fortnite #piano #memestiktok". original sound.


original sound - Nathan Wiles



#repost #funny #lel #fortnite #meme #xyzbca #dance #piano #loud #earrape #default #defaultdance #defaultdancefortnite

152 Likes, 5 Comments. TikTok video from #bbg (@cottonsprinkles): "#repost #funny #lel #fortnite #meme #xyzbca #dance #piano #loud #earrape #default #defaultdance #defaultdancefortnite". original sound.


original sound - #bbg

Key moments of flamenco guitar accompaniment

Flamenco is a unity of three components: dance, singing and music. Only the synthesis of these completely equal principles can be called flamenco. Fine examples of solo work of such geniuses of the guitar as Paco de Lucia, Vicente Amigo are only a reflection of this unique art, but cannot fully represent it. Only the harmony of melody, rhythm and visual image creates that elusive duende aura that everyone feels, but no one can explain in words. The role of the guitar in flamenco music can hardly be overestimated, but it is in the accompaniment that its true qualities are revealed.

So, flamenco guitar in accompaniment. Let's look at the key points.


The most important component in flamenco guitar accompaniment is, of course, the special rhythm, compás, inherent in each style. Since the number of beats in many styles reaches 12, for ease of notation, a variable time signature is often used, for example: 3 quarters - 6 eighths, but in fact, compás is always a whole indivisible bar. One of the meanings of the word compás in Spanish is the concept of a musical measure, i.e. a combination of strong and weak beats within a certain period of time. Moreover, the first beat of the measure, in contrast to the academic definition, in flamenco music is not strong by default, often the first beat of the measure is weak (Soleá, Tangos, Alegrías), although it can be strong in certain styles (Tientos, Farruca).

In a fast tempo, it is difficult for a musician to follow all the beats of the measure, and this is not necessary, since the main thing is the strong beats, for example 3, 6, 8, 10 and 12 in Soleá, Alegrías, or 1, 3, 5, 8 , 11 in Seguiriyas. In quadruple schemes, these can be 2 and 4 beats (Tangos, Rumbas).

They are the rhythmic guide for the guitarist, the "compass" in the sea of ​​complex rhythmic variations. The downbeats of the compás are distinguished in several ways. In addition to guitar techniques, such as rasgeado (hitting the strings with the outer part of the nail of the right hand), accentuated playing of notes and chords with the thumb, golpe (hitting the finger of the right hand on the top soundboard), there is another important instrument for performance - hitting the foot. Without rhythmic foot strikes, a flamenco accompaniment may be incomplete.

In fast styles such as Bulerías, there are several techniques for leading the compás with the foot, for example: kicks on 1, 4, 7, 9, 11, i.e. 5 beat count; beats on 2.3 beats of each 3-beat compás cycle.

Another important consideration for a flamenco guitarist is the structure of the styles.

Style structures

The main structural elements of most flamenco styles are:

1. Intro

- the introductory part of the piece, in some styles it can be played in free rhythm, without compás.

2. Llamada (Yamada, or lyamada)

- the transitional part between the main parts exists in order to attract the attention of the cantaor or bailor (flamenco dancer) before their entry.

3. Salida de cante

- the introduction of a cantaor (flamenco singer), as a rule, this is a musical phrase sung into several syllables. These syllables can usually be used to accurately determine the style of a piece, such as Caña, Polo (i i i i i i), Soleá (le le le ay ay ay ay), Alegrías (tirititran tran tran), etc. Sometimes styles within the same group differ essentially only in the content of these syllables, for example Alegrías de Malaga, Alegrías de Cordoba, etc. The accompaniment of the salida de cante, as a rule, is simple, performed by the techniques of rasgeado, pulgar.

4. Letra

- song verse. The accompaniment is similar to the salida de cante, with a clearer rhythm.

5. Compás

- a part of a flamenco piece where the main rhythm of the piece is played without solo melodies being played. Performed with rasgeado, pulgar, golpe techniques. The rhythm is underlined, strict.

6. Remate

- a short part, performed exclusively by accented rasgeado, accompanied by the performance of short fractions by bailor.

7. Falseta

- solo guitarist who performs melodies in various ways, in particular picado, pulgar, arpegio.

8. Escobilla (Escobia)

- bailor solo, often the culmination of the work. The accompaniment is a clear rhythm, the main technique is rasgeado.

In addition to the main ones, there are smaller structural elements. Some elements of the play may change the order. Each style has certain harmonic moves, there are preferred keys, but in any part there is always room for improvisation by any of the flamenco participants. Priority in each part is given to the soloist, i.e. in falseta the bailaor dances to the guitarist, in escobilla the guitarist plays to the bailaor, in letra the tokaor (flamenco guitarist) and the bailaor play and dance to the cantaora.

In conclusion, I would like to emphasize once again that there are no “main” performers or instruments in flamenco, so the meaning, the true spirit of this unique art should be sought precisely in the fusion of song, dance and guitar music. The primary function of the guitar in this synthesis is accompaniment, therefore, those who wish to really get acquainted with flamenco guitar, in the opinion of the author of the article, should begin with the study of accompaniment and style features.

Article prepared by guitarist Sergey Roschektaev

Guitar fight. 12 main types of guitar fighting.


  • 1 Introductory Information
  • 2 Boy on the guitar - schemes and types
  • 3 Fights on the guitar for beginners
    • 3. 1 Bow Six. Thieves fight
    • 3.5 Tsoi fight
    • 3.6 Vysotsky fight
    • 3.7 Spanish fight
    • 3.8 Rosenbaum fight
    • 3.9 Boya reggae
    • 3.10 Country
    • 3.11 Waltze battle
    • 3.12 Chechen battle
  • 4 Jetting strings on guitar
  • 5 Service 900
  • 7 Beautiful Perebili 9009 7 Beautiful Perebili

    Guitar fighting is the first thing every guitarist masters. It is in this way of sound production that the vast majority of Russian and foreign songs are played. If you learn the chords of a composition, but do not learn the fight, then the song will not sound the way it was originally intended. In addition, this method of playing will help to diversify your own compositions - you will know how to beat rhythmic patterns, how to set accents, and also form musical texture. This article will help you understand how to play a fight on the guitar, and also show the main types of this game technique.

    Guitar fight - diagrams and types

    This paragraph should start with the very definition of the term "guitar fight". In essence, this is a play on the rhythmic pattern that is present in the song. Initially, the songs were performed without a clear rhythm section, so the musicians had to set their own accents. It was then that the main types of fighting on the guitar appeared. They highlight the weak and strong beats, set the tempo of the composition, and help to play it smoothly.

    Accordingly, there are as many fights on the guitar as there are rhythmic patterns - an infinite number. However, there is a list of basic ways to play in this way, by learning which you can play almost any song. And if you combine them in your works, you can get an interesting and varied composition with an unusual sound.

    Guitar strike consists of successive strikes on the strings down and up. They are arranged in a certain order, depending on the time signature and rhythm of the piece. - stroke up. An alternative option presented in this article is drawings with arrows. With the help of such a scheme, you can immediately understand the style of the stroke and the game.

    Below are 12 of the most common guitar strokes used by various artists or in certain genres of music. Each of them is given a brief annotation and a scheme of the game.

    Fighting Guitar for Beginners

    Fighting Six

    This is the most basic and simple type of stroke. It is with him that all guitarists begin, and even professionals use it in their songs.

    Fight eight

    This is a more complicated way of playing with a stroke, but it sounds much more interesting than the already bored "six". This method consists of eight beats, and beats an interesting rhythmic pattern.

    The accent is also placed on every third beat. In other words, there are eight movements, but in one cycle of these movements there will be only two accented strikes. This forms an unusual rhythm, which can be unusually beaten.

    Fight Four

    Another simple guitar touch, the most standard of all.

    thug fight

    Not exactly a stroke in the usual sense. In terms of playing style, it is very similar to country music, but there are differences. Its main feature is the alternate change of bass notes - due to which an interesting melody and a kind of "dancing" are formed.

    Boy Tsoi

    This stroke got its name from the famous artist Viktor Tsoi, who often used it in his songs. This way of playing is notable for its speed, so in order to play it correctly, you will have to practice.

    Vysotsky's fight

    Just like the stroke above, this one was often used by Vladimir Vysotsky. It is a slightly modified version of the thug battle.

    Spanish fight

    This is one of the very first types of stroke, which came from the homeland of the guitar - Spain. It is a “figure of eight”, where for each first downward blow you need to use an interesting trick - rasgueado. It is performed in this way - you need to quickly hit all the strings with all your fingers in turn, throwing out a kind of "fan". This is the most difficult part of this fight, however, after some time of practice, the technique should not cause any problems.

    Rosenbaum fight

    Another type of stroke that took its name from the name of the artist who used it most often. This is another modified version of thieves combat. It swapped up and down strokes after the thumb plucks the bass string, and added an additional upstroke with a shifted accent (Bass is pulled along with the index finger, the index finger pulls the first 3 strings up) . That is, the first part of the stroke looks like this: bass string - up - mute - up, and the second part: bass string - up - mute - up. It turns out a very peculiar pattern, different from the standard thieves stroke.

    Reggae fight

    And this is a more interesting kind of stroke - because it is due to it that an interesting rhythmic structure of reggae compositions is formed, and otherwise it will not work to give them the right mood. It is played exclusively downwards, occasionally making an upward movement with the hand to increase the dynamics - most often at a chord change.

    At the same time, every first blow in it is made on muted strings - and every second - on clamped ones. Thus, a weak beat is highlighted, in which reggae music is most often played. The section contains more detailed schemes of the game.

    Country fight

    A type of stroke characteristic of American folk music. It is also a modified version of the thug fight. It consists of two parts: in the first, you pull the lower bass string - fifth or sixth - and then move your fingers down the rest of the strings. After that, you pluck another bass string - fifth or fourth - and move up and down the rest of the strings. This needs to be played very quickly, because the country music itself is dynamic and has a high tempo.

    Waltz fight

    Stroke characteristic for "waltz" music and songs written in 3/4 rhythm (one-two-three) - as it is clear from the name. The fight has different options for plucking, picking or picking with alternating bass strings. The main task here is to keep an even rhythm without slowing down the tempo, which is just given from the first notes and shakes the whole composition. The game itself is simple, but has complex execution schemes that require perseverance and patience.

    Chechen battle

    Type of stroke characteristic of Chechen folk music. This is a sequential movement of the hands up and down, while the first two blows are made in one direction, and all subsequent ones - with an emphasis on every third blow. The result should be the following: hit-hit-hit-hit-ACCENT-hit-hit-hit-ACCENT, and so on.

    An important point in how to learn to how to play the guitar is to understand how to mute the strings. It is used to add accents and to help the guitarist navigate the rhythmic pattern of the song. This technique is performed very simply - while playing with a stroke in some strokes with your right hand, press the strings so that they stop sounding - a characteristic ringing clap will be heard, which will highlight the weak part of the song.

    An alternative way to play the guitar is to pick. This is the name of the technique during which the guitarist plays music in the form of a sequence of individual notes, rather than sounding chords. This allows you to diversify the melody of the composition, its harmony and flow. A lot of classical and modern works are performed by enumeration.

    There are also several standard picks that are often used by guitarists of all skill levels. They are named based on the number of strings involved in them, and similarly to guitar fights: "Four", "Six" and "Eight". At the same time, the order of the strings in them can vary - and the four notes of the first enumeration can be played sequentially from the third to the first string, or the second can sound first, then the third, and only then the first - it all depends on your imagination.

    Of course, the standard types of picking sound good anyway, but experienced guitarists who have mastered this technique move away from them, writing their own patterns and rhythmic patterns.

    Learn more