How to fast dance with a partner
5 Basic Dance Steps for Wedding that Everyone Should Know — Duet Dance Studio Chicago
Knowing some simple basic dance steps is helpful to anyone, whether you are preparing for a wedding, prom or social event. The tutorial videos below show you some of the most versatile basic dance steps for wedding. Instead of rocking side to side with your partner, impress your special someone with these simple yet fun dance steps at your next event!
1. The Side Basic
This basic dance step is easy to master and works great with 80% of the songs they play at weddings and parties. You can dance it slowly to slower songs or speed it up for songs with faster tempo. Not only can you dance this step with a partner, you can also use it as a solo dance move! The key is to dance to the beat and move your feet rhythmically. Practice this a lot until you don't have to think about it.
2. The Right Turn
Once you have mastered the side basic, you can surprise your partner with a simple right turn. This turn is an extension from the side basic. Footwork is the same for the leader. The key is to signal your partner at the right time and lead with confidence.
3. The Waltz Box Step
What do you do when a romantic waltz song comes on at a wedding? Learn this simple waltz box step and "sweep your partner off her feet!" Surprisingly, you might already know the wedding waltz basic. Remember the PE ballroom dance class you took way back when you were in grade school? Does the Box Step sound familiar to you? The waltz box step is one of the most versatile and most taught basic dance steps in partner dancing. Let's take a little refresher course on the box step here!
4. The Under Arm Turn
One of the most exciting things about partner dancing is that you get to turn your partner. And who doesn't like to turn? The Under Arm Turn we are showing you below is an extension from the Waltz Box. It's a graceful turn that will not only impress your partner but also the onlookers!
5.
The DipLastly, no dance is complete without a fancy dip! Many people are afraid of this move. In fact, it is a fairly safe move if you understand the correct posture and body positions for this pose. Watch this tutorial and learn to dip your partner safely and gracefully.
What is your favorite dance step for weddings? Please comment below. And if you'd like to learn more dance moves for your wedding, click the button below.
Online Wedding Dance Lessons
The Duet Team is a group of friendly dancers who are passionate about helping people and sharing the joy of ballroom dance. And we love to make new friends and have fun at work! Duet Dance Studio is located in Chicago West Bucktown. We offer ballroom dance lessons, wedding dance instruction and private dance parties. Online Wedding Dance Lessons and Skype dance lessons are also available! Dances we teach include Salsa, Swing, Tango, Bachata, Merengue, Waltz and Foxtrot. Sign up for an introductory dance lesson now to get started!
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0 LikesDance Etiquette | The Promenade Dance Studio Llc
MAY I HAVE THIS DANCE?
When you ask someone to dance, be sure to make eye contact with your prospective partner, offer your hand, and ask clearly, “Would you like to dance?” If your partner says yes, smile, offer your hand, and escort him or her onto the dance floor and into dance position.
This will make your partner feel supported and at ease.
YES, THANK YOU, I’D LOVE TO DANCE
When someone asks you to dance, your response should be, “Yes, thank you, I’d love to.” In a social dance environment, it is customary to say “yes” when someone asks you to dance. In order for dancing to be a joyous activity, it is important that social dancers are supportive and kind to each other at all skill levels.
YOU DANCE DIVINELY!
During the dance, be sure to be aware of your partner. Smile and make eye contact, but don’t stare. It is fun to dance with a partner who is gracious and appreciative. At the end of the dance, ALWAYS say THANK YOU to your partner and begin to escort them off the floor. Generally, if you did the asking (Male or Female), it is a custom and courtesy to walk your partner back to their seat. However, walking them back to the edge of the floor is generally the preferred way. Walking your partner back to their seat seems only necessary if you interrupted a conversation, if they were with a date or if you both were sitting in the same area.
The edge of the floor is less presumptuous and it gives the person an exit, if they choose.
WHEN TO SAY NO
When a person asks you to dance, it is appropriate to say no if you have danced with this person before and he or she has been physically or verbally abusive. It is also appropriate to say no if the person is obviously drunk or threatening in some way. If you feel that a dancer is physically dangerous to the other dancers, you should report the situation immediately to a member of management.
Unless someone is truly offensive, it is not appropriate to say no because your partner may have poor dance technique. While dancing with this person may not be one of life’s peak experiences, a dance is only three minutes long and the experience will not kill you. Also, if you refuse a dance with one partner, it is inappropriate to accept an offer, for the same dance, from another partner. This is a sure way to deflate someone's confidence which is counter-productive to the whole experience.
The more you build up their confidence the better dancer they will become. Your patience will deliver a just reward.
CIRCULATING
In a social dance situation it is appropriate to dance with a variety of people. At The Promenade we always have a Single Dancer Section, so that it is easy for Single Dancers to meet and greet. It is not mandatory to sit there, but as a Single Dancer, your odds of dancing are much greater if you do. We have many patrons who are married, but their partner does not dance. They are still considered Single Dancers. It is generally poor Dance Etiquette to partner up and dance with the same person all evening long. Naturally, some people will prefer certain dance partners to others, but this should not prevent them from accepting an offer to dance from a new person. If the same person asks you to dance repeatedly, for several dances in a row, it is acceptable to tell that person, “Thank you, but I’d like to meet and dance with some other people for awhile.
I’ll be happy to dance with you again later in the evening.”
CLEANLINESS IS HEAVEN AT A DANCE
Social dancing is a quasi-intimate activity that requires a certain degree of physical closeness. Good hygiene shows respect and consideration for the other dancers. Dancers should bathe, use deodorant, use breath mints, and wear clean clothes that will not be too hot. Some dancers sweat a great deal while dancing. In this case, it is considerate to bring a towel and/or change of clothes. If you find yourself getting too sweaty on the dance floor, you should stop, dry off, and cool down for a few minutes. Your partners will thank you for it. Dancers should also use a light touch applying perfume or cologne. Some people may be sensitive to fragrances.
YOUR PARTNER’S TECHNIQUE
Unless someone asks you directly to make a correction of their dancing, you should never volunteer criticisms of your dance partner’s technique. Know that your dance partner is doing the best he or she can.
If your partner is dancing off time, you should view the situation as a challenge to dance to the same internal rhythms as your partner. Your partner is not dancing off time intentionally. Again, he or she is doing the best he or she can. Do your best to respect each others rhythms. If your partner is physically hurting you, it is probably inadvertent. In this case, you should stop dancing for a second, and say “I’m sorry, but you’re holding my hand a little tightly. Could we try again?” If you receive an inconsiderate response or your partner seems unwilling to modify his behavior, it is then appropriate to say, “thank you, but I’d like to stop now.” Social dancing should never be physically painful or dangerous.
FLOOR CRAFT
In order for a social dance to be enjoyable for all participants, it is crucial to be considerate and aware in your floor craft. No matter how much you may want to swing out, on a crowded dance floor your primary consideration should be respect for the other couples on the floor.
You don’t have to dance big to have fun.
At times, collisions do occasionally occur in the heat of the moment. When there is a collision, everyone involved should stop and apologize, regardless of whose “fault” it was. If someone has been hurt, you should make sure that person is okay before you resume dancing. Sometimes people are not okay after a collision. In this case, you should escort the person off the floor to a chair and see if that person needs ice, a drink of water or medical attention.
Careful observation of the Line of Dance" in a ballroom can prevent mishaps. In Waltz, Foxtrot, tango, Quickstep and Samba, dancers move in a counterclockwise circle around the floor. The very outside lane of the line of dance is the “fast lane”; it is generally used by very experienced dancers who cover a great deal of ground. The inside lane is for less experienced dancers who may be moving a bit more slowly. Beginners and those who would like to practice the basic steps without traveling can stay on the inside of the circle, out of the line of dance completely.
In addition -- It is considered inappropriate to cut across the dance floor, especially when carrying food or drink. And also, remember to move off the dance floor when engaged in conversation.
GROUP DANCE ETTIQUETTE
Most of the same dance etiquette considerations for dances also apply in a group class environment.
ROTATING PARTNERS
It has been proven that you will learn to dance 30% faster by dancing with a variety of partners. Most often, in our group classes, we have you rotate. Be sure to say hello and introduce yourself to your new partners. If you only want to dance with the same partner for your own personal reasons, you may do so by stepping out of the circle each time the instructors ask you to rotate. This way, it is clear that you choose to not be a part of the rotation.
In order for dancing to be the joyous activity that it is, it is important that social dancers are supportive and kind to each other no matter what level the dancer is at.
You should never refuse to rotate to a particular partner because you don’t think that person is good enough. Everyone needs to grow and learn. Rotating partners enhances your dancing.
THIS IS OVER MY HEAD!
If you really can’t get the step, you can tell your partner that you need to step out of the rotation for a minute to try to master the steps on your own. Remember, The Promenade's Dance Floor and Private Studio are available for Practice, every week night from 6-10pm. Call us for more information.
IN CONCLUSION
Thank you for taking the time to review this guide to Dance Etiquette. Keep in mind to use common sense, respect, and manners for an enjoyable dance experience for both you and your partner. We hope this will help you enjoy any dancing situation with grace and finesse.
Source - USA Dance
Slightly Edited to fit The Promenade's Program
Dances
Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango
Dances
Author: Pavel Pavel
Psychologist, Lecturer Salsa
on At the start, you always want to get a quick result.
When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow. nine0003
This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.
1. Listen to music
The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores. nine0003
An addition that will help you dance better is your active participation in the music.
Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.
2. Watch videos of good dancers
It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself). nine0003
Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.
It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.
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Tango Z. Showreel.
Online modern tango courses
Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.
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3. Dance in salsatecas/milongas/discotheques
A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”. nine0003
In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes.
You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.
4. Dance with partners or partners not of your level
The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere. nine0003
It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.
How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful.
The quality of interaction begins to grow significantly. And wonderful partners too. nine0003
Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers
Dominican Bachata Women's Style Online Course
Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.
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5. Learn to dance for a partner and for a partner
Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.
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In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.
6. Do not memorize the links
Always try to look deeper and understand the through principle and idea of movement. Understanding what and how is done will make it possible to independently generate any sequences and chips. nine0003
Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.
In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle.
It's hard to keep more in mind.
7. Develop your body
Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you. nine0003
The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.
You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship. nine0003
8. Try on the images of inspiring dancers
A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive.
Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.
With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently. nine0003
9. Dance to offbeat music
Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.
The truly new is born outside of the usual.
Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them. nine0007
Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for the style
10. Try your hand at basic dance directions
dances exist according to their own non-choreographic laws.
This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles. nine0003
Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.
11. Look for battle sensations
Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of large cities. nine0003
If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.
The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.
Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.
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12. Communicate with professionals
The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.
Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion. nine0003
Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.
Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances.
Regardless of your level, the suggested 12 life hacks can get you off the ground and greatly accelerate your dance growth. There is no way here without your motivation and activity. Take your dance development into your own hands. nineOl000 Dangerous sexuality
Salsa: destroyers of stereotypes
Couple dancing as a source of strength.
Self-destruction of the couple dance community
The Salsa series as a mirror of the community
Mamita Fridays: salsa, bachata
Destroying the myths about leading pair dances
Does dancing make us better?
The seven deadly sins of teachers
Why we will never dance bachata like the Dominicans
Why tango?
Dispute over musicality
Selection of dances according to alcohol preferences
Where to find inspiration for dancing? nine0003
Terrible tango nuevo
Distribution of roles in a salsa party
Argentinean tango through the eyes of a salsa dancer
Is there a predisposition to dancing?
Which is more effective: individual or group lessons?
Sexual connotations in partner dancing
7 tips for those who want to learn how to dance
September 9, 2020 Reno5 A life
Dancing is a great way to make friends with your body and gain self-confidence.
And yes, they can be mastered at any age. nine0003
1. Choose your style
The idea here is the same as for sports: if you secretly hate yoga or iron exercises, you are unlikely to go to workouts week after week. To achieve noticeable progress in dancing, a beginner will have to practice a lot and regularly, so it’s better not to torture yourself and choose a direction that really ignites.
You can focus on the music that you like - you need to catch the drive from movements to it. It is music that forms the style of dance and its energy, so decide what is closer to you: for example, funk lovers should try popping or locking, folk fans may like Irish dancing, and if you respect jazz, swing and everything like that, take a closer look at lindy hop. nine0003
Another criterion is the nature of the movements. Some are closer to dynamic, as in hip-hop, others are smooth and sensual - for this in tango. There are also health restrictions to consider. So, twerk is not suitable if there are problems with the lumbar spine, with sore knees it is better not to get involved in shuffle, and it will be difficult for an aged person to master house.
2. Set a goal
Photo: Iakov Filimonov / ShutterstockYou can start dancing at any age, but it's important to keep in mind why you started it in the first place. It is perhaps too bold to expect that in half a year of classes it will be possible to reach the level of international dance championships from scratch. But if you want to try dancing in order to develop plasticity and learn to feel the body better, great, go ahead. nine0003
Don't expect to get it right the first time. When you learn from scratch, difficulties are absolutely normal, the main thing is not to score in classes. Over time, both the correct posture and a beautiful gait will be developed, and as a bonus you will also get self-confidence - with freedom of movement, freedom from complexes will come.
3. Don't give up on sports
Some dances in themselves make for a good workout. A vigorous shuffle will replace cardio, and a break can give a load to almost all muscle groups. And yet, without preparation, it will not be easy.
A more or less good stretch is needed in any type of dance, and, for example, strong arms and strong abdominal and back muscles are also useful for pole dancing. You can combine dancing with strength exercises, but you need to give the body time to recover and not plan classes in a row, but allocate at least a day of rest between them. nine0003
And don't forget to warm up before dancing. So that the training does not end with an injury, the muscles and joints need to be prepared for the load. You can allocate 10–15 minutes for a warm-up, it should include simple articular gymnastics (at least elementary rotational movements of the shoulders and knees), tilts and dynamic stretching.
4. Take some lessons from a trainer
Especially if you have never danced before. Those with experience can learn new styles at home with video tutorials, but that's because they already know how to control their bodies. Beginners are unlikely to succeed, but disappointment in themselves and demotivation are guaranteed - if you can’t repeat elementary movements, then there’s no point in doing it.
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Nothing really strange here. Without preparation, it is difficult to just take it and start moving freely. At least the basic elements are better to master under the guidance of a pro, and when you feel that you are coping, supplement these lessons with home workouts.
5. Learn something new in every class
When you repeat the same set of exercises and movements over and over again, classes turn into a good way to pass your free time, only you can forget about progress. Acquaintance with new elements is the same mandatory part of any workout as a warm-up. It doesn't matter if you work with a mentor or on your own. nine0003
Do not immediately try to copy cool dancers. First, study the basic movements, then try to combine them into bundles until you hone them to automatism, and then experiment and improvise, creating something new based on familiar elements.
6. Record yourself on video
You don't need to record the whole workout from the warm-up on, it's enough to record only those moments with which you have problems.
These can be separate movements or bundles that are not given in any way. Review the video and, if possible, objectively assess what is wrong: perhaps there are technical problems that are difficult to notice in the process. When you understand what's wrong, try to repeat the movement and record it on video again - and so on until you achieve a good result. nine0003
This approach will help you find errors and track progress. You can not even limit yourself to memorized ligaments, but improvise - then see how it looks from the outside.
7. Find like-minded people
Photo: Iakov Filimonov / ShutterstockIf you need an extra reason not to miss classes, then meeting new people can be a good motivation. It is easier here for those who train in a group. Often the dance school becomes the center of a close-knit community, where people come not only for the sake of classes, but also just to spend time together at dance parties. nine0003
Finally, the more partners around, the more experience.
Do not limit yourself to dancers of your level of training and practice with those who are stronger or weaker than you. In the first case, you will be able to improve your skills, and in the second, you will try yourself as a coach - this, by the way, is a good way to learn to take more initiative and understand the very principle of movement in dance, and not just memorize the alternation of chords.
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