How to do waving dance

Program

Where: Gallery
When: 16, 18, 14: 00–16: 00

Registration

Kramp (Krump) - a variety of street dance, which originated in the southern neighborhoods of Los Angeles in the 1990s and is characterized by free, expressive, exaggerated and very energetic movements. During its inception, dancers sought to escape from a life of crime and "express raw emotions in a powerful but non-violent way." However, over time, krump has become a separate subculture with its own pronounced philosophy, music and slang. nine0005

Presenter

Lena Shibalova
Dancing since 2012, krump since 2013. Operates under the alias One Shot . He has been teaching for over four years. She gave master classes in Germany, Latvia, Estonia, England, Japan and other countries.

Where: Gallery
When: 23, 24, 14: 00–16: 00

Registration

Papping ( Popping ) - dance style, growing from earlier forms called boogaloo (boogaloo) and originated in California. The peculiarity of the style lies in the process of muscle contraction, which creates the effect of a sharp flinch in the dancer's body - pop (from English pop - "clap") or hit (from English hit - "hit"). The movement is carried out continuously in the rhythm of the music in combination with various movements and postures.

Host

Ruslan Petrov
Works under the pseudonym Twist . Dancing experience - 15 years, teaching - 7. Participant in the show "Dancing" on TNT. nine0027

Where: Gallery
When: November 30, Dec 2, 14: 00–16: 00

Registration

hip-hop-one of the most “free” street styles , which became popular due to the development of the musical genre of the same name. The dance incorporated the techniques of breakdancing, locking, popping. The basis of the movements is the groove - a rhythmic sensation that makes the body move to the beat of the music.

Master

Egor Sokolov
Works under the pseudonym EGO . Founder of Studio P.L.U.R. DC. Choreographer of the show "Dancing" on TNT (seasons 2-4). Resident of the dance center "PRODANCES". Teaching experience - 17 years. Breaking This style requires great strength, stretching and body control, because a significant part of the dance takes place in the stalls - on the floor. nine0005

Host

Slav Dimov
Works under the pseudonym Bolgarin. He started his dancing career in 2002 in Bulgaria. Breaking teacher at Leader Sport and Tauras-Fitness fitness centers, dance schools Right Dance and Effort . Participated in performances and theatrical performances. He gave master classes in Russia and Europe.

Where: Galleries
When: 14, 16 Dec, 14:00-16:00

Registration

Locking (from English lock - “lock”) is a combination of fast movements and fading in improvisational positions for a short time, after which the dance continues at the same speed. This style is based on quick and sharp hand gestures and more relaxed movements of the hips and legs.

Host

Vladimir Gudym
Works under the pseudonym Vovan Gudym. Choreographer of the "Dances" project and curator of the "New Dances" project on TNT. Movement leader Locking4life Russia and project team ID Crew. Competition Winner Juste Debout 2017 .

Where: Gallery
When: 21 Dec, 14: 00–16: 30

Registration

The program will end with a lecture by Denis Bubnov on the history of street styles, where participants will be able to reinforce their knowledge about already studied choreographic directions with new facts. nine0005

Host

Denis Bubnov
Dancer (experience - 17 years), teacher, musician. As part of his master classes, he regularly lectures on the history of hip-hop culture. She is the author of theoretical and practical educational online materials for dancers.

Where: Galleries
When: 21 Dec, 17:30–19:30

and take turns going to the center to show their knowledge and skills or just share their dance. nine0005

Within the framework of our laboratory, jam was invented so that participants could open up even more, get to know each other, exchange energy and experience gained in the classroom. Those who wish can come and support the dancers along with the teachers.

Authors

Battle Project
A dance production company that has been organizing various events from local intensives and jams to international gatherings and large-scale events on the New Stage of the Alexandrinsky Theater for more than 12 years. nine0005

Curators

Anton Pashulya
One of the founders of the krump movement in the former CIS. Dance experience - 18 years, 17 of them in krump. Choreographer of the show "Dancing" on TNT and the opening of "Formula 1" in Saudi Arabia.

Nastya Skvirya
Dancer (over 14 years of experience) and teacher (over 11 years). The main direction is hip-hop.

12 life hacks to quickly learn how to dance from Mamita Dance

dancing

Author: Pavel Sobiray
psychologist, salsa and tango teacher

dancing

Author: Pavel Sobiray
psychologist, salsa and tango teacher

At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.

This is the most common story of those who believe that the fact of attending pair dance classes is enough to learn how to dance. nine0027 Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.

1. Listen to music

The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores. nine0005

An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.

2. Watch videos of good dancers

It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself). nine0005

Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.

It is important to distinguish a show from a disco dance, a staged number from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations, and dance teachers will always throw off a couple of videos of worthy landmarks. nine0027

Tango Z. Showreel.

Online modern tango courses

Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.

3. Dance in salsatecas/milongas/discotheques

A very delicate moment when you should come to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”. nine0005

In fact, the party goers don't care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.

4. Dance with partners or partners not of your level

The conventional wisdom that you need to practice in groups of your level does not stand up to the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere. nine0005

It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.

How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too. nine0005

Dancing with partners of your level doesn't make you grow. Dance with beginners and more advanced dancers

Dominican Bachata Women's Style Online Course

Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.

5. Learn to dance for a partner and for a partner

Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner. nine0005

In Russia, due to the constant, often far-fetched opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.

6. Do not memorize links

Always try to look deeper and understand the through principle and idea of ​​movement. Understanding what and how is done will make it possible to independently generate any sequences and chips. nine0005

Human memory is limited and there will always be a moment when something will slip away and your repertoire will be limited by the size of RAM.

In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.

7. Develop your body

Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you. nine0005

The body as the main instrument of dance should be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.

You can always train extra and concentrate more on the basic steps, as their true value is in the quality of body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship. nine0005

8. Try on the images of inspiring dancers

A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.

With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently. nine0005

9. Dance to unformatted music

Habitual rhythms keep you in tight limits. Tango salon or speedy timba leaves little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.

The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them. nine0027

Search, improvise, don't be afraid to go beyond, develop in different directions, be inspired by music atypical for the style

10. Try your hand at basic dance directions

dances exist according to their own non-choreographic laws.

This is the deepest delusion, which has turned into a ceiling for the qualitative development of pair dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles. nine0005

Do not think that choreography is applicable only on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.

11. Look for battle sensations

Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex with how dexterous, hardy, sexy, etc. we are. Modern jungle laws in the entourage of big cities. nine0005

If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.

The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.

Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements. nine0027

12. Communicate with professionals

The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way.

Learn more

• 
  How to tap dance
• 
  How to indian belly dance
• 
  How to dance dope bts
• 
  How to do fresh dance
• 
  How to dash dance in smash 4
• 
  How to crochet leg warmers for dancers
• 
  Youtube how to line dance
• 
  How to make ribbons for dancing
• 
  How much do cruise ship dancers make
• 
  How to dance riverdance
• 
  How to dance in apex