How to do the dance
10 Basic Dance Moves Anyone Can Learn
Do you ever watch someone dance and wonder how they come up with moves so easily?
Great dancers often master a specific set of moves that they can fall back on again and again.
Read on for 10 basic dance moves you can learn in minutes and use every time you wanna dance.
P.S. You can learn all of these moves for FREE on STEEZY Studio! No cc required. đ
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1. The Two-Step
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When I first started dancing at parties, the Two-Step was the first move that truly came naturally to me.
It really is as simple as stepping from side to side to the beat!
If you're looking for something foolproof that allows you to just groove and enjoy the music...
Boom. Here it is.
2. The Monestary
This move was born in a club called Monestary out in St. Louis!
Itâs built on a Two-Step, so if you took that class, youâve already got a foundation for the footwork.
But rather than bringing your feet together, youâll tap them to the front with your knee and foot turned inward.
Then, as you tap the feet, youâll move your arms and shoulders in a circular movement.
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3. Booty Pop (Side To Side)
Like the Woah, this sexy move is super TikTok-friendly â but with more feminine energy.
To do a booty pop to the side, youâre gonna bend your knees, put your hands on one knee, and then bring the other leg from bent to straight while turning your knee inward.
If youâre a long-haired baddie, be sure to keep all your hair on one side so it doesnât flop in your face as you pop!
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âRead this article on How To Dance Sexy to get more tips on pulling off moves like this one!
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4. The Billy Bounce
Surprise â this club-ready move is built on⊠a bounce!
But what makes it unique is that your knees will come inward on each bounce rather than just up and down.
Once youâve got the funky lil knee bounce down, youâll add in an upward kick on each side.
The best thing about this move is that while the footwork takes a few minutes to learn, you donât necessarily need to add an arm movement to make it look cool.
Just keep your arms front and center.
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5. The Woah
Even if youâre not actively involved in the dance community, youâve probably seen people hitting the Woah â on TikTok, Reels... all over your newsfeed!
Whether you wanna make a viral video of your own, or youâre just looking for a fun, basic dance move to pull out at the clerb, this one is too good not to learn.
Since the locking arm motion is so sharp and pronounced, use the Woah to accent the heaviest bass beats in your favorite songs.
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6. The Dougie
Yes, the Dougie is a real dance move!
Like the Two-Step, youâll be shifting your weight from side to side, but this time, adding some shoulder movements and a lil more attitude.
Try this one out to some songs other than the one that made it famous â youâll find it works with any hype beat.
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7. Scoop Arm Into Hip Sway
Sooo this one is more of combo than a move, but it only takes a few minutes to learn and it works with any fun sassy songâŠ
So it deserves to be here, ok?!
For this move, youâre gonna scoop your arm across your chest, then bring it over your head, and finally point it in front of your chest.
Once you point the arm in front of you, youâll sway your hips from side to side and groove it out.
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8. The Bust Down
The Bust Down was popularized by LA rapper, Blueface, in his 2019 club jam âThotianaâ.
Youâre gonna grab your belt, put one arm in the air, and allow your body to dip with the beat.
âNote: Licking your eyebrows like Blueface is fun, but not required. đ
9. The Biz Markie
The Biz Markie is an old school party dance inspired by, you guessed it, rapper Biz Markie!
It rose to popularity in the 90s, when Biz Markie himself began performing it on stage.
As you practice it, remember to allow your shoulders to bounce â the bounce is what gives this move its cool, laidback flavor.
âWanna learn more about classic Hip Hop moves? Read this: How To Dance Hip Hop for Beginners
10. The Humpty
For this bouncy move, youâre gonna circle your hips to one side as your bend your knees.
Then, youâll jump and cross your legs, allowing your feet to tap the floor briefly before you jump back to your original legs apart position.
Once youâve got that down, you can complete the move by adding in a windmill motion with your arms.
The leg cross in this move makes it perfect for any Hip Hop song that features a double bass (aka that BOOM BOOM sound that you hear in songs like âLip Glossâ by Lil Mama)
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We hope you enjoyed learning some of our favorite basic dance moves.
Of course, this list is just a start!
In addition to the 10 moves on this list, STEEZY Studio has 100+ other FREE beginner classes where you can learn step-by-step from the worldâs best teachers.
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Power, facials, energy â everything .You probably can name a few dancers who âgo awff.â Youâre blown away by them every time they perform.
Well, weâre here to tell you that YOU can train to dance bigger, stronger, and more full-out, too! Follow these 9 tips to take your energy from 0 to 100!
Strengthen up!
You donât necessarily have to get HUGE in order to dance huge.
Size is not a determining factor in how powerfully you can execute. (I mean, have you seen Sorah dance?!)
What is necessary is strength.
Work out to give yourself more power and control when you dance. #Gainz, breh.
You donât dance big by being big. You dance big by being strong.
So lift some weights, do some push-ups, hold some planks, and build your strength!
Stretch it out
You can dance bigger by filling out each movement completely.
This means using your bodyâs full range of motion.
Make this easier by stretching regularly.
Itâs best to warm up your body with some cardio before you dance, then do a longer stretching routine afterwards.
Being more flexible will set start and end points of your movements further apart, making your movements larger.
See Related Video: Stretching For Dancers | Dancers IRL | STEEZY Original
Practice like youâre performing
âUnder pressure, you donât rise to the occasion, you sink to the level of your training. Thatâs why we train so hard.â
â U.S. Navy
What the U.S. Navy is saying is â practice like youâre performing.
Once you get on stage (or even in groups) there is no magic dance God that takes over, making you kill the piece...
If youâve been half-@$$ing it the whole time while learning.
So when you mark a piece, still maintain the execution that you want.
The only reason youâre not giving full power would be to pay more attention to something else, like watching the choreographer, listening to the music, or looking around to set formations.
But if youâre doing a run-through of the piece, take advantage of each chance you have to do it exactly how you want it to look.
Use your core!
It may surprise you, but movement starts from your core.
Even if itâs your arm or neck â it all comes from the tumtumz.
For example, when you're reaching with your arm, you can extend that reach by reaching from the shoulder.
And you can extend that reach by shifting your torso toward the direction of the reach.
So if you want to dance bigger and more powerfully without looking sloppy, tighten your core!
Not only will it make your movements bigger, but they will also be more strong because the base of your movement is so firmly rooted.
See Related Article: How To Execute Choreography Better By Using Your Body
Donât flick da wrists
Even if you are dancing super big and strong, the effect can get lost by something really really small.
.. like limp wrists.
This is a habit that a lot of dancers have. Their arms make clean pictures⊠then it breaks right at the wrists! Ughh.
To combat this, channel your energy allll way through your fingertips!
This will ensure that your strength is being distributed in your whole arm without interruption.
And this will make your movements look bigger and more complete.
Focus on focus
Your head and eyes are a part of the picture youâre making with your body, too! Really important parts!
Not only can it look awkward if youâre constantly looking down or at the mirror, but it will also cut off your projection.
And dancing BIG is all about projecting UP AND OUT.
Lift your chin up â especially if youâre performing for a bigger audience.
And if the movements in a piece call for you to look a certain direction, commit to it!
This doesnât mean âlook with your eyeballs.â It means âlook with your whole face.â
It will make the move looks more natural, and it will help guide whoeverâs watching.
The audience looks at what you look at.
If youâre reaching to the right and looking right at your arm, their focus will follow yours instead of watching you from straight ahead and noticing a single arm sticking out.
Wear loose-fitting clothes
Although it has been consistently over 80 degrees in Los Angeles, youâll never see me dancing in a tank top.
I prefer to dance in loose-fitting long sleeves.
Itâs not because I enjoy sweating, but because it really does help create the illusion of bigger movement.
Our fashion trends have evolved over the years. We went from Wal-Mart sweats and giant cut-out tees to compression pants, leggings, and sports bras.
And thereâs nothing wrong with that!
But it still feels so good to just put on a huge sweater or baggy sweats and go HAM with all that extra fabric to add extra effect. HIP HOP.
Remember your dead limbs
When youâre dancing, your entire body is dancing. What does that mean?
Even if youâre isolating one body part and the rest of your body is stationary, that doesnât mean you just forget about it your âunmovingâ parts of your body.
For example, for a âright arm isoâ move, I find myself putting all my strength into my right arm, while my left arm just flippity flops all over the darn place.
Dead and floppy limbs can distract people from what you actually want them to see.
Instead of paying attention to select body parts, create a whole picture with your whole body â including the âdeadâ parts of it!
This will make your movements look bigger and be more impactful!
Commit to your moves
Committing to your movements makes a huge difference in your performance. It makes everything more purposeful, effective, and entertaining.
But commitment is hard without confidence. Killinâ a piece first requires for you to believe that you can!
See Related Article: How To Dance With More Confidence
Put on your game face, crack your knuckles, give yourself a pep talk, and KILL IT!
We hope this helped you get an edge on your full-out training grind! We canât wait to see you go awff in the next class.
Dances
Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango
Dances
Author: Pavel Pavel
Psychologist, Lecturer Salsa
on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow. nine0003
This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.
1. Listen to music
The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores. nine0003
An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.
2. Watch videos of good dancers
It's complicated, but also obvious. Itâs more difficult, because without recommendations from more experienced dancers, unfortunately, itâs not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).
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Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.
It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks. nine0007
Tango Z. Showreel.
Online modern tango courses
Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.
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3. Dance in salsatecas/milongas/discotheques
A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly.
Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to ânot lose faceâ, âlearn more figuresâ and be sure what to do in case âthere is an unfamiliar movementâ. nine0003
In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.
4. Dance with partners or partners not of your level
The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you donât grow anywhere.
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It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.
How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too. nine0003
Dancing with partners of your level doesn't make you grow. Dance with beginners and more advanced dancers
Dominican Bachata Women's Style Online Course
Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.
| Interesting |
5. Learn to dance for a partner and for a partner
Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner. nine0003
In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.
6. Do not memorize the links
Always try to look deeper and understand the through principle and idea of ââmovement.
Understanding what and how is done will make it possible to independently generate any sequences and chips. nine0003
Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.
In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.
7. Develop your body
Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you. nine0003
The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up.
It is vital to tune the body and understand how it works.
You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship. nine0003
8. Try on the images of inspiring dancers
A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.
With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself.
Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently. nine0003
9. Dance to offbeat music
Habitual rhythms keep you tight. Tango salon or speedy timba leaves little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.
The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them. nine0007
Search, improvise, donât be afraid to go beyond, develop in different directions, be inspired by music atypical for the style
10. Try your hand at basic dance directions
dances exist according to their own non-choreographic laws.
This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles. nine0003
Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.
11. Look for battle sensations
Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex with how dexterous, hardy, sexy, etc. we are. Modern jungle laws in the entourage of big cities. nine0003
If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them).
I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.
The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.
Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements. nine0007
12. Communicate with professionals
The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way.
Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.
Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion. nine0003
Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.
Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances. Regardless of your level, these 12 life hacks can get you off the ground and dramatically speed up your dance progress. There is no way here without your motivation and activity. Take your dance development into your own hands. nineOl000 Dangerous sexuality
Salsa: destroyers of stereotypes
Couple dancing as a source of strength.
Self-destruction of the couple dance community
The Salsa series as a mirror of the community
Mamita Fridays: salsa, bachata
Destroying the myths about leading pair dances
Does dancing make us better?
The seven deadly sins of teachers
Why we will never dance bachata like the Dominicans
Why tango?
Dispute over musicality
Selection of dances according to alcohol preferences
Where to find inspiration for dancing? nine0003
Terrible tango nuevo
Distribution of roles in a salsa party
Argentinean tango through the eyes of a salsa dancer
Is there a predisposition to dancing?
Which is more effective: individual or group lessons?
Sexual overtones in couple dances
How to learn to dance in clubs for a guy
Contents
fashion came out synchronized movements of couples in a waltz or mazurka. For at least a century now, men have had to guess what a profitable disco dance should be like.
Unfortunately, even professional choreographers will not answer this question. But we will try to highlight the basic rules. nine0003
hop and R'n'B
Rules to follow
Relax
Let's tell you a secret: most guys on the dance floor don't look stupid because they haven't taken lessons in dance studios and can't tell tectonics from r'n'b , but because they do not catch the rhythm of the music and cannot relax. And if no one usually pays attention to the first, then the second immediately catches the eye of others.
Hence the first rule: listen to music and let your body dance freely. nine0003
Choose a style
If you are a frequent discotheque visitor, you should choose a certain dance direction in which you will move on the dance floor. Of course, this will depend on the music that the DJ will put on, but for ten years now hip-hop and electronic music have not left the clubs. Therefore, you can master the basic movements of either one or the other.
The "electronics" elements are a bit simpler, so it might be worth starting with them. Video tutorials to help you! nine0003
Sign up for a trial lesson
Try to vary your movements
If after watching the videos you still can't feel comfortable on the dance floor, you should consider signing up for a dance studio. An experienced teacher, a company of like-minded people and regular classes will quickly do their job, and you will finally be able to relax and stop having complexes during dancing. Plus, to the envy of your peers, you will no longer dance like a ânewbieâ. nine0003
Remember that everything is for fun
If you do somersaults on the court for ten minutes with a tense face, and then return to the table sweaty, your friends are unlikely to appreciate it. Understand that dancing is not a competition, but a completely cultural form of recreation. As they say, relax and have fun!
Let it all flow
Let go of your body and emotions, surrender to the music and move without paying attention to those around you.
