How much do just dance dancers get paid
Salary of Dancers and Choreographers | Small Business
Being a professional dancer or choreographer isn't just a job, it's a lifestyle. Dance is physically strenuous; days are long, and competition is fierce. But if you have a passion for dance and can't imagine doing anything else, it may be the career for you.
The Dance Professional
A dancer's job is filled with dance and more dance. Full-time dancers in professional companies like the American Ballet Theater or another city/major ballet company may start the day with a company class, attend several rehearsals for different roles she will perform, and then perhaps a dress rehearsal or evening performance. Tucked in between classes and rehearsals are costume fittings, maybe a private session to work on difficult choreography, fixing hair and applying makeup for the performance.
Dancers not in dance companies take several classes per day and attend multiple auditions, competing against other talented dancers for roles in community musical theater. Part of the job is staying physically fit to dance. Many dancers like to switch it up on their off days and off-season with exercise that gives them a different type of workout.
Claire Kretzschmar, a corps dancer in the New York City Ballet, likes to swim in her down-time, according to an article in The New York Times. Joanna Wozniak and Matthew Adamczyk of Chicago’s Joffrey Ballet added running to their repertoires. It helps them with the endurance they need for dance, which is more intense but for a short time period.
Dancers Branching Out
Choreographers are usually former dancers who began to choreograph steps, hand motions, and gestures to dances and routines when they were still dancing. Once they stop dancing, they become full-time choreographers. In addition to choreographing the dances, they teach steps to those who will perform them and to the other teachers who rehearse the routines with the dancers.
Many dancers also spend time studying non-dance subjects during their days, preparing for the time they will no longer be able to dance. Working mostly online, they earn business or other degrees. Some will go on to become choreographers, or perhaps manage a dance company, but others will move on to totally different fields.
Experience and Education Requirements
Most dancers start lessons at a young age: between 5 and 8 for girls, and ages 7 to 9 for boys. Ballet is the foundation for all later classes. As they get older, they add other styles of dance such as jazz, lyrical ballet and hip-hop. Girls learn to dance en pointe, in pointe or “toe” shoes, while boys learn to support, hold and lift female dancers along with spinning and leaping themselves. Male dancers must build their strength to be able to lift female dancers with confidence and bring them back down gracefully without injuring themselves or the other dancer.
As young teens, serious dancers often take summer workshops with professional ballet companies. Some are invited to take lessons at the professional ballet’s school. Once they finish high school, the best dancers are asked to join the ballet’s trainee or internship program. After a year or two there, some are asked to join the professional company's corps, the large group that performs ensemble dances and background parts.
Studying Dance in College
Some dancers choose to study dance in college, performing in college productions while earning a bachelor of fine arts degree in dance. Many also have double majors or minors in a non-dance area, such as business, to prepare for another career if dance doesn’t work out or for their second career when they're no longer dancing.
Dancer Pay and Income
The Bureau of Labor Statistics reported, as of May 2017, that dancers earned a median salary of $14. 25 per hour. The lowest 10 percent earned $8.74 per hour or less and the highest 10 percent earned $30.95 per hour or more. A median salary is a midpoint; half the workers in the occupation earned more and half earned less.
In the New York City Ballet, corps dancers were paid $1,100 per week to start, with increases based on seniority, up to a salary of $2,100 per week in January 2017. They’re paid for 37 to 39 weeks out of the year.
A Payscale report updated in May 2018 gave a median salary of $29,822 per year for dancers of all types.
Choreography Pay and Income
In May 2017, the median salary for choreographers was $23.28 per hour, according to the Bureau of Labor Statistics. The lowest 10 percent made less than $10.26 per hour, and the highest 10 percent made $30.95 or more per hour.
About the Industry
Dancers and choreographers work in performing arts companies, as teachers in private studios or colleges, and approximately one-fourth are self-employed. They might be hired for a specific production as guest performers or choreographers. Most dancers stop dancing professionally by age 40, due to the physical demands of the job. Former dancers often become choreographers, directors or teachers in private studios. Those who teach in public schools or community colleges need at least a bachelor's degree, and a master's or Ph.D. for university teaching.
Years of Experience
Experience matters in dance, both in salary and in getting solo and lead roles. Dancers in professional companies follow a distinct career path:
- Hired into the corps of ensemble and background dancers
- Promoted to soloist
- Promoted to one of the principal dancers
- A few become prima ballerinas.
Some companies, such as Ballet West in Salt Lake City, Utah, divide the soloist position into demisoloist, soloist and first soloist.
Job Growth Trend
The need for dancers is expected to grow 5 percent from 2016 to 2026, which is about average for all occupations. Opportunities for choreographers are expected to grow 3 percent, which is slower than average.
How Much Do Dancers Make?
Growing up, someone probably told you, “Do something you love, and you’ll never work a day in your life.” For many young, aspiring dancers, this seems a worthy motto, but even if you think you can eat, sleep, and breathe dance, you do actually need to make money to survive, even as a professional dancer.
On average US-based professional dancers can expect to earn about $24. 50 an hour. However, this statistic begins to change drastically once you consider different types of dancers, different markets, and different dance careers.
Ultimately, what you can expect to make as a dancer depends on your location, genre, and career path you decide to take within the world of dance. So, before you start budgeting your New York City studio apartment based on a statistic, let us explore how dancers are paid across the industry.
How Much Do Dancers Make?
How much a professional dancer earns is highly dependent on the market they find themselves in, and there is a lot of pay diversity within the dance industry.
For instance, on one end of the spectrum, the highest-paid performance ballerina in the world, Nina Ananiashvili, earns a whopping $30,000 per performance! On the other end of the spectrum, your local, small-town dance instructor might be lucky to earn $8,000 in annual profits after paying for studio space and recital costs.
Ultimately, a dancer’s income is determined by their career path, genre, and location. Taken together, these three elements form what we’re calling a dancer’s individual “market.”
To illustrate what we mean, take a look at these four different dancer profiles:
- NYC Ballerina: This classically trained ballet dancer works for a dance company in New York City. Their income is salaried, and they can expect to make approximately $13,500 per year.
- High School Dance Teacher: This dance teacher works at a middle school in Charlotte-Mecklenburg County in North Carolina. They are salaried and can expect to make $49,000 a year based on their location and career path.
- LA-Based Backup Dancer: This hip-hop dancer lives and works on a gig-basis in LA, where they can expect to earn $500 per day when filming a music video.
- Disney Cast Dancer: This dancer, based in Orlando, is paid $16. 05 per hour for performing in Disney World shows.
From these profiles, you can get a basic understanding of the variation in dancer’s wages and earnings throughout the industry, but let us dive a little deeper.
Types of Professional Dance Careers vs. Income
As demonstrated above, not all dancers are salaried or even paid hourly; some will be paid per gig. Generally, how a dancer is paid depends on the career path they choose to take.
There are four main career paths for professional dancers; they are:
- Freelance Dancer
- Company Dancer
- Dance Instructor
Here we will explore each career path in depth in hopes that prospective professional dancers may gain a better sense of what type of dance career suits their needs and financial goals.
Freelance dancers tend to work on a project basis and will generally have a very diverse career. Some freelancers may take gigs within a single genre, but most successful freelancers dabble in multiple dance genres. As a result, they are continually growing and learning new techniques and styles.
What these dancers gain in career diversity, they sacrifice in income stability because they will not be earning money between gigs. As a result, they must constantly be scouting new opportunities.
Some examples of freelance dance gigs include:
- Backup dancing
- Cruise ship casts
- Theme park casts
- Theatre and musical casts
- Movie or commercial appearances
The length of time and the amount a gig pays will depend on the contract you sign for each project. If you land a role in a Broadway musical, for example, that gig will last as long as you stay with the cast and could provide you with long term income. If you work on a music video, on the other hand, your project may only last a week or two.
The vast majority of professional dancers working in the United States fall into this category, which means there are many services in place to help protect freelance dancers.
It is essential to keep in mind that, as a freelance dancer, you will often be expected to commit to a gig before signing a final pay contract. Because of this precarious situation, most freelance dancers will have an agent that has the legal prowess to ensure that clients pay their dancers what they are due.
Freelance dancers have exciting and fulfilling careers, but the insecurity is not for everyone.
If performance dance is still your passion, but you are looking for a little more income stability, striving to become a company dancer may be a better career fit for you.
Company dancers will work for the same company for an extended period, hence the name company dancer. These types of dance careers are limited to major urban areas that can sustain a professional dance company.
Company dancers are salaried, but their location will determine their income. A company dancer in NYC can generally expect to earn more than a company dancer in a smaller city, like Albuquerque.
Dance companies are also generally focused on one particular genre of dance. The vast majority of dance companies worldwide are ballet or modern dance companies, but there are a growing number of companies specializing in other dance genres, such as:
- Historical Performance: This genre includes genres like folk dance, trad, and other kinds of ethnic dance genres.
- Jazz: Jazz companies are usually further specialized based on the specific evolutionary style of dance within jazz, such as tap or breakdance.
- Circus Dance: This genre encompasses the dance style made famous by Cirque du Soleil, which, we think we can all agree, is very different from ballet.
The genre of company you join, and their reputation, will also factor into the money you make. More popular genres will bring in more company revenue through ticket sales, resulting in higher salaries for the company members. Furthermore, if you can land a spot in a well-known and well-respected company, chances are you will be paid a higher salary.
Company dancers get to earn a living performing with passionate collogues, but the stage is not the only place professional dancers can shine.
If you love to dance, but do not necessarily care for being in the spotlight, perhaps you will find fulfillment in becoming a dance instructor. Teaching dance can be a very meaningful way to earn money doing what you love because you are also given the opportunity to share your passion with others.School Dance Instructors
Dance instructors associated with an established institution, such as a university, college, or school district, are salaried. Dance instructors at a studio tend to earn anywhere from $30,000 – $80,000, depending on the location of the studio you work for and the level of education you choose to provide.
Note: Suppose you do wish to teach dance for an institution, especially at the collegiate level. In that case, you will likely need to have a formal degree in dance, which will include coursework on dance history and choreography.Dance School Owners
Dance teachers associated with a studio are typically paid hourly based on the number of classes they teach and the dance school or studio's tuition.
If you hope to operate a dance school or studio of your own, you will have to factor the studio space and equipment costs into your income calculations. Based on some available statistics, studio dance teachers/owners can earn anywhere from $8,000 - $325,000, depending on the studio's location, size, and management.
The final dance career path we will discuss here is a little different from the others. Choreographers are trained dancers who create and direct new dance routines. Dance instructors and studio teachers may do this to some extent within their role. Still, there are also full-time choreographers who help develop dance choreography for everything from music videos to major ballet movements.
Choreographers, like freelance dancers, are usually paid per project. Therefore, a choreographer’s annual income is based on the number of project contracts they take on in a given year and how well those contracts pay.
To give our readers a ballpark idea of what you can expect to make as a choreographer, according to the Bureau of Labor Statistics, the median hourly income of a choreographer is $18.68.
Typically, choreographers start out as dancers, so it might help think of this career path as a possible evolution, but you will likely start out following one of the careers mentioned above paths.
Dance Markets and Prospective Pay
Now that we have discussed the most common dance career paths and what they have to offer, let us dive a little deeper and consider some of the most common dance markets in the United States and what they have offer pay-wise.
Remember, for the purpose of this article, a “market” is the sum total of a dancer’s career path, genre, and location.
Most dancers will either make concrete decisions about their career path and/or genre, allowing the opportunities available within those parameters determine their location. Although, a select few will pick their location first and let the locally available opportunities dictate their career path and genre.
No matter how they end up in their market, once they have found it, it will be easier to estimate what they may earn from their work as professional dancers.
Urban Company Ballerinas
The New York City Ballet Company is one of the most well-known and prestigious ballet companies in the United States. As such, a position in their corps de ballet is highly coveted among dancers. The audition process for a spot on their roster is intense, allowing them to select the best of the best. But is it the highest-paid company in the US? Not necessarily.
Based on data from August 2020, company members of the New York City Ballet can expect to make, on average, $53,000. Whereas, members of the Bay Pointe Ballet company in San Francisco can expect to earn $57,000.
The point is, the highest paid ballet companies are not necessarily those in the biggest cities. Before picking your market location, do some research, and find out which companies bring in the highest revenues and have the most loyal patrons because they will ultimately pay the most.Considering Income vs. Cost of Living
You will also want to balance the company dancers' average income in a given location against the cost of living in that area. Some “small town” ballet companies offer generous salaries relative to the cost of living in that area.
For example, based on Dance Magazine's income information, a ballerina in a Tennessee-based company could make up to $54,000 a year, which will undoubtedly go further in Tennessee than it would in New York!
Essentially, if your heart is set upon being a company ballet dancer, we recommend checking multiple locations to see what different companies, in various locations, have to offer you.
If you are more interested in theatre dance, performing in a Broadway show has likely been one of your long-term dreams.
It might be interesting to note that professional Broadway dancers have a union that negotiates minimum wages. This means that, while Broadway dancers do tend to be considered freelance dancers, in the sense that they are only paid as long as they are part of the cast, there is income security for that timeframe.
How much you make as a Broadway dancer will depend on your rank within the dance corps, overtime, and risk. According to union regulations, Broadway dancers' baseline pay is $1,861 per week with additions as follows:
|Reason for Added Income||Premium Paid Above Weekly Baseline|
|Dance Captain||$372.20 per week|
|Assistant Dance Captain||$186.10 per week|
|Overtime||$44 per hour|
|Understudy||$20 per week|
For the most part, the market for Broadway dancers is based in NYC, but there are off-Broadway performances of Broadway productions in other cities.
Income for dancers in off-Broadway productions is also union regulated, so they will be consistent from city to city. That said, off-Broadway dancers are paid based on how much their production profits each week. At the lowest, off-Broadway dancers are paid $566 a week; at the highest, they are paid $1008 per week.
Based on these numbers, if you can consistently be cast in Broadway or off-Broadway productions, you will likely gross a respectable income. After all, the national average is $64,256 per year.
Backup dancers are freelance dancers, plain and simple. And their projects tend to be shorter-term than those of Broadway dancers. So, if we’re honest, a backup dancer’s real full-time job is auditioning.
Location wise, US-based backup dancers will be limited to the entertainment meccas where music videos are filmed, or they will be required to give up location entirely and travel with artists on tour. No matter where a backup dancer performs, they are represented by a union that sets pay standards.
If they stay put and work on music videos, their income is broken up into two categories, rehearsals and shoots, and determined by the length of their day as follows:
|Rehearsal Time Frame||Pay|
|8-hour day||$250 per day|
|4-hour day||$175 per day|
|Overtime||$46 per hour|
|Overtime after 12 hours||$65 per hour|
If this pay scale looks great, that’s because it is fair and negotiated by a hard-working union. But keep in mind you may only work a week or two per month, depending on how many gigs you can land.
If a backup dancer is on the road, the same pay scale is used for rehearsal days, and they are paid a flat rate of $500 per show. Besides rehearsal and show payments, touring backup dancers are paid $150 per travel day plus paid travel and hotel accommodations; they are also given $35 per day for food expenses.
If you enjoy traveling, becoming a backup dancer might just be a great way to be paid to see the world!
Show dancers are not the same as Broadway dancers; these show dancers can be found gracing the stages of Las Vegas, Theme Parks, or Cruise lines. Show dancers are freelancers who covet seasonal positions and are generally well-trained jazz, tap, or circus dancers. Their market location is dictated by the contracts they sign and can land them anywhere from Vegas to the high seas.
Show dancers are paid on an hourly, weekly, or monthly basis.
- Professional dancers who sign onto a contract in Las Vegas can expect to be paid between $680 and $1,800 per week, depending on which resort or casino they end up at.
- Professional dancers who work at theme parks are generally paid anywhere from $10.50 to $16.05 per hour. Although some theme parks also pay weekly.
- Professional dancers who work on cruise lines are paid, on average, $2,995 per month and are given room and board on the ship.
Show dancers are hard workers, often having to perform multiple shows a day, but this environment does lend itself well to resume building for those breaking into the professional dance world.
Institutional Dance Instructor
So far, in this section, we have focused on performance-centered markets, but teaching dance is also a good profession in the dance industry. Institutional dance teachers are salaried and make anywhere from $28,000 per year to $124,000 per year. Unlike other dancers, instructors' incomes are based upon their institution's standards, be that a school district or a university.
Opting to teach dance can be great for dance professionals, young and old. Let’s face it: dance is hard on your body, and most dancers will hit a wall when they can no longer keep up with the physical rigors of performance life. When that day comes, teaching is a great profession to fall back on.
As mentioned above, most schools will require you to have at least a bachelor’s degree in dance and education, as well as a teaching license. Depending on which state you live in, there may be ways to get your education degree and teaching license after you start teaching. However, some universities will require you to have at least a master’s degree in dance.
Once you have those qualifications and secure a teaching position, your income will be stable, and you can stop hustling to endless auditions.
Tips to Maximize Income as a Dancer
By this point, we hope you are starting to gain a clearer idea of what you might expect to make as a dancer in a given market. Now, let’s talk about ways you can boost your income as a professional dancer, no matter what market you are in.
As dancers, we are inherently creative people, and that creativity does not appear to stop at the end of the stage or studio floor. These tips, collected from other entrepreneurial and creative dancers, are designed to be done in addition to your professional dance career.
- Write about dance: There are tons of dance-themed blogs out there! You can make money writing for blogs, magazines, and newspapers and get paid for it. Ghostwritten blog posts can typically earn you anywhere from $20-$100 extra per article.
- Take side gigs: Even if you aren’t a freelance dancer, there are some tools out there to help connect dancers to one-time dance gigs, like corporate events. This one was recommended by a fellow dancer.
- Become a dancewear salesperson: You know you need dance gear anyway; working for a retail dancewear brand can help you earn a few extra bucks and gets you access to employee pricing on expensive things like pointe shoes.
- Become an Amazon affiliate: If retail isn’t your thing, and you want to be your own boss, becoming an affiliate for stores like Amazon could be an option for you. All you have to do is rave about the products that changed your life and get people to buy them using your link.
- Teach private lessons: There is always a need for dance teachers in a local studio, so even if you don’t want to make this your full-time career path, you could consider teaching a class or two per week. Plus, think of all the cute three-year-olds in tutus you might get to hang out with!
- Side hustle: Is there something else you happen to be passionate about? Do you love children, or taking photographs? Anything can be a side hustle in today’s economy, so put yourself out there!
- Make money off your followers: Are you popular on social media? Use that popularity to put money in the bank by monetizing your social media or blog.
- Get a part-time job: Finding a part-time job you can do will help you stabilize your income, especially if you are a freelance dancer. We recommend thinking less along the lines of foodservice and more tele-customer service agent. Do something not on your feet when you can.
The point is, unless you make it as a prima ballerina or become a pop star's most beloved backup dancer, you probably could stand to benefit from finding creative ways to pad your income as a professional dancer.
Consider Joining a Union
Above we talked about how unions have helped Broadway and backup dancers, but unions are essential for all dancers and are also available to company dancers and even teachers associated with public school.
Unions help dancers get paid fairly and consistently. They also help insure that pay rates keep up with the cost of living inflation and provide union members with access to employment benefits that full-time employers would generally provide.
Other benefits of joining a union include:
- Access to auditions that prioritize union members
- Protections for safe working conditions
- Access to retirement investment programs and pensions
- Payment protection programs
Union membership isn’t required, but joining one does help support the work they do to protect dancers. The mere fact that they exist helps lift up every dancer in the industry regardless of whether they are union members or not.
However, there are a few possible drawbacks to consider:
- Unions generally require the payment of annual dues to get the full benefits of membership.
- Union rules may stop members from taking gigs with non-union companies or clients who have violated the negotiated union terms.
The leading dancer’s unions are the American Guild of Musical Artists, the Actors' Equity Association, and the Screen Actors Guild. You may notice these unions also tend to serve musicians and actors, which helps keep the industry on the same page.
Find a Patron
Patrons are wealthy people who simply love dance and want to support it in a philanthropic way. Some patrons will give money directly to dance companies or specific dance projects; others will give directly to individual artists.
Bankrolling dancers is a long and proud tradition among members of the upper echelon, dating back to the 1830s when society members would brag about supporting members of the Paris Opera Ballet Company.
Nowadays, to avoid ethical complications, patrons who support individual dancers pay the company “in honor of” a particular dancer. The contribution typically subsidies that dancer’s salary, which is intended to eliminate the occurrences of quid pro quo arrangements that might violate a dancer’s consent.
Most ballet companies will operate their own sponsorship programs to connect dancers to patrons. In its current format, patrons more-or-less “adopt” dancers from the local company. One dancer from the Carolina Ballet, Lilyan Vigo Ellis, reported that her sponsors would take her out to dinner after performances and treated her sons like their very own grandchildren. So, finding a patron that you get along well with can go a long way to increasing your salary long term.
You can make money as a dancer, no matter what anyone tells you. It will take hard work, dedication, out-of-the-box thinking, and perhaps even a little schmoozing, but it can be done, so don’t give up on your dream!
No matter what career path you follow or market you enter, doing what you love for a living is a worthy endeavor. And remember, picking up a side hustle or taking a patron does not detract from all the fact that you will be making your way in the world as a professional dancer, all on your own.
Everyone dance! Miguel on hard work, salaries and dancing accountants | Person | Culture
“Miguel is not a pseudonym, but my middle name. My name is Sergio Miguel. My mother and close relatives call me Seryozha. It happens that they are sometimes called at work. So I will not forget about this name - I actively use it, ”the artist admits.
Sergey Grachev, "AiF.ru": Miguel, to be honest, when the premiere of the show "Dancing on TNT" was just announced, I was very surprised - well, who will watch it?! By this moment, everyone has already "looked over" various projects, such as "dancing on ice", "dancing with stars", "dancing without stars" and so on. Already bored! When I accidentally saw one of the releases of the "Dancing" project, I was very surprised at how completely a different story it is, a different level! Did you immediately believe in this project?
Miguel : Yes, of course, I immediately believed in "Dancing". Because they are incomparable with other dance projects that went on in Russia. All these projects had practically nothing to do with dancing. For example, in "Dancing with the Stars" we watched how the stars who can't dance try to portray something in a pair with dancing people who had to adapt to them all the time. There was quite a bit of technique and choreography, mainly the process of how people defeat themselves was interesting. We have a completely different story - about dances, choreography and talented participants.
— In one of your interviews, you say that, judging by the global dance trends, due to the mixing of styles, dance culture is in decline today. Could you decipher this statement of yours? It is rather paradoxical. What's wrong with mixing styles?!
- Paradoxically, in fact, not my statement, but an editing of what I said. I remember that interview and my words - I did not say that dance culture is in decline due to the mixing of styles, I said that it is now basically poor in new inventions. Styles rarely appear - that's what I had in mind. And there I even cited the example of a “tectonist” who lived for literally a year. There are many different styles, but things that were invented a long time ago are firmly fixed. And now they are mixed. I only meant it. I've just been paraphrased a little.
- I will return to the first season of the project again: did you expect to see so many young people dancing quite decently then?
- Quite. First, our country is rich in talents. Secondly, I worked in Russia and I know many people who can dance. I was only surprised that few good people came to the casting for the project. But the situation changed already in the second season of the show.
- I have a friend, an accountant by education, after watching the show "Dancing", not only did he begin to understand (well, it seems to him) in dance styles, the names of which you can’t pronounce, so he also went to a dance studio to old age! Are there many such examples or is it rather an exception?
- This is no exception. The country really danced after our project. I really like that we inspired many people to go to the hall - someone wanted to remember their past, and someone wanted to comprehend new sciences.
- I saw how, not only in the show "Dancing", but also in other projects, you just yell at the participants with good obscenities, it almost comes to insults. Is it part of the show, part of your image, or are you just as impulsive in real life?
- I am absolutely the same in work as in life. And he never hid it. Every time people try to dampen my ardor, but I can't do it. I am very demanding and hard at work.
- It is clear that dancing at a decent, even if not at a super professional level, requires a lot of time for rehearsals. I don’t understand, this mass of participants who come from all over the country and demonstrate, well, in my subjective opinion, a high level - what do they live on ?! How much does a good dancer earn on average in our country? Please tell us about this important aspect in times of crisis.
— Among all the people who come to us for the "Dances" project, there are very few for whom choreography is the main profession by which they earn money. Basically choreography for them is a hobby. As for professional dancers, the profession is now in decline, but we are trying to change this. We provide the participants of the "Dances" project with work, raise their wages, and they already refuse to work for less money in other teams. This is our tribute to the profession.
- Let's put the question this way: let's say a person dances well, dances professionally, owns different styles - is it difficult for him to find a job in Russia? Do we need some dancers?!
- Of course, they are in demand, of course, they are needed. At least if there was no "Dancing" project and I had not recruited a certain number of people in whom I am 100 percent sure, then I would have collected castings for all my projects anyway and re-recruited dancers.
- Finally, I would like to ask not about dancing, but about you: I read that you participated in one of the Star Factory seasons and even reached the final. That is, you sing. Correctly? Why don't you record albums, don't release hits?
- I like it when everyone is doing their own thing. I went to the Star Factory project so that they would recognize me - not the audience, but producers and directors. I needed to shine in this party. When I went to the project, I told everyone that I was a dancer, not a singer. I have never experienced such a thrill on stage using my vocal cords as I do when dancing or working as a choreographer and director. Of course, the project gave rise to some ambitions in me, but when we went on tour and disappeared from TV screens, I realized that no one needed it. So I quickly cooled down to this craft and started working as a choreographer.
- You have probably been asked many times already, but I did not find an answer: is your real name - Seryozha - someone else calling you? It's just that everyone is so used to your pseudonym...
- Miguel is not a pseudonym, but my middle name. My name is Sergio Miguel. My mother and close relatives call me Seryozha. It happens that they are sometimes called at work. So I will not forget about this name - I actively use it.
How much do dancers earn and how to become a professional - November 1, 2018
It's never easy, but wildly interesting.
Members of the FAM Factory dance team told Sport24 about the difference between a professional team and an amateur one, how much coaches earn and how long it takes to become a good dancer from scratch.
Our team is called FAM Factory and has been around for a very long time. We regularly perform at the largest dance championships throughout Russia, we work at major events. Our choreographer, Yevgeny Kevler, is one of the top choreographers in Russia, staged dances for "Dances" on TNT, "Dance" on Channel One, and has brought up more than one generation of dancers. Our team is diverse - students, office workers, teachers and coaches, but they all have one thing in common - an unimaginable love for dancing.
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At first, technique is not so important, it comes with experience. It is worth paying attention to physical form, especially if you prefer styles that are characterized by frequent level changes or powerful energy: you may simply not have enough strength. The breather also needs to be developed: fast choreography cannot be danced to the end if the volume of the lungs is not enough. Many dancers take up running to develop their lungs. And for the development of physical strength, functional training or crossfit are suitable - of all training, these will probably be the most useful in our business. If there is no time for this, then you need to at least minimally pump the press, do push-ups, squat. We sometimes conduct physical training classes at team training.
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and year, everything is very individual here. Many schools have their own reporting concerts and parties. As a rule, at such events, students go on stage for the first time.
If we talk about more complex numbers, then it takes a month and a half to set them up with 3-4 workouts a week for 2-3 hours. The mode of training in a serious team changes, especially if the number is complex and many dancers participate in it. A fairly common occurrence is night workouts. As you might guess, they take place at night, and, as a rule, last 5-6 hours. It's not easy, especially at first and if you have to go to work in the morning, but it's also more efficient in terms of the speed of staging the show, and the result is definitely worth it.
In the dance world, the year can be conditionally divided into two seasons - spring and autumn. All this time, championships of various levels go one after another, the most "fruitful" in this regard are April and May, as well as November and December. As a rule, all groups put on a performance a month or two in advance, but it all depends on the level of training and available time for the dancers themselves.
In general, championships are a separate and very entertaining cuisine. Dancers are constantly preparing for some kind of competition, it rarely happens that you just come and hang out aimlessly. Everything is almost like in the movie "Step Up": the whole season is the process of preparing for the competition, and in the off-season, everyone either rests, or pumps, or shoots a video.
At dance championships there is always a division according to the level of training and age: children are separated from adults, beginners are separated from professionals. And within these categories, there is also style: hip-hop, ladies, contemporary.
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Our favorite nomination is best dance show. The name speaks for itself: there are no style bindings here, the main thing is the idea and combination of styles. At some major competitions, the styles used in the show must be declared in advance, at some there are no restrictions, only creativity. Now even in some championships there is a separate Show nomination, and a separate Performance nomination. In the first case, the show should have a story and plot, in the second case, it is important who dances stronger, more powerful and cooler. And there are also solos with duets, which are not limited by styles at all, only by timing. In general, there are a lot of nominations. Beginners or people unfamiliar with dancing can get confused. But as soon as you immerse yourself in this world, everything becomes clear pretty quickly.
Refereeing at championships is always represented by top dancers: sometimes Russian, sometimes foreign, but always super authoritative. The evaluation criteria, like the judges, are also different, but they look primarily at choreography, technique, synchronism and creativity. You can earn money at good status tournaments. On average, you can get about 30 thousand per team for winning such a tournament. But it is not at all necessary that there will be prize money for winning any championship: somewhere the organizers limit themselves to cups and gifts from sponsors.
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Nutrition is a matter of personal preference. Most dancers are ordinary people, so until their legs start to fall off, few people even think about nutrition and injury prevention. Many are killed in training, and few people know how to recover, they do not take care. If you don’t eat normally, you may not have enough strength for the whole season. Protein and BCAAs often help out, but in reality, for some reason, few people use them.
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A: Regular exercise is usually enough to stay in shape. Although, of course, you need to take care of yourself, but adults who have survived a couple of injuries or dancers who work in commerce are already thinking about this.
"Sneakers kill instantly"
As for clothes, this is a separate topic of conversation, which will take more than one hour. Firstly, the style of dance and what you dance in are very closely related. No one will go dancing popping in leggings or short shorts, twerk in sweatpants, too, you know, I don’t rub, like a strip in a baseball cap. Things are, of course, very important. You can't really train in Chinese sneakers. Not even because they are uncomfortable, they just fall apart in a moment. In general, if you danced at least once in shoes, then you can say goodbye to it - it only kills if you train often and for a long time. Especially for us, jazzfunkers, because a lot of techniques are combined, the foot is actively working. And it’s good for contemporary people in general: they dance barefoot in socks, and with simpler things - they put on something very wide and similar to oversized pajamas - and you are the most fashionable in the class.
Income and expenses
As for the payment for training for teams, it is similar to amateur sports sections: in many teams, participants pay a monthly fee, which includes the rent of the hall and the work of the choreographer.
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Is it possible to make money from dancing? Of course, there is plenty of work. First, dance schools. There are now ten of them at each metro station, a novice teacher, if desired, will quickly find a job. But if you want to get into a top school as a teacher, then you need to work hard, have a name, constantly upgrade, be socially active, shoot videos and shine at the same championships. The main thing is not to be lazy.
There is also such a great thing as commerce - these are corporate parties, working with stars, large events and the like. Such projects are well paid, and it is always interesting to participate in them. We somehow opened with our show a major event of stylists - Wella Trend Vision. There was so much creativity and creativity behind the scenes that we ourselves were inspired by the most do not indulge. It was very interesting to watch all this behind-the-scenes turmoil and the process of creating images.