How to snake dance

In order to protect themselves, spellcasters use other tricks. They vaccinate themselves against a snake bite - however, it does not give one hundred percent protection. Or they lubricate the body with snake fat - in this way they seem to acquire a specific snake smell and are perceived by them as their own.

The most famous representative of this profession, Sheikh Moussa from Luxor, has become a real legend in our time. Moussa was famous for his amazing stunts. For example, the cobras that he “conjured” gradually approached him and dutifully laid their heads right on the palm of their hand. Then he put them in a circle outlined in the sand, and the animals remained there until the Shaykh allowed him to leave. But, ironically, despite such amazing skills, Moussa eventually died from the bite of one of these reptiles ...

Cover photo fr.wikipedia.org

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Snake dance - seduce and conquer Online publication "The Element of Dance"

It's time to admit the obvious: despite the fact that nature has endowed our women with the most beautiful appearance in the world, the skills of sexuality we are simply deprived. Not a gift, but a skill.
One can argue for a long time that sexuality is an innate quality, and it either exists or it does not. But, it is worth looking around (best of all in the direction of the East) and it becomes clear: there are no non-sexual women in Russia - there are undereducated ones. And then there is the politics of society, which for centuries contributed to the loss of this quality.

Who is to blame?
In the USSR, as you know, there was no sex. Even earlier, the standard of the way of family life was "Domostroy", which, it seems, stipulated everything except the most important part of the relationship between a woman and a man. And that's right, the topic is taboo. So they brought up from generation to generation girls who know how to perfectly manage the household and somehow realize themselves in the intimate sphere.
We are so accustomed to being a “cell of society” that we put ourselves in order only “on the way out”, attract the eyes of strangers, and at home we wash off our makeup and put on a shapeless bathrobe.

Meanwhile, in the East, a woman's main attention is focused inside herself and her relationship with her man.

It is this philosophy that distinguishes Indian women, who from childhood learn to dance, the art of seduction, adorn their bodies, know the secrets of aromatic oils and incense, recipes that stimulate sexual appetite, and so on.
Turkish and Arab women strictly follow traditions that are still strong and form femininity "from an early age."

The mystery of Japanese geishas, ​​who attract the stronger sex like a magnet, is based on the same principles - they learn everything that allows them not only to skillfully seduce, but also to a greater extent arouse the intellectual interest of a man, intrigue, captivate, be different.
All of them are learning!

Russian women don’t even have what Europeans have: neither Latin American dance culture, nor the phenomenal ability of French women to please themselves in small things, not a single national dance, such as tango or flamenco, that would contribute to . ..

What to do?
Seek and absorb the best that others have. And now we are smoothly returning to the topic of today's conversation - the Snake Dance.

In fairness, it must be said that in its purest form, the snake dance is a cult action that was common in many tribes in various parts of the world, up to Australia. The meaning and pattern of the dance varied, but always and everywhere they were associated with the magic of the female body and phallic symbolism.
We are also interested in modern options.

Today, if a woman thinks about expressing her sexuality through dancing, she most often chooses modern jazz, strip plastic or bellydance.
Bellydance, of course, is beyond competition, and it was he who inextricably merged with the snake dance. Today, on stage and in dance schools, there is a mixture of traditional bellydance technique and characteristic movements that imitate the behavior of snakes. Living "attributes" also participate in the dance.

There are two different directions.

Snake dance
The first is when you learn how to dance like a graceful reptile. The specific plasticity of the arms and body turns you into a snake woman. At first you try to imitate the characteristic snake movements, and then you suddenly notice that they are so natural for a woman, exciting and inviting, that the body becomes smooth and flowing, beautiful and seductive, flexible and attractive.

The magic of the snake dance extends to both the performer and the audience. Classical belly dancing is much less erotic. By mixing the "serpentine" technique with the traditional movements of bellydance, you perform the very magical ritual that hypnotizes men and deifies the dancer herself in their eyes.

A side effect of the skills of such dancing is the liberation of the body and the explosion of sexuality, not only on the dance floor: the style of a woman's behavior in everyday life, oddly enough, after a completely different awareness of her own body, its beauty and magic, the attitude towards a man also changes, and relationships in general.

Snake Dance
The second option is more extreme - when a live snake directly participates in a female oriental dance. Most often, it is a python, which can reach 2.5-3 meters.
Of course, most of us are unlikely to dare to dance with such a partner; at the very least, courage and sympathy for snakes are required.

And you also need a lot of experience in communicating with these mysterious creatures and great skill as a dancer. After all, according to the performers, each snake has its own character, and they do not tolerate coercion. Some dance with pleasure, others refuse to participate in the dance. Since snakes do not have hearing organs, they simply feel the vibration of music with their skin and move in accordance with their desires. Some pythons themselves "lead" the dancer, while others allow themselves to be "guided".

The dance with the snake is interesting in that it is always improvisation, because it is impossible to force a python to perform the same movements and establish their order, having thought over the dance pattern in advance.

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