How to k wang dance

Text písně: Khia - The K Wang

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Khia
The K Wang

Still so clean (so hot)
just still so clean (so hot)
K wang with it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
(put your body, put your body, put your body wit it)
AH
(put your body, put your body, put your body wit it)
AH
K wang wit it
(put your body, put your body, put your body, wit it)
AH
(put your body, put your body, put your body, wit it)
AH
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
Still so clean (so hot)
just still so clean (so hot)

K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)

You gotta k wang wit it
Just move your bod
Move your shoulders from the right into the left
You gotta step from the front into the back
Get off da chain wit it
Don't know how to act
You gotta k wang wit it
Tampa Florida ya'll
Yo, we off da chain really and we love to ball
Down duce to the west still rollin' spark
Studio excess or just ridin' dawg
This me thug misses and I'm twirlin' dawg
At ease wit myself just smoking dawg
This me what the fuck hell wrong wit ya'll
This me don't you see me ridin' dawg
Now K wang wit it just move your bod
Get off da chain wit it
Don't know how to act
Now ya'll know K wang
Now do the dance
Get off da chain wit it
Now here's your chance

[Chorus]
K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
(put your body, put your body, put your body, wit it)
AH
(put your body, put your body, put your body, wit it)
AH
K wang wit it
(put your body, put your body, put your body, wit it)
AH
(put your body, put your body, put your body, wit it)
AH
K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
K wang wit it
K wang wit it
K wang wit it
Still so clean (so hot)
just still so clean (so hot)

Wang wit it, by
Right, left
Fun, by
Wang wit it, I
Wang wit it, ya'll
Chang wit it, ball
West, Paul
SS, dawg
Thug misses, dawg
Wit myself, dawg
What the fuck, ya'll
Don't you see, dawg
Wang wit it, by
Chang wit it, I
K wang, dance
Chang wit it, chance

[Repeat Chorus]

K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
(put your body, put your body, put your body, wit it)
AH
K wang wit it
(put your body, put your body, put your body, wit it)
AH
K wang wit it
Still so clean (so hot)
just still so clean (so hot)
K wang wit it
Still so clean (so hot)
just still so clean (so hot)

UW Dance Presents | Department of Dance

Made possible by the Kawasaki Guest Artist Fund, undergraduate students will perform an excerpt of Dancing Spirit (2009) an ode to Emeritus Artistic Director of Alvin Ailey American Dance Theater, Judith Jamison, by award winning choreographer and artistic director of EVIDENCE Ronald K. Brown.

The program will also include a tryptic of short contemporary dance works staged by Rachael Lincoln that includes an excerpt from the highly praised an attic an exit (2006). New works will be presented by faculty Alana Isiguen, guest choreographer Nia-Amina Minor who was named one of Dance Magazine’s 25 Artists to Watch, and a dance film installation by Juliet McMains.

Parking

The Central Plaza Garage (CPG) just below Meany Hall has disability parking on all levels. Enter the garage from 15th Avenue NE at NE 41st Street. Central Plaza Garage clearance is 6’10”. There are entrances to Meany Hall’s Katharyn Alvord Gerlich Theater on levels C2-C5 and access to the Studio Theatre only on level C1 (enter parking code 12311 for disability parking on C1).

Entrances to the Katharyn Alvord Gerlich Theater

The main lobby external entrance has a level approach, 35.5” doorways and pull handle. The far north side lobby entrance to the night-of-event box office, main lobby and Central Plaza Garage elevator access has a level approach, a 36” doorway and an automatic door with paddle controls.

Accessibility Information

We strive to host inclusive, accessible events that enable all individuals to engage fully.

Accessible parking information: for additional questions/accommodations, contact the Transportation Services Events Office via email or at 206. 616.8710.
Map of accessible entrances.
Printable campus mobility map.
For general accessibility accommodation requests: contact the Disability Services Office via email or at 206.543.6450, 206.543.6452 (TTY), preferably at least 10 days in advance of the event.
For interpreting, captioning, amplification services, and TTYs: contact the Coordinator of Deaf and Hard of Hearing Services via email or at 206.543.1415, 206.543.6452 (TTY), preferably at least 10 days in advance of the event.

ADA Parking

Since 2019, UW has been working on a comprehensive ADA transition plan to "create environments that are welcoming and accessible to all". As part of that work, 43 parking lots on the Seattle campus have recently been remediated to be ADA compliant, including the following lots used frequently by the College of Arts & Sciences.

ADA compliant parking options for College of Arts & Sciences events:

N1: 6 stalls that serve The Burke Museum and Gates Hall
N22: 26 stalls that serve HUB, Hall Health, Thompson, Communications, and Padelford
Central Plaza Garage (C1-C6): 39 stalls that serve Kane, Suzzallo, Gerberding, Meany, Henry Art, Odegaard

C1: 12 stalls ‐ dispersed between exits/entrances to Meany Studio Theatre (2), Odegaard (2) and Kane Hall (8)
C2: 3 stalls ‐ located near 15th Avenue exit/entrance
C3: 12 stalls ‐ dispersed between exits/entrances to Meany Theatre (7), Odegaard (2) and Kane Hall (3)
C4: 4 stalls ‐ located near exit/entrance to Henry Art Gallery
C5: 4 stalls ‐ dispersed between exits/entrances to Odegaard (1) and Kane Hall (3)
C6: 4 stalls – located near exit/entrance to Henry Art Gallery

Read Full Press Release Here

Performance Show Time(s):

Friday, January 20, 2023 - 7:30pm

Saturday, January 21, 2023 - 7:30pm

Sunday, January 22, 2023 - 2:00pm

Event Type:

Benois

de la Danse diploma winner

2012

JUN EUI-Sook

Born and raised in South Korea. She started dancing early and studied ballet and traditional Korean dance at the same time. Received Bachelor's and Master's Degrees in Dance from the Women's University of Ehwa Department. And in New York, she got acquainted with modern dance. She received a Master's degree in dance from New York University. Starting choreography in Seoul, Jung Eui-sook later revealed her creative personality in New York. Jeon returned to South Korea and took up a professorship at Sung Kyung Kwan University.

In 1999, she founded the modern dance company Arzid in Seoul, which rose to prominence and has been at the forefront of contemporary dance in Korea ever since. She is also a member of the committees and boards of many dance structures in the country.

She created: "Four Seasons" (1986), "Dancing for Giselle" (1994), "Hamlet's Love" and "Color, Sound and Movement of the Seasons" (1997), "Spring for Nina" (1998), " She Still Remains on the Little Ferry" and "Existence" (1999), "Birds on a Pole" (2000), "Dong-dong" (2001), "Red Soul Poem" and "Light" (2002), "Color" (2003), The Day (2005), Dancing Brooklyn Bridge (2007), Treasure Hunt, Angel in the City and Briefcase (2008), Paradise Inside You, Image 2009"(2009), "Lady Liberty-2010" (2010), "Ringing Bells" and "Interview with Isan Yun" (2011).

The prize for choreographic activity was awarded to her work "The Poem of the Red Soul" (2002). In 2007, the Korean Dance Society awarded her their Artistic Prize, and in 2011, the Ministry of Sports Culture and Tourism awarded her the Korean Dance Prize for her performance of Interview with Isan Yun.

DANIEL BYON

Born in Gwangju, Republic of Korea.

Studied French Literature at Korea University in Seoul and Film Studies at Seoul Film Academy. Then he continued his studies in Paris - at the University of Saint-Denis and at the French National Film School. He was the first scholarship recipient of the Samsung Cultural Foundation. He also received a doctorate (in aesthetics) from the Panthéon-Sorbonne University of Paris.

In Korea, his films have won recognition for their original content and narrative structure. Daniel Pyon made a film that proved that camera expression—how and how far a camera can show a scene—is a key ingredient in making a movie. He expressed his vision in the so-called. “cinematic performances”, referring also to several dance projects, such as “Lady Liberty-2010”, “Interview with Isan Yun”, etc.

Daniel Pyong founded TMI - Transmedia Institute and worked on a project called "70 million Koreans" with renowned French photographer Yan Artaud Bertrand. His interest in the documentary direction, real people, his deep knowledge of music and art are revealed with all obviousness in the original cinema world he built. The short documentaries he created: Homo Videocus ("The Man Beholding") (1991) and "Bruno Rudan" (1995) were awarded the highest awards at festivals in Clermont-Ferrand (France), Montecatini (Italy), San Francisco. And the films "Birthday" and "Orson" participated in the official program of festivals in Oberhausen, New York, Karlovy Vary, Busan (Korea).

He also owns feature films. The Interview (2000) received festival audience acclaim in Busan, Gothenburg, Hong Kong, and Sao Paulo, as well as the Busan Critic's Award for Direction. "Scarlet Letter" (2004) was shown at festivals in Busan and Vladivostok. "Five Erotic Episodes" (2009) is a five-part tape that gathered about a million viewers in the author's homeland.

Daniel Scheinert and Dan Kwan's film "Everything everywhere at once" was released in Russia // Watching

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Daniel Scheinert and Dan Kwan's film "Everything Everywhere and At Once" released in Russian cinemas

The title reflects both the style of the tape and the plot: the main character fights against the evil that threatens the multiverse.

The American film "Everything everywhere and at once" was released in Russian cinemas. A film about an infinite number of worlds combines an infinite number of genres. Stanislav Anisimov understood the twists and turns of the plot.

What will happen if The Matrix is filmed in the genre of a Hong Kong action movie, and even seasoned with a specific humor typical of Asian cinema. It will turn out the film "Everything is everywhere and at once" - the title reflects both the style of the tape and the plot: the main character is fighting an evil entity that threatens the multiverse - parallel realities that exist at the same time. Directors Daniel Scheinert and Dan Kwan cast Malaysian actress Michelle Yeoh in the lead role.

"They think beyond any logic. I've been working in cinema for a long time, but I haven't seen anything like it. When I read the script, my brain just exploded. What is this film about? I didn't have any versions at all. each scene has a lot of interpretations and ways of performing. I liked it, "said actress Michelle Yeoh.

Of course, this is a film about what the fulfillment of desires can lead to, the realization of a dream, in this case an American dream. Spoiler: no good. Instead of life as in a picture from a magazine - a dull routine. It was then that the authors needed the power of science fiction: what if they did everything differently? Jump into another life and another reality. Somewhere the main character became a famous actress, singer, masters martial arts, somewhere she works as a cook.

"Immediately after our first meeting, I realized that the directors are just evil geniuses. I began to ask them about the script. Well, these sausage fingers, how to understand this? How do they imagine it? I also have to dance ... And every time I told them: you know, I don't understand what's going on at all. They answered me: don't worry! we'll break through!"

"Everything everywhere and at once" is a film about everything and nothing in particular.