How to do the strokin line dance
Dances and Songs - cuestacountrylinedancingclub
DANCE TYPE OF DANCE SONG TITLE ARTIST
AGGIE SWING Couples free style Brand New Girlfriend Steve Holy Devil Went Down To Georgia Charlie Daniels Band Swing Trace Adkins Swing Batter Batter Trace Adkins Swingin' LeAnn Rimes Old Alabama Brad Paisley
ALL JACKED UP 4-wall line dance Crazy Ex Girl Friend Miranda Lambert Good Girls Kerry Underwood Mama’s Broken Heart Miranda Lambert Telescope Hayden Panatiece
BABY LIKES TO ROCK IT 2-wall line dance Baby Likes To Rock It The Tractors
BARN DANCE Couples pattern dance circular All My Friends Say Luke Bryan Beer On The Table Josh Thompson Cheatin' On My Honky-Tonk Trent Tomlinson Good Directions Billy Currington Good Time Alan Jackson Meat And Potato Man Brice Long Nothin' Bout Love Makes Sense Leann Rimes Where I Come From Alan Jackson
BLACK VELVET 2-wall line dance Black Velvet Alanna Myles
BOOT SCOOTIN’ BOOGIE 2-wall line dance Boot Scootin’ Boogie Brooks & Dunn
CHA CHA SLIDE 4-wall line dance Cha Cha Slide DJ Casper
CHIL FACTOR 4-wall line dance Booze Cruse Blackjack Billy Last Night Chris Anderson
COASTIN’ 4-wall line dance Boogie Woogie Fiddle Blues Charlie Daniels Band Lord Of The Dance Celtic Orchestra What Was I Thinkin Dierks Bentley CONTINENTAL COWBOY Couples pattern dance circular A Long Hot Summer Keith Urban Red Taylor Swift Tangled Up Billy Currington Why Don’t We Just Dance Josh Turner
COPPERHEAD STOMP 4-wall line dance Copperhead Road Steve Earle
COTTON EYED JOE 4-wall line dance Cotton Eyed Joe Rednex
COWBOY CHA CHA Couples pattern dance circular Bittersweet Big Head Todd & The Monsters Dancin', Shaggin On The Boulevard Alabama How 'Bout Them Cowgirls George Strait I Don’t Want This Night To End Luke Bryan I Gotta Get To You George Strait Isn't She Carolina Rain I Told You So Keith Urban Last Christmas Taylor Swift Lipstick Promises George Ducas Love’s Gonna Play It Alright George Strait My Maria Brooks & Dunn Neon Moon Brooks & Dunn Nothing On The Radio Gary Allan One More Goodbye Randy Rogers Band Restless Jason Aldean Since You Brought It Up James Otto Some Beach Blake Shelton When The Sun Goes Down Kenny Chesney Wild Wild West Randy Houser Your Man Josh Turner
DIZZY 4-wall line dance Dizzy Scoter Lee
DRIFTER Couples pattern dance circular Blown Away Carrie Underwood Good Little Girls Blue Country Hallaluy’all Bomshel Jeep Jeep Krista Marie Kerosene Miranda Lambert Loud Big & Rich Put You In A Song Keith Urban Radio Big & Rich Sell Me A Fake I D Brooks & Dunn Up Getcha Good Shania Twain Work Hard, Play Harder Gretchen Wilson
EAST COAST SWING Couples free style Boogie Woogie Rhythem Scooter Lee Brand New Girlfriend Steve Holy Diamond Light Boogie Cherry Poppin' Daddy’s Drink Myself Single Sunny Sweeney Money In The Middle Rodney Atkins
EL PASO Couples pattern dance circular Aw Naw Chris Young Bartender Lady Antebellum Brokenharts Ville Joe Nichols Country Girl Shake It For Me Luke Bryan Crying On A Suitcase Casey James Dangerous Man Trace Atkins Drunk On A Plane Dierks Bentley Holly Water Big & Rich Let Me Down Hard John Eddie Lonely Eyes Chris Young Stand Rascal Flatts Winning At A Loosing Game Rascal Flatts
ELECTRIC SLIDE 4-wall line dance Built For Blue Jeans Bomshel Here For The Party Gretchin Wilson Sharp Dressed Man ZZ Top You Don't Have To Go Home Gretchen Wilson
FAKE ID 4-wall line dance Sell Me A Fake I D Big & Rich
FAT SALLY LEE 4-wall line dance Fat Sally Lee Rednex
FOOT LOOSE 4-wall line dance Foot Loose Kenny Logins
GO GO STOMP 2-wall line dance Backwoods Justin Moore Boys Round Here Blake Sheldon Last Name Carrie Underwood Pirate Flag Kenny Chesney Redneck Yacht Club Craig Morgan
GOD BLESSED TEXAS 2-wall line dance God Blessed Texas Little Texas
GOOD TIME 4-wall line dance Good Time Alan Jackson
GOT TO BE FUNKEY 4-wall line dance (Every Thing I Do) Got To Be Funkey Maurice John Vaughn
GREAT SHAKES 4-wall line dance Girls Love To Shake It Love & Theft
HICK HOP 4-wall line dance Cricket On A Line Colt Ford Rhett Akins
HICK TOWN 4-wall line dance Hick town Jason Aldean
HILLBILLIES 2-wall line dance Hillbillies Hot Apple Pie
HONKY TONK 4-wall line dance Honky Tonk Badonkadonk Trace Atkins
HORSESHOE Couples pattern dance circular Cool To Be A Fool Joe Nichols Pretty Good At Drinking Beer Billy Currington Wrapped George Strait
LINDA LOU 2-wall line dance Georga Peaches Lauren Alaina Turn On The Radio Reba Mc Entire Whose Bed Have Your Boots Shania Twain
LINE WALTZ 1-Wall couples pattern dance Easy Rascal Glatts I’M Moving On Rascal Flatts Red On A Rose Alan Jackson Strawberry Wine Deanna Carter You Look So Good In Love George Strait You Save Me Kenny Chesney
MAVERICK 2-wall line dance 1994 Jason Aldean Brown Chicken Brown Cow Trace Adkins Bubba Shot The Jukebox Mark Chesnutt She’s Country Jason Aldean She’s A Hottie Toby Keith
MEN IN BLACK 4-wall line dance Men In Black Will Smith
mMm Bop 4-wall line dance Good Girls Carrie Underwood Wildflower Jane Dear Girls
OUTLAW 4-wall line dance Whiskey Drinkin’ Son Of A Bitch Mickel Knight
POWER JAM 4-wall line dance I’m A Cowboy Smokin Armadillos Jam Michael Jackson Remix-Save A Horse Rice A Cowboy Big & Rich
RED NECK ANGEL 4-wall line dance Merry Go Round Jane Dear Girls Somethin Bad Miranda Lambert/Carrie Underwood
REGGAE COWBOY 4-wall line dance Get Into Reggae Cowboy The Bellamy Brothers
ROCKEY TOP 1-wall line dance Bomshell Stomp Bomshell
SADDLE UP SHAWTY 4-wall line dance Saddle Up Michael Knight
SEXY TRACTOR 2-wall line dance She Thinks My Tractors Sexy Kenny Chesney
SKI BUMPUS 1-wall line dance All You Ever Do I Bring Me Down The Mavericks Barlight Charlie Robins Every Little Thing Carlene Carter (I Never Promised You A)Rose Garden Martina McBride
SLAPIN’ LEATHER 4-wall line dance Say You Love Me Rodney Crowell Stuck Like Glue Sugar Land
SOMETHING IN THE WATER Barefoot & Buckallo Laupen Alaina Something In The Water Brooke Fraser
STROKIN’ 4-wall line dance Strokin’ Clarence Carter
TEN STEP Couples/singles pattern dance circular Cheater Cheater Joey and Rory
TRAVELING 4 CORNERS Couples pattern dance circular Long White Cadillac Dwight Yoakam Men Forester Sisters Mississippi Mud Hank Williams III Surprise Trent Willmon That Girl's Been Spyin On Me Billy Dean
TUSH PUSH 4-wall line dance Down In Mississippi Sugarland Fire Cracker Josh Turner They Call Me The Fireman George Strait Ain't Going Down Garth Brooks
TWO STEP Couples pattern dance circular All I Ever Wanted Chuck Wicks As If Serra Evans Beer In Mexico Kenny Chesney Between The River and Me Tim McGraw Chicks Dig It Chris Cagle Come On Over Jessica Simpson Days Go By Keith Urban Fishin' In The Dark Nitty Gritty Dirt Band Fishin' In The Dark Nathan Carter For She Was Mama Clay Walker Free And Easy (Down The Road I Go) Dierks Bentley Georgia Clay Josh Kelley Guitar Slinger Crossin Dixon Gunpowder & Lead Miranda Lambert His Kinda Money (My Kinda Love) Eric Church Honkeytonk U Toby Keith I Love Women My Momma Can' Stand Jerrod Niemann Jezebel Chely Wright Just To See You Smile Tim Mc Graw Little Bit of Life Craig Morgan Little White Church Little Big Town Long Black Train Josh Turner Love Don't Live Here Lady Antebellum Midnight Rider Willie Nelson My, Oh My The Wreckers 19 Somethin' Mark Wills Nothin Better To Do Leann Rimes Ordinary Love Shane Minor Pickn' Wildflowers Keith Anderson Red High Heels Kellie Pickler Ring Of Fire Allen Jackson feat. Smoke A Little Smoke Erick Church Somebody Like You Keith Urban Talkin' Dirty Russel Walker Tequila Makes Her Clothes Fall Off Joe Nichols Tennessee River Run Darryl Worley The One In The Middle Sarah Johns Ticks Brad Paisley Tu Compania Keith Urban Why, Why, Why Billy Currington Wrapped Up In You Garth Brooks
UN DOS TRES 4-wall line dance Maria Rickey Martin
WALKING WAZZIE 2-wall line dance T.
WANNA TAKE YOU HOME 4-wall line dance Wanna Take You Home Gloriana Sideways Dierks Bentley
WATERMELON CRAWL 4-wall line dance Watermelon Crawl Tracy Byrd
WEST COAST SWING Couples free style A Cold One Erick Church All Summer Long Kid Rock Beer For My Horses Toby Keith/Willie Nelson Dirty Girl Terri Clark Hip To My Hart The Band Perry Love You Jack Ingram Mad Cowboy Disease John Michael Montgomery Need You Now Lady Antebellum Party For Two Shania Twain Duet Billy Crrington Pound Sign(#?*!) Kevin Fowler Put A Girl In It Brooks & Dunn Steam Ty Herdon Something To Talk About Bonnie Raitt Sparks Fly Taylor Swift Things That Never Cross A Man's Mind Kellie Pickler
WILD WILD WEST 2-wall line dance Wild Wild West The Escape Club
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R.O.U.B.L.E Travis Tritt What are Wedding Line Dances? (with pictures)
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Miscellaneous
Fact Checked
Jessica HobbyWhen the nuptials are done and it’s time for the bridal party and guests to let their hair down, many put on their dancing shoes to head to the reception and partake in traditional wedding line dances.
Line dancing at weddings has become popular over the years because it offers a way where all of the guests can participate in the celebration of the happy couple’s wedding. Wedding line dances promote interaction among the guests, get the party started and keep it going.
Some modern wedding line dances are performed with a group, but there is no contact with other people. The steps to the line dances are performed in individual spaces across the dance area. This alignment is also popular in country music.
The Electric Slide is the most popular out of all wedding line dances.
It consists of left and right grapevine steps coupled with a backward slide, a rock step and a quarter turn. Because it is easy to learn, the Electric Slide is a favorite and no wedding reception is complete without it.
For couples who opt to have a Western-themed wedding, they have many choices for wedding line dances. Line dancing and country music go hand in hand. Three of the most popular country line dances are the Cotton-eyed Joe, the Tush Push, and the Boot Scootin’ Boogie. The Cotton-eyed Joe is an example of a line dance that is performed with a partner. Partners travel the dance floor in a circle performing polka stops and stop occasionally to perform standing kicks.
For receptions that incorporate a lot of pop music, there are many wedding line dances to rhythm and blues or hip-hop music. Some of the most requested are the Tootsie Roll, Strokin’, Macarena, and The Cha-Cha Song. These line dances are also performed in an individual space on the dance floor.
Older more traditional wedding line dances that have been enjoyed for years are a Conga line, The Hokey Pokey, and the Chicken Dance.
A Conga line is usually headed up by the bride and groom with the rest of the guests grabbing on to the final person in the line and weaving around the dance floor. The Hokey Pokey and the Chicken Dance are performed in a circle, where wedding guest can scope out the dance moves on the other side of the circle.
There is no need for wedding guests to learn these dances ahead of time, as many times the band or DJ will offer instruction. If not, there are usually two or three people that know the dance. The best way to learn wedding line dances is to head out to the dance floor and join them.
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Practical tips for laying out application forms in LaTeX / Sudo Null IT News
A few useful tricks for LaTeX lovers who want to make up an application form. For example, we will make up a claim form for the Russian Post (its “official” version can, if you’re lucky, be downloaded from the Russian Post website).
We will not explain the entire layout from the first to the last letter, assuming that the reader is familiar with the basics of LaTeX. Let's consider specific layout recipes for "rulers" where you need to enter missing words, checkboxes with labels, signatures in small print at the bottom of the text and lines of different thicknesses and discontinuities. nine0003
Of course, the recipes are not the only possible ones and are probably wrong in some way. If you know how to cook better, you are welcome in the comments.
Requestee
As a rule, all applications begin with several lines in the upper right corner, where the addressee and the applicant are entered. This block should be pressed to the right, the block itself is left-aligned and each line usually has a few words at the beginning, followed by a line to the end. Sometimes there are words in the middle of the line too. nine0003
The simplest code that does what you want is:
\begin{flushright} % shifts the contents of the environment to the right \begin{tabular}{p{.
5\textwidth}} % makes a one-column table half the text wide to \hrulefill \\ % \hrulefill makes a line to the end of the line from \hrulefill \end{tabular} \end{flushright} We will modify it a bit so that environments flushright, tabular and macro \hrulefill are inserted automatically. To do this, we define a new environment lines :
\newenvironment{lines}[1][\textwidth] default % lines to full text width { \newcolumntype{E}{>{}p{#1}<{\hrulefill}} The % at the end of our column will be attributed to \hrulefill \begin{flushright} % will automatically insert flushright \begin{tabular}[h]{E} % and tabular of the desired format } {\end{tabular}\end{flushright} } you can use it like this:
\begin{lines}[.5\textwidth] To whom \\ from\\ living\\ \\ tel.\\ identity document\\ series \rule{2cm}{0.25pt} # \\ % \rule will make a ruler of the specified length and thickness issued \end{lines} nine0016
Tick boxes
You can frame something with the macro \fbox , but how to make an empty box of the right size, say, 3 millimeters? There are certainly many ways.
You can use the environment minipage , which allows you to specify the width and height: \begin{minipage}[c][0.3cm]{0.3cm}\quad\end{minipage} , or you can use low-level commands \vbox and \hbox: \vbox to 3mm {\vfil \hbox to 3mm{} \vfil } . In any case, I don't want to write so much code every time, so let's make a new \chkbox command and pass it the text that needs to be placed next to the checkbox as an argument.
% \: will make a space between the box and the text, % and \parbox will make a paragraph of the desired width so that line breaks can be used in the text % don't forget to include the calc package for arithmetic with lengths \newcommand\chkbox[1]{\fbox{\begin{minipage}[c][0.3cm]{0.3cm}\quad\end{minipage}}\:\parbox[t]{\linewidth - 0.3cm}{ #one} } nine0016
\begin{tabular}{p{.17\textwidth}p{.25\textwidth}p{.25\textwidth}p{.3\textwidth}} % adjust the column width to taste \chkbox{airline} & \chkbox{receipt\\ of delivery} & \chkbox{cash on delivery} & \parbox[t]{.
3\textwidth}{cash on delivery\\ amount \hrulefill} \\ \end{tabular}
Text below line
It’s easy to make underlined text, but here’s how to make it “underlined”, for example, write in small print “Last name I.O.” under the name field? One way is to use macro \underset from package amsmath :
% text "position, surname and signature of the official" under a blank ruler half a page wide $\underset{\text{(position, surname and signature of the official)}}{\underline{\hspace{0.5\textwidth}}}$
Lines
Finally, you often need full-page lines. In the typed example, a broken line is required to separate the tear-off coupon, and sometimes in statements or appeals, lines separate the “company” header from the rest of the text (as, for example, in the letter in the picture on the right). A dashed line can be made using macro \hdashrule from package dashrule :
% a full-page ruler 1 point thick, lowered 2 millimeters from the baseline, % with the pattern "stroke 3 mm space 1 mm" \hdashrule[-2mm]{\textwidth}{1pt}{3mm 1mm} Solid lines can be made with the command \rule , which has the same syntax, except for the absence of the last argument (the line pattern).
Two solid lines of different thicknesses are easy to make:
\rule{\textwidth}{.5mm} \rule{\textwidth}{.25mm} but the distance between them turns out to be too large. You can play with shifting the rulers, but it's easier to use the commands \hrule and setting the kerning:
\hrule height 1pt\kern 2pt \hrule height 0.25pt
All together
Ready-made form can be downloaded here, and you can take a look at updated sources here
Description of dances with schemes. | Material on music (preparatory group) on the topic:
“Everything from Russian mountain ash”
For children 6-7 years old
Song from the repertoire of N. Kadysheva and the ensemble “Golden Ring”
8 girls participate in the dance.
Costumes: Russian sarafans, a bandage with "rowan berries" on the head, bandages with "rowan leaves" on the right and left hands.
Introduction - girls listen to music, standing backstage on both sides of the hall near the central wall.
1 couplet.
Line 1 - Line 2
They walk in two columns on both sides of the hall in a semicircle, lining up a circle. (Fig. 1)
Fig.1
3rd line
4 girls (after one) with a calm step on their toes converge in a circle, smoothly raising their right hand up, circle around themselves 1 time and return to their places in the circle. And the 4 girls left in the outer circle slowly circle around themselves, raising their right hand up. (Fig. 2)
Fig. 2
4th line
Movements, as in line 3, only the girls change places.
Chorus.
Girls smoothly spin on their toes in a pair in one direction, then in the other. Hands with a "candle" (connect the palms and elbows of one hand, the other hand is laid aside)
2nd verse.
1st line
Girls on tiptoes calmly walk in a circle and form a column in the center of the hall.
(Fig. 3)
Fig. 3
2 line
They diverge through one side step in opposite directions (Fig. 4), raise the right hand up. Turn around once, behind the right hand, and turn to face the middle of the hall (line to line).
Fig. 4
line 3
Lightly on toes, they walk in ranks to the center of the hall, circle in pairs (connecting right shoulders, hands below) 1 time and diverge in opposite directions (Fig. 5)
Fig. 5
4th line
Walk lightly on toes in ranks to the center of the hall, circle in pairs (connecting right shoulders, hands below) 1 time and line up in a column.
Chorus.
1-2 line
Diverge in a line from the center of the column to the right and left, starting with girls 4 and 5. 3,2,1 the girls move on their toes with their backs to the center and follow the 4th girl in her direction.
6,7,8 the girls move on their toes facing the center and follow the girl in her direction.
(Fig. 6)
Fig.6
3rd line
Spinning on toes to the right behind the hand (hand up),
4th line
Repeating the movements of the 3rd line of the refrain, only to the left side.
Lose
4 girls (after one) go forward smoothly on toes, raising their right hand up
(for 4 counts) and then step back on toes (in a line) and the hand is smoothly lowered down. And the other 4 girls step back, smoothly raising their right hand up, and then return to their places (in a line), lowering their hand down. (fig.7)
Fig.7
3rd couplet.
Lines 1-2
4th and 5th girls make a “collar”, and the rest (starting with the outermost girls) go through it and diverge into two circles. (Fig. 8)
Fig. 8
3-4 line
Two girls in two circles simultaneously converge in pairs and circle (connecting their right shoulders, left hand to the side) 1 time and return to their place in the circle, and the other two girls at this time are circling around themselves, raising their right hand up.
