How to do the drake dance
Honestly, It’s Okay to Admit That Drake Put You Onto Dance Music
“It’s all good if you don’t get it yet. It’s all good. That’s what we do. We wait for you to catch up.” Drake’s response to his dance album Honestly, Nevermind’s mixed reception could be written off as another Drake-ism – the superstar slighted by negative Twitter reviews, the great experimenter defending his segue into dance music. Or, the artist unwittingly capturing the moment the genre finds itself in.
Drizzy only gave us a few hours before he released his seventh studio LP. Nine months after the legacy-attempting Certified Loverboy where he flexed his rap and R&B muscles, no one expected this. Honestly, Nevermind is categorized under “dance” on Apple Music, and throughout, Drake commits to crooning over lush, clubby beats, leaning fully into the chill-dance-pop-music he briefly slipped into with his 2017 hit “Passionfruit.” From Afrobeats to grime, in the last few years, Drake has managed to consistently affiliate with rising genres that have crossed over globally. For the Canadian superstar to dedicate a whole album to dance music holds weight. Sure, Drake’s version of house is a little too grounded in R&B and pop melodies and his at times lackluster vocals might distract from what he’s actually attempting. Because it’s this easy familiarity that offers audiences who aren’t privy to dance music a way in.
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If Honestly, Nevermind was a conversation starter, Beyoncé dropping a surprise house-inspired track four days later, verified what we were already suspecting (and hoping for): house music is on the brink of a pop revival. Where Drake flirts with Afrohouse and late-2000s, early-2010s dance music, Bey’s “Break My Soul” is an unrestrained homage to ’90s house; an attempt legitimized by a feature from New Orleans bounce legend Big Freedia and a sample of “Show Me Love” by Robin S.
– the hit song that defined the sound of house music in the early ‘90s. Each in their own way, Drake and Beyoncé seemed to be summoning audiences to get up and leave their worries on the floor of the discotheque. But are the people ready? A brief look at Twitter in the aftermath of the Drake album suggests: Not really.
When Drake and Beyoncé sent fans into a frenzy last week with their house endeavors, my first reactions was, Honestly, what’s the big deal? Dance music has been bubbling up recently – purists will say it never went away, and depending on where you go, that’s also true. This type of experimentation has always been there, hip-hop especially has been teasing a dance music comeback for a while. Producers like KAYTRANADA and Channel Tres have anchored this gradual shift, meanwhile the list of rap artists trying their hands on house-inflected beats has also been growing longer. Santigold, Doechii, M.I.A., GoldLink, Solange, Azealia Banks, IDK, are just a few names that come to mind – IDK’s 2022 album Simple.
, in my opinion, set the standard on how to make a house project as a rapper. In the UK, many rappers have lent their flows to the country’s dance-tinged garage subgenre – which would have seemed like the more obvious route for Drake to take. Then in Africa, the popularity of South Africa’s Amapiano sound, which borrows heavily from the local house scene, is also signaling a cultural shift towards dance music. Globally, audiences seem primed for a revival, but internet debates by Drake fans – and as the world’s most streamed artist, that means “almost everybody” – bewildered by his latest offering show house music still hasn’t registered in mass consciousness.
Drake said it’s H&M music or NOTHING #honestlynevermind #drake pic.twitter.com/nWTqGPLcYt
— Cel Targaryen™️ (@6ixGodCel) June 17, 2022
A lot of rap fans shared bad reviews and memes on social media in response to Honestly, Nevermind, displeased with what they regarded as a competitive rapper dropping the ball.
Many people interpreted this new direction as a move towards the electronic “oontz, oontz” and EDM-affected pop music of the early 2010s – you know, when David Guetta reigned supreme. But that’s not house, that’s not the kind of dance music Drake and Beyoncé are trying to put you onto. House is playful, it’s soulful. Originating in Chicago in the ‘80s with DJ Frankie Knuckles’ experimental sets at the Black gay club The Warehouse, house became a positive and defining soundtrack for Black and queer communities. Hip-hop and house are by no means sonic siblings, but they’re rooted in a similar struggle to speak for their people. While hip-hop’s early rapstars swiftly took the genre into the mainstream, house largely eschewed the charts, choosing instead to thrive on the dancefloors of its chosen communities. In a sense, maybe it’s because house never made the shift from the collective to the individual superstar that it missed out on a major commercial crossover.
Drake attempts to take on this monstrous task before anyone else can, coming out ahead of Beyoncé who’s about to release her own full-length dance album, the fittingly titled Renaissance.
Even through the confused and lukewarm responses, Drake struck gold again. Days after its release, Honestly, Nevermind became the biggest dance album in Apple Music history. The numbers by no means speak to its quality; Honestly, Nevermind is absolutely a commercialized, watered-down take on house music. In all this, the question of ownership and culture comes into play. Drake isn’t a stranger to accusations of cultural appropriation for his fleeting musical obsessions. In his 2019 Rap Radar interview, he addressed these saying, “Any time I embark on one of those journeys, I ensure that I am not only paying all due respects verbally. I make a point to give opportunity to people that I respect.”
It’s true, time and time again Drake steps out of his comfort zone, sustaining his experimentations by recruiting genre heavyweights into his orbit. On this album, that’s once again the theme. Iconic South African deep house DJ and producer Black Coffee contributes to three songs.
And Baltimore club music icon Carnage (under his house alias Gordo) produced five. The song “Currents” samples a squeaking noise that Jersey Club producers have been using for years. With these major cultural assists, Drake’s banal pop ballads turn into the perfect echo chambers to ease skeptics into house music. Drake’s adaptability and ability to give pop appeal to “new” sounds is perhaps his greatest asset. And when we look back at dance music’s crossover into the charts one day, I’m pretty sure this record will be considered a landmark moment.
When “Passionfruit” dropped on the rapper’s 2017 mixtape More Life – which also brilliantly features production from Black Coffee – it quickly became one of my favorite Drake songs. I’ve combed through every project since searching for that one house-ish vibe, and when those couldn’t be found, I’d scour SoundCloud for dancey remixes. The rapper wasn’t ready to make the jump five years ago, and now he’s decorated a whole album with this sound.
So what’s changed?
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Thing is, Drake and Beyoncé’s “house music revival” isn’t concerned solely with house as a sound. In a British Vogue interview with Queen B, editor-in-chief Edward Enninful describes Bey’s unreleased album’s “soaring vocals and fierce beats” that transported him “back to the clubs of his youth” in the late ’80s and ’90s. There seems to be a sense of escapism at the heart of this musical shift, a need to go back. House, perhaps more than any other genre, represents the impulse to get up and dance your worries away. Beyoncé’s no-holds-barred call to “Release ya anger, release ya mind / Release ya job, release the time / Release ya trade, release the stress / Release the love, forget the rest,” is the type of danceable defiance that has long coursed through house music. It’s what made it a refuge for Black, queer, and working-class people in the first place.
Two years into a global pandemic that almost squashed club culture, took lives, jobs and security, more than ever, house music feels like a fitting anthem.
For the listeners who are new to this sound, “It’s all good,” welcome. It’s okay to admit that Drake or Beyoncé put you onto dance music. It’s okay to enjoy when things go mainstream. And for the house enthusiasts wrinkling their noses at this assimilation into the mainstream, that’s the beauty of music, it adapts, evolves and grows. House music is originally Black and queer, as as long as that is always put first, there is a strong future for the genre ahead.
Drake's 'Honestly, Nevermind' is a sleek dance music reset
Drake’s “Honestly, Nevermind” is a surprising foray into dance music.
(Amy Sussman/Getty Images)
To call Drake’s “Certified Lover Boy” a flop, as many have since the album came out in September, is to say more about the hip-hop superstar’s overall success than about the perceived failure of a Grammy-nominated LP that broke several streaming records on its way to finishing 2021 as last year’s third-biggest release.
But OK, sure: Unlike pretty much everything Drake had done since the start of his major-label recording career more than a decade ago, the meandering “Certified Lover Boy” fell slightly out of sync with the pop culture zeitgeist. The album didn’t spin off a series of durable radio hits (though “Way 2 Sexy” went to No. 1) nor did the music take over TikTok and social media in the manner of a modern smash. For perhaps the first time, Drake’s grip seemed to slip.
Which makes it easy to view “Honestly, Nevermind” — the “CLB” follow-up he surprise-dropped Friday just hours after revealing it existed — as Drake’s shot at a reset. Composed almost entirely of sleek, airy club music jams in which he does as little rapping as he ever has, Drake’s seventh studio album marks an undeniable change in course, even if the 35-year-old remains lyrically preoccupied with the petty romantic grievances that have always fueled his songwriting.
Yet what an appealingly perverse choice for a would-be course correction.
Yes, plenty of pop stars have been exploring dance music lately, from Dua Lipa to Cardi B and Megan Thee Stallion (whose “WAP” sampled a classic Baltimore club track) to Drake’s old collaborator, the Weeknd; Drake himself has flirted with the sounds of house music in songs such as “Passionfruit” and “Take Care.”
But here he leans into the concept harder than any other A-list act, laying tightly structured verses and choruses over thrumming, go-forever beats produced by a team led by his longtime studio accomplice, Noah “40” Shebib, along with Gordo and South Africa’s Black Coffee. In the tenderness of the music — more than one song recalls post-“Missing” Everything but the Girl — Drake is toying with hip-hop’s evolving ideas about masculinity; it’s beguiling too to hear pop’s preeminent solipsist engage with grooves and textures traditionally geared to communal purposes. (Maybe the privileged isolation of Drake’s peak-COVID-era “Toosie Slide” video finally got to him.)
Does Drake make for a good house diva? His singing on “Honestly, Nevermind” is clearly slathered in autotune, and after opener “Falling Back,” where he ascends into a breathy falsetto, his vocal melodies rarely venture beyond a comfortable midrange.
Yet there’s an endearing vulnerability to his delivery in songs like “Texts Go Green” and “Calling My Name” that blends beautifully with the promise of abandon in the production; the result feels melancholy and ecstatic at the same time, as in “Down Hill,” where Drake’s lamenting a relationship in “constant confusion, nearing conclusion” while the drums and keyboards keep threatening to turn into Lionel Richie’s “All Night Long.”
Though the music moves at a quicker tempo than on Drake’s earlier records, he’s still surrounding himself with signifiers of plush sophistication: the cooled-out saxophone that ripples through the album’s instrumental opener, for instance, or the fluttering Spanish-style guitar in “Tie That Binds.” But he appears earnest in his desire, whatever inspired it, to meet house music on its own terms. Those propulsive piano triplets in “Massive”? As essential to the genre as a power chord is to hard rock.
Indeed, it’s Drake’s commitment that makes the album’s closer, “Jimmy Cooks,” so jarring.
Built on a sample of a throbbing Memphis rap track, it’s got Drake and the LP’s lone featured guest, 21 Savage, trading rounds of tough talk about fearing no enemy. “You don’t like the way I talk? N—, say something,” Drake dares one such foe, spitting out the words instead of cooing them as he’s been doing. It’s a reminder that he knows we’re listening — and that he’s always formulating a response.
National Dances of China--China.org.cn
| Han Chinese make up approximately 93.3% of the total population of China. Since ancient times, Han Chinese dances have been distinguished by their richness and variety of forms and styles. SPRING FESTIVAL DANCES The Chinese Spring Festival - New Year's Day according to the agricultural calendar is the most important traditional holiday of the Han people. Many types of dances are dedicated to this holiday, the most common and also the most beloved are the DRAGON DANCE, LION DANCE and YANGE.  There are also "dragons of the earth" that spew water from their mouths in all directions. And in some provinces south of the Yellow River, images of small dragons are tied to a bench, three men, holding on to the legs of the bench, run and dance to the thunder of timpani and drums. There are also “dragons from separate links”, “dragons from five links” and others. There are also "paper dragons" that are controlled by one person. The dance of the lion is usually performed by two, the front dancer holding the head of the beast in his hands, the legs represent the front paws of the lion, the other dancer represents the body and hind legs of the lion. The body of the "lion" is covered with a shaggy golden fabric. The lion dance is performed in a different manner. In one case, the “lion” stands on the ball, jumps, runs, “stands on its hind legs”, in a word, does acrobatic tricks designed to show the power and flexibility of the beast. In another, the "lion" scratches, licks its fur, rolls on the ground, shakes its mane, showing an affectionate and playful character. The dance of the lion requires strength and endurance from the dancers, and in addition, the skills of traditional Wushu gymnastics, in order to show the strength and grace of the beast in its entirety, he must be able to do somersaults, jumps, somersaults. (China.org.cn Internet Information Center) 12/13/2005 |
Both dancers must work very well in order to successfully imitate the movements of the beast. Sometimes the lion dance includes a playful and cute lion cub performed by one dancer. The lion dance involves a warrior who holds a colorful ball and teases with it the “lion”, who jumps, bends and “plays with the ball”, as it were. The whole dance takes place under the thunder of drums, gongs and other percussion instruments creating a cheerful festive mood. 
Stilts are a meter or more in length, walking on them requires some skill. Following them, the artists, dressed up as a heron and a mollusk, play a scene based on an old Chinese fable about how a heron and a mollusk grappled with each other, and the fisherman caught both without any difficulty. Next come the artists, depicting scenes from the most beloved opera performances. Sometimes circus performers, jugglers, artists depicting famous historical figures also participate in the Yangge procession. Dance school on Baumanskaya | Dance Studio Dragon School
Dance School on Baumanskaya | Dance Studio School of the Dragon
Thinking about going to the dance?
We teach professionally:
Hip-hop / Dubstep / Popping / Robot / Break dance / Dancing for children
Result - master the basics and start improvising in 3 months.
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Special offer: free class
and training CD as a gift
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Why choose the Dragon School?
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We teach beginners
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Reputation and experience
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Guaranteed results
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Professional and attentive teachers
5
Professional hall
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What you will get by studying at the Dragons dance school
in 3 months
Learn to dance confidently to your favorite music tracks
You will become more beautiful to move not only in dance but also in life
" in the body and overcome "woodiness"
Gain confidence and be able to dance wherever you want
You can repeat the movements of dancers from films and clips on YouTube
Distract from the load of problems and add bright emotions to your life
New acquaintances with positive people
Fulfill your dream and learn how to dance the way you have long wanted!
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schedule adult group
Two dance courses are presented:
Hip-Hop styles
Includes hip-hop dance lessons, popping, locking.
Classes are very active, a lot of intense amplitude movements. You will learn how to convey the energy of music in your dance. A great way to keep yourself in good physical shape!
Illusion styles
Includes the most spectacular illusory dance styles such as dubstep, robot, electric boogie, anime. You will learn plasticity, the ability to create spectacular performances that capture the attention of the audience. You will stand out strongly in any place where people dance.
| Mon | W | Wed | Thu | Fri | Sat | Sun |
|---|---|---|---|---|---|---|
| Hip-Hop styles (Dragon) beginners recording 18.30-20.00 | Hip-Hop styles (Anna Fluffy) beginners recording 18. | Hip-Hop styles (Dragon) beginners recording 18.30-20.00 | Hip-Hop styles ( Anna Fluffy ) beginners enrolling 18.30-20.00 | |||
| Illusion styles (Dragon) beginners recording 20.00-21.30 | Illusion styles (Katya Makuro) beginners recording 20.00-21.30 | Illusion styles (Dragon) beginners recording 20.00-21.30 | Illusion styles (Katya Makuro) beginners recording 20.00-21.30 |
30-20.00 Children's groups
(up to 12 years old)
Two dance courses are presented:
Break dance for children
A great way to teach a child not only to hear music and dance, but also to develop flexibility, stretching, and improve physical fitness.
Includes basic and advanced breakdancing techniques.
Hip-hop for kids
Basics of hip-hop dance. Adapted course for children. Includes the basics of hip-hop style techniques. Develops plasticity, rhythm, coordination of movements.
| Mon | W | Wed | Thu | Fri | Sat | Sun |
|---|---|---|---|---|---|---|
| Break dance for kids Artem Shamanaev beginners recording 17.00-18.00 | Break dance for children Artem Shamanaev beginners enrolling 17.00-18.00 | |||||
| Hip-hop for kids Anna Fluffy Beginners are recording 17. | Hip-hop for kids Anna Fluffy Beginners are recording 17.00-18.00 |
00-18.00 where we are
How to get from Baumanskaya metro station (on foot 10 minutes)
1. From Baumanskaya metro station (one exit) turn right onto Baumanskaya street. At the shopping center "Elokhovsky passage" turn LEFT.
2. Go straight along the street along the tram lines to the second intersection, turn right at the traffic light onto Aptekarsky lane (on the opposite side there will be a Soyuzpechat kiosk) Dobroslobodskaya street.
4. Go to the business center "Basmanov".
You need to go to the right side of the building. There, go to door 5 (it is to the right of the main entrance. Call the intercom and say: go to the Dragon School for dancing.
5. Go up to the 3rd floor. Tell the administrator "To the School of the Dragon" and he will show which hall to go to.
6. It takes about 10 minutes from the metro
Photos of the dance hall and dance school
answers to the most frequently asked questions
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What do I need to take to my first workout?
You need a change of shoes for classes - these are sneakers or sneakers that do not leave streaks on the linoleum. What to wear. There are no special requirements, the main criterion is convenience. It can be a T-shirt and pants, a tracksuit, whatever you like.
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I am 23 (24, 25 or older) – is it too late to start?
It's not too late. The result is determined, first of all, by your desire, and not by age.
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