How to dance like howard the alien
[REQUEST] How to do the Howard the Alien Dance? (serious) : LearnUselessTalents
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r/LearnUselessTalents
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r/LearnUselessTalents
This is a place to learn how to do cool things that have no use other than killing time and impressing strangers.
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【How to】 Do Howard The Alien Dance
Because I didn't know about this Howard the alien meme until you guys requested it
Yea, so Shoulder
Elbows... Wrists... Hands...
Once again, 7... 8... We go
Shoulder. .. Elbow... Wrist... Hand...
Once again 5... 6... 7... 8...
Shoulder... Elbows... Wrists... Hands...
Now wave
Alright so from here you want to go
Take the arms in
The hands are going from here
To here
Now the alien
He doesn't really do the tuning as you normally would do it
But totally clean lines, because he has this... "Alien Style"
So he does sort of a squarish thing here
He leans a bit to the left
So from here you want to
Take them to the center here
Yea, so we are going from here... to here...
From here... to here...
Alright now lets go all the way back and practice the whole thing
So starting like this we want to do the wave
here
Take the arms in
Now we want us in... here, box
And meet in the middle. Let's try again...
5...
6...
7...
8...
In with the hands
And... Square...
And... Middle
Again
5...
6. ..
7...
8...
Hands In...
Square Here...
And Middle
Last Time
5...
6...
7...
8...
Wave
In
Square
Middle
Alright. So from here
Your right is gonna go
Up to a straight 90 degrees here
So we are going form here to here
Now I wanna to continue so I will shift
Right
Rotating
So we are from here, where the right elbow is going down
Your hand is going up
And at the same time my left here is following
As if its attached
So, we wanna go right from here...
To here
Alright, so from here i want to do Flap
Rotate...
Again...
Flap... Rotate...
So from here is very simple. I just move up my right arm
So we are moving from here... to here...
Let's take it back from here, with your right Flap...
Rotate...
Right goes up
Once again
7...
8...
Right... Flap...
Rotate. ..
Right goes up...
And from here I wanna say the left is going
So my hand is going down like that
And then I'm going to rotate both arms
And at the same time move your hand over here
So lets take it back from here
Actually here
We are going to Flap down
Now I'm rotating the whole thing...
And my right is staying...
Like that
So it's basically just doing...
Over here like that
So from here
7...
8...
We are going to Rotate...
Then here...
Again from here
7...
8...
Rotate...
Alright lets take it back from here
7...
And we go...
Flap...
Rotate...
Tap...
Right goes up...
And Left Click...
And Rotate the whole thing...
Alright so let's take it from the tip to the top so quick recap
We are going Wave
Hands in
And box
And Middle
And Straighten
And Rotate
And Right Up
And Left
And Rotate. .. Tap...
Alright so lets go a bit slower So
5...
6...
7...
8...
We go... Wave...
And Hands...
Box...
Middle...
Straighten...
Rotate...
Right Up...
Left...
Rotate...
Click...
Once again
5...
6...
7...
8...
Wave...
Hands In...
Box...
Middle...
Straighten...
Rotate...
Right Up...
Left...
Rotate...
Alright so let's try a bit faster so
5...
6...
7...
8...
Wave...
Hands...
Box...
Middle...
Straighten...
Rotate...
Right Up...
Left and Rotate...
Alright so from here you want to
Take your right
Move your head with it
In a circle
out
round
down
and you let go at the end
So lets do it from here
7...
and we go
Round and out
Notice that my right is staying here
And then it Straighten up here
again
7. ..
8...
We go round and out
From here your left will go down...
straight...
So its like
Karate... Kid...
Again from here
7...
8...
Go Round... Stop...
And your left
Now I want to take my left in
Top of my right here...
So I'm just going to show you here
From another angle, let's just say
From here to taking my hand here
Then my hand goes...
Like Karate Kid...
Then my left goes
here
I'm just going to show you from up here again
7...
8...
We go round until here
left Karate kid...
Left again until here
And last part here
You want to get here
So let's say I went from here
To here
So basically my right is just moving like this
From here... To here...
My left is turning
Yes it's turning from here to here
From here... To here...
Alright let's take it from this part
7...
8. ..
We go
And here
Left Karate Kid
Left again here
And down here
Yea, and notice that I'm sort of going down aswell
Leaning my body to the right
Once more
7...
8...
We go
Here
Left
Here
Left again
Here
And... There
Alright let's take it from the tip to the top so that we dont forget the old part
So quick recap we are going
Wave
Hands in
Box
Middle
Straighten
Rotate
Right Up
Left
Rotate
New part...
Head... Round... Click...
And left Karate Kid
Left again here
And prepare
Now lets go a bit slower
7...
8...
And we go... Wave...
And hands...
And Box...
And Middle...
And Straighten...
And Rotate...
And Right Up...
And Left Down...
And Rotate...
Now Head...
And Left Karate Kid...
Left again...
And Prep...
Alright once again
5...
6...
7...
8...
Wave...
Hands...
Box...
Middle...
Straighten...
Rotate...
Right Up...
Left Down...
Rotate...
Head...
Left Karate Kid...
Left Again...
And prep
Alright lets try a bit faster so
5...
6...
7...
8...
Wave...
Hands...
Box...
Middle...
Straighten...
Rotate...
Right Up...
Left Down...
Rotate...
Head...
Left Karate Kid...
Left Again...
Prep...
Howard The Alien SummonButton for Android
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Howard The Alien SummonButton - Software
About
"Money Longer" Alien refers to a series of YouTube remixes and ear rape videos of an animated, metallic alien dance to Lil Uzi Vert's song "Money".
Source
On February 5, 2016, Lil Uzi Vert released the song "Money Longer" (music video below, left). [nineteen0003
About two years later, on December 2, 2017, YouTuber [2] 3D Animation Earth posted a video of a metal alien dancing in front of a green screen titled "Green Screen Free - Metal Alien". The video (shown below, right) received over 5,800 views in less than a year
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Alien in the Aquarium: Life is a Dance of the Soul / Un Certain Regard
Listen to PublicationTiflocommentary: color photograph. On a white background, Irina Povolotskaya is spinning in a dance with her eyes closed. She is a tall woman with short purple hair and matching makeup. Irina turns, stretching her right arm to the side and bowing her head. Her short hair is a little disheveled and swirls with her. nine0003
Irina Povolotskaya - writer, artist, actress, psychologist, deaf-blind since childhood, author of the autobiographical story "I see nothing, hear nothing, say nothing." In the "Alien in the Aquarium" column on the Un Certain Regard portal, Irina talks about her perception of the world and about art as a method of therapy. This article will focus on dance: tango, flamenco and Japanese butoh dance.
I remember a dream from my childhood. The sun woke me up, and spreading my wings, I flew up from the flower. I am a big beautiful butterfly, my wings shimmer with all shades of the sky, and more and more purple towards the edges. I drank dew from the middle of a dazzling yellow flower, ate nectar from another, pink one. I take off and soar in a stream of warm air, fluttering my wings. The breeze gently changes direction, and I begin to dance, surrendering to this with all my being...
As the Chinese sage Le-tzu said, “then the eye was like an ear, and the ear was like a nose, and the nose was like a mouth, because they were all one and the same. There was a state of ecstasy, the form dissolved, and the bones and flesh completely melted; I didn't know how the body was held upright and what the feet were stepping on. I gave myself up to the wind, to the east and to the west, like the leaves of a tree."
Tiflocommentary: color photograph on a purple background. In a room with a white floor and black walls, Irina Povolotskaya dances with a girl in a wheelchair. A photographer stands at a distance and shoots a dance. Irina is dressed in a black turtleneck and trousers, her partner is in pink jeans and a gray T-shirt. Irina stands behind the stroller with her legs wide apart and leaning to the side. She holds her partner by the hands and, as it were, controls them. She stretched the girl's right hand up, bent her left at the elbow and holds it at chest level. nine0003
As a child, my father conducted with my hands, copying the playing of the conductor of the Grand Symphony Orchestra, which was shown on TV. This gave me the skill of both relaxing my hands, and joint movement, interaction and mutual listening, which later helped in dancing.
I have always loved dancing. It was just a need - rhythmic movement to any music. Then they began to teach me various types of dance: first, the role of the Snowflake and dancing with rattles and castanets in kindergarten, then classes in elementary school. While I was listening, it seemed that everything was simple: you need to relax, listen and dance. nine0003
At school, I went through all the classics of folk dance - for some reason, the teachers thought that this was especially important. It wasn't very interesting, but the only opportunity to dance was in these classes, so I didn't leave. This period left nothing in the soul, but the plasticity of the body and rhythmic skills remained. Later, I began to study classical ballroom dancing, but teenage shyness made life and communication with partners very difficult. In ballroom dancing, I preferred the classics: in sports dancing, technique is important, that is, form, but for me, content, filling is important - the soul of the dance. nine0003
A serious topic in dance life is injuries. Sprains, calluses, dislocations - it was all there. Bali and falls. Falling stumbling is one thing. And when a trusted partner lets you fly backwards, there is little joy. I hit, fortunately, not so hard, but the psychotrauma works even now: it’s hard to trust when you are led backwards in a dance or performance. It’s normal to sit down or just step back yourself, and if someone else does it, the “stop signal” in the body works instantly. But in the theatrical plastic dance classes, I had to work with it and overcome my fear. The theme of trusting a partner in a performance and dance is very important, it manifests itself in one way or another in ordinary life, especially when, being deaf-blind, you depend on an accompanying person. nine0003
Tiflocommentary: color photograph on a purple background. Irina Povolotskaya dances with a red fan in a room with gray walls. Irina is wearing a white T-shirt and a red dress with thin straps over a T-shirt, she has shoulder-length dark hair with bangs. She raises her right hand up with her fan open and looks at him. Light falls on her from above, leaving contrasting shadows on her face, shoulders and chest.
The memory of the plasticity and freedom, the power and inner harmony of the dance warms even now. I used to love tango very much: it is bright and energetic, the sensations of movements are vital, it is impossible to dance it in a bad mood. This is the difference from flamenco. You enter flamenco in different states, and you can pick up the rhythm or dance in resonance with the internal rhythm. Tango is only strength, struggle and energy, red color, flight, passion! Working with heels in tango is very beautiful, but injuries at such speeds are high. In flamenco, heels are stable, weighty, this is a different footwork, a different plasticity. nine0003
Acquaintance with flamenco is one of the brightest periods in my life. Flamenco gave me real strength and confidence, especially in my hands. Thanks to the resumption of dancing, I was able to regain my sense of life - namely the taste of life - after a terrible three-year depression due to loss of residual vision as a result of retinal detachment. At that turning point, I was born again, and therefore I took my middle name - the Purple Phoenix Fairy. Partly in memory of an angel - a fairy in a sky-violet dress, who saved me from death in early childhood, when I came down with severe pneumonia. nine0003
Many years later, I can say that any problem can be solved by dancing. It is not necessary to dance with the body, because dance is the movement of the soul, and my life is a dance, sometimes a dance with a tambourine.
When I was introduced to the Japanese butoh dance, I was immediately imbued with its depth, meaningfulness and possibilities. This style was formed in the early 60s of the 20th century under the influence of German choreography in the joint work of several avant-garde Japanese groups of various creative professions. Then it continued its development, and now there are several schools of butoh differing in technique and meaning around the world. I see that its principles and methodology can be applied in creative self-expression and rehabilitation of people with health issues, especially people with deaf-blindness and cerebral palsy. nine0003
When I conceived the performative play “Brod(sky). Sketches", then it was based on the idea of expressing Brodsky's poetry by means of butoh dance.