How to dance crazy in love

Slay This Easy Beyoncé Crazy In Love Choreography

Dance Classes Hip Shake Fitness / September 27, 2018

Is there even a soul out there that doesn’t like Beyonce’s Crazy In Love?? NO. The answer is no. And I’m super excited that we’ve got a Flirty Hip Hop choreography to this classic. So grab your Bey and Jay and let’s get this 2000’s dance party started.

My love for the Queen B started when I first saw the music video for Bills, Bills, Bills. Right at the opening of that video, you see a fiesty Beyoncé tired of her man and you think, dang, I want to be her when I grow up. And then she opens her mouth to sing and dances on the hairdresser chairs and I died. I’ve died and gone to RnB heaven. Hit after hit, Destiny’s Child was my go to music and then the world went crazy because Bey decided to go solo! She co-produced her first album, Dangerously In Love and released the deliriously catchy song Crazy In Love. I couldn’t get it out of my head and I didn’t want to. I also loved that her now hubby was part of this track too– I thought to myself, now THAT is a power couple!

The poster I had from the Survivor CD

Today, we have an easy Flirty Hip Hop choreography to Beyoncé’s Crazy In Love. I’m so excited that Nicole choreographed this song because she is our Booty Queen after all. They’re the perfect combination of sass and style through music and dance. This Crazy In Love choreography is so sexy, fierce and all around badass. When our dancers found out what they’re dancing to, they were so ecstatic! Fun fact, Melanie (one of our dancers) did a Crazy In Love choreography when she was 17 years old. I have a few favorite parts to this choreography, (1) Reverse Rodeo and (2) Baby Boy. The Reverse Rodeo is so fun because you feel like a flirty cowgirl while dancing to modern music. What a weird and beautiful mix! And then Nicole hits you with the feels and uses Beyoncé’s own Baby Boy move to complete the routine. I love it when choreography goes full circle!

The Reverse Rodeo

Let me know what your fave Crazy In Love move is with #hipshaker so I can give you some love babe.

Get the full Crazy In Love choreography below. Plus get more Flirty Hip Hop choreo & workouts when you become a dance studio member today.

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Crazy in Love, 7/11, Telephone

Beyoncé Dance Songs: Crazy in Love, 7/11, Telephone

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Photo: Beyoncé/YouTube

Every Beyoncé song is a dance song in the right circumstances. But the queen also has a rich history of explicitly making Dance Music — that is, songs that draw on the sort of music meant to get people moving in clubs. (To say nothing of her remarkably intense choreography, a staple of her performances since her work with Destiny’s Child.) Her new album, Renaissance, is reportedly a house-influenced record; the first single, “Break My Soul,” is evidence as much: a house-pop track built off a synth line recalling Robin S.’s instantly recognizable “Show Me Love.” Judging by the credits — among the names: Donna Summer, Nile Rodgers, Honey Dijon — Bey could have everything from disco to Miami bass to futurepop in store. But before we get to groove to those songs, let’s take a journey back through her catalogue of dance.

Dangerously in Love, first and foremost, attempts to establish Beyoncé as a star in R&B, so it’s short on the genre-bending that would later become a hallmark of her style. But we should recognize Queen Bey’s debut solo single, “Crazy in Love,” which became the first song to top Billboard’s then-new Hot Dance Airplay chart, where it stayed for seven weeks. (Beyoncé has gone on to top the chart 21 more times.) The track comes out the gate as a crowd-pleaser, with a huge horn sample from the Chi-Lites’s “Are You My Woman (Tell Me So)” and hooky “uh-oh” refrain. But it’s the throwback funky percussion and four-on-the-floor chorus that makes “Crazy in Love” a dance favorite.

Beyoncé’s sample of Donna Summer on “Summer Renaissance” won’t just call back to disco’s greatest — it’ll also call back to a time Beyoncé interpolated the “Last Dance” singer. Though “Naughty Girl” isn’t quite a dance track, it did show Beyoncé’s deftness with old musical references, as the song is built around the hook for Summer’s sensual anthem “Love to Love You Baby.” By singing the line herself — in an equally airy upper register to match the legendary performer — Beyoncé brings the track to the present.

Beyoncé has been engaging in cross-cultural collaborations since the start of her career, and some of her best dance songs have been rooted in non-American styles. The hypercatchy “Baby Boy” is a perfect example: Beyoncé slips right into the dancehall–meets–R&B track, trading lines with Sean Paul, who was in the process of establishing himself as one of Jamaica’s most influential crossovers. And of course, that springy beat makes it impossible for listeners to stay still.

The humble cowbell: the anchor of so many great dance songs, from Madonna’s “Holiday” to Crystal Waters’s house-pop masterpiece “100% Pure Love.” That’s what helps “Green Light” make the cut here. The song reteams Beyoncé with the Neptunes, who previously produced her Austin Powers song “Work It Out”; Pharrell Williams has also had a hand in another of her best dance songs, in “Blow. ”

Beyoncé’s foray into music for dancing really starts with “Get Me Bodied.” It’s the first song that she released an extended mix of, a practice that dates back to 1970s disco. It also marks the beginning of Beyoncé’s long fascination with bounce music, the high-energy New Orleans style that she’d work with more directly later in her career. And hell, Bey even tells you how to dance to the song in the break and the music video. What more do you need?

Beyoncé teamed up with another dancing queen, Shakira, for this track off the deluxe B’Day. It blends a number of the Latin and Arabic dance styles in Shakira’s wheelhouse, including mariachi, flamenco, and traditional Middle Eastern music (often used for belly dancing, as referenced in the video). It was all pretty far outside Beyoncé’s comfort zone at the time, but she still runs the show.

It’s the song that created an instantly recognizable dance craze. And if that’s not enough — well, stylistically, “Single Ladies” is also a dance song through and through, returning to Beyoncé’s jittery bounce influence while also incorporating some of the electropop flair that defined the second side of I Am … Sasha Fierce.

But if we’re talking about electropop on Sasha Fierce, we really need to be talking about this song. “Radio” has a huge Eurodance-style drop that would end up all over pop music in the next few years, and it consequently became a hit in the Netherlands. Forget that title — this is one for the club.

As for the Beyoncé song all over American clubs at the turn of the decade? That’d be “Telephone,” her collaboration with an up-and-coming dance-pop artist named Lady Gaga. The song brought Bey to the subcultural world of the New York underground, with its dirty synths and a speaker-breaking chorus. Over a decade later, it’s one of her most enduring dance hits — and that rap verse can still unite a floor like nothing else.

Like how some of the best funk songs are about funk and the best rock songs are about rocking, many of the best party songs are about, well … you know. Beyoncé’s contribution makes good on its titular promise as a low-key dance groover, all based off a sample of “La Di Da Di,” by Doug E. Fresh and Slick Rick (then known as MC Ricky D). Like a good party, none of it sounds like work, from André 3000’s effortlessly in-the-pocket verse to Beyoncé’s bursting vocals.

Before what’s likely to come on Renaissance, “Schoolin’ Life” was Beyoncé’s best and truest disco song. The 4 deluxe cut packs in the genre signifiers: laser-sharp synths, horn fills, skittering drums, and a massive diva vocal from the queen herself. It’s a song about how Beyoncé just does it better — and she proves it right on this track.

Sure, it might be difficult to dance to “Haunted.” But the song is rooted firmly in dance culture, pulling from some more left-field club styles like trance and the work of Aphex Twin — particularly on the dark first half, titled “Ghost. ” At the time, Beyoncé’s spoken-word delivery reminded critics of Madonna’s “Justify My Love,” a song that marked another left turn from a dance great.

That nimble, slinky guitar riff on “Blow” is straight from Prince and Nile Rodgers’s playbook — that is, it’s meant to affect you on a bodily level. It works fantastically on this song, an ’80s throwback all the way down to the accompanying roller-rink visual. (Once again, thank Pharrell, an expert in retro-tinged pop.)

If “7/11” came out today, it’d surely have a TikTok dance to go with it. Can’t you see the hand-waving and ass-smacking already? One of the loosest songs from a notorious perfectionist, “7/11” had a music video resembling a viral clip. With its ever-shifting trap percussion and Beyoncé’s edited vocals, the track splits the difference between the high-energy SoundCloud rap and pixelated hyperpop to come in the next decade of internet-born music.

“Formation” ups Beyoncé’s past flirtations with bounce as a full-out tribute to New Orleans culture and music, in the video as well as the track itself. (The sample from NOLA’s own Big Freedia preceded her feature on “Break My Soul.”) The single, one of Beyoncé’s most lauded, is way more than just a dance song — it’s a stylistic melting pot that pulls from trap, includes some hard bars from Queen Bey, and features a full damn marching band.

Beyoncé’s skill and history drawing from other cultures makes her uniquely positioned to adapt to trends — like when she hopped on the remix of J. Balvin and Willy William’s “Mi Gente” as reggaeton was growing in the U.S. The song is actually more accurately described as moombahton, like reggaeton-inflected house, bridged together by clangy percussion and hooky synth lines. It already worked as a dance song, but Beyoncé’s 110 percent contribution made it a song for anyone to dance to, as she so skillfully can.

For a dance song to work, it needs to be accepted as a dance song — that is, people need to actually dance to it when they hear it. That response can even transform a song not explicitly created for dancing, like Maze’s “Before I Let Go.” Beyoncé’s spin on the Black anthem was the cherry on top of Homecoming, full of love for Historically Black Colleges and Black culture at large. With a trap-pop beat from Tay Keith and a smooth-as-hell dance break, her take is familiar enough to please a crowd, but innovative enough to rank among her best work.

Just as Afrobeat began to cross over in the west, Beyoncé made an album-length tribute to African pop on The Gift, her companion to The Lion King — and later, soundtrack to Black Is King, a fabulous showcase of dance on its own. “Mood 4 Eva” is a joyous highlight, bridging Afrobeat with trap for another song about making the most of a night. Childish Gambino actually puts the song’s mission best: “Ancestors in my step / Now I move better.”

Pharrell will team up with her again on the Renaissance cut “Energy,” the first time he and his partner Chad Hugo have worked with Bey since this song.

A Brief History of Beyoncé Making Dance Music

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Dance of love

On Valentine's Day, we have collected for you the stories of famous choreographers about whether they ever danced the dance of love.

Valentine's Day is a special holiday. It's Valentine's Day. But in Russia, with all the negativity towards Western traditions, it can not be taken seriously and not go into the details of its history of origin, but simply perceived as a good reason to please your family and friends. Just a good tradition for sincere smiles, kisses, tenderness and valentines. Therefore, we decided to congratulate you, dear readers, on this holiday! Mentally we send you rays of our love, kisses and give as a gift recognition from those whom you know well and love their beautiful dances! And as you know, the theme of love is reflected most of all in oriental dances, so we asked our questions to bellydance choreographers. Here are three questions on the theme of Valentine's Day: 1. Have you ever danced for your soulmate? 2. Does the state of love or falling in love reflect on your dance performances? 3. What are your wishes for this holiday? And here are the answers we got!

Mohamed Zaza :

- As such, there was no dance for the second half alone. When we met, we danced at the disco just for each other. And it felt like there was no one else besides us. But if the dance rehearsal at home counts, then danced. As for the state of being in love, then, of course, good emotions literally “inspire” and you want to create, express it in dance. After all, dance is not only a technique, it must be “lived” and felt. And the state of love is generally a strong thing. Ready to move mountains. I always know that my soulmate loves and waits for me. And it gives me strength. I want to wish on Valentine's Day, of course, love to everyone! So that a person walks with you through life, who would become not just a soulmate, but a part of you. So that love inspires you, and you would express it in dance.

Lala Abdullayeva :

– To be honest, I have never danced for my soulmate. There are a lot of reasons: jealousy, and not understanding ... And maybe I just didn’t feel crazy love myself. Maybe I just didn't want to dance because I didn't see any interest in my dancing art. Or maybe I was just so tired, spending 8 hours in the hall, that I simply didn’t have the strength to dance even for my half. But the fact that any feeling is reflected in the productions is what I know for sure! I was taught two very important things at the University. The first is to always dance with feeling (smile, suffer, play up) and the second is to never bring your bad, negative mood to the big stage. I wish you all great happiness, a sea of love, an ocean of good luck and Caucasian longevity!

Ratxan :

– I didn’t dance for my other half. I believe that a dancer's soulmate should not be from "ours", that is, not related to dancing at all. Such an alliance is more durable. And if a person is not connected with the dance, then he will not understand the anguish with which you are trying to make him the best dance in the world. And then, if everything is good in your relationship, then a cool dance will not work. After all, the best masterpieces in choreography and not only are created when a person experiences a break in relationships, pain, mental suffering, when he rushes about in the unknown what to do next. But dedicating a dance to your loved one is another thing. This is just commendable to me. But it will be performed in front of the general public, and not exclusively in front of his soulmate. The state of falling in love is personally reflected in my productions. When I am in love, it seems to me that I can move mountains, including in the dance class itself. But on the other hand, if you are a serious person and approach your business not as a hobby, but as a matter of life, you will always try to make good performances. And if not at all, then don't do them at all. Wait it out, take a break from the dance. I had this at a young age. Falling in love, a lot of plans in advance, a break in relationships and a week of state: "I'm not there, don't come to me." By the way, it helped, I stepped over it and further into life! I wish everyone, everyone, everyone to love, fall in love, get carried away, be inspired! The most beautiful feeling on earth is LOVE! It gives both strength and confidence in yourself and in everything that surrounds you. It gives a lot of positive pleasant and exciting emotions, moments thanks to which you understand that life is not in vain. It's so important to be needed by someone! To be not indifferent, to feel the warmth and care of a loved one, giving yourself in return. Love is a sacrifice! If you are not ready to be more tolerant, kinder, more attentive, love will not be able to get along with you. Be wiser! I wish everyone HAPPINESS! The one you really deserve!

Irina Belopolskaya :

- I couldn't dance for my loved one. I don't know if this is good or bad. Maybe we just gave each other a break from work. The state of falling in love cannot be ignored during a performance. When I was younger, I wanted to dance more lyrical songs. Dance in such a way that it penetrates to the marrow of the bones. But not critical suffering, no, but to dance for the soul... The Khaliji style that I dance is the dance of the state of being in love, its personification... And all the songs in it are about love. As, however, almost all songs in oriental dances. And when I got older, I want to laugh more, and my productions are always with a bit of humor or irony. Now folk is closer and more interesting to me, it is perky! On this day, I want to wish everyone, of course, love. And not only on Valentine's Day, but always! Do everything with love, because it is in everything and everywhere!

Vaagn Tadevosyan :

- Our joint choreographic composition with my soulmate was called "The Power of Love, Breath of Life", we danced it together. Love is a real muse, it has always been present in the lives of many outstanding artists, artists, musicians, etc. And it was during the period of falling in love and being in a state of love that they managed to create brilliant masterpieces of world culture. I wish everyone the purest, mutual and beautiful love!

Leonid Bron :

- Valentine's Day is a kind and bright holiday! And I sincerely and from the bottom of my heart wish you all love! Indeed, love drives all our feelings and helps to make our performances more beautiful and dance better. Dance and enjoy life!

Tamerlan:

- Yes, of course I danced for my beloved. And the state of love and falling in love, of course, affects my dance performances, like everything else around. But it is not the determining factor. The feeling of inspiration visits other wonderful moments in life. When just a good mood, when someone smiled at you or said something. When I saw an interesting ornament or costume. Beautiful music influences me the most. On this beautiful Valentine's Day, I want to wish you understanding and respect in your relationship. Wish you love? She either exists or she doesn't. Love is its own mistress.

Maria Shcheglakova :

– I didn’t have a chance to dance for my beloved, but I can say for sure that the state of love or falling in love is reflected in my performances. And what’s more, I even transferred memories of past feelings into my dances. But to be honest, I don't like this holiday - Valentine's Day, because it's not ours. And I am not a supporter of celebrating it, I am much closer and more impressed by the All-Russian Day of Family, Love and Fidelity, which our country celebrates on July 8th.

Natalya Volkova :

- I danced for the second half only once in my life! And for some reason it was very funny to me, but he was very pleased with the dance. I know for sure that the feeling of falling in love and my inner feelings are very reflected in my dances. All the most powerful and sought-after performances are obtained when I part with my loved ones. And it is not at all necessary that it will be a dance to a sad composition! Conversely, the happier I feel in a relationship, the less I want to work, and the higher the likelihood of a so-called creative crisis. My wish for this holiday: dear women and girls, love yourself first of all! And dance first of all for yourself! If your man is against your passion for dancing, then, firstly, he does not love you, and secondly, he is simply not wealthy as a man. Because only a strong and loving man will welcome your creative development, and will be proud of you, enjoying your dance! Good luck and love! Happy Holidays everyone!

Questions were asked by Ekaterina Gavrilova

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Anna Floki

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BEST ANSWER OF 21

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Keeper of Truth (287567)

The bitterness of aromatic coffee intoxicates,
And fingers reach for the pencil. ..
The night is like mint candy,
And I am writing. I am writing to you.

Autumn golden days repeat
Similar to a love story.
You whisper simple confessions to me,
I smile...speak, don't speak.

I will cover the evil eye with eyelashes,
So that the sparks of passion do not burn the letters.
Oh, how right, infinitely right...
The ones who said we were crazy.

In the insanely perfect dance of the night
We are circling over the constellation of Love...
And three times right by the way...
Dancing with us ... lanterns.

Of course in the constellation ... Love ))

Good morning, Annushka ))

How to dance crazy in love

Slay This Easy Beyoncé Crazy In Love Choreography

Download Our 7 Day Kickstart Challenge To Get Started On Your Dance Journey NOW

Crazy in Love, 7/11, Telephone

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Dance of love

How and where does love dance?

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