How much is an irish dancing dress

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Irish dance costume ⋆ Kelteria dance school | Irish dances

19th century costume

At the beginning of the 19th century, male Irish dancers wore trousers or breeches with white stockings, a shirt, black shoes with silver buckles - the prototype of modern hard boots. The costume was complemented by a hat and a dovetail coat.

Girls wore ordinary peasant clothes - shirts and skirts or fitted dresses, decorated their hair with ribbons in the form of flowers or crosses, they could tuck in the hem - so as not to interfere with dancing. On holidays, they wore slightly more elegant evening clothes.

During the century, peasant clothing changed little. From the moment the Gaelic League was founded, it became necessary to search for a national costume.

20th century Kilt in Irish dance

Pipers in the late 19th and early 20th centuries began to wear a kilt, although there is practically no evidence of the Irish origin of this article of clothing. The fashion for a kilt for dancers came in the twenties and thirties of the last century and almost completely replaced the breeches and trousers from the men's wardrobe. The kilt was combined with a shirt, a wide belt, white high stockings.

The dancers often wore a small coat or a tweed jacket, with a rectangular 'large scarf', the so-called traditional Irish 'brath', attached at the back. Wide belts served not just as an ornament - they were often presented to the dancer as a reward, they were proud of them as a status item.

Women's clothing consisted of a white, sometimes light-colored woolen dress with a belt embroidered around the neck with a discreet elegant pattern; a cape with a hood was worn over the dress. The cloak was sometimes replaced with a shawl embroidered at the corners.

By the thirties of the twentieth century, raincoats and shawls were transformed into a small scarf and began to be attached to the back of the suit with brooches or hairpins. Cropped jackets began to be worn over the dress.

Then the jackets disappeared as well, leaving only false cuffs and collars on the dresses. Until the 80s of the last century, they wore beautiful long belts made of cord with tassels.

In special cases, medals received for winning competitions were pinned onto the costumes.

Suit colors

Green, white and dark orange (saffron) are traditional colors in Ireland. In the ancient times of Ireland, the red color was also traditional - the paint was easy to make from local plants, but in the 19th and early 20th centuries, the Irish neglected the red color - it resembled the red uniform of the British invaders.

Over time, the color palette for Irish dance costumes has expanded, at the moment there are no restrictions on the colors of dance attire at all, although men's costumes are traditionally made in more restrained colors.

Embroidery in Irish costume

At the beginning of the 20th century, embroidery on costumes was very modest, but over time, more dense and elaborate patterns and rich decorations began to be used.

Traditional Irish patterns taken from the priceless Book of Kells were used: bowls, stone crosses, woven and solid patterns of complex shapes, symbolizing the eternity of human existence and the continuity of life.

In recent decades, silver and gold threads have been used in embroidery.

These threads were present in the decoration of women's clothing in pre-Mann Ireland.

Modern Irish Costume

Contemporary fashion designers and artists offer traditional patterns with a modern twist.

The usual attire for male dancers in competitions is dark colored trousers, a brightly colored shirt, tie and waistcoat. The fashion for bright multi-colored ties and shiny vests has already reached the men's wardrobe - and pleases us with diversity.

But the splendor of women's dresses is limited only by the imagination of fashion designers! Modern dresses are short, with a fairly wide skirt, comfortable for sweeping movements.

Solo dresses - bright, multi-colored, with embroidered Celtic patterns, with rhinestones, beads, lurex, trimmed with modern shiny materials.

However, they also dance in more modest dresses, the so-called school dresses, with modest trimmings, but often sewn from velvet.

According to the competition rules, dancers are required to have “genuine Gaelic dress”, but modern costumes are nothing like the clothes of good old Ireland and would have surprised the Celts of past centuries.

Traditional Irish dance dress ch1

How we sew school iri tradition. ch1.

I tell you right away, my mother and I have no sewing education, all we have is a few years of sewing various role-playing outfits. So - we sew by trial and error, orienting along the way.
So, after the Eastern European fashion, the need for school dresses crept up on us. She crept up and began to inevitably pursue, because Ksenya switched to primer and dancing in a "childish" form is already undignified. Before that, Sasha partially came out of the beginners, but he is a boy, it’s easier for him.
We decided to sew this dress (thanks to Marina Sidorovich for the drawing and consultations)

There were no problems with the choice of color, our preferences were formed even in the adult "childish" form, when we went to the first fashion - green with red, close to the usual children's fashion form , we have such skirts for beginner adults, a green skirt with a red piping along the hem.
The colors were chosen, a sketch was roughly developed - a green dress with red wedges, along the sleeves and hem, except for the central wedge, curls. After much torment, they finally chose the fabric, settled on velvet - it looks good, it does not deteriorate from external influences like satin. There was a variant with fine wool, but it is simply impossible to find the wool of the desired green color, and you have to think about the next generations too =).
We had problems finding fabric, because we generally have problems with green fabrics. I had to go to Minsk in search, just the class was very successful. Cotton-based velvet is hard to find, and even more so green. We found only stretch, a little lighter than we would like and only in one place, but it was still impossible to pull with the search for fabric - the deadlines were running out, and after all, it was still tailoring .. Therefore, my sick fantasy gave birth to a stretch-velvet variant, glued with doubler on a thin calico base so as not to overcarry, the stretch stretches in general in all directions. In terms of fabric consumption, they were guided by a public opinion poll of dancers who sewed themselves. True, all the same, only two pieces were available, two and three meters with a width of one and a half meters. Therefore, we decided to sew two dresses at the same time and together (and not each one for himself, as they were going to).
The pattern was made on the basis of the basic model from the book "Encyclopedia of a Young Family" in 1987 (p. 525). (In general, we did a lot of this pattern, and an empire dress, and a crinoline, and everyday clothes). Good book

This is how the pattern looks like up to the waist

Since we were not sure if there was enough money for all ideas, we first made all the details on paper (except for the raincoat. I only remembered about it later). Here is the layout for one dress for the base color (valances in a different color), ten parts in total - bodice, two parts of the back (because there is a zipper on the back), two sleeves, a front center wedge, two side front wedges and two back wedges (it turned out that the rear wedges were wrong, but in fact they are larger than the front central one).

later, however, it turned out that stretch velvet should be cut in a straight line and only in one direction, so the layout has changed a bit. But not critical, because the layout for two fit on a piece of 3x1.5 m (excluding the raincoat) + a little from a piece of 2x1.5.
The bodice, the back and all the wedges were glued with a thin dublerin on a calico base. As a result, the fabric has not lost its flexibility, but has ceased to stretch in all directions. I procreated at the maximum temperature of the iron from the side of the dublerin, if you do not grab the edges of the velvet, then it's normal. Therefore, it is best to glue all the details first, and then just cut them out, because. when cutting, velvet dust is formed, which instantly melts and contaminates the soleplate of the iron.
After sewing up such a "sandwich", the extracts turned out to be quite plump, but they look normal on the body. As long as everything is on point.
Let's see the front wedge.

How much is an irish dancing dress

Irish Dance Dress - Etsy.de

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Irish Dance Dress to Impress – The worlds NO 1 Preloved Irish dance Dress Costume sales Company

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Irish dance costume ⋆ Kelteria dance school | Irish dances

19th century costume

20th century Kilt in Irish dance

Suit colors

Embroidery in Irish costume

Modern Irish Costume

Traditional Irish dance dress ch1

Learn more