How to learn dance at home in telugu

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Telugu Course Admission 2022-2023 - Shikshaglobe


Telugu is a Dravidian language generally spoken in the South Indian state of Andhra Pradesh where it's an sanctioned language. It's also spoken by significant nonages in the countries of Chattisgarh, Karnataka, Maharashtra, Odisha, Tamil Nadu, and in Yanam, in the union home of Puducherry. One of the four classical languages of India, Telugu ranks third by the number of native speakers in India( 74 million), thirteenth in the Ethnologue list of utmost- spoken languages worldwide, and the most spoken Dravidian language. It's one of the twenty- two listed languages of the Republic of India. Telugu espoused several features of Sanskrit that have latterly been lost in Sanskrit's son languages similar as Hindi and Bengali, especially in the pronunciation of some vowels and consonants. 


Learning a language is a long trip with small destination. so this course is the first destination towards completing your trip. I'll keep posting new courses to make to complete your trip. My end is veritably simple. To educate different languages so wherever you go you should be familiar with the language to make a connection, veritably fluently, The course emphasis on the different types of rulings and how they're arranged to give a small regard of how language works.  The Vocabulary of Foreign Language and Indian Language are relatively different. So you may find delicate to learn Telugu Language. But the course is made in such a manner to make you feel comfortable while learning it and thus I kept it veritably short and simple. 


Learn Telugu in Hindi withDr. Deepa Gupta! In this course, you'll learn how to ask in Telugu, useful conversational expressions for diurnal situations, uses for different terms and rudiments, effective Telugu words, Telugu figures, meanings of Telugu songs, New Year wishes, time, vachan, writing your name in Telugu, dimension, essence, simple rulings, raspberry names, beast names, colors, fruits, vegetables, food particulars, body corridor, adjectives, verbs, tenses, diurnal Telugu words, birthday wishes, Telugu jotting, Telugu judgment framing, and much more! 

Learn presto and fluently with the language course Telugu by" 50 languages" 

Telugu is the native language of roughly 75 million people. It's counted among the Dravidian languages. Telugu is primarily spoken in southeastern India. It's the third most- spoken language in India after Hindi and Bengali. before, written and spoken Telugu were veritably different. It could nearly be said that they were two different languages. also the written language was streamlined so that it can be used far and wide. Telugu is divided into numerous cants, although the northern bonesare considered especially pure. The pronunciation isn't that easy. It should surely be rehearsed with a native speaker. Telugu is written in its own script. It's a mongrel of an ABC and syllabic jotting. A hallmark of the script is the numerous round forms. They're typical for southern Indian scripts. Learn Telugu- there's so important to discover! All our accoutrements are available both online and as iPhone and Android apps. You can successfully learn Telugu on your own using this course! The assignments are easily structured and will help you achieve your pretensions. Learn the new language presto using the 100 motifs in the assignments. The MP3 lines in the assignments are spoken by native speakers. They make it easier to learn pronunciation. Indeed newcomers can learn Telugu efficiently with the practical rulings in book2. 

First you'll learn the basics of the language.

Sample discourses will help you speak the foreign language. previous knowledge isn't demanded. Indeed advanced learners can refresh and support their knowledge. You'll learn constantly used rulings and can use them incontinently. You'll be suitable to communicate in multiple situations. Use your break or commute to learn Telugu for a many twinkles. You can learn when traveling and at home. You're on the go and can learn Telugu anywhere. 

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The cost of dance lessons in Hyderabad is around ₹804.

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On Superprof, we have more than 152 private dance teachers taking classes for beginners to advanced, from classical dance to Zumba classes.

However, if you are new to dancing and wish to learn from the best tutor for you, it is important not only to find the best dance class near you but also the perfect dance teacher.

Here are qualities a good dance teacher must have:

1. Professionalism and discipline: Dancing is an art form, it is extremely important for a teacher to have ethics when it comes down to teaching.

2. Price: The average price of a dance class on Superprof is around INR 1000/hr.

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Superprof allows you to have the first class free, which means you can choose based on your requirements.

3. Experience: A good dancer without experience may turn out to be a good risk, but it is important that you choose based on the teacher's experience to teach at your level.

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Dancing is one such performing art that has many forms and genres, many have the talent or the yearning to learn and potentially do great. But as with any unconventional choice made, there are troubles and struggles that surround the individual making the choice and at times force them to lose their passion or interest.

Hyderabad has one of the most timeless and rich histories in performing arts and music dating back to more than four hundred years. The capital and the largest city of Telangana, Hyderabad, embraces and encourages dance and music as a part of its history and culture. Kuchipudi and Perini are two of the classical dance forms that are most renowned and performed in Hyderabad.

Few Lesser-known Benefits Of Dancing

There is just something so euphoric about grooving and vibing to your favourite tunes and rhythms. Dancing in front of the mirror or the step-by-step dance routine you’ve been trying to nail. Whatever the case may be, here are a few lesser-known benefits of dancing you may or may not about.

Helps Gain Strength And Good Health

Dancing can be considered to be a type of exercise, so naturally, it will have its benefits to your health. Dancing helps strengthen the muscles and bones of your body as well as increases your core strength and stamina. Having a healthy exercise routine even if it consists of dancing can help you stay fit and build a stronger body. This will prevent you from falling sick often and helps have stable blood pressure and healthy blood circulation in your system.

Dancing also increases the body’s threshold for pain and soreness as well as grants you more and more energy. To a lazy and stagnant system of a person who is not active and physically fit, the more energy the body exerts the more tired it feels.

Boosts Memory Power and Cognitive Function

While exercising, there is an increase in the supply of chemicals that encourage the growth of certain nerve cells in the brain. This is because in order to perform a dance routine one has to remember the steps, moves and sequences along with other factors like stance, posture, etc. 

Studies also show that dancing helps increase the cognitive function of the brain as well as neural activity which helps you be more aware of finer details, be more organised, and improves strategic and memory skills.

Improves Mental Health

Dancing helps reduce the supply of stress-inducing cells in the body known as cortisol. This means that it can marginally help you relieve stress and keep a better and healthier mindset.

People suffering from depression or those who are in the earlier stages can benefit from dancing and can use it as a way to channel their suppressed feelings and experiences through dance therapy. This is definitely not the sole thing guaranteeing a cure but a means to lessen the burden that people will have an unhealthy mental state might feel. In general, dancing and its effects can be greatly beneficial for better mental as well as physical health.

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Every person has their own uniqueness and individuality that sets them apart from the crowd. Sometimes when other people fail to acknowledge this fact, several individuals suffer at the hands of their ignorance.

Every student has different mental knowledge-grasping power and learning methods. Many times, teachers teaching in a group setting cannot fully pay their complete attention to every student equally and students who feel socially shy or awkward in such group settings are not unable to speak up and reach their full potential.

Superprof is an online platform that can help you find private tutors that would give you their whole and sole attention so that you can do better. Their website is easy and extremely consumer-friendly along with reliable and honest reviews from students who have benefitted from this platform.

Find the teacher best suitable for your needs and requirements and feel the freedom that dancing provides.

Wearing a sari through life — Amurskaya Pravda

Lyudmila Valieva communicates with the world in the language of Indian dance

Society a pensioner from Blagoveshchensk Lyudmila Valieva looks very exotic.

Each reincarnation for a pensioner is a real holiday.

Her relatives have long been accustomed to such exoticism - Lyudmila Vasilievna has been bringing elements of the life and culture of distant India into their daily lives for more than thirty years. Correspondents of the AP visited the most important "Indian woman" of the Amur region.

The Tramp is to blame for everything

Dances performed by Ludmila Valieva will not leave indifferent even the most inveterate skeptic. It is not Indian blood that flows in her veins, but wearing saris and jewelry brought from the country of her girlish dreams, she literally reincarnates. Mysterious smile and light hand gestures, intricate poses and intricate foot movements - all together like a frame cut out of a good old Indian movie.

The dancer herself is already used to admiring glances in her direction. Once upon a time, she also froze with delight, watching how the heroes of the film "Tramp" move to the heartfelt Indian music.

- Then I was 12 years old, - recalls Lyudmila Vasilievna. I was crazy about Indian cinema. She cried, empathized with the heroes, and rejoiced when good triumphed over evil.

In the evening, little Luda and her girlfriends ran to the village club, literally “breaking through” to a movie show, because even the most chaste Indian films were not allowed to watch at that time for children under 16 years old. And during the day, when she was alone, she went to the mirror and imagined herself as an Indian beauty. Music sounded somewhere inside, and the hands themselves tried to repeat the graceful gestures they had seen in the movie.

Over the years, many new things entered her life: the profession of a doctor, her husband and children, but her love for Indian dances remained unshakable. And Lyudmila decided to learn how to dance the way real Indian women do. Then a lot of manuals and video cassettes teaching this difficult art appeared in the Valievs' house.

“It's hard to learn Indian dance,” the pensioner says. - After all, this is not just a technique that needs to be mastered and brought to automatism. This is the dance of the soul: facial expressions, gestures, plasticity. Here you need to dance with every phalanx, eyes, smile, give emotion. Therefore, only those who are truly in love with this art will succeed in such a dance.

A dream as a gift

For more than 20 years, Valieva danced mainly for herself. Sometimes - for friends and colleagues on some holidays. But everything changed on the day of the 50th anniversary. The husband gave his beloved wife a dream - a ticket to Delhi. After living for a month in the "country of elephants", Lyudmila returned to her homeland, full of plans and inspiration. Soon the first and still the only school of Indian dance appeared in Blagoveshchensk, which Lyudmila called "Hindi".

— I simply could no longer use my knowledge and skills alone, I had to reveal the beautiful Indian culture to someone else, — Lyudmila Vasilievna admits. — Yes, and my husband insisted, said that I was ready for this. I decided to teach children, share my experience, and I am glad that I succeed.

In the country where this unusual art was born, only up to 12 years old are admitted to dance schools. Lyudmila Valieva, on the other hand, believes that all ages are submissive to Indian dance. Mothers bring both 7-8 year old girls and older children to the club. High school students and students come to comprehend the art of Indian dance. Three years of hard work - and you can confidently show off on stage. Only those whose soul does not sing and their eyes do not burn can abandon an exciting activity. But these are few.

The process of mastering Indian culture, according to the headmaster of the school, goes about the same way for everyone. The first year is a kind of "breaking", getting used to special exercises, learning the basic gestures and movements. By the beginning of the second year, as a rule, those who have managed to truly fall in love with Indian dance begin to sheathe themselves: they make saris, embroider tops by hand, learn how to clean their hair properly. Over the next two years, the young dancers eagerly learn Hindi, add to their collection of gestures and willingly try their hand at the stage.

“I never keep girls behind the stove,” Lyudmila Vasilievna admits. - I try to bring everyone to the people. At competitions, at city events, my students always take part. I myself try to be visible. Because what we do is great.

Philosophy of chastity

Meanwhile, despite the fact that Indian dances came to the Amur region 10 years ago, there has not yet been a craze for this art. In the Hindi club, one or two groups of 10 people are engaged during the year. The rest of the lovers of choreographic exoticism, as a rule, go to belly dance schools.

Ludmila Valieva doesn't get upset because of such competition. Almost everyone can do belly dancing, she is sure. Indian dance is a whole philosophy, it is for those who are truly passionate.

— The popularity of belly dancing and other oriental dances is due to the nature of these dances themselves. They are beautiful, spectacular and sexy,” Ludmila Valieva reflects. Many girls dance to please men. Someone immediately tunes in to make money. Indian dance is complex and multifaceted. Imagine, a professional dancer must know at least a thousand different gestures, must understand what is sung in the song she dances to. This is the only way to achieve the correct reading of music and create your own little dance masterpiece.

Master class for grandmothers

The students of the Hindi school are now on summer vacation, and its creator is monitoring the schedule of the city's cultural events in order to bring her young "Indians" to the stage without fail. And she herself tries not to miss concerts, whether it be a regional competition of folk talents or just a street performance in the courtyard of her house. There is no bad audience, Lyudmila Vasilievna believes, and a real person of art will adequately perform on stage at any level.

As an example to her students, Valieva performed with dignity at a regional event for pensioners called "Glory, Superstar", which was held in the city pension fund in March. The dancer's talent was appreciated: she managed to “break” one of the main nominations and receive a TV set as a gift. Now Lyudmila Vasilievna plans to open a group for pensioners. She believes in advance in her success, because for a passionate person there are no unattainable heights.

Indian dances, according to Lyudmila Valieva:

Develop chastity

Non-traumatic, have no contraindications

Promote weight loss and figure correction

Develop a sense of beauty and self-confidence

Increase vitality

Improve general emotional mood

Age category of materials: 18+

12 life hacks to quickly learn how to dance from Mamita Dance

Pavel Sobiray
psychologist, salsa and tango teacher


Author: Pavel Sobiray
psychologist, salsa and tango teacher

At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.

This is the most common story of those who believe that the fact of attending pair dance classes is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.

1. Listen to music

The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.

An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.

2. Watch videos of good dancers

It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).

Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.

It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.

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3. Dance in salsatecas/milongas/discotheques

A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.

In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.

4. Dance with partners or partners not of your level

The conventional wisdom that you need to practice in groups of your level does not stand up to the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.

It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.

How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.

Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers

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5. Learn to dance for a partner and for a partner

Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.

In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.

6. Do not memorize the links

Always try to look deeper and understand the through principle and idea of ​​movement. Understanding what and how is done will make it possible to independently generate any sequences and chips.

Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.

In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.

7. Develop your body

Many years of experience in teaching pair dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.

The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.

You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.

8. Try on the images of inspiring dancers

A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.

With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.

9. Dance to unformatted music

Habitual rhythms keep you in tight limits. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.

The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.

Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for style

10. Try your hand at basic dance directions

dances exist according to their own non-choreographic laws.

This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.

Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.

11. Look for battle sensations

Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of big cities.

If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.

The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.

Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.

12. Communicate with professionals

The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.

Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion.

Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.

Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances.

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