How to do the walk it out dance

walk it out dance tutorial



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Hướng dẫn nhảy Walk It Out #thodinhay #dancetutorial #walkitout #thodanceclass #voiceeffects #tiktokdance #learnontiktok #dancechallenge

TikTok video from Thỏ (@thodinhay): "Hướng dẫn nhảy Walk It Out #thodinhay #dancetutorial #walkitout #thodanceclass #voiceeffects #tiktokdance #learnontiktok #dancechallenge". Walk It Out Dance Tutorial | đấm tay và mở chân x3 lần | Thu 2 chân và đập tay phải x2 lần | .... nhạc nền - Thỏ.


nhạc nền - Thỏ



Reply to @officalzay_0 Walk It Out In 15 Seconds #hiphop #dance #movement #freestyle

3. 7K Likes, 7 Comments. TikTok video from 1nduh (@1nduh): "Reply to @officalzay_0 Walk It Out In 15 Seconds #hiphop #dance #movement #freestyle". In 15 Seconds ✨ | Lesson #27: Walk It Out | 1) Step Outward | .... Walk It Out.


Walk It Out - Unk


Joeru belaos JRU STUDIO

Walk it out dance tutorial. Dc @dizeakira meron din po sa YouTube bisitahin lng ang JRU STUDIO para sa step by step na dance tutorial

162 Likes, 7 Comments. TikTok video from Joeru belaos JRU STUDIO (@jrustudio): "Walk it out dance tutorial. Dc @dizeakira meron din po sa YouTube bisitahin lng ang JRU STUDIO para sa step by step na dance tutorial". original sound - Joeru Belaos.


original sound - Joeru Belaos - Joeru belaos JRU STUDIO



@michelle_lul2 antworten für den Bewegungseffekte müsst ihr den „Körperzoom 2. 0“ Filter auswählen 🥰✌🏻 | #walkitout #dancetutorial #babyjäz

2.6K Likes, 11 Comments. TikTok video from Jäz (@jaezshecan): "@michelle_lul2 antworten für den Bewegungseffekte müsst ihr den „Körperzoom 2.0“ Filter auswählen 🥰✌🏻 | #walkitout #dancetutorial #babyjäz". Walk It Out Tutorial | Der Filter der sich mit bewegt heißt “Körperzoom 2.0” . original sound - SimonEstrella.


original sound - SimonEstrella - Simon Estrella on IG



Learn how to do the walk it out 🚶🏾‍♂️🚶🏾. #howto #dance #stilldre #walkitout #learnontiktok #bayareadance #fyp #viral #hiphopdance #desidancer #learntodance

61 Likes, 5 Comments. TikTok video from saffatt (@saffatt): "Learn how to do the walk it out 🚶🏾‍♂️🚶🏾. #howto #dance #stilldre #walkitout #learnontiktok #bayareadance #fyp #viral #hiphopdance #desidancer #learntodance". Learn how to do the walk it out. | 1. Step out with right foot and twist both knees to the right | 2. Repeat on left | .... Still D.R.E. - Instrumental.


Still D.R.E. - Instrumental - Dr. Dre



Walk it out! #popping #dancetutorial #dance #tiktok #tiktokdance #robotdance

TikTok video from TEMPS (@tempsart): "Walk it out! #popping #dancetutorial #dance #tiktok #tiktokdance #robotdance". Walk out (Popping). More Bounce 2 The Ounce.


More Bounce 2 The Ounce - Dilly Tha Dogg



Hiphop dance tutorial series 🕺💃Walk it out 🦵🦵#dancetutorial #hi phopdance #hi phopdancetutorial #hi phopoldschool

TikTok video from Sedechu (@danceismytingz): "Hiphop dance tutorial series 🕺💃Walk it out 🦵🦵#dancetutorial #hiphopdance #hiphopdancetutorial #hiphopoldschool". original sound.


original sound - Sedechu



Reply to @hughestyler Walk It Out In 15 Seconds #dance #vibes #tutorial #tutorial

729 Likes, 10 Comments. TikTok video from 1nduh (@1nduh): "Reply to @hughestyler Walk It Out In 15 Seconds #dance #vibes #tutorial #tutorial". original sound.


original sound - 1nduh



#tutorialdance #hiphopdance #hiphop #nathan #move #movement #walkitout #walkitoutdance #fyp #fyyyyyyyyyyyyyyyyy

TikTok video from TANZSCHULE WEISS (@tanzschuleweiss): "#tutorialdance #hiphopdance #hiphop #nathan #move #movement #walkitout #walkitoutdance #fyp #fyyyyyyyyyyyyyyyyy". TUTORIAL HIPHOP : MOVE WALK IT OUT . Real Deal.


Real Deal - Tyga

A list of hip hop dance moves as collected by FraGue Moser-Kindler

The list of names of hip hop dance moves below is what I learned in my journey with hip hop dance. It is not complete and will never be as our dances are still alive and growing every day. So there are potential new steps created every day.

Bold is the name of the move that I consider the correct one. Most of the time it’s the name I got taught.

(In parenthesis there are alternative names when written next to the name or general comments when in the back of the line).

In italic letters, I added additional info when I have it. The name after an s stand for source, meaning who I learned the move from. o stands for origin and is used whenever a move is from another style imported into hip hop.

Some of the names have a link. It leads you to a clip of the move.

And this is me, busting some hip hop moves at Flavourama. Quite a while ago.

Before you check out the list…

If you want to find out how to make the most out of the moves you already know, grab a free copy of 7 Questions To Ask Every Move when signing up for my email list, or take a look at some of the concepts I presented here on the blog.

List of Hip Hop Steps and Moves

  1. The Wop. s Link
  2. Running Man (Link doing the Running Man).
  3. Mike Tyson. s Tarek
  4. Gucci. s Buddha Stretch
  5. Smurf. s Buddha Stretch & Mr. Wiggles (2 different versions)
  6. Steve Martin (Link doing it). s Marcio Ratinho
  7. Robocop. s Suga Pop
  8. Stomp. s Link
  9. BK Bounce (Brooklyn Bounce, Criss Cross). s Buddha Stretch
  10. Basketball.
  11. ATL/A-Town Stomp. s Buddha Stretch
  12. Harlem Shake. s Link
  13. Dice Game. s Marcio Ratinho
  14. Roger Rabbit (Reject). s Budda Stretch
  15. Bart Simpson. s Buddha Stretch
  16. The Prep. s Link
  17. Wu-Tang. s Buddha Stretch
  18. Bankhead Bounce. s Link
  19. Monastery. s Yuljah (It is spelled differently in the clip, but I believe that is a typo)
  20. The Snake.
  21. Janet Jackson (Janet, Barbie). s Marcio Ratinho
  22. Kick Ball Change (Flintstone). s Storm
  23. The Guess.
  24. Party Machine/Spongebob/Criss Cross. s Buddha Stretch
  25. Leo Walk. s Flomaster o Locking
  26. Shamrock. s Niako
  27. C-Walk. s Buddha Stretch o Gang Ritual
  28. Fila/Rambo. s Buddha Stretch
  29. Walk it out. s Buddha Stretch
  30. Tone Whop. s Buddha Stretch
  31. Pepper Seed. s Link o Dancehall
  32. Penguin. s V-cell
  33. Upstairs Downstairs (Up & Down).
  34. Funky Penguin.
  35. Happy Feet. s Link
  36. Crazy Legs. s Peppi Meilinger
  37. Toss it up. s Buddha Stretch
  38. The Freak. s da Bürgermasta
  39. Patty Duke. s Mister Wiggles
  40. Brooklyn Stomp.
  41. Pacman (Crab).
  42. Lite Feet.
  43. Bizmarkie. s El Fonky Juice
  44. James Brown (Good Foot). s Storm
  45. Baseball Bat.
  46. Bad One.
  47. Chicken Noodle Soup.
  48. Al-Be.
  49. Old Man. s Storm o Popping
  50. Rocksteady.
  51. Dougie.
  52. Chicken Neck. s Brian Green
  53. Cat Daddy (Tina Turner).
  54. Ney Ney (Nae Nae). s Link
  55. Alf. s Suga Pop
  56. Bobby Brown (Cold Duck). s Suga Pop
  57. Sophisticated Sissy. s Suga Pop
  58. Cabbage Patch. s Suga Pop
  59. Camel Walk. (Kamel Walk) s Suga Pop
  60. Holly Pill. s Mister Wiggles
  61. Walking Backwards. s Mister Wiggles
  62. Spanish Freak. s Mister Wiggles
  63. Reebok. s Link
  64. Gigolo. s Link
  65. Butterfly. s Buddha Stretch o Dancehall
  66. Run It. s Buddha Stretch

I also have a list of moves and steps from house dance, and another one for breakdance/breaking.

And if you are ready to dig deeper into the possibilities that your moves offer, check out my book Dance Smart, which covers 36 concepts to work with your moves.

Merengue dance in the Dominican Republic: how to dance, features

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What to see

Author Admin Read 2 min Views 570 Updated

Passionate and incendiary rhythms of Latin America are known all over the world. One of the popular dances, which is adored by the inhabitants of the mainland, originated in the Dominican Republic. But no one knows exactly where the merengue dance originated from. Here are just a few suggestions:

  • Dominican composer Juan Bautista Alfonseque composed the melody for dance in the middle of the 19th century. Music fell in love with the inhabitants of the country and in accordance with it a dance arose;
  • a similar tune sounded when the Dominican troops defeated Haiti in a fair fight. The soldiers, hearing the triumphal music, immediately began to dance a simple dance;
  • in the Cuban upa habanera dance there is a movement called "merengue". Over time, the Dominicans mastered the movement and, based on it, came up with their own dance;
  • The dance was invented by slaves. They were bound with chains so that they were forced to walk with their legs outstretched. The same movement exists in the national dance;
  • one of the heroes of the Dominican revolutions was wounded in the leg during a demonstration. However, the locals revered the hero. When they saw his lameness, they also began to imitate the idol.

Like many Latin American pair dances, the merengue turned out to be passionate and erotic. However, this dance differs from other Latin dances in a lighter presentation. All movements are based on flirting and improvisation. It is not so important for partners to make movements technically correct and synchronously. It is much more important to convey your feelings to the audience. Sometimes it even requires solo elements.

However, the main movements and rules of the dance can be distinguished. The first and most important movement is a walking step to the beat of the music. There can be several such steps, at the request of the partners. For beginner dancers, only the continuation of this walking step causes difficulties: after it, you need to smoothly move in the opposite direction, to the right.

The step is complemented by a large number of figures: the body, hips and shoulders of each partner constantly rotate. The position of the partners relative to each other is similar to a waltz: from it the dancers make turns clockwise or counterclockwise and “paso de la empalizada”. Another distinctive feature of the dance is that the dancers are constantly in physical contact. Even if the elements are solo and require some kind of personal space, the dancers always hold hands. In Latin American versions of merengue, partners cannot even move away from each other: throughout the dance, the bodies are tightly pressed against each other.

90,000 12 life hacks to quickly learn how to dance from Mamita Dance


Author: Pavel Collect
Psychologist, Lecturer Salsa and Tango


Author: Pavel Pavel Pavel Pavi Psychologist and Tango

on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.

This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.

1. Listen to music

The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.

An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.

2. Watch videos of good dancers

It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).

Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.

It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.

Tango Z. Showreel.

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3. Dance in salsatecas/milongas/discotheques

A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.

In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.

4. Dance with partners or partners not of your level

The conventional wisdom that you need to practice in groups of your level does not stand up to the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.

It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.

How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.

Dancing with partners of your level doesn't make you grow. Dance with beginners and more advanced dancers

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5. Learn to dance for a partner and for a partner

Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.

In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.

6. Do not memorize the links

Always try to look deeper and understand the through principle and idea of ​​movement. Understanding what and how is done will make it possible to independently generate any sequences and chips.

Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.

In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.

7. Develop your body

Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.

The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.

You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.

8. Try on the images of inspiring dancers

A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.

With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.

9. Dance to offbeat music

Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.

The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.

Search, improvise, do not be afraid to go beyond, develop in different directions, be inspired by music atypical for the style

10. Try your hand at basic dance directions

dances exist according to their own non-choreographic laws.

This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.

Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.

11. Look for battle sensations

Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of large cities.

If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.

The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.

Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.

12. Communicate with professionals

The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.

Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion.

Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.

Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances.

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