How to do the walk dance
side walk dance thing | TikTok SearchTikTok
✅ IG: nafritwins follow for more ! #fyp #fy #foryou #tutorial #sidewalk #twins #dance #viral #xyzbca
11.7K Likes, 59 Comments. TikTok video from Nafritwins (@nafritwins53): "✅ IG: nafritwins follow for more ! #fyp#fy#foryou#tutorial#sidewalk#twins#dance#viral#xyzbca". How people do the Side Walk wrong…❌ | How you do it right✅ | FOLLOW FOR MORE !. original sound.
original sound - Nasia bae😘
Sidewalk TUTORIAL🔥 #dance #dancetutorial #sidewalk #ShareTheCare #jimijackson20 #michaeljackson #tiktokindia
132. 7K Likes, 132 Comments. TikTok video from Magical Jackson (@jimi_mjj): "Sidewalk TUTORIAL🔥 #dance #dancetutorial #sidewalk #ShareTheCare #jimijackson20 #michaeljackson #tiktokindia". Side walk tutorial | Step 1. Go on toe of your any leg | Step 2. Slide another leg | .... original sound - Mr.mnv.
original sound - Mr.mnv
What other tutorials would u like ?🕺🏾😁 #foryou #foryoupage #fyp #pourtoi #viral #dance #tutorial #sidemoonwalk #choreography #michaeljackson #smile
914 Likes, 9 Comments. TikTok video from Jym (@brownsk1nboi): "What other tutorials would u like ?🕺🏾😁 #foryou #foryoupage #fyp #pourtoi #viral #dance #tutorial #sidemoonwalk #choreography#michaeljackson#smile". SIDEMOONWALK TUTORIAL🕺🏾 | Step one | Lean on your right foot toes | .... Billie Jean.
Billie Jean - Top 40
🌔 SFINKS 🌖
How to do side walk gliding dance Awesome shoes from @Speedd
33.1K Likes, 282 Comments. TikTok video from 🌔 SFINKS 🌖 (@dancingsfinks): "How to do side walk gliding dance Awesome shoes from @Speedd". Friendships.
Friendships - Pascal Letoublon
#sidewalk #fun #new #dance #fyp
TikTok video from rabC94boss (@rabc94boss): "#sidewalk #fun #new #dance #fyp". LEVELS 120 🔥. son original.
son original - rabC94boss
Universal Womens Network
Sidewalk dancing 💃 making those last steps for the day count. Yes, I know we are out of sync 🤣 #sidewalkdancing #weekendvibes #girlswannahavefun
TikTok video from Universal Womens Network (@monicakretschmer): "Sidewalk dancing 💃 making those last steps for the day count. Yes, I know we are out of sync 🤣 #sidewalkdancing #weekendvibes #girlswannahavefun". Man! I Feel Like A Woman!.
Man! I Feel Like A Woman! - Shania Twain
House Dance "SIDE WALK" Qual passo vocês querem que eu ensine? #fy #tutorialdance #foryou
149 Likes, 10 Comments. TikTok video from Guru Dance (@gurudanceoficial): "House Dance "SIDE WALK" Qual passo vocês querem que eu ensine? #fy #tutorialdance #foryou". HOUSE DANCE "SIDE WALK" | 1- chuta,volta com o mesmo pé pisando em...1,2,3 e chuta o outro pé. | Vamos no ritmo da música? | . ... Pump Up The Jam.
Pump Up The Jam - The Hit Crew
Doing the slide walk dance with my feet 🥶 #slidechallenge #trending #slidedancechallenge #fypシ
297 Likes, 7 Comments. TikTok video from _Sussysam_ (@_sussysam_): "Doing the slide walk dance with my feet 🥶 #slidechallenge #trending #slidedancechallenge #fypシ". Doing the slide walk dance with my feet 🥶. original sound.
original sound - JoJo
Side walk #pardhuallu #melbourne #dancer #dancetutorial #learntodance #danceclass #basicdance
513 Likes, 14 Comments. TikTok video from Pardhu dancer (@pardhu_dancer): "Side walk #pardhuallu #melbourne #dancer #dancetutorial #learntodance #danceclass #basicdance". original sound - Krish Gawali.
original sound - Krish Gawali
Walk Walk Dance | Daily tous les jours
Enchanting the post-COVID city
If COVID-19 has proven anything, it’s that cities need to adapt and change. This past year across the world, they moved quickly to prototype new ways of experiencing and exploring the city during a global health crisis. They’ve become more pedestrian and bike friendly, embraced the use and creation of outdoor public spaces, and offered safe moments of fun and delight.
Created for and during the pandemic, Walk Walk Dance is a series of music-making lines that explore how participation and interaction can create new spaces for play in cities. Let’s play with physical distancing rules, one, two, three steps at a time.
Place des Arts - Montréal
How it works
It’s simple: step, jump, roll or dance on the lines to trigger music. This project was designed to be accessible to everyone, whether they are on foot or on wheels: all the technology is enclosed in a chain of boxes and planters, weighted down with local plants. Lines are simply drawn, painted or taped.
This is the best time ever to think of a walkable city.
Wouter Vanstiphout, Quoted from The Guardian "Smart lifts, lonely workers, no towers or tourists: architecture after coronavirus" April 13, 2020
Making cities dance
Walk Walk Dance is a roving project — designed for struggling cities that need to quickly revive their public spaces in the wake of COVID-19. Created for temporary displays, the installation adapts to all pathways and streets, making it easy to deploy in diverse urban settings.
Because every city needs a dancing strategy.
Photo ©Jack Landau
- 6 feet between play sections
- Design adapts easily to slope variations
- All tech components are in a protective case / flower bed
- Lines are made with paint, chalk, a carpet or adhesive
Photo ©Jack Landau
Prototype of Walk Walk Dance @ Montréal
- Hub Montreal International Outreach Grand Prize
- Core77 Design Awards 2021
- Design Vanguard Covid-19 Directory
- This project is an original artwork by Daily tous les jours
- This project was made possible in part by the Government of Canada
- With the support of the SODEC
- Creative Direction
- Mouna Andraos
- Melissa Mongiat
- Stu Wershof
- Narrative Experience
- Anne Ouellette
- Sound Direction
- Michael Baker
- Object Design Direction
- Rebecca Taylor
- Interactive Direction
- Pierre Thirion
- Technological Direction
- Eva Schindling
- Technical Direction
- Éric Villeneuve
- Cécile Chandran
- Victorine Yok-Thot Sentilhes
- Thank you
- Daily’s team: Hugo Dufour-Bouchard, Justine Jacob-Roy & Noémie Rivière. Antoine, Léon, Leyl, Sama.
- Powered with the help of
Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango
Author: Pavel Pavel
Psychologist, Lecturer Salsa
on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.
This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.
1. Listen to music
The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.
An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.
2. Watch videos of good dancers
It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).
Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.
It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.
Tango Z. Showreel.
Online modern tango courses
Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.
3. Dance in salsatecas/milongas/discotheques
A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.
In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.
4. Dance with partners or partners not of your level
The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.
It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.
How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.
Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers
Dominican Bachata Women's Style Online Course
Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.
5. Learn to dance for a partner and for a partner
Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.
In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.
6. Do not memorize the links
Always try to look deeper and understand the through principle and idea of movement. Understanding what and how is done will make it possible to independently generate any sequences and chips.
Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.
In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.
7. Develop your body
Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.
The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.
You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.
8. Try on the images of inspiring dancers
A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.
With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.
9. Dance to offbeat music
Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.
The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.
Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for the style
10. Try your hand at basic dance directions
dances exist according to their own non-choreographic laws.
This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.
Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.
11. Look for battle sensations
Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of large cities.
If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.
The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.
Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.
12. Communicate with professionals
The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.
Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion.
Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.
Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances. Regardless of your level, the suggested 12 life hacks can get you off the ground and greatly accelerate your dance growth. There is no way here without your motivation and activity. Take your dance development into your own hands. 9Ol000 Dangerous sexuality
Salsa: destroyers of stereotypes
Couple dancing as a source of strength.
Self-destruction of the couple dance community
The Salsa series as a mirror of the community
Mamita Fridays: salsa, bachata
Destroying the myths about leading pair dances
Does dancing make us better?
The seven deadly sins of teachers
Why we will never dance bachata like the Dominicans
Dispute over musicality
Selection of dances according to alcohol preferences
Where to find inspiration for dancing?
Terrible tango nuevo
Distribution of roles in a salsa party
Argentinean tango through the eyes of a salsa dancer
Is there a predisposition to dancing?
Which is more effective: individual or group lessons?
Sexual overtones in couple dances
Couple dance for children 6-7 years old.
Dance is included in the Rhythm Program for the 1st grades of St. Petersburg secondary schools.
Dance of German origin. In German, the dance is called "GROßER SPAZIERGANG".
Time signature 4/4.
Basic dance elements:
- Dance step
- Triple flush
- "Do-za-do" (dos-à-dos - back to back)
BRIEF DESCRIPTION OF THE DANCE
Description of the dance - Ivanova E.I. dance and rhythm at the St. Petersburg City Palace of Youth Creativity (SPb GDTYu). Head of GMO - Kondratenko G.M.
A dance composition takes 8 measures of musical accompaniment.
The dancers stand in pairs in a circle, facing along the line of dance: the girl is to the right of the boy.
Feet in 1 (natural) position.
Hands freely down, along the body. The boy holds the left hand of the girl with his right hand.
The boy starts with his left foot.
The girl starts with her right foot.
1-2 cycles. Account 1-2-3-4-5-6-7-8
1-2-3-4-5-6- Six steps forward, along the line of dance. (Boy on left foot, girl on right foot.)
7-8- Release joined hands. Turning to face each other (the boy - with his back to the center, the girl - facing the center), take a step-prefix to the side, along the line of dance. Boy - step left foot to the side, put the right foot. Girl - step with the right foot to the side, put the left foot.
3 stroke. Count 1-2-3-4
Take three steps back and place your free leg on the supporting leg (transferring body weight to the attached leg).
The boy takes 3 steps back with his left foot, with his back to the center, and puts his right foot forward. Girl - 3 steps from the right leg back, with her back to the wall, and puts her left leg.
Hands freely down, along the body.
3 stroke. Score 5-I-6 7-I-8
5-I-6- Put your hands on your belt. Make a triple stomp with your feet.
Boy - left, right, left foot. Girl - right, left, right foot.
7-I-8- Clap your hands three times with your arms above your head.
5-6 bars. Score 1-2-3-4-5-6-7-8
Partners perform "to-for-do" - bypass each other with their backs, clockwise. Moving forward, partners meet with their right shoulders, moving backward - with their left.
Go around the partner at seven steps and return to your place (the boy - with his back to the center, the girl - facing the center).
On the count of 8- put your free leg to the supporting one.
Hands freely down, along the body.
7-8 strokes. Count 1-2-3-4-5-6-7-8
Raise the hands to the 2nd position, connect the hands - "by the fingers".
In this position, the partners make 8 dance steps, moving clockwise in a joint circle ("dance" in pairs), and return to their places. (The boy starts on the left foot, the girl on the right.)
At the end of bar 8, the boy's left hand and the girl's right hand are separated, the hands go down, along the body and the partners turn to face along the line of dance. (The boy's right hand and the girl's left hand remain connected.)
The dance composition is repeated.
Second option 7-8 cycles:
Partners perform a full circle with return to their places - in 6 steps (6 counts).
On the count of 7-8 the boy stands still.
7- The boy's right hand and the girl's left hand are separated. The connected left hand of the boy and the right hand of the girl rise up, and the girl, having taken a step with her right foot, turns on it to the right under the joined hands.
8- After turning, the girl brings her left foot to her right foot. The left hand of the boy and the right hand of the girl are separated. The partners turn to face along the line of dance, and the boy gives the girl his right hand. Hands go down along the body.
The dance composition is repeated.
Variation 7-8 bars with transition to a new partner:
After the figure "do-for-do", the partners turn half-turn (diagonally) to the left. The boy goes forward along the line of dance, and the girl - against the line of dance - to new partners. Having met with a new partner, the dancers join hands in 2 poses. and continue to move in a circle to the right ("round dance" in pairs) already in new pairs.
The transition to a new partner can also be done on the "before-for-before" figure.
The dance composition is repeated with a new partner.
- Methodological development of the State Duma. St. Petersburg, 2006
- Educational and methodological recommendations for the organization of work with the whole class in elementary school on rhythm, rhythmoplasty and ballroom dancing . Shutikov Yu.N. St. Petersburg, 2006
- " Rhythm at school, the third lesson of physical culture ". Teaching aid. J.E. Firileva, A.I. Ryabchikov, O.V. Zagryadskaya. Ed. Phoenix, Rostov-on-Don, 2014
Poems for children about the dance "Big Walk"
"To-for-do" we danced,
Three stomps, three claps -
How easy it is for us to "WALK"!
We circled and again
You and I went for a walk.