How to do the techno viking dance

Truth about the Techno Viking Man

Viking Man is an internet phenomenon based on a video from the 2000 Fuckparade in Berlin, Germany.

And after many fake news and gossips, here are the facts.

The 4-minute video shot by experimental video artist Matthias Fritsch at the Fuckparade on 8 July 2000 begins with the title “Kneecam No. 1”. The camera is on a group of dancing people with a blue haired woman in front. A man stumbles into the scene grabbing the woman. A bare-chested man (known colloquially as the Techno Viking) wearing a Mjölnir pendant enters the scene while turning to that man. He grabs him by the arms and the camera follows, showing the confrontation. Techno Viking pushes the guy back in the direction he came. He looks at him sternly and then points his finger at him, telling him to keep walking. That moment captured the most popular meme in the world.

Then the camera follows the bare-chested man as the techno parade continues. Another observer comes from the back of the scene offering an inverted bottle of water to him. As the situation calms down, the bare-chested man starts to dance down Rosenthaler Straße to techno music.

This is what we all know, so what is the true story behind it.

Truth was that Fritsch uploaded the video on YouTube in 2006, where it continued to exist in obscurity for months. Once it passed 4 million views, YouTube started sending Fritsch checks.

Fifteen years later, Fritsche has successfully crowd-funded a campaign to release a complete documentary about the viral rise of the Techno Viking himself so the rest of us can get some insight into what was actually going on in Germany that day so long ago. This was followed with a lawsuit from the Techno Viking himself. In 2009, the star of the video, whose real identity is still a mystery, hit Fritsch with a legal notice asking him to stop using the video and all derivations of it. Fritsch immediately stopped accepting money from YouTube and original video was deleted shortly after, but then uploaded by numerous users.

Find our more about the story in documentary below.


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Archive for research on the Technoviking Meme, 2000-2022

Matthias Fritsch researched the internet history of his video Kneecam No. 1 aka Technoviking from it's production until it became a popular Internet Meme with more than 160 million documented clicks on the internet and many thousand directly related video responses on YouTube and other social media platforms. Today, the archive includes well over 4,000 units and 90 GB of data in the form of more than 2,000 images, collages, emails, blogs, forum discussions, and a selection of approximately 1,500 hand-selected video reactions, organized into more than 70 categories to illustrate the various approaches of recycling culture on the social web. Because of the results of a trial (personality rights versus freedom of art) that was initiated by the men, whos image and person was labeled in the Internet as The Technoviking, neither the original video nor the full archive are available for public anymore.

The less risky examples from the archive are published in form of mashups or installations of the archive and lectures where Fritsch also shows some of the most interesting video responses. The artist illustrates new ways of production and distribution within user generated networks. From his experiences on the Technoviking Phenomenon Fritsch developed his following Work Music from the Masses.

Ever since the attention on the video's countless user-versions is high up and hundreds of remix versions and responses to the video are still being published in the internet. Fans continue to imitate the video's dramaturgy and re-enacted it in their homes, in clubs or on the streets. A selection of transformations and re-enactments was published on the website For educational purposes Fritsch is touring to festivals and conferences in order to present his research on the meme and to talk about the internet's user culture. In 2015 a feature length documentary was produced with lots of contributions from the archive and ca. 30 expert interviews.

 Radio-Feature on Corso / Deutschlandfunk (German)
Author: Carmela Thiele, Corso, DLF Köln
aired on May 5th, 2009

listen here to an other feature on Corso (German)
Author: Eva Raising, Corso, DLF Köln
aired on September 10th, 2013


Installation of the Technoviking-Archive in Nancyhalle, Karlsruhe, Germany, 2009
Basic Concept by Matthias Fritsch und Annabel Lange, Design & Installation by Oliver Boeg / Team Wahlheimat


The Techno Viking

The Techno Viking is a tall, muscular, charismatic, intimidating German man in his 30ies, that danced in front of the camera at the Fuckparade in Berlin in 2000. The Fuckparade emerged as a reaction to the music restriction (e.g. the exclusion of other techno styles as Gabber, Speedcore, Hardcore Techno or Punk music) of the Berlin Love Parade and its increasing commercialization, as well as a public demonstration against the shut down of the famous techno club "Bunker," (which serves as a home for a private art collection today.)

The Techno Viking became famous firstly through the "Kneecam" video. A girl with heavy blue dyed hair is dancing to the rough techno beats, while a rather unruly looking guy, crashes unfriendly into her. That accident is causing the Techno Viking to demonstrate his physical power. He snatches the guy's arms and pushes him back from where he came dancing from. Pointing straight at another man and dominating him with his fiercely glance the Techno Viking produces an aura of fear, which brings the man to leave the situation. Only that incident enables the Techno Viking finally enough space to start dancing freely. His dance moves are wild and expressively but perfect in form. Soon he seems like the king of the street, having even fans, serving as "pop servants," supplying him with water bottles.

At You Tube the fascination with the Techno Viking is expressed in several statements. One of the most famous lines started to reappear with the countless remakes of the "original" footage itself: "The Techno Viking doesn't dance to the music, but the music dances to the Techno Viking."

After the most popular definition of Techno Viking published by Mister Neutral on the Urban Dictionary on February 16, 2008 that 3177 people liked and 76 hated in early 2013.




The Context

  The Techno Viking project is an example for the reordering, reediting and remaking of an "original" video in the internet. The original video is in analogy to genes called a meme. As such the original and its first clones, start to circulate within social networks, where the original mutates, competes with other originals and inherits. Becoming multiplied in this way, the original video becomes successful by reproducing itself, through various recycling techniques.

In this way the Techno Viking project questions the creation's origin of such an internet hype. The popular result is not the beginning, but the the original + n, after being altered and filtered several times through a chain of actions and reactions.

The potential of public attention such clips raise, brings also attention to the role of such major companies as Google. Google as the owner of YouTube provides the basic technological structure not only to enable and control, but also to profit from such creations. If the creation is based on "free" social information networks, the product is commercialized through a monopole company. In this way the Techno Viking is a perfect example to illustrate such new ways of production and distribution within user generated networks.



What is the video of TECHNOVIKING?

It is a short art video produced by Matthias Fritsch at the Fuckparade in Berlin on July 8th 2000. It's original title is "Kneecam No.1." The video was the first in a series of art videos that focused on the role of the camera and questioned reality and human perception. It was raising the question if the sequence is real or staged since it's dramaturgy and way of filming blurs the border between fiction and documentary. In 2007 the video was discovered by the YouTube community and posted by users in various other platforms. After being linked and discussed in different web sites and internet forums it got uploaded by user "BigCat8" on, a big american media portal "for guys" where the video had it's peak on September 28th 2007 with 2 million viewers over night. In the following 6 months the Video got more than 10 Million clicks under the new name of "Techno Viking". The video became an Internet Meme.



The Original Music

  There are hundreds of Technoviking videos with all kind of music in the internet, but originally the DJ in the background played two techno tracks and after years of searching fans tracked down the originals:

Track 1:
Artist: Can-D-Music
Album/Track: Navigator
Label: Low Spirit Recordings 1999

Track 2:
Artist: Winstan vs. Noia
Track: Save Changes And Exit
Album: Auto Detect EP
Label: 4sale Recordings
Genre: Electronic
Style: Techno
Year: 2001



The Technoviking Trial

  Around christmas 2009 the technoviking video's main protagonist sent a lawyer to the filmmaker in order to stop all further publication of his film "Kneecam No. 1". He claimed that the video was produced, published and used for merchandising without his consent and that he would be loosing jobs because of the Technoviking's fame and on top of that being approached by political right wing oriented people who also abuse his image.

At that time the clip was already out of the filmmakers control for years. It existed with hundreds of copies all over the web. It is true that within 2 years until the plaintiff send his 1st lawyer to the filmmaker, the artist had earned in total around 10000 Euro in connection with the meme's popularity.

The amount resulted basically from YouTube Advertisements and to a small part from TV-licenses and T-shirts sales. From the beginning of the negotiations the filmmaker offered to share all profits made connected to the technoviking meme. He further expressed to be open to discuss together future options on how to market the meme's success. There have been many requests from event and production companies that were interested in the Technoviking but nobody was able to find the real person behind, not even the filmmaker himself. In the beginning of 2010 Fritsch stopped all commercial activities that were connected to the original video or the plaintiff's image, he blocked the original video on YouTube with annotations and limited the use of images that show the real persona to an only internal and offline use within the Technoviking archive. Still it was not possible to find a compromise outside court and in early 2010 the video's protagonist announced that he would take the case to court. Nothing happened for almost three years until at the end of 2012 the plaintiff finally suit the film maker, short before the case would have been expired. He also demanded financial compensation.The trial began in the middle of january 2013 in Berlin. The judges suggested a settlement between the two parties that was in favor of the plaintiff but he didn't accepted. End of May 2013 the 3 judges at Berliner Landgericht pronounced a judgement. As a result it will not be allowed anymore to show the original video as long as it is possible to identify the protagonist. The filmmaker Matthias Fritsch is facing a fee up to 250000 Euro or up to 6 months of jail time in case of violating the judgement. Additional the filmmaker has to pay the money that he had earned completely to the plaintiff. The judges denied the plaintiff any further financial compensation for personal suffering and concluded that he would be after the money and by waiting for almost 3 years not consequent trying to solve his argued problems.

At the End of July 2013 the plaintiff appealed to the judgement and takes the trial a step further to Kammergericht Berlin which is one level below the constitutional court in Germany.




The Documentary Film

  Matthias Fritsch produced a 90min documentary film about the Story of the Technoviking Meme that tries to explain how the Meme was created and triggers big questions that come up when our fundamental rights get in conflict with each other. How should we deal with the contemporary dilemma of intellectual property in a time of collective creation that gives birth to phenomena such as the Technoviking Meme. The Filmmaker hosted a Crowdfunding Campaign on the platform Indiegogo in summer of 2013. The project was supported by ca. 300 people from 18 countries.

The film was published online for free in October 2015 in a short version of 50min on vimeo.

  The work on the film wouldn't be possible with the generous support of these people:

Achilleas Kentonis, Akeli Mieland, Aksioma - Institute for Contemporary Art, Alessandro Drescher, Alessandro Ludovico, Alex Kozina, Alexander Bootz, Alexander Lacher, Alexander Lauert, Alexander Schibalsky, Alexandros Salapatas, Almut Ilsen, Anastasia Chrysanthakopoulou, Andreas Hübner, Andreas Huth, Andreas Kotes, Andreas Krüger, Andreas Schuster, Angela de Weijer, Anna Heinzig, Annabel Lange, Annet Dekker, Antonio Gonzales Paucar, Arjon Dunnewind, Armin Mobasseri, Barbara Seelig, Benjamin Meier, Benjamin Zierock, Carmen Billows, Carmen von Schöning, Carsten Stabenow, Carsten Wagner, Carsten Wilhelm, Chris Piallat, Christian Bucher, Christian Claus, Christian Palmizi, Christoph Knoth, Christoph Schwerdtle, Christoph Wermke, Christoph Willems, Chrysovalantou Karga, Claudia Schuster, Claudia Wittmann, Clemens Lerche, Clemens Wistuba, Dale Greer, Daniel Fabry, Daniel Krönke, Daniel Memhardt, Daniel Rakete Siegel, Daphne Dragona, David Schmidt, David Wnendt, Davinder Sandal, Dieter Sellin, Dieter Vandoren, Dina Boswank, Dirk Unger, Dominik Halmer, Dorna Safaian, Ed Marszewski, Eduard Stürmer, Elias Scheideler, Elizabeth Wurst, Elvira Heise, EMAF Festival, Eno Henze, Eugen Wasin, Evgenia Palla, Federico Bassetti, Federico Missio, Fee Plumley, Felix Dittmar, Felix Grünschloß, Felix Herrmann, Felix Vorreiter, Florian Blum, Florian Geierstanger, Frank Botermann, Frank Dietrich (Zechnick Himmelfaart), Franz-Josef Schmitt, Fufu Frauenwahl, Gabriele Voehringer, Geoffroy Ribaillier, Giorgio Giardina, Gordan Savicic, Guillermo Federico Heinze, Günter Kuhns, Hannah Cooke, Hannes Kiesewetter, Heidrun Fritsch, Henning Arnecke, Hermann Noering, Iain Cozens, IMPAKT Festival, Ines Wuttke, Ioannis Arvanitis, Ira Schneider, Isaak Broder, Ivan Shakhov, James Redfern, Jan Katsma, Jelena Colic, Jens Gerstenecker, Joachim Steinigeweg, Johan Weigel, Johanna Hoetjes, Johannes Fritsch, Johannes Marx, John Butler, John Deamer, Jose Diego Ferreiro, Juergen Eckloff, Julia Jochem, Julius Schall, Karolina Serafin, Katerina Gkoutziouli, Kathleen Rappolt, Katrin Duffke, Kathrin Keller, Kenny Stanger, Kieran Black, Kika Kyriakakou, Kilian Ochs, Klaus Neumann, Lars Thraene, Lea Gscheidel, Leopold Solter, Lucio Basadonne, Magdalena Vollmer, Manuela Putz, Marc Kanzenbach, Marco Melluso, Marco Trotta, Maren Kiessling, Margret Olafsdottir, Maria Konioti, Mark Braun, Markus Wende, Martin Diering, Martin Heinze, Matthew Denton, Matthias Matanovic, Maurits Boettger, Melanie Jilg, Michael M. Dreisbach, Michael Pierce, Miguel Ribeiro, Mischa Kuball, mursu909, Nadin Tettschlag, Nick Cripps, Nicolas Stumpf, Nikos Dimitrakakos, Nils Menrad, Oliver Schmid, Pat Amoesta, Patricia Röder, Patrick Krolzik, Peter Gräser, Philipp Engelhardt, Philipp Hahn, Philipp Scholz, Reimar Servas, Reinhard Bock, René Lamp, Rikard Bremark, Robert Lippok, Robert Utech, Roland Dreger, Ronald The, Ronnie Grob, Rupert Hoffschmidt, Sabine Koziol, Sam Schlatow, Sancto Russell, Sandra Fauconnier, Scott MacFiggen, Sebastian Felzmann, Sebastian Standke, Sigurd Bemme, Siim Leetberg, Simon Ruschmeyer, Sina Dunker, Sonja Möse, Stamatis Schizakis, Stefan Fischer, Stefan Frielingsdorf, Stefan Kilz, Stefan Schubert, Stefano Simone, Stephan Kaempf, Stephan Probst, Stephen Kovats, Susanna Jerger, Ted Sonnenschein, Thomas Kupser, Thomas Mühlberg, Thomas Müller, Thomas Reiner, Tidi Tiedemann, Tillmann Allmer, Tilmann Vogt, Tim Pritlove, Tim Waters, Timo Haubrich, Timo Kaerlein, Timo Steuerwald, Timothy Wenzel, Tobias Kraft, Tobias Wootton, Torsten Landsiedel, Ulf Aminde, Vijay Mirpuri (ACID BUDA), Wolfgang Fritsch, Wolfgang Senges, Wolfgang Ullrich, York Wegerhoff




User Examples


Following a selection of the most interesting and popular video responses, due to the judgement within the technoviking trial its not possible to directly link to those examples anymore:

Shortly after the main hype moderated clips were created to provide information about the new meme. A mixture of statistics, quotes and jokes make it easy to consume the semi documentations as the one from Rocket Boom "Know Your Meme - Technoviking"

Another moderated clip from the internet television channel "Revision3" introduces even a subtitled video response to the Techno Viking with as a new cult video itself: Technoviking on Revision3. The clip refers to the captured version of Techno Viking of YouTube user "rawrcore" that reached more than 5 million viewers on YouTube, break. com and other platforms.

But the most interesting genre of recycling memes is the re-enactment of the clip's dramaturgy by being recreated in private and public space all over the world. A remix of more than 50 re-enactment Videos is published under the name "We TechnoViking" and a selection of re-enactments can be found on

The people's fascination with Techno Viking's dancing skills create group choreographies and the Techno Viking character even finds his way into the 3D worlds like "Mattias Techno Viking", where the Techno Viking like character "Mattias" from the shooter "Mercenaries" was animated to the exact dance moves of the meme, various re-enactments in virtual worlds like World of Warcraft, Minecraft, Skyrim and others. See a selection of transmedia user-examples in the video below!

The combination of one meme with another can raise the attention within the fan community by creating overlapping interest. Examples are the use of Vernon Koekemoer and Chuck Norris in a "Streetfighter" lookalike clip "Technovikiung vs. Vernon Koekemoer" and other collages using memes like "Little Indian Boy" or the main character of the cult movie "300"

The users by far biggest recycling strategy is the simple change of the soundtrack without doing much with the video layers. There the Techno Viking clip was combined with all kinds of music genres like dubstep, folk music, 80ies classics, metal, elektro, pop etc.




After Techno Viking

  From the experience with the TechnoViking phenomenon and by using the user's most popular recycling strategy – the replacement of the videos soundtrack to an other music piece – Fritsch developed the Work "Music from the Masses. " Following a five year schedule he started to publish silent movies in the internet along with an open call for composers, musicians, sound designers and everybody else to create soundtracks accompanying the silent clips. The submitted contributions are published in the web in combination with the video as music clips. The work is an open edition and will not have a calculated end. It will be furthermore possible to always add new compositions and variations. This generic model of recycling and resembling is producing a situation that can be called "Youtube-Reality." It is a reality where the setting of an original identity is in constant and uncontrollable aesthetic modification.

For more information go to the project


Who is Techno Viking? How does the story of a curious character develop?

Techno Viking as a character alive performance of "Urban myths", electronic version.

The legend also says that the Technoviking was just an ordinary person who never wanted to be famous . But the Internet and the latest technology have made him a viral character.

Before the Internet, also known as Leyendas Urbanas , was and still is the modern evolution of what some historians, anthropologists and sociologists call the oral tradition. That is, stories passed down from generation to generation which may be real, fantasy, or a combination of both, used to preserve history, validate beliefs, enlighten, indoctrinate, sanctify, glorify, demonize, condemn, etc.

Now myths distributed on the Internet. The era of digital information brought with it one side the mass dissemination of knowledge , and on the other side the standardization of the "fake". In many cases it is difficult to distinguish truth from lies. nine0003


  • 1 What we know (or think we know) about Techno Viking
  • 2 Dance!
  • 3 Who is the dancer who conquers the masses?
  • 4 And Techno Viking was born

What we know (or think we know) about Techno Viking

Berlin, July 8, 2000 In the capital of Germany Love Parede , un is a mass parade and festival of electronic music , the first edition of which dates back to 1989, a few days before the fall of the wall that divided the city in two. The purpose of the event was to gather as many people as possible on the streets for communion in favor of Peace and Love, using music as a guide. nine0003

At the same time, on the same day in another area of ​​the city, el Blya Parede , a rebellious version that appeared in 1997 with the idea of ​​ restoring the original spirit of Wall of Love e , which, according to its organizers, lost its essence in the hands of the crudest capitalism.

Matthias Fritsch, a German artist, filmed the festival on camera. This is the time when someone approaches a girl with blue hair and it seems that she is annoying or makes her uncomfortable. But , a certain protective hero, as if descended from the pages of MARVEL comics, comes into action, and his inquisitive finger served as a weapon.

Before the camera rolls a man with the image of a lumberjack, with a naked torso and a cruel and intimidating appearance .

This Viking with perfectly defined muscles attracted the attention of the artist and action.


The Berlin version of Thor then started with a crazy dance full of stylized and synchronized movements . The contrast between his rhythmic steps and his alpha male demeanor would have forged his glory... Or was it something else?

Because this often happens with what becomes popular on the Internet: although things seem to have an explanation, after all, no one knows what the "secret component" of 's virtual success is.

Fritsch shared this video with the world in 2001 via his personal website and in 2006 uploaded it to his YouTube channel. It wouldn't be until 2007 that his Anonymous dancer would be a star.

Memes, action toys, panties ... Legend .

Versions explaining skyrocketing Knee Camera #1 (original video name Fritsh) are different.

What matters 16 million views until the video reaches until it is removed from the network, inaccurate number of versions and remixes of the original clip and several merchandising of merchandise , including figure type GI Joe , flannel and even allegorical briefs.

But El Vikingo del Techno's biggest influence was its mutation into the meme, as or more important than the viralization of your video, in terms of a cultural product.

At a time when social media has become a great means of communication on a global scale, and memes have taken a privileged position in an informative cocktail, Thecnoviking will be one of the first real images (a man of flesh and blood, not a caricature) become " Meme Star".

Who is the dancer who conquers the masses?

The myths and legends surrounding the cool dancer quickly spread: no one knew who he was, but many claimed to have seen him . He was a wrestler, a reality TV contestant, a man obsessed with sculpting his figure in the gym, and who would also start uploading bodywork videos is just like a YouTuber... However, as it turned out, this had nothing to do with any of these roles.

His body will become a symbol of male envy and an object of desire for many, many . He would begin to wonder if it was possible to achieve such a well-defined and well-defined muscle only through exercise, without resorting to the use of steroids, anabolics and other substances.

Many claimed that the body of the Technoviking was r. the ultimate representation of male beauty precisely because it is natural, no tricks, no tricks , no radiance oils, no photoshop.

And Techno Viking was born

In 2013, when many knew the character, but when the euphoria subsided, El Vikingo del Techno personally (rather through his lawyers) sued claims for using your image without permission for commercial purposes .

I would also request privacy violation . The defendant was Matthias Fritsch, who had made a name for himself in certain German intellectual circles. Again Technoviking will be news again0005 memes will be back with their Inquisition Index and YouTube visits.

Justice gave him a reason : his rights were violated, so he is entitled to compensation . Fritsch, who has said on several occasions that he only uploaded videos for artistic interest and never for commercial purposes, was forced to pay. EUR 23,000 between attorney's fees and damages . In addition, he had to recall his Knee Camera No. 1 .

The paradox of everything is that it is enough to ban something on the Internet for it to become even more viral s. To this day, Technoviking videos and memes are ubiquitous and no one can do anything to prevent it.

Fritsch will also reach the level of legend with all the legal mess and even will premiere the documentary in 2015 , where he gives his version of the emergence of one of the most important viral phenomena of the last decade. nine0003

Image sources: WIRED Germany / One Sixth Warriors

Petersburger dancing on the embankments without a T-shirt. "Paper"

August 5, 2021

Residents of St. Petersburg regularly see a man in the city center without a T-shirt and wearing sunglasses, energetically dancing to music from a portable speaker. Several videos with him have already gone viral, one has almost 3 million views on TikTok.

The street dancer is compared to actor Daniel Craig, blogger Oleg Mongol and the famous techno-viking from an old meme. nine0005 "Paper" tells about a man who brightens up the everyday life of the townspeople.

In May 2021, a TikTok video about a Petersburger who was dancing on the embankment with a bare torso and sunglasses went viral. The video was filmed from the deck of the ship, so in the comments they joked that the performance was part of an excursion along rivers and canals.


Peter can be loved even for such characters!0188

“This is when the club closed in the morning, and you are still rushing,” they wrote in the comments. And someone thought that the man just closed the mortgage and rejoices.

Another option why a man dances. Screenshot from TikTok

It turned out that a man is seen quite often in St. Petersburg. Here, for example, is a video where he vigorously walks along Gagarinskaya Street with a portable speaker and even jumps to the beat of the music. You can watch it endlessly!


#rave #raveislife #saintpetersburg #turbo #techno #technoviking

♬ original sound - Dima

And this is him dancing in the Tauride Garden.


"I want at least 5% of his equanimity and self-confidence," they again admire the man in the comments. Of course, there is also criticism under the video: some suggest that such cheerfulness is allegedly possible only with the use of prohibited substances.


Because of his appearance, a man is compared with actor Daniel Craig, blogger Oleg Mongol and the famous techno-viking from an old meme. nine0003

In the early 2000s, a video from a protest in Berlin gained popularity, during which a muscular man danced to techno. The hero of the video became known as a techno-viking (which, by the way, he was not happy with and filed a lawsuit against the author of the video).

A dancer from St. Petersburg is called techno-viking 2.0.

Paper tried to find out who the man in the video was. But alas. In social networks, they wrote that he lives on Vasilyevsky Island, but the administrators of the district public that we interviewed have not heard of him. Local residents said that sometimes early in the morning they see a man on the Makarov embankment near the descent to the water.

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