How to do the saturday night dance


Louisiana Art Print Louisiana Saturday Night Dance Art

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Select dimensions 6" x 9" print only inches (€44.48) 10" x 14" print only inches (€69.90) 14" x 20" print only inches (€133.45) 13.5" x 16.5" framed inches (€127.10) 18.5" x 22.5" framed inches (€165. 55) 24.5" x 30.5" framed inches (€261.67)

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Specify mist & burgundy or mist & dark green mat, only if choosing the framed option. 6" x 9" print is 13.5" x 16.5" when framed, 10" x 14" print is 18.5" x 22.5" when framed, 14" x 20" print is 24.5" x 30.5" when framed. If no personalization, say None.

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Listed on Sep 14, 2022

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Tuesday Night Dance: Line Dance

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Movie Saturday Night Fever (USA, 1977) watch online - Afisha-Movie

Disco, Travolta and a lot of dancing

A musical about a simple guy who works all day long to go to the disco with his girlfriend on a Saturday night.

CountryUSA

GenresDrama, Musical

Director John Badham

Duration 1 hour 58 minutes

Date of exit 10 December 1977

Age restriction16+

Actors

John Travolta, Joseph Kali, Barry Miller, Paip

Director John Badem

John Badem 83 years, movies: 20

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Whose life is it, after all? 1981, Drama23 ratings, rating 1620

9

Tony Manero (Travolta) - 19. Uneducated, poor, annoyed by his father's moralizing. But he's the king of disco on his block, and the five thousand destined for the winner of the dance competition will go straight into his pocket, and then goodbye, Brooklyn!

The elongated figure of Travolta in a white suit, whose pinocchio arms and legs fold and throw out like a puppet led by a cheerful pagan disco god, is as much a pantomime classic as Charlie's duck step. For all disco dancers, "Fever" is a primer, Travolta's knees are exam tickets (Mark Wahlberg, preparing for his role in Boogie Nights, studied the plasticity of people of the 70s on "Fever"). But this sexy musical is also one of the bitterest films about that short period of life, when the neon of discos and adult sweet life soars up before your eyes easily, without visible effort, you are fresh and good-looking and, it seems, one more step - and you are in paradise, away from a gloomy childhood. The film leaves Travolta on her knees in tears before her partner (Gorni), begging to be taught about life in the big world. The frame around them plunges into darkness, only in the upper left corner, like the moon, a window hangs, behind which is a whitish, bleak dawn. And so it hangs on the title of "The End" by Tony Manero - between the hustle and bustle of childhood with his family, school, morality and poverty and the vacuum of adult life, in which the neon of discos is only the result of the work of sweaty electricians.

May 12, 2007

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    Advertisement

    "Thrash parties" in Germany are called dance parties that are now fashionable in advanced clubs, where they play the crappiest pop music of recent years. The crowd pretends that it doesn't like the music terribly, but at the same time they are busily dancing. Connoisseurs of human nature argue that in this way the dancers satisfy the inherent craving for the ugly, inherent in all people, without at the same time running the risk of being ridiculed. Or maybe they just remember their first kisses in dark disco corners with outdated hits. Be that as it may, the expansion of thrash music to the advanced dance floor has become a new trend in the club subculture, and everyone is in a hurry to add their pinch of spices to this spicy cocktail. In Hamburg, for example, the world championship in ugly dance "Ugly Dance Worldcup" was held, at which the worst dancers on the planet were determined.

    Photo: picture alliance/dpa

    Full house of garbage

    In Hamburg's "Terrace Hill" club, music of a very different kind usually plays. But this Saturday night, the DJ's menu is exclusively top-notch pop trash. And the club is full. There are four young people on the stage. They make very strange gestures under a potpourri of cheap disco hits. One of the youths jumps around the playground, trying not to fall into the rhythm of the sounding music. The second shyly brought his hands to the causal place. The third just stands, then, however, takes the flute and pretends to play. In contemporary art, this is usually called performance. And, perhaps, this accurately conveys the essence of what is happening, Florian Schüppel, the main organizer of the ugly dance championship, agrees. "Ugly dances must also be danced skillfully," he emphasizes. , we are looking for the best dancers in the world who can dance anything, even the ugliest dance."

    Photo: picture alliance/dpa

    The four young men on stage call themselves "Dezentiner" and come to Hamburg from deep German provinces. In addition to them, in the competition, nine more teams from Germany, Switzerland and Austria claim the title of world champions in ugly dancing. The audience decides the winners. After each performance, she must hoot, whistle and stomp her feet. Whose dance will cause the most displeasure from the public, he won. In order to not please the audience, the guys from the dance group "Dezentiner" added a couple of ugly accents to the image: "We have a rather stupid look: glasses with large frames, hats with a propeller, suspenders. matching shirt. Our dance style is pure eclecticism. From clowning to minimalism, it's all there."

    One against all

    The ugly dance championship is, of course, banter. But in order for it to be fun not only for the performers, but for the audience too, there must be at least a little art in dancing. Championship manager Florian Schüppel: "The art of ugly dance is not to dance like they usually dance in discotheques. You have to break out of the gray mass, which, no matter where in the world, repeats the same movements on the dance floor. You have to show that you can dance differently: not to the beat, mixing styles, adding completely absurd movements. You can dress in strange clothes. There are a lot of ways to portray ugliness!"

    Overcoming the fear of appearing ridiculous and ugly was used by Pina Bausch as a method of emancipating contemporary dance. And long before her, the philosopher Karl Rosenkranz formulated the "aesthetics of the ugly", strongly recommending that art be interested not only in the beautiful and sublime, but also in the base and ugly. Apparently, in the Hamburg club "Terrace Hill" he heard his call. A girly duo from Luxembourg enters the stage in phosphorescent pink and green skinny pants and oversized silk blouses. At the very first sound of music, the girls throw themselves on the floor, kick their legs, then jump up, spin around and stubbornly do not fall into time. But despite their best efforts to appear ugly, these cute little girls don't get the required amount of negative decibels.

    Photo: Phillip Bischoff

    Two all-male teams advance to the final. The already familiar "Dezentiner" wins.


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