How to do the robot dance move


How to do the robot

Learn how to dance like a robot in this video tutorial! Robot dancing is really all about dime stops from popping dance style. In this video you will learn how to dance the robot easily with foundational popping concepts.

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[Transcript]

If we go to one of the purest forms and definitions of popping, it is actually to act or imitate as a robot. Robotics is all about dime stops. So dime stops is another huge fundamental dance style of popping. And it is the ability to freeze at a point in time.

Now technically speaking, you don’t even really have to hit to do dime stops. It’s more of just about the freeze. You definitely see a lot of poppers do a miniature hip when they dime stop.

Dime stop is definitely used a lot in robotics and I think it’s a great tool to use to develop patience when you dance. Starting out, it’s really easy to get caught in, “I got to do this. I got to go over here and do that.” But dime stops force you to freeze. So practicing dime stops can develop patience which is an awesome thing to have starting out.

So dime stops are I think a really easy move you can do on the first try. It’s just about freezing. So I’m going to give you a pattern to follow. Start with the left and the right arm to match it. And I’m just going to pick four corners. So I’m going to go left, down, down right, right. Pop.

Now, I want to add a little bit more. I’m going to start using my heels to turn. Heels. Head.

Robotics is actually I think one of my favorite dance styles. I found myself roboting throughout the whole day. Roboting is definitely something that you can take your natural day-to-day movements and turn that into robotic style kind of dime stops.

So for example, let’s say I’m at dinner table. That’s the way I’m going to sit down. I put my arms out, set my plate right here, instead of just reaching out to get my fork and grab, I can go. So really, it’s just about using a regular way of doing things and thinking like a robot and using dime stops to kind of beat your communication for interpreting that as a dance.

I want you to think of a natural thing you do every day whether it’s brushing teeth or [0:02:26] [Indiscernible] and interpret that right now as a robot. If you were a robot, how would blank? OK? Fill that spot in. And we’ll catch you guys again.

[End of transcript]

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How to learn to dance shuffle - Lifehacker

December 15, 2019LikbezSports and Fitness

Master the basic movements, and then improvise and get high.

Iya Zorina

Author of Lifehacker, athlete, CCM

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This dance style includes a lot of freedom and improvisation. That is why he is so good. You can master the basic movements in a couple of hours, and then complicate them to infinity and combine them with each other, create your own combinations and spy on others.

Dance in sneakers, socks or barefoot, in any outfit, anywhere.

Master the basic movements of the shuffle

In this style, you do all the basic movements with your feet, the hands most often move freely - according to the heart.

Running man

This is the most basic and essential shuffle movement. You can do it in three different ways.

Full foot

The movement begins by bending the knee and lifting one leg. Next, you need to simultaneously put both legs - supporting and raised - at a distance of one step from each other.

The raised leg is placed forward on a full foot, the standing one behind slips back on the ball of the foot and remains on it - the heel is not placed on the floor. The weight is evenly distributed between the two legs.

After that, it remains to return to the starting position. To do this, the front leg slides back, and at the same time, the back leg is pulled up. You find yourself in the starting position and repeat the cycle. The movement itself is soft and springy: do not stick into the floor, keep your legs relaxed.

Heel

This is a lighter and faster running man look that may be needed for some combinations. Here you put your foot not on the whole foot, but on the heel. At the same time, the one standing behind remains on the toe.

On pads

In this variation, the foot is placed forward on the pad. At the same time, the one standing behind also remains on the ball of the foot, and the body leans slightly back.

T‑step

In this movement, one foot constantly makes a “herringbone” - turns the heel in and out - and the second touches the floor and immediately rises back.

When the heel of the skating leg turns inward, the toe of the other leg touches the floor; when outward, the other leg rises, turning the knee inward.

It turns out two positions: closed - when the legs are wrapped with the knees inward, and one leg is raised, and open - when the legs are turned out with the knees outward, and the toe touches the floor. Practice doing the T-step in both directions: slowly at first, then with acceleration.

Rocking

You jump on one foot, and the other touches the floor in different places: on the side of the supporting leg, across, behind - anywhere you want. You can put your foot on the toe or on the heel - the latter is called a kick. The supporting leg can simply rise low or perform a T-step - move the heel out and in.

Charleston

To begin, you turn your knees and toes inward and lift one leg. Then turn your toes and knees outward, and put your raised leg forward crosswise. Repeat the same with the other leg.

All movement occurs on the balls of the feet, the heels do not fall to the floor. You can move both forward and backward.

Diamond

First you put your feet crosswise with your toes outward with a jump, then you also spread your legs apart with a jump.

Slides

One leg is straight, stands on the whole foot, the other is with a bent knee on the pad. Leaning on the pad, you slip the foot of a straight leg back, as if wiping the sole on the floor.

Immediately after the slip, you turn around. In the turn, the straight leg bends and goes to the pad, and the one that was on the pad, on the contrary, turns on the heel. After that, it remains only to change legs and move in the same way in the other direction.

Scissors

From the starting position - standing with a raised leg, as in Running man - you turn your hips to the side with a jump and put your legs crosswise.

The front foot is on the heel, the back foot is on the ball. Then you jump back to the starting position and do the same on the other side.

Sidekick

From the starting position, you turn your hips to the side with a jump and spread your legs a step apart from each other. The standing foot in front is placed on the heel, the standing one behind remains on the pillow. Then, with a jump, you collect your legs and do the same on the other side.

Try other variations of the basic shuffle movements

You can perform the basic movements in different directions: forward and backward, turning around. This will give you more freedom to improvise.

Variations Running man

Do several times in place and then turn around. You can also try walking this way to the side. Each time the leg will need to be placed slightly crossed in order to slowly move to the side.

Variations T‑step

You can lower your foot on the toe, on the whole foot, touch the floor to the side of the supporting leg or forward and behind it.

You can also keep the other leg off the floor at all - leave it on the toe and turn the knee in and out.

Variations Diamond

Here one more element is added to the movement – ​​the heel strike. In the starting position, you wrap the toes of the feet and knees inward, and then jump on the heels, turning the socks to the sides.

From this position, without jumping, you turn your toes and knees inward, cross your legs with a jump, turning your feet with your toes outward, and then return to the starting position.

Charleston Variations

After three turns of the Charleston, turn both toes in one direction and then in the other. At the end, you can turn the knee to the side.

Connect familiar shuffle moves

While you lack the skills to move freely and come up with something of your own, learn a few combinations. They contain interesting movements that will replenish your dance vocabulary.

Combination 1

This is a simple combination of two basic movements - Running man and T-step. First take five Running man steps, then four T-steps to the side and repeat the same in the opposite direction.

Combination 2

Another combination of two basic movements. Here you do three Running mans, then one T‑step with a back foot touch, and two front heel touch kicks. The same on the other side.

Combination 3

There are no standard steps here, but there are already familiar Sidekick and transition from heels to toes.

Learn more difficult combinations

We will add some videos with good combinations.

1. Cool video for beginners: movements are repeated in slow motion to make it easier to dance to the music.

2. And here the combination is analyzed step by step in slow motion, dividing it into three parts. Very comfortably. Look for more on this channel, there are several such analyzes.

3. There is no slowdown here, just a great combination. But you already know almost all the movements, so you can figure it out. If something is not clear, watch the video at a speed of 0.25.

Pick up the music and improvise

Surely you have favorite songs to shuffle to. Include them and start with basic movements: just do the Running man and periodically add different elements when you want. Move in different directions, relax and have fun.

If you don't have favorite tracks, try our selection.

I must say that the shuffle is an amazing cardio workout. In just a couple of tracks, you will be out of breath and sweat, like after a run, but you will feel absolutely happy!

What's more, if you have to force yourself to keep going while running, shuffle requires you to have the willpower to stop and not dance. As a bonus - a short video from a beginner after a couple of hours of practice.

Shuffle is cool!

Read also 🕺💃🤸‍♀️

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  • Dance and movement therapy: how to know and change yourself through movement
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  • How to learn street dancing without leaving home
  • Zumba is a fun way to lose weight for those who love dancing

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LEGO VIDIYO 43107 HipHop Robot BeatBox0002 LEGO Series: LEGO VIDIYO

Age Rating: 7+

Description: Explore the world of music videos for kids who love to dance and perform. With the LEGO® VIDIYO HipHop Robot BeatBox (43107), every game is fun and exciting. Download the free app to scan the music minifigure and unlock the cool robot stage look. Then scan BeatBits items to unlock special effects, challenges, and more. Young filmmakers will be able to create their own hip hop music videos and share them with other creators on a safe social network for kids. Fun to take with you Kids will love decorating their BeatBox with LEGO elements. They can choose from a boombox, spray can, or wrench design—or come up with their own. The BeatBox folds up to store BeatBits and a minifigure, making it perfect for playing on the go. Create musical experiences LEGO VIDIYO sets are a new social game that allows kids to be directors, producers and stars of their own music videos. Watch their creativity unleash as they create videos, mix styles and add fun characters, songs, dance moves and amazing effects. Set for creativity LEGO VIDIYO 43107 HipHop Robot BeatBox (Beatbox Hip-Hop Robot) is an original gift for a child of 7 years old for the New Year or birthday. A robot figurine for playing with augmented reality is hidden in the constructor with the application. • Watch kids direct and star in their own music videos with the LEGO® VIDIYO HipHop Robot BeatBox (43107). Includes a robot minifigure, microphone accessory, 14 random BeatBits and 2 exclusive BeatBits. • Download the free LEGO® VIDIYO app to scan minifigures and BeatBits with special effects. Kids will be thrilled to see the character come to life in their hip hop music video. • Scan the BeatBits in the app to unlock special effects such as the blinding effect that turns everything black and white and the minifigures turn gold. • A fun musical experience for kids aged 7+ who you want to surprise. This set makes a wonderful holiday gift for any child who loves musical toys, dancing and performances.


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