How to dance electronic

16 Awesome Dance Moves To Try At Your Next EDM Festival

Whether you’re a first-time festival goer or a seasoned veteran, there are a plethora of dance moves that you can choose to vibe out with at your next electronic dance music festival.  To help to get you started, or to help you to beef up your current dance-move roster, we’re here with 16 glorified dances that will help you feel the music from beginning to end. To help to get you started, or to help you to beef up your current dance-move roster, we’re here with 16 glorified dances that will help you feel the music from beginning to end. Try out your moves by tuning in LDP Radio every weekend for the best electronic dance music mixes.

16. Convulsion

Photo via Consequence of Sound

Level: Beginner

This one isn’t so much about self-control.  When the music hits you, sometimes you just can’t help it.  Did you hear that drop?! Let the energetic beat takeover and dance your excitement out.


Dance Walk

Level: Intermediate

This is somewhat of an involuntary dance.  When you’re walking to the restroom or the snack tent, and you’re just boppin’ along, shuffling in strides, you’re dance walking.  And you didn’t even know it.

14. Pump It

Photo via Tumblr

Level: Intermediate

This one is for everyone as the dance move itself has stood the test of time. (Okay, so it’s stuck around since the 80’s). Either way, raise your arms up and let me see you work. Pump it.

13. Jump Around

Level: Beginner
You don’t need any dance skills for this one considering there are no, well, dance moves involved.  Just feel the rhythm and jump. Jump left to right, right to left, front to back, or in a circle. JUMP!

12. Shuffling

Photo via Business Insider

Level: Expert
First the “T-Step”, then some arm movements, and now the “Running Man,” shuffling has an evolving style adjusted to each dancer’s unique style.  As a newb, we suggest you try a YouTube tutorial before breaking out these dance moves.

11. Point and Pop

Level: Beginner
You see it? Go ahead and point at it.  Catch that build up? Point to the sky? Hear the drop? Point it down!  DJ played your jam? Point to him and let out your gracious recognition.  You’re here and you’re directing the show.

10. Neck Bob

Photo via ReactionGIF

Level: Beginner
The head bob is a safe dance move for almost any genre.  Whether it’s a progressive drop or a trap banger, just go ahead and bob your head to the beat.  You can do no wrong here.

Pickup Line

Level: Intermediate
This one doesn’t so much focus on the music as it does on a potential hookup.  There’s not rules on this one either. You’ve spotted a hottie on the dance floor and now it’s time to reel them in — with whatever moves you got.

9. Rave Master

Photo via Tumblr

Level: Expert
Few have mastered these moves, and glovers have the advantage.  We’re talking the glovers, the hoopers, and the orbiters here. Grab yourself a light-up prop and get moving because mastering the flow and technique of the Rave Master takes time, practice, and experience.

8. Wallflower

Level: Beginner
In the sense of dance moves, this is a beginner move.  In the sense of avoiding sweaty crowds, this is an expert move. For some, festivals are more for the music and less for the dancing sweat pits.  And that’s okay. Don’t be afraid to stagnantly stand back and enjoy the show.

7. Hair Swing

Photo via Tumblr

Level: Beginner
You spent hours on hair and makeup for this festival, and now it’s time to ruin it with some convulsing dance moves. Toss your cares to the wind and swirl your head to the beat, because this is life and we’re all living free.

6. Casino Lineup

Level: Intermediate
Whether it’s the “pull the slot machine” or the “roll the dice,” the Casino Lineup provides you with a plethora of moves. Choose wisely and don’t forget to change it up.

5. Fist Pump

Photo via Giphy

Level: Intermediate
Move over, Jersey Shore.  We’re electronic music fans and we’re here to party.  Just throw your arm in the air, ball that fist, and get pumping to the beat.

4. Pseudo-Stage

Level: Intermediate
This one’s a fun one for all our imaginative minds in the crowd.  Sing the lyrics, pound those drums. Whatever you do, do it like the crowd is watching.  After all, this is *your* performance.

3. Sheer Seduction

Photo via ReactionGIFs

Level: Beginner
This is for the ones who really “feel” the music. Throw your arms out, shut your mind off, and do whatever is your body says to do.  Throw in some spirit fingers or jazz hands for an extra dramatic effect.

2. Too Cool For This

Level: Beginner
This one takes almost no effort at all, ironically.  All you have to do is stop moving, stop watching, stop listening, take out your phone, and look at it.  Just do us a favor and move out of our way before attempting this move.

1. Twerk

Photo via Tumblr

Level: Expert
Sh-sh-shake it.  Unless you’ve been living under a rock the last year, you probably know what twerking is. If you’re a festival, it’s the best time to give it a try.  Go ahead. Bend over and show us what you’re working with.

Tips For Dancing To Electronic Music

Image from Q-Dance Website

If you’re familiar with urban rave culture, you’ll know that dancing to electronic music is among the most popular forms of DJ entertainment. For many individuals, the rave is an annual event, something which takes place out of nightclubs, in public locations such as the roads and malls. For those who take part in this kind of dancing, they are often looking for an evening out, an experience that is different from the traditional nights out. This is why it can be such a good idea to dance to electronic music. Here are some tips and guidelines for doing so.

The first thing you need to do is get a DJ. Many people think that going to a club and dancing to electronic music, especially when compared to more conventional forms of dancing, requires some sort of special skill. However, it doesn’t – it’s simply a matter of finding a DJ who plays the right type of music for what you want to dance to. If you don’t know of any DJs who play rave music, then ask around, or perhaps speak to your friends who dance to electronic dance music regularly.

Once you have a DJ to look at the tracks you’ve chosen, then you can start to look at what the song is about. It’s important not to make this decision solely based on the beat. Some DJs might be more inclined to play songs with a certain tempo, for example, while others are more apt to favour harder, faster-tempo dance music. When dancing to electronic music, keep an open mind, but don’t let it lead you away from the type of music you want to dance to. For example, if you prefer slower dance music, and you happen to be watching a video of a male dancer pole dancing, choose to sit back and watch rather than taking the time to dance to the music. You should take your time when choosing the songs you want to dance to, otherwise you could end up being disappointed.

You should also look at the selection of songs available at the event, you’re dancing to. Most of them have a range of dance music available, so you should have something to suit everyone. However, if there are only a handful of tracks available, then you might want to choose one for each element of your dance. For example, you could have a slow ballad for the first part of your routine, a fast funky number for the second, and a funky salsa for the final part. In fact, some events now offer a DJ who can change the order of the songs during dancing, so that everyone gets an idea of what’s coming up.

With most DJ’s, they’re always willing to try new things. This means you should take a moment to listen to the latest music and maybe ask them if they have any suggestions for new and interesting dance music tracks. It’s also important to spend some time thinking about what kind of equipment you’ll need. Some DJs offer dance music sets, which come complete with CD racks, lights, mats, leotards and more.

What kind of music you dance to depends on what type of event you’re dancing for. If you’re having fun with friends then you may consider something a little more relaxed. A reggaeton number may be ideal. Conversely, if you’re planning a corporate party, then a big hit will be a full band music mix. Take your time and listen carefully. Don’t just assume you’ll know exactly what the DJ wants to play.

You don’t have to worry too much about the DJ selecting the right music for your dancing needs. They’re more likely to know what you like then you’re going to be. If you don’t want a specific kind of music, don’t ask. Some DJs will be happy to play anything you want if it’s what you’re looking for. Just don’t expect to be pushed to choose a specific kind of electronic music, if you’re having a good time.

Dancing to electronic dance music can be fun and exciting. However, it’s important to remember that it’s still dance. You should dress comfortably and be mindful of safety. Make sure you tell your partner when you want to change the song or take a break. It’s important to enjoy yourself.

Show More

With Product You Purchase

Subscribe to our mailing list to get the new updates!

Lorem ipsum dolor sit amet, consectetur.

Related Articles

How to learn to dance in clubs for a guy


How to move on the dance floor without looking ridiculous and clumsy - this question has probably worried the representatives of the stronger sex ever since the synchronized movements of couples in a waltz or mazurka. For at least a century now, men have had to guess what a profitable disco dance should be like. Unfortunately, even professional choreographers will not answer this question. But we will try to highlight the basic rules.

Hop and R'n'B

Rules to follow


Let's tell you a secret: most guys on the dance floor don't look stupid because they haven't taken lessons in dance studios and can't tell tectonics from r'n'b , but because they do not catch the rhythm of the music and cannot relax. And if no one usually pays attention to the first, then the second immediately catches the eye of others.

Hence the first rule: listen to music and let your body dance freely.

Choose a style

If you are a frequent discotheque visitor, you should choose a certain dance direction in which you will move on the dance floor. Of course, this will depend on the music that the DJ will put on, but for ten years now hip-hop and electronic music have not left the clubs. Therefore, you can master the basic movements of either one or the other. The "electronics" elements are a bit simpler, so it might be worth starting with them. Video tutorials to help you!

Sign up for a trial class

Try to vary your movements

If after watching the videos you still can't feel comfortable on the dance floor, you should consider signing up for a dance studio. An experienced teacher, a company of like-minded people and regular classes will quickly do their job, and you will finally be able to relax and stop having complexes while dancing. Plus, to the envy of your peers, you will no longer dance like a “newbie”.

Remember that everything is for fun

If you do somersaults on the court for ten minutes with a tense face, and then return to the table sweaty, your friends are unlikely to appreciate it. Understand that dancing is not a competition, but a completely cultural form of recreation. As they say, relax and have fun!

Let it all flow

Let go of your body and emotions, surrender to the music and move without paying attention to others. The tension in the dance is the main obstacle. Stop thinking about movements, no one will notice them in the crowd and darkness anyway.

How girls will evaluate movements on the dance floor

Perhaps the results of a study by scientists from Northumbria University will help answer the question of how to learn to dance in clubs for a guy. Experts studied which dance moves performed by a representative of the stronger sex attract women. The places were distributed as follows:

  1. Head turns;
  2. Pelvic twist;
  3. Vigorous leg movements;
  4. Large amplitude elements;
  5. Uninhibited movements.

No matter how strange the rating may look, it is scientifically confirmed. However, many gain self-confidence on the dance floor only after attending a few lessons in a dance studio. By the way, in the Labosa club, there is a chance not only to learn how to move effectively, but also to meet your partner so as not to be alone at the disco.

A Brief History of Soviet Breakdance • Arzamas

You have JavaScript disabled. Please change your browser settings.

  • History
  • Art
  • Literature
  • Anthropology

I'm lucky!

History, Anthropology

What is Soviet breakdance and when did it appear? What did the first dance battles look like? Why did the style eventually die out in Soviet times? And how did he influence the birth of Russian rap? Telling about the history of Soviet breakdance

Author Olga Krupnik

70s. Breaking, the founding style of street hip-hop dance, DJ Lance Taylor, better known by his pseudonym Afrika Bambaataa, was the first to identify five components of hip-hop culture: MCing (rap), DJing, breaking, graffiti and knowledge (philosophy). He began the history of the development of the genre in the USSR.

Breaking was brought to the USSR in the 1980s, and the popularity of the style peaked in 1985-1990. This period will be called the first wave of breaking in Russia. The development of dance coincided with perestroika and was just as rapid. In a short time, breaking has gone from closed apartments to major festivals and cinema.

However, few predicted a long life for this dance style: it was considered an imported fashion that did not have a foundation for further development. With the collapse of the USSR, interest in the style really faded. Breaking returned to Russia only in the 2000s.


Olympics-80 and new fashion

Olympic bears. Moscow, 1980 © Roman Denisov / TASS

The 1980 Summer Olympics opened the iron curtain, and American culture penetrated Russia: Pepsi-Cola, Fanta appeared on the shelves, and sneakers came into fashion. English has ceased to be a professional quality and has become an attribute of a good liberal arts education. Increasingly, translated books and anglicisms appeared in speech.


Russian rock and first videocassettes

A shot from the movie "Rocky". Directed by John Avildsen. 1976 © Chartoff-Winkler Productions

Foreign tape recorders and video cassettes appeared in some homes. And Hollywood action movies like "Rocky" have become an alternative to Central Television. 1983, among other things, was the heyday of Russian rock: in May, the first festival was held at the Leningrad Rock Club, and informal associations began to become the norm.


Imported breakdancing, dyed sneakers and aerobics

This is the time of circus art and plastic theater. The main heroes of 1984 were the clown theater "Litsedei" and Vyacheslav Polunin. At the same time, mass production of the first domestic tape recorder "Electronics VM-12" began - it was sold everywhere. Now the video can be watched at home.

Still from the film "Breakin'". Directed by Joel Silberg. 1984 © Metro-Goldwyn-Mayer; Cannon Films

Breaking gradually penetrated the families of diplomats, employees of embassies and the Ministry of Foreign Trade: they got acquainted with the dance abroad. The rest copied the movements and tricks of the heroes of the first American films about break dancing: "Breakin'" (1984), "Breakin' 2: Electric Boogaloo" (1984) and "Beat Street" (1984).

There was also a request for everyday dance practices: aerobics became incredibly popular among women. The Melodiya record company even released a special soundtrack - a vinyl record for rhythmic gymnastics. So dance and bodily gymnastics became the norm.

Rhythmic gymnastics vinyl sleeve. 1985 © Melodiya Firm

The younger generation strove for individuality, teenage fashion began to develop. Those who had the opportunity received clothes from abroad - mostly the children of wealthy parents. Others illegally bought it from peddlers peddlers are private merchants who illegally bought things and currency from foreigners, and then sold them. patterns of Western models.

The most important attribute of street dancers is, of course, sneakers. In 1984, Chinese-made models were on sale, mostly black and brown. But dancing needs bright colors, so many people dyed sneakers themselves, by analogy with jeans.


Breakdance on the Arbat and settlement of culture houses

In 1985, breaking ceased to be a dance of privileged youth and moved from apartments to gyms and dance floors. At the same time, the first professional dance groups appeared. The famous saxophonist and jazzman Alexei Kozlov created Break-Arsenal, a dance group based on the Arsenal musical group. Break Arsenal introduced the style to the public and gradually popularized it.

Performance of the Break Arsenal Ensemble. May 31, 1985

In addition to the Break Arsenal, the important bands of that time include the Magic Circle, Mercury, Mirror and Vector.

Soviet children who read the Strugatsky brothers and Kir Bulychev were very attracted by the aesthetics of Afrofuturism. The influence of the school of mimes, which at that time was very popular, also had an effect. The audience was fascinated by the strange futuristic movements of the dancers: they moved like robots, making waves and lunar paths. Some tried to imitate them and looked for an opportunity to learn how to dance the same way.

Learning to breakdance and practicing moves requires a lot of space and mirrors. Dancers gradually settled in palaces and houses of culture. For the first time, breaking courses were organized in the Pravda Moscow Palace of Culture, they were led by circus director Valentin Gneushev. The Pravda school, named after the Palace of Culture where it was located, became one of the most developed: in the future, its students represented Russia at the All-Union Championships and showed break dance in the cinema.

The first break parties where dancers shared new moves were at the dairy cafe. The dairy cafe served food and drinks made from dairy products, such as milkshakes and ice cream. "At the Fountain" (it was simply called "Milk"). It was the first permanent youth cafe in the capital.

“Moloko was a place for a really fashionable pastime, where a wide range of young people gathered: from iron-farmers to variety performers. Makarevich sat there from time to time. Sergei Penkin, Volodya Presnyakov gave some of their first concerts there. Even one of the New Year's lights was filmed there. The place was fashionable, and there we saw the performance of Volodya Ratskevich's Vector group for the first time. That performance made an indelible impression. Thoughts “I want that too” were not only mine. From that day on, our studio members began to break their bodies for a break "  Fragment from an interview with Mila Maksimova.
M. Buster. Hooligans-80. M., 2009..

Also, in 1985, breaking hit the streets. This was facilitated by the opening of the first pedestrian street, the so-called "showcase of perestroika" - Arbat. It was immediately occupied by street musicians, circus performers and break dancers. On the Arbat, a unique Russian style, "upper breakdance", also developed. The reason for its appearance is an incorrect interpretation of Western terms. What we called the top break, in fact, were styles electric boogie Electric boogie is a style that combines smoothness in movement and illusory forms (imitation of waves, robot movements), inspired by the aesthetics of Afrofuturism and the musical environment of New York (funk, electrofunk and other genres). and locking Locking is a social dance with characteristic bright images and the author's style of The Lockers, performed to funk music. Dance movements are interrupted by stops in certain positions, after which the dancer continues to move at his own pace. Russian dancers reasoned something like this: if you spin on the floor, you perform footwork elements0161 footwork - “foot movements”., you dance the lower break dance, as soon as you rise up, blow waves through your hands, imitate a robot or pharaoh Tutankhamen ( king-tut , or tutting ), this is already the upper break -dance. We can say that the term "upper breakdancing" appeared for the convenience of classifying and separating styles.

At first, upper and lower breakdancing were closely related to each other. Often, performers of the lower style inserted elements of the upper style into their dance. But as it developed, everything became more complicated: people appeared who were exclusively interested in the upper or lower style. There was a gradual division into the so-called "top" and "bottom". Top breakdance existed in Russia until the 2000s. Its longevity is due to the fact that the first generation of Russian dancers (“old schoolers”) did not want to be retrained and lose their status:

“The fact is that our country was closed until 91-92, information did not flow into Russia and did not flow out at all. Therefore, what has come down to us in 86-87 years - dancers began to grow on that, and their homegrown popping, locking grew - their homegrown tops. <...> When they became interested in what exists in the world, when the curtain opened in front of the West, they saw that everything had changed there so that they had to start learning from scratch if they wanted to dance the same way. But we did not have these sources, bases, roots - we did not know where the tree grew from. So we decided to build a house without a foundation. And a house without a foundation collapses from the first wind. You need a deep foundation: the deeper it is, the more and better bases you can build on it. And I didn’t want to strain with the foundation - to start from scratch, because it’s a matter of status: they are old-schoolers and everyone respects them. And in order not to lose prestige in the eyes of the students, they did not recognize Western trends. As a result, they remained there, in that century, in that millennium”  “I come to Russia to enlighten” // April 4, 2007..

Break dance. Moscow, 1986 © Igor Boyko / RIA Novosti

Now the “upper break” phenomenon is understood differently:

“This desire to learn to dance from scratch is precisely the property of young people in the periphery states. The guys want to learn how to do something like in the center (in our case, in the USA), to make the “correct” and “approved” version of art. And older guys understand that their art is their skill, they are not ready to give up their views on the movement. And many of these views already at the end of the 10s again aroused genuine interest - the same Savenkov is now very relevant.
What happened in the mid-2000s - passionate youth appeared (like me, Lesha Bugi and Andrey Slide), who could not appreciate the originality of our Soviet school (in my case, in the pursuit of Western "approval", I could not appreciate our culture, unfortunately , it comes with years).
The old schoolers were that foundation. In Europe, which was not a country of the periphery in terms of culture, the "cassette" old school players completely survived and developed their styles, integrated into modern funk culture. Guys like Nils (b-boy Storm) and Steen (Steen) perform in theaters and do top choreography and no one says that it is “wrong” ”  Fragment from an interview with Matvey Lebedev (Matt Fownk). Recorded by Olga Krupnik. April 2022..


Video clips, battles and the Courier movie

In December 1986 Karen Shakhnazarov's film The Courier was released. He revealed the topic of generational conflict, and also tried to formulate new ideals and principles of young people in the era of perestroika. "Courier" became one of the leaders of the box office in 1987, and later the best film according to the results of a poll by the Soviet Screen magazine. It was a legendary picture for the Russian breakdance community. In the final scene of The Courier, street dancers show their skills on the courtyard. The song "Rockit" by B.T. & The City Slickers sounds: an arrangement of the canonical track by American composer and pianist Herbie Hancock.

Courier. Directed by Karen Shakhnazarov. 1986

Students of the Pravda dance school and other famous dancers, for example, Oleg Smolin and Konstantin Mikhailov from the Mercury group, starred in the film. Then "Mercury" appeared in the films "You Don't Mess With Robots" (1987) from the series of Soviet television plays "This Fantastic World", and later in the musical "The Rattlesnake Dozen" (1988) - in which tap dancers compete with break dance dancers. breakdancing can be found in the films "Publication" (1988) and “My name is Arlekino” (1988) — Moscow dancers appear in their episodes. A year before, the clips of Alla Pugacheva, as well as the Kino group, were released. At the same time, the future pop star Vladimir Presnyakov Jr. released a video for the song "Red Cat", in which he demonstrated the technique of breakdance. The video was shown in the popular program "Morning Mail" on the First Program of Central Television. Another iconic video clip is the work of Alexander Kalyanov "Karabas-Barabas".

Movies and videos popularized breaking and made it part of popular culture: the audience interested in breakdancing has grown rapidly. Such excitement could not go unnoticed, and breaking received state support. The Ministry of Youth Affairs saw street dance as one of the ways to heal the nation.

Modern Tants Festival. Estonia, 1986 © Community “Break Dance the 80s — Old School” / Fair use

there is a regular music festival in the country. 26 April 1986 years in the city of Vinni (Estonian SSR) the first all-Union breaking festival called Modern Tants was held. And in the autumn of the same year, the all-Union final was held in Tallinn, which brought together the best Russian break dancers:

“In 1986, an all-Union break dance competition was held in Tallinn. This was done by local Komsomol members, who were well prepared. We rented the entire Sport Hotel and settled it with delegates from Minsk, Kyiv, Riga, St. Petersburg, Kharkov, and, of course, Muscovites. There were 100 participants alone. At the same time, everyone went with support groups, pretended and noisy. When all this crowd gathered in the hotel, the attendants went crazy. Loud music played around the clock. In all the corridors, the participants were rehearsing and fans were wandering around; there was a feeling of complete happiness. By the way, there were no drunks, which, you see, is not typical for a subculture ”  A fragment from an interview with Mila Maximova.
M. Buster. Hooligans-80. M., 2009..

Modern Tants Festival. Estonia, 1986 © Community "Break Dance the 80s - Old School" / Fair use

Most of the break festivals were held in the battle format. Battle is the main communication tool for street dancers. It is a dance opposite each other, while the performers are surrounded by people. In fact, the battle is a continuation of the folklore tradition, the transfer of rural dance practices to the city. The dancers take turns doing their exits, demonstrating their technique and telling their story. Dance itself is a means of communication. Accordingly, a battle is a conversation between two dancers, an exchange of dance information.

As in a good conversation, a whole new dance idea, movement or concept can be born at a battle. An important role is also played by the skill of improvisation, that is, the creation of new movements without preparation. Street performers understand dance as a job that requires many hours of training to achieve results: this brings breakdancing closer to academic dance.

Later, battles became a part of professional activity for dancers. By participating in them, they remain visible and continue to function in the community as educators or judges. Despite the fact that breakdance battles can look quite aggressive, the participants consider them primarily a cultural exchange. Some demonstration battles are called that - exchange (from English - "exchange").


Lubera, breakers and informal culture

Participants of the break dance school at the Prioksky Palace of Culture. Ryazan, 1987 © Vitaly Karpov / RIA Novosti

By 1987, breakdance had gained an all-Union scale. Festivals were held not only in the Baltic States, but also in Russia, Belarus and Ukraine. The competitions lasted for several days and were broadcast on local television. In parallel with the dawn of the breaking culture, informal associations also developed: rockers, hippies, punks, metalheads, as well as luberas (or lubers) - aggressive young guys from the city of Lyubertsy near Moscow. They actively promoted a healthy lifestyle and were at enmity with fashionable informals. Luber was mostly not touched by breakers because of respect and love for the sport. However, it went to those who looked too fashionable or "ironed"  That is, they were a farce. items:

“At the same time, of course, groups of Lubers cruised around the city and often watched the breakers, but did not particularly touch them. Apparently, related sports styling and a dismissive attitude on the part of radical informals, with whom they began a real war, had an effect. Back in 86, I met a guy who lived on Zhdani, who at first gravitated towards the break, and then, already in 88, I met him, but already in a bull suit and with other interests in his head. He then indicated to me that we do not touch the breakers, but only drive the majors, irons and radicals. At the same time, the breakers themselves, willy-nilly, were forced to do ironing in order to “keep the style” and “be in the know” ”  Fragment from an interview with Ilya Pincher.
M. Buster. Hooligans-80. M., 2009..

In 1987, a film by Latvian director Juris Podnieks “Is It Easy to Be Young?” was released. The film told about the Soviet youth of the early 1980s: their desires, dreams and difficult relationships with their parents. In a sense, he formulated the meaning of informal associations for young people of this era.

Juris Podnieks. "Is it easy to be young?". 1987


Triumph of Russian rock

Still from the film Assa. Directed by Sergei Solovyov. 1987 © Mosfilm Film Studio; Creative Association "Krug"

In 1988, Sergei Solovyov's film "Assa" was released. He immediately approved the unconditional triumph of Russian rock. A vinyl record with songs from "Assy" became one of the first official publications of Russian rock music. The soundtrack included compositions by Boris Grebenshchikov and the Aquarium group, the Bravo group with Zhanna Aguzarova and the Kino group:

“Sergey Solovyov broke me even more, who almost invited me to the main role in his Assu. Few people know that at first he wanted to mix the artistic part of the film with breakdance. We went to Mosfilm, even did screen tests. But then Solovyov went to St. Petersburg, and they convinced him there that break dance was already going down, and the new wave was rock music. Then he decided to bet on rock, chose Africa for the main role according to my type, and transferred the musical part to Kino, Aquarium and other St. Petersburg groups. While the film matured, this wave really came up. ” The history of Russian breakdance // School of breakdance "Volnorez". 2013..

Youth on the streets of Minsk. 1988 © Evgeny Koktysh / RIA Novosti

The breaking wave was indeed gradually fading away. Many dancers were taken to the army, the rest started families. The Pravda Palace of Culture was closed, and smart children's groups began to dance break dance. So the style faded away.

But the most enthusiastic b-boys B-boy/b-girl (eng. b-boy / b-girl) - a person who dances break dance. continued to perform on the Arbat and delve into the history of style. They began to understand breakdancing as part of the hip-hop culture, which includes not only dance, and discovered rap for themselves:

“Back in 1988, everyone knew that there was not only break, but also rap, so attempts to read were made repeatedly. Timur Mammadov, I remember, on the Arbat, on April 1, when people were dancing on the stage and for some reason the tape recorder did not work, he composed on the go and read this to the clapping rhythm ... Like: “So, friends! As you can see, we are breakers from the city of Moscow. I won’t surprise you with this, I’m starting to rap…“”  Fragment from an interview with Ilya Pincher.
M. Buster. Hooligans-80. M., 2009.

1989 and early 1990s

From breakdance to rap

In 1989, the first rap groups appeared. The dance group "Mercury" has transformed into a rap group DMJ, consisting of two soloists and three dancers. The hip-hop duo "Black and White" took on break dancers from the "Stop" team.

1989 - the year of the founding of the Bad Balance team: it was formed from the White Gloves break dance group. At 19In 1990, the well-known musician and singer Mikhey joined her. Later they became legends of the local hip-hop culture. The team members not only wrote music and rapped, but also danced break dance. And in 1991, the group "Bachelor Party" appeared, consisting, in fact, of Arbat street dancers.

Group "Bachelor Party" © Rock 'n' Roll Wiki

Further development of breaking took place already within the hip-hop culture. Strong horizontal links have developed between dance, music and art (graffiti). People moved from one type of creativity to another, spent time together and organized events.

The first wave of breakdancing was marked by protest and street action, which was later compensated by sports (numerous championships) and cultural (joint hangouts and events) projects. However, the subculture is inextricably linked with the protest: it gives energy for development and social unification, which is difficult to replace with something.

“I started in the late 90s, and for us it was also a protest. We protested against the attempts of schools, sports clubs and parents to turn young people into a gray mass, who had to dress so as not to stand out, not to listen to loud music and so on. It was a protest against something different than in the 80s, but it was one hundred percent"   Fragment from an interview with Jan Nemalovsky. Recorded by Olga Krupnik. 2022..

In the future, breaking has become more professional in terms of technique, and intercultural exchange has become stronger.

Learn more