How do you dance like a black person
how to dance like a black person
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jayhovergh
Jay Hover
Forget all this hard once ! #ghana_funny_videos #ghanafuodotcom #pulsegh #fypシ #ghana #jayhover #chopdaily #ghanatiktok_ #africandance #dance #🌍
252.8K Likes, 2.7K Comments. TikTok video from Jay Hover (@jayhovergh): "Forget all this hard once ! #ghana_funny_videos #ghanafuodotcom #pulsegh #fypシ #ghana #jayhover #chopdaily #ghanatiktok_ #africandance #dance #🌍". Simple way to Dance like An 🌍African🌍 . Googo.
2.3M views|
Googo - Jay Hover
itsracks_
RACKS
how easy do you think this move was on a scale of 1-10? #fy #fyp #afrodance #afrotutorials
103. 9K Likes, 316 Comments. TikTok video from RACKS (@itsracks_): "how easy do you think this move was on a scale of 1-10? #fy #fyp #afrodance #afrotutorials". Afro tutorials How to poco dance 🇳🇬 | 1. Step on your tippy toes and lift the opposite heel off the ground slightly | See how my heel slightly comes up too | .... original sound.
1.1M views|
original sound - RACKS
jayhovergh
Jay Hover
Dance is life ! #ghana_funny_videos #dancechallenge #ghanafuodotcom #jayhover #ghanatiktok_ #dance #vibe #collectam #fyp #fypシ #chopdaily #chana #🇺🇸
133.4K Likes, 1.3K Comments. TikTok video from Jay Hover (@jayhovergh): "Dance is life ! #ghana_funny_videos #dancechallenge #ghanafuodotcom #jayhover #ghanatiktok_ #dance #vibe #collectam #fyp #fypシ #chopdaily #chana #🇺🇸".
Part 2 | Simple way to Dance like an 🌏African🌏. Collet am.
1.1M views|
Collet am - Jay Hover
itsjustnifee
Nifè
✨HOW TO POCO DANCE✨ #fyp #afrodance #learnontiktok #pocodance #comewebilleh #itsjustnife
140.8K Likes, 294 Comments. TikTok video from Nifè (@itsjustnifee): "✨HOW TO POCO DANCE✨ #fyp #afrodance #learnontiktok #pocodance #comewebilleh #itsjustnife". “POCO DANCE” MOVE 🇳🇬 | ❌ | Avoid using your heels for this move | .... Come We Bill Ehh.
946.2K views|
Come We Bill Ehh - Midas the Jagaban
shadyshay20
Sharon Jayy
#greenscreenvideo purrr I love these dances dc: @R Kelly son🐐 #dancetutorial #dancechallege #blacktiktok
43K Likes, 145 Comments.
TikTok video from Sharon Jayy (@shadyshay20): "#greenscreenvideo purrr I love these dances dc: @R Kelly son🐐 #dancetutorial #dancechallege #blacktiktok". TUTORIAL TO THIS DANCE‼️‼️. TAG ME FOR DANCE CREDS.
533.3K views|
TAG ME FOR DANCE CREDS - BarieSmackathotひ
warrentafah
Warren Tafah
#AEJeansHaveFun #afrodance #KeepItRealMeals #dance #wizkid
304 Likes, 10 Comments. TikTok video from Warren Tafah (@warrentafah): "#AEJeansHaveFun #afrodance #KeepItRealMeals #dance #wizkid". How to dance like an African 🇨🇲🇳🇬🇬🇳🇬🇭🇿🇦🇨🇩 | Step 1: step left/right | Step 2: add shoulder | .... Essence.
7209 views|
Essence - Wizkid
itsracks_
RACKS
super easy tutorial, let me know if you got it! 🇿🇦✅ #fyp #belairdirectdrivechallenge #afrodance #PrimeDayDreamDeals
45.
6K Likes, 134 Comments. TikTok video from RACKS (@itsracks_): "super easy tutorial, let me know if you got it! 🇿🇦✅ #fyp #belairdirectdrivechallenge #afrodance #PrimeDayDreamDeals". Afro tutorials Pouncing cat 🇿🇦 | step 1: push your arms out, in a circle motion, away from your body | as my arms go out, I’m pushing my body back | .... original sound.
554.7K views|
original sound - RACKS
itsracks_
RACKS
super easy Afro dance move: Zanku (what moves do you wanna learn next?)⬇️
3.9K Likes, 17 Comments. TikTok video from RACKS (@itsracks_): "super easy Afro dance move: Zanku (what moves do you wanna learn next?)⬇️". Afro tutorials: How To Zanku 🇳🇬 | Step 1: 🙅🏾♀️ | Step 2: 🙅🏾♀️/Bend your knees ⬇️ | .... Playboy.
91.3K views|
Playboy - Fireboy DML
tim.zz
Timi
Replying to @young_leyy_701__ +1 today🎊🎊| Dc:@Precious #fyp #legworktutorial #afrodance #afrobeat #pocolegwork #timzz
145.
6K Likes, 844 Comments. TikTok video from Timi (@tim.zz): "Replying to @young_leyy_701__ +1 today🎊🎊| Dc:@Precious #fyp #legworktutorial #afrodance #afrobeat #pocolegwork #timzz". Base movements: | Stand on R, L, rest | Stand on L, R,rest | .... Soweto.
1.7M views|
Soweto - Victony & Tempoe
_thebrattyezzy
EZZY🤎🐻🍫
k but the best to this get my hype asf😭 #foryou #jokes #blackgirltiktok #blacktok #tutorial #dancetutorials #materialgirl
1.3K Likes, 13 Comments. TikTok video from EZZY🤎🐻🍫 (@_thebrattyezzy): "k but the best to this get my hype asf😭 #foryou #jokes #blackgirltiktok #blacktok #tutorial #dancetutorials #materialgirl". TIPS ON HOW TO DO THIS DANCE💃🏾 | 1) use one foot to lean into and the other to balance | 2) wear a crop top to focus on waistline | .
... IMA NEED MY SKATES geetheharajuku.
27.1K views|
IMA NEED MY SKATES geetheharajuku - gee
Black History and Dance in America, a story
Black History and Dance in America, a story - African American Registry Tue, 03.13.1500Black History and Dance in America, a story
New Jersey, 1942
*This date is dedicated to African American Dance. Black Africans brought their dances to North, Central, and South America, and the Caribbean Islands as slave labor starting in the 1500s. In the west these dance styles of hundreds of Black ethnic groups merged with white dances, forming the extension of the African aesthetic in the Americas. Dance has always been an integral part of daily life in Africa. In the Americas, it helped enslaved Africans connect with their homeland keeping their cultural traditions alive.
As before enslavement, Africans danced for many special occasions, such as a birth or a marriage, or as a part of their daily activities, dance affirmed life and the outlook of the future.
After the Middle Passage, Africans in the Americas sang and danced while working as slaves, and as they converted to the religions of white-Europeans and indigenous people, they incorporated these traditions into these cultures. Blacks who worked in the colonies of Spain, Portugal, the Caribbean, and South America were given more freedom to dance than enslaved Blacks in North America. Many white-American slave owners barred Africans from most forms of dancing. As African instruments were outlawed drums, in particular, early Stepping was created. Africans found ways of getting around these prohibitions. For example, since lifting the feet was considered dancing, many dances included foot shuffling and hip and torso movement. Dances dominant through the 18th century included the ring shout or ring dance, the calenda, the chica, and the juba. Asadata Defora and Master Juba were early practitioners.
The dances of the plantation moved onto the stage through Minstrel shows, which introduced Black dance to large audiences during the 1800s.
As popular entertainment, both Blacks and whites performed them. Initially, Blacks appeared as caricatures that were often ridiculed, but they drew from their cultural traditions even as they made fun of themselves. In 1891, The Creole Show, a revue staged on Broadway introduced The Cakewalk, the first American dance created by Blacks to become popular with the whites. Other Black-influenced dance trends that followed were the Charleston, the Lindy Hop, the Jitterbug, and the Twist. The 1920s and 1930s were an especially fruitful time for Black dance in the United States. During the Harlem Renaissance, similar innovations in theater, music, literature, and other arts accompanied African American developments in dance. Black musical theater, derived from minstrel shows, continued to popularize and legitimize black dance traditions and black performers, as it had in the 19th century.
Outstanding performances raised professional dance standards for Blacks and whites alike. “Shuffle Along,” a landmark Broadway show created by Blacks and with an all-Black cast, was immensely popular with white audiences.
Many other all-Black shows, including “Runnin’ Wild,” “Chocolate Dandies” and “Blackbirds” of 1928, also played to enthusiastic American audiences in the 1920s and 1930s. Tap combined elements of African-influenced shuffle dances, English clog dancing, and Irish jigs. Black dancers such as Bill Robinson brought the new form of respectability and popularity. Tap dancing developed further in the 1930s and 1940s when white dancers included it in motion pictures. During the 1930s and 1940s, Blacks moved into ballet and modern dance. Leading white choreographers integrated African American themes and movement styles into their dances and hired Blacks to perform them.
Also during this time, two American dancers who had been trained as anthropologists, Katherine Dunham and Pearl Primus made immeasurable contributions to African-influenced dance based on their research done in Africa and the Caribbean. These dances fascinated audiences with their use of freely moving torsos, rhythmic vitality, native-influenced costumes, and highly energetic and enthusiastic performers.
The Lester Horton Dance Theater and the Alvin Ailey American Dance Theater contributed significantly to modern dance. Other prominent Black choreographers and artistic directors include Donald McKayle, Debbie Allen, Talley Beatty, Garth Fagan, Bill T. Jones, and Joel Hall, Virginia Johnson, Robert Battle, and others.
In recent years, several regional modern dance companies have been rich in innovations as well as connections with the past. The definition of dance has broadened to include the urban black dance forms of break dancing and hip-hop, which have been recognized for their artistry and expressiveness. All-female companies such as Urban Bush Women have been formed, as has a company devoted exclusively to hip-hop dance, The Pure Movement Dance Company. Tap dance found a new audience. Female tap dancers, who once danced in relative obscurity, have also achieved recognition and encouragement. They bring to light the legacy of women who have matched male tap dancers step for step.
Dance created and performed by African Americans has become a permanent part of American dance. Contemporary dance companies founded by Blacks tour both nationally and internationally. These groups include the African American Dance Ensemble, Kan Kouran West African Dance Company, Ko-Thi Dance Company, Dinizulu, and His African Dancers, Drummers, and Singers; and Muntu Dance Theater.
Reference:
The African American Desk Reference
Schomburg Center for Research in Black Culture
Copyright 1999 The Stonesong Press Inc. and
The New York Public Library, John Wiley & Sons, Inc. Pub.
ISBN 0-471-23924-0
To become a Dancer
Reference:
BHM.org
New Poem Each Day
E'er since Miss Susan Johnson lost her Jockey, Lee, there has been much excitement, more to be. You can hear her moaning night and morn. Wonder where... YELLOW DOG BLUES by W.C. Handy.
Read More
Black man - Yesenin.
Full text of the poem - Black man My friend, my friend,
I am very, very sick.
I don't know where this pain came from.
Either the wind is whistling
Over an empty and deserted field,
Or, like a grove in September,
Alcohol showers brains.
My head flaps its ears,
Like a bird's wings.
Her legs are on her neck
Looming is unbearable anymore.
Black man,
Black, black,
Black man
Sits on my bed,
Black person
Keeps me awake all night.
A black man
Runs his finger over a vile book
And, nasally at me,
Like a monk who has died,
Reads life to me
Some kind of scoundrel and bastard,
Bringing melancholy and fear to my soul.
Black man
Black, black…
“Listen, listen,” he mutters to me,
“
There are many most beautiful thoughts and plans in the book.
This person
Lived in the country
Most disgusting
Thugs and charlatans.
In December in that country
Snow is devilishly clean,
And snowstorms start
Merry spinning wheels.
There was a man that adventurer,
But the highest
And the best brand.
He was graceful,
Besides, a poet,
Though with a small,
But grasping strength,
And some woman,
More than forty years old,
Called a bad girl
And his sweetheart.
“Happiness,” he said, “
There is dexterity of mind and hands.
All awkward souls
The unfortunate are always known.
It's nothing,
What a lot of torment
Bring broken
And false gestures.
In thunderstorms, in storms,
In the coldness of life,
In case of heavy losses
And when you are sad,
To seem smiling and simple -
The highest art in the world.
“Black man!
You dare not!
You're not in the service
You live as a diver.
What is my life
Scandalous poet.
Please, others
Read and tell.
”
Black person
Staring straight at me.
And the eyes are covered
with blue vomit.
As if he wants to tell me,
That I am a crook and a thief,
So shamelessly and impudently
Having robbed someone
My friend, my friend,
I am very, very sick.
I don't know where this pain came from.
Either the wind is whistling
Over an empty and deserted field,
Or, like a grove in September,
Alcohol showers brains.
Frosty night…
Quiet calm of the crossroads.
I'm alone at the window,
I'm not expecting a guest or a friend.
The whole plain is covered
With loose and soft lime,
And the trees, like horsemen,
Have gathered in our garden.
Weeping somewhere
Night ominous bird.
Wooden riders
Sow hooves.
Here again this black one
Sits on my armchair,
Raising his top hat
And carelessly throwing back his frock coat.
“Listen, listen! —
He wheezes, looking into my face,
Himself is getting closer
And leans closer.
-
I have never seen anyone
Scoundrels
So unnecessary and stupid
Suffered from insomnia.
Oh, let's say I made a mistake!
It's the moon today.
What else does
Need for a world filled with slumber?
Maybe with thick thighs
"She" will come secretly
And you will read
Your dead languid lyrics?
Ah, I love poets!
Funny people.
I always find in them
A story familiar to my heart
Like a pimply student student
Long-haired freak
Talks about worlds,
Sexually exhausted.
I don’t know, I don’t remember,
In a village,
Maybe in Kaluga,
Or maybe in Ryazan,
There lived a boy
In a simple peasant family,
Yellow-haired,
With blue eyes…
,
Besides, a poet,
Though with a little,
But with a grasping strength,
And some woman,
Forty-odd years old,
He called a bad girl
And his sweetheart.
“Black man!
You are a bad guest!
This is fame for a long time
It spreads about you.
I'm furious, furious,
And my cane flies
Straight to his muzzle,
Into the nose...
... The moon is dead,
Dawn turns blue through the window.
Oh you night!
What have you done wrong, night?
I'm standing in a top hat.
No one is with me.
I am alone ...
And - a broken mirror ...
1923
| Do not catch how you jump (AYY) | |
| See how I now live | |
| The Police will now be a thrippin (WOO) 9000 | |
| Yes, this is America (Wooo, Ayy) | |
| Weapons in my area (word, my region) | |
| I received a strap (AYY, AYY) | |
| I must carry them 9000 | |
| Yes, yes, I enter this (pah) | |
| Yes, yes, this is a partisan (WOO) | |
| Yes, yes, I go for a bag | |
| Yeah yeah I'm so cold like yeah (yeah) | |
| I'm so dope like yeah (woo) | |
| We hit like yeah (straight up mm) | |
| | |
| [Chorus: Choir and childish Gambino] | |
| Oh-o-o-o-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-O-Otom | |
| Grandma told me | |
| Get your money black man (get your money) | |
| Get your money black man (get your money) | |
| Get your money black man (get your black man) | |
| Get your money black man (get yours, black man) | |
| Black man | |
| | |
| [Chorus: Gambino Kid, Slim Jxugi] | 0003 |
| This is America (woo, ayy) | |
| , woah) | |
| Look what I'm after you (Slime!) | |
| This is America (yes, yes) | |
| Don't catch you until you jump (ayy, woo) | I get this (ah, I'm going to get it) |
| See how I move (Blaw) | |
| This rod (ha) | |
| This is a tool (yes) | ,901 On my Kodak (woo, Black) |
| Group Hunnids, Hunnid groups, Hunnid groups (Hunnid groups) | |
| Smuggling, smuggling, smuggling (smuggling) | |
| I received a plugin on OAXACA (Woah) 9000 | |
| | |
| [Chorus: chorus, baby gambino and young bandit] | |
| 0190 | |
| America, I just checked my next list and | |
| You say to someone | |
| You, Mofafaki, I should | |
| Get your money, Black man (Black man) | |
| Get your money, black man (get your, black man) | |
| Get your money Black man (Black man) | |
| Get your money Black man (Black man) | |
| Get your money Black man (Black man) | |
| | |
| [Outro: Young Thug] | |
| 0 | |
| DA, DA, DA, UKHODI, UKHODI | |
| DA, DA, DA, DA, DA | |
| DA, DA, UKHODI | , da, da|
| Da, da, da, ukhodi, ukhodi | |
| Da, da, da, da, da | |
| Da, da, da, ukhodi, ukhodi | |
| | |
| [Most: Rebenok Gambino i Young bandit] | |
| My prosto khotim provesti vecherinku | |
| Partiya tol'ko dlya vas | |
| My prosto khotim, chtoby den'gi | |
| Den'gi prosto dlya vas | |
| YA znayu, chto ty khochesh' | |
| Partiya tol'ko dlya menya | |
| Devochka, ty zastavil menya tantsevat' (da, devochka, ty menya tantsuyesh') | |
| Tantsuyte i vstryakhivayte ramku | |
| My prosto khotim ustroit' vecherinku (da) | |
| Partiya tol'ko dlya vas (da) | |
| My prosto khotim den'gi (da) | |
| Den'gi prosto dlya vas (vas) | |
| YA znayu, ty khochesh' vecherinki (da) | |
| Partiya tol'ko dlya menya (da) | |
| Devochka, ty zastavil menya tantsevat' (da, devochka, ty menya tantsuyesh') | |
| Tantsuyte i vstryakhivayte ramku (vy) | |
| | |
| [Pripev: Rebenok Gambino] | |
| Eto Amerika | |
| Ne poymayte vas | |
| Ne poymayte VAS | |
| Posmotrite, CHTO YA NAKHOZHU | |
| ETO America (WOO) | |
B. , Molodoy Tug i 21 Dikar'] | |
| Eto Amerika (skrrt, skrrt, woo) | |
| Ne poymayte, kak vy prygayete (ayy) | |
| Posmotrite, kak ya seychas zhivu | |
| Politsiya teper' budet trippinom (woo) | |
| Da, eto Amerika (woo, ayy) | |
| Oruzhiye v moyey oblasti (slovo, moya oblast') | |
| YA poluchil remeshok (ayy, ayy) | |
| YA dolzhen ikh nesti | |
| Da, da, ya vkhozhu v eto (t'fu) | |
| Da, da, eto partizan (woo) | |
| Da, da, ya poydu za sumkoy | |
| Da, da, or ya poluchu ploshchadku | |
| Da, da, mne tak kholodno, kak da (da) | |
| YA tak doping, kak da (woo) | |
| My nanesli udar, kak da (pryamo vverkh, mm) | |
| | |
| [Pripev: Khor i rebyacheskiy Gambino] | |
| Okh-o-o-o-o-o-o, skazhi komu-nibud' | |
| Ty govorish' komu-nibud' | |
| Babushka skazala me | |
| Poluchite vashi den'gi, chernyy chelovek (poluchite vashi den'gi) | |
| Poluchite vashi den'gi, chernyy chelovek (poluchite vashi den'gi) | |
| Poluchite vashi den'gi , chernyy chelovek (poluchite vash, chernyy chelovek) | |
| Poluchite vashi den'gi, chernyy chelovek (poluchite vash, chernyy chelovek) | |
| Chernyy chelovek | |
| | |
| [Pripev: Rebenok Gambino, Slim Jxmmi, & Young Thug] | |
| Eto Amerika (woo, ayy) | |
| Ne poymayte vas, poka vy ne prygayete (woo, woo, ne poymayte vas slippin ', seychas) | |
| Ne poymayte vas, pokazhite (ayy, woah) | |
| Posmotri, chto ya za toboy (Sliz'!) | |
| Eto Amerika (da, da) | |
| Ne poymayte vas, poka vy ne prygayete (woah, ayy) | |
| Ne poymayte vas, poka vy ne prygayete (ayy, woo) | |
| Posmotrite, chto ya nakhozhu (ayy) | |
| | |
| [Stikh 2: Rebenok Gambino, Kvavo, Molodoy Tug i 21 Dikar'] | |
| Posmotrite, kak ya vykhozhu (ey) | |
| YA nastol'ko prisposoblen (ya nastol'ko prisposoblen, ukhazhivayu) | |
| YA nakhozhus' na Gucci ( ya na Gucci) | |
| YA takoy milyy (da, da) | |
| YA poluchayu eto (ay, ya sobirayus' eto poluchit') | |
| Smotrite, kak ya dvigayus' (blaow) | |
| Eto zhezlo (ga) | |
| Eto instrument (da) | |
| Na moyem Kodak (woo, Black) | |
| Oy, znay, chto (da, znay, derzhis') | |
| Poluchit'yego (poluchit'yego, poluchit') | |
| Oy, rabotay (21) | |
| Gruppy khunnidov, gruppy khunnidov, gruppy khunnidov (gruppy khunnidov) | |
| Kontrabanda, kontrabanda, kontrabanda (kontrabanda) | |
| YA poluchil plagin na Oaxaca (woah) | |
| 0003 | |
| Okh-o-o-o-o-o-o, skazhi komu-nibud' | |
| Amerika, ya tol'ko chto proveril svoy sleduyushchiy spisok i | |
| Ty govorish' komu-nibud' | |
| Ty, mofafaki, dolzhen mne | |
| Babushka skazala mne | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek) | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek) | |
| Poluchite vashi den'gi, chernyy chelovek (poluchite vash, chernyy chelovek) | |
| Poluchite vashi den'gi, chernyy chelovek (poluchite vash, chernyy chelovek) | |
| Chernyy chelovek | |
| Odin, dva, spustites' | |
| Okh-o-o-o-o-o-o, skazhi komu-nibud' | |
| Ty govorish' komu-nibud' | |
| Babushka skazala mne: «Poluchi svoi den'gi» | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek) | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek) | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek ) | |
| Poluchite vashi den'gi, Chernyy chelovek (Chernyy chelovek) | |
| Chernyy chelovek | |
| | |
| [Outro: Young Thug] | |
| Ty prosto chernyy chelovek v etom mire | |
| Vy prosto shtrikh-kod, ayy | |
| Ty prosto chernyy chelovek v etom mire | |
| Drivin 'dorogiye inostrantsy, ayy | |
| Ty prosto bol'shoy dag, da | |
| YA vylozhil yego na zadnem dvore | |
| Veroyatno, eto ne zhizn' sobake | |
| Dlya bol'shoy sobaki |
