Hoedown throwdown how to dance

PHRASING: The song is phrased as follows:
- 64 counts of freestyle
- 48-count dance
- 36 counts of freestyle
- 48-count dance
- 32 counts of freestyle
- 48-count dance
- 48 counts of freestyle (or do the whole dance here again)
Respond with "Throwdown" after she sings "Hoedown". Stomp and clap when she says Boom Boom Clap.

How to Do the Hoedown Throwdown Dance

Miley Cyrus, the star from famous television show Hanna Montana, is known for her acting and singing skills. She is also very good and innovative when it comes to dancing and her music videos often introduce some new moves for dance lovers.

She recently came up with her hoedown throw down moves and fans are going crazy about it. Doing this dance is not so hard if you break it down in steps and follow them accordingly. It can be done with relative ease but like all things, needs a lot of practice and patience for success.

Instructions

• 1

  Pop It

  Extend your left arm as far wide as possible while the rest of your body remains stationary.

• 2

  Lock it

  Crouch a little to your right and make an arch with your arms to lock it.

• 3

  Polka Dot It

  Shuffle with your left foot towards the left while you wag the right hand’s index finger to this step. Shuffle only a couple of times.

• 4

  Countrify it

  To countrify it, you will need to move your right heel in a way that you raise your foot, move back and do the same with the left coming forward and go back into your original position. Move your body along.

• 5

  Hip Hop It

  Move your body from higher position to a lower position and bend your legs as well. Do the same with your arms in a short semi arch. Make three movements.

• 6

  Hawk in the Sky

  Spread your arms wide open and bring them close. Make a hawk as if it is flapping its wings. Move your left foot on its heel with the foot in an upward direction.

• 7

  Side to Side

  Overlap your arms on top of each other and move them from one side to the other, keep your lower body stationary and make this movement with the help of the upper torso.

• 8

  Jump to the Left

  Scope your left foot and change you stance quickly to the right and scope with your right foot as well.

• 9

  Stick It and Glide

  Make punches of both hands and as you move down, put your foot down hard and move the knuckles down. Then quickly slide down in an artful manner with your hands spreading out coming from a lower level to a slightly higher one.

• 10

  Zig Zag Touch

  Do a zig zag with your right foot and then raise your right foot and touch the heel with your left hand behind your back.

• 11

  Across the Floor

  The next step is to move across the floor. Let your right leg guide you and move towards the right side in a hip dancing style with the right foot sliding just a touch.

• 12

  Shuffle in Diagonal

  Making flapping arms movement independently and first move to the back on the left and then make a diagonal movement to the right, shuffling and moving to the back one again.

• 13

  Hit the Drums

  Kick with the left foot and punch down with your right and do the same alternating hands and arms and put your hands on the hips.

• 14

  180 Degree Twist

  Do a 180 degree twist from back to front.

  
  Posted by john-anthony in Dance

Dances

Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango

Dances

Author: Pavel Pavel
Psychologist, Lecturer Salsa

on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.

This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.

1. Listen to music

The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.

An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.

2. Watch videos of good dancers

It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).

Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.

It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks.

Tango Z. Showreel.

Online modern tango courses

Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.

3. Dance in salsatecas/milongas/discotheques

A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.

In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.

4. Dance with partners or partners not of your level

The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.

It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.

How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.

Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers

Dominican Bachata Women's Style Online Course

Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.

5. Learn to dance for a partner and for a partner

Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.

In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.

6. Do not memorize the links

Always try to look deeper and understand the through principle and idea of ​​movement. Understanding what and how is done will make it possible to independently generate any sequences and chips.

Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.

In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.

7. Develop your body

Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.

The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.

You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.

8. Try on the images of inspiring dancers

A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.

With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.

9. Dance to offbeat music

Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.

The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.

Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for the style

10. Try your hand at basic dance directions

dances exist according to their own non-choreographic laws.

This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.

Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.

11. Look for battle sensations

Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of big cities.

If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.

The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.

Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.

12. Communicate with professionals

The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.

Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion.

Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.

Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances. Regardless of your level, the suggested 12 life hacks can get you off the ground and greatly accelerate your dance growth. There is no way here without your motivation and activity. Take your dance development into your own hands. 9Ol000 Dangerous sexuality

Salsa: destroyers of stereotypes

Couple dancing as a source of strength.

Self-destruction of the couple dance community

The Salsa series as a mirror of the community

Mamita Fridays: salsa, bachata

Destroying the myths about leading pair dances

Does dancing make us better?

The seven deadly sins of teachers

Why we will never dance bachata like the Dominicans

Why tango?

Dispute over musicality

Selection of dances according to alcohol preferences

Where to find inspiration for dancing?

Terrible tango nuevo

Distribution of roles in a salsa party

Argentinean tango through the eyes of a salsa dancer

Is there a predisposition to dancing?

Which is more effective: individual or group lessons?

Sexual overtones in couple dances

How to dance bachata? Learning to dance bachata at home

Rehearsal bases, dance halls, recording studios
in Moscow

How to learn to dance bachata?

The ancestor of modern bachata is the dance of the inhabitants of the Dominican villages, which was their only joy after hard work. But times have changed, now bachata has turned into a passionate pair dance, built on the sensual and harmonious movements of partners. Distinctive features of bachata: the closest contact with a partner and plastic, even somewhat erotic movements. A man in a dance smoothly leads his partner, gently hugging her. The woman responds to his actions, accompanying each of her soft steps with plastic movements of her hips.

The answer to the question of how to dance bachata is quite simple. After a few lessons, everyone can master the basic movements of this dance and feel its rhythm.

Bachata dance technique

Bachata is easily recognizable by the characteristic movement of the hips. The basic step of this dance consists of 3 small steps accompanied by undulating body movements. The main element of bachata is the smooth rotation of the hips for women and the body for men, which is called "kick". This requires good mobility of the muscles of the lower back, back and hips. It is from these muscles that the smoothness, wave-like movements and, accordingly, the beauty of the bachata dance itself depend.

The question arises: how to learn to dance the Dominican bachata, if these muscles are completely undeveloped? For many who want to dance, it is precisely the fact that they feel completely unplastic and embarrassed to dance that becomes an obstacle. To begin with, it is useful for everyone to recall simple exercises familiar to us from childhood: the usual tilts of the torso in different directions and circular rotations of the body, slowly stretching the muscles. This will help your body get used to the stress. Those who regularly stretch and consider themselves flexible enough also often face the problem of stiffness during dance. This is because plasticity and flexibility are not the same thing.

Plasticity and flexibility: what's the difference?

The difference between flexibility and plasticity is that plasticity is achieved through the work of muscles and joints, while flexibility is achieved by stretching tendons and ligaments. For the plasticity of movements, it is important to have a good stretch of the ligaments, but flexibility does not guarantee plasticity, so you need to pay attention to the loading and stretching of the muscles.

To learn how to fully perform the basic elements of bachata, you need regular exercises to develop the muscles of the back and lower back, which are best done at first under the supervision of a professional, using the dance hall hourly rental service, and then at home, on your own. Just before class, it is important to warm up the body with appropriate exercises so that it feels the rhythm and easily responds to any of your movements - this is a very important point in how to learn to dance bachata at home.

Basics of Bachata

Bachata captivates with its sensuality and emotionality. It is based on emotions and the ability to express them during the dance. It simultaneously reflects passion and tender love, perseverance and soft humility, the ability to feel a partner and resist him. Therefore, it is so important not only to learn the basic movements and repeat them, but also to tune in with your partner on the same wavelength and talk to him without words, expressing your feelings through body movements. This bewitching wave of togetherness of partners moving passionately to hot music creates a wonderful romantic atmosphere in the dance hall.

Let's summarize a few simple rules on how to dance bachata beautifully. Remember that bachata is a set of technical movements that must be performed in a relaxed and playful way. To do this, it is important to constantly improve your dance technique. Regular practice is the key to success. During the dance, it is important to completely relax and liberate yourself, helping your partner to do the same. Only then you and your partner will be able to feel each other and synchronize your movements, which will make your dance unified, lively and harmonious. Also an important role is played by the selection of a qualified teacher and a cozy dance hall for training.

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