Blade and soul how to dance
dance | BnS Buddy
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Dance UE4 Cross-race Dance Mods
GonF Dance for JinF, swapping dances in UE4 no longer requires redirecting one race's to another, this means these mods will not have vice versa effects. For example, GonF dance for JinF will only make Jins dance like Gons, but Gons will keep their original dance animation. So there you have it...
- Inevertias
- Thread
- animation dance
- Replies: 17
- Forum: Dance Mods
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How to How to swap dance animations
Well .... after a time thinking about , because theare lost files about animations swap , i decided to navigate to the file 12449.
upk .... Interesting was the fact that using hxd hex editor i found more than i expected , searching "social" , the second result will lead you to a list of the...
- Christian1234
- Thread
- dance
- Replies: 0
- Forum: How-to
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Request Animation LynF Dance
someone have that mod and can please upload it .
- LIOR
- Thread
- animations dance lynf modding race
- Replies: 0
- Forum: Requests
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Dance upk number for this dance
I wonder guys do you know this animation upk number? check the video Lyn Female Dance
- LIOR
- Thread
- dance female lyn
- Replies: 0
- Forum: Dance Mods
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Dance Fulfilled /dance2 for Jinf switched to either dance from Gon
Request the title.
Also, if at all possible, perhaps GonF walking animation for JinF?- Xavek
- Thread
- animations dance walking
- Replies: 1
- Forum: Requests
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Dance Boom Slang Dance Mod
Preview : Download : http://www.mediafire.com/file/u8035mwgks3fn57/HipHop.zip
- Ashe23
- Thread
- dance hiphop mods upk
- Replies: 6
- Forum: Dance Mods
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Dance NSFW Pole Dance Mod
Preview : Download : http://www.
mediafire.com/file/b48zm3ie61ilue4/PoleDance.zip- Ashe23
- Thread
- dance mods pole upk
- Replies: 19
- Forum: Dance Mods
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We Can Dance If We Want To
- GunerX
- Thread
- dance mod showcase
- Replies: 3
- Forum: Screenshots, Videos & Streams
Blade Dancer
The Blade Dancer is a martial class, unique to the Lyn, who have taken on the quick sword techniques of the Blade Master and infused it with the elemental nature of the Force Master.
The Lyn, typically mischievous and unpredictable, now grand jete with deadly grace. Using their lethal Lynblade, the Blade Dancer can moniker the frenzy of the winds, channel the might of lightning, or invoke the power of a supernatural Grimreaver. Their mastery in quick damage together with their unmatched crowd controls and unique blend of defence skills makes the Blade Dancer a valuable asset in any scenario, and that's without mentioning their Maelstrom for short-lived but essential damage resistance.
Being a hybrid between the Blade Master and the Force Master, the Blade Dancer can often be seen as a martial style with no true strengths. That said, they also have no true weaknesses, resulting in a style of combat being a jack of all trades—after all, you need more than strength to fight.
Available Races: Lyn
Available Specializations: Spinning Storm, Thundering Blade, Grim Blade
Spinning Storm
Talents
Thundering Blade
Talents
Grim Blade
Talents
Documentation
Spinning Storm
Become the tempest from within and finish your opponents with quick slashes.
Talents
Returning Winds
Swift Finish
Gale Dance
Storm Wheel
Zephyr
Acrobat
Lightfooted
Air Resistance
Updraft
Decreases cooldown of Take Flight on each hit with Sunder
Decreases cooldown of Take Flight
Increases damage of Ascend, Rising Eagle, and Heavenly Dance
Draining Storm
Storm Swell
Storm Guard
Eye of the Hurricane
Gathering Storm
Tailwind
Thundering Blade
Unleash devastating attacks by bringing the thunder.
Talents
Lightning Strikes
Thunder Rolls
Critical Shock
Storm Wheel
Zephyr
Acrobat
Assail
Enhances Sidewinder
Enhances Raid
Air Resistance
Turn the Tide
Draining Storm
Storm Swell
Storm Guard
Thunderstruck
Thunderbolts and Lightning
Shock Through the Heart
Grim Blade
Work with a ghostly Grimreaver and harness the power of the darkness.
Talents
Death Blade
Death Draw
Death Walker
Storm Soul
Wind Wall
Ghost Dance
Last Rites
Contagious
Death Sentence
Raid and Storm
Ghost Shroud
Ghost Storm
Grim Awakening
Grim Reality
Grim Ally
Documentation
In-depth Wind BD PVE Guide
3rd Spec BD In-Depth PVE Guide
BD Parse Calculator
reactions~Cleaving Demon Blade~♡ - 💧🌫🐍Reaction45💧🌫🐍
reactions~Cleaving Demon Blade~♡
Adventure
dachshunds, this is my first time writing reactions.
So enjoy what you have. Reactions to t / and characters of the demon-cutting blade. Now only demons, but there are hunters from the first reaction to 58! Everyone 🥰😚 History-completed
# demonslayer # kimetsunoyaiba # or # # doma # # kdr # Demon Cleaver # mitsuri # muzan # nezuko # little romance # obonai # characters # reactions # rengoku # rui # odd # tanjiro # use # shinobu
by legnapamine
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The fact that the sunset is in the photo, I took a picture of it.
There will be 3 Persians here. As soon as I had enough imagination for them, I also made writing so much easier for myself.
Reaction-T / and dances when she is sad / bad / or just like her soul wanted.💧Giyu Tomioka💧
As always, I was sitting alone and just thinking 💧 about myself, as thoughts about 💧T/u and where she is now and what she is doing got into my head.
💧I don't know why exactly she got on my mind, but still I decided to check, what if something happened?
I went through all her favorite places, including her room and the veranda. But I remembered that I forgot to check one... well, my favorite place.
I came to that very place and I was not mistaken...she was really there and...danced?
💧I went behind a big fresh tree after the rain and hid and started watching what she was dancing.
The place was really gorgeous, no matter how much she tried to persuade me to go here together, I still 💧 refused, but still she didn’t 💧 give up and it turned out, she showed me this place only once and not completely, because I I got a mission alert, I apologized and went on missions.
💧Author:💧
The place was magical and healing.
When the soul was sick, one could come and sit next to a large mighty oak (I don’t know if they grow oak) next to which a small stream passed and which passed into a big lake, and when night💧 comes, one could admire the beauty of nature and including the lake itself, where shades of blue, white and dark gray shimmer with each other, and the moon was visible in the middle.
And now, not long after Y/n came here and started dancing, it didn't rain heavily, so it was also around 7 o'clock, that is, evening.
Very nice.
💧Giyu:💧
I looked out of the corner quietly and carefully, so that no one could hear.
I looked at Y/n's smooth steps, and I also noticed that some of the actions were from the art of combat against demons, so she used these movements in practice.
💧When she finished dancing, then💧 said that I would come out...I did so, but washed away to hide if they see you?
💧I went out and started clapping my hands, and 💧T/i started blushing a little.
- Well done! You dance beautifully, did you just want to or ...?
- no. Just a little tired. I decided that the dance would help me and it did.
You sat down near the lake and started drinking from it, then turning to me you asked:
💧 why were you hiding?
- I just didn't want to scare you away. What if you would stop dancing.
I smiled without noticing it, but Y/n told me herself.
-oooh, Giyu~ you smiled!
She stood up and gave me a bear hug.
💧And I realized that I won't get out.💧
Story continues below
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And who has a kattara, let's discuss?
Musashi
Here at the well-known international forum another week there is a serious battle.
A participant from Oman, part-time collector and dealer of Arab CW and antiques, tells interesting stories about Omani and Arabian weapons in general, traditions and so on. The catch is this - that straight sword, without a guard and with a long handle, which is usually called a kattar in Western circles (but in fact it is called among the Omanis simply saif, while the kattara is called the same, but with a crooked blade), it positions as used exclusively and created specifically for folk dances, i.e. this is not even a parade, but a purely dance subject. You can see a bit of truth in this, because. the blades there are usually quite thin and flexible, with a rounded point. A number of participants, although not Omani, dispute this point of view, arguing (and not without reason) that in the past such swords could actually be used as weapons. And who thinks among us, what opinions can there be? The question is somewhat selfish - I want to buy a direct saif, well, I like it, damn it, but still buying a purely dance item somehow doesn’t warm my soul, it’s like now they sell fake sabers for girls involved in belly dancing (although saifs come across too both old and in silver, with hallmarks, cool and expensive, but anyway, if it was only dancing, I wouldn’t take it, otherwise it’s like a theatrical prop, it seems to turn out, even though it’s old 😞 )
Foxbat
I have a curved cattara, they are quite rare unlike straight ones, I hear about dance swords for the first time.
Old Man
Musashi! There is something wrong with your computer.
Musashi
Yes, I'm sorry, some kind of failure, I corrected
Foxbat
Musashi
on the Kattara curves, he says that he says that he says that he says that they were purely ceremonial weapons,
Mine is just not a front door, but a purely working one.
Musashi
So
This discussion is going on here
http://www.vikingsword.com/vb/...55&page=1&pp=30
he says that it was they who were purely ceremonial, but still weapons.
And straight lines (saifs) were allegedly used exclusively for dancing. The combat Omani sword is a short and weighty chopper with a guard and quillons ... And they put on a crooked kattar at the exits.
Musashi
FoxbatMine is just not front but purely working.
Again, according to Ibrahim, the blades on the curves can be quite combat, as they were often remounted from Circassian checkers. But according to its purpose, the crooked kattara was a ceremonial weapon, i.e. it was not used in battle, but was worn for exits, receptions, etc.
Foxbat
Mine is in a simple leather device, there is nothing elegant in it, yes, the blade looks like a checkered one.
Norman
Well, it's a bit strange in the age of edged weapons to make imitations of edged weapons.
Almost the same, but for dancing.
It's like now for special forces demonstrations or parades to make imitation iron small arms.
The Chinese are sure 100% made swords for performances as a specialist. But these are piece items and are still indistinguishable from combat, parade or service items.
And so - any ethnic weapon is the default weapon. And the opposite needs to be proven, and this is almost impossible.
Musashi
Well, he refers to the materials of the Omani National Museum, the National Archives of the United Arab Emirates (though we don’t know what is written there and how exactly), as well as to the stories of old people etc.
Yes, and during the existence of these saifs, firearms were already mostly driving - I'm not sure if there was such a need for a combat long sword. After all, all the copies that are now on the market are the earliest of the 19th century ... And Oman was an advanced empire, not some wild Sudan.
Musashi
In short, I decided the question for myself like this, now I will take a crooked cattara, since they are rarer and specifically the specimen that I have looked at - it is really good, but I will take a direct saif when I'm going to the Emirates in the fall. But the question would still like to be clarified to the end. Even if we compare the blades on these two objects, then with a general similar appearance, one cannot but note the difference - on curves they are quite combat, relatively narrow and thick in the butt, while on straight lines they are thin, wide and flexible.
And now I have such a small saif - modern and simple, but memorable, I was given it by the organizers of the annual Al-Saif festival in the emirate of Fujairah, held under the patronage of the Sheikh, on behalf of Sheikh Al-Sharqi. A batch of these was released specifically for the festival, as gifts for guests and delegations 😊
Norman
Hmmm.. Judging by the engraving on the blade - just for dancing 111)) , and in the bottom photo are you on the right or on the left? )))))
Musashi
I was not at the festival, it was given to me in Moscow)
you can say a souvenir item dedicated to the event, which is why I was on fire to get myself an "adult" and old one.
Norman
For me, this is confirmation that the items are combat. The people's memory is strong and they would not use an object that is identified exclusively with dances as a symbol. Although personally I am serious about dancing with weapons. It is a branch long since separated and carries much of what has already been lost in the Nordic and courageous gutting of each other.
That is, by analogy, the symbol of any event in sports fencing will most likely be a sports sword, and not there a combat foil or some kind of Walloon sword.
Musashi
Again, to make it clear, I will borrow pictures from the Artzi website.
Here is a cattara. The blade is quite functional even from here.
Here is saif. The blade is wide, while it is thin and flexible, up to a bend under 90 degrees, valleys are usually cut only purely symbolically.
Sinrin
An interesting topic. On the one hand, straight kattar blades are too massive and heavy for purposes such as dancing. The design is quite simple and with traces of active use, I would say, on many items.
On the other hand, they seem to be very uncomfortable, in terms of balance, and the lack of a guard, and thin straps on the handle, sewn with thin wire, may not be very practical...
Musashi
Sinrin
An interesting topic.On the one hand, straight kattar blades are too massive and heavy for purposes such as dancing.
On the contrary, they are thin and flexible. You see, my grandfather bends like.
There are straight saifs with "serious" blades, but the same Ibrahim explains it this way: when Oman opened the borders in the 1970s, many craftsmen remounted the old ones, incl. blades imported from other regions in Omani frames and sold to tourists ... this is how the myth about the combat mission of these swords arose in the west. And the Omanis themselves, if they buy such saifs, are only flexible, so that the blade "dances" in their hand during the dance ... Is it true or not - I don’t know why I bought it for that and I’m selling it.
Foxbat
The curved cuttara is very comfortable in the hand, surprisingly, and it seems that it will be convenient to cut with it.
Rivkin
14-16 are also available but cost _completely_ different money.
See Khalili, Bashir.
Otherwise, everything is simple:
The thickness is standard European for the 16th-17th centuries for a sword of such a format that most of the good kattar of that time are, the European style is also given out by one or three fullers at the hilt. Less common are the _few_ local copies, but for the 20th century, of course, they dominate.
Musashi
14th - 16th century, and exactly _such_?
As far as I know, other swords existed in Oman in those days - shorter and with quillons.
That is, I understood correctly - do you think that direct saifs (exactly akin to those shown) were also fighting?
Rivkin
Musashi
14th - 16th century, and exactly _such_?As far as I know, other swords existed in Oman in those days - shorter and with quillons.
I have always believed that the development of cattara followed the principle of Bashir p 43 to Bashir p. 79 into a modern type, taking into account the complete dominance of European blades, especially in the 16-19 centuries and their influence.
It is difficult to show just such things with crooked blades until at least the 18th (or rather the 19th century).
Combat by definition, no specials. there were no weapons for dancing in the 18th century.
Musashi
I still mean the modern type. I would like to understand whether the only purpose of the modern type, even the (relatively) old representatives of 19-th century, there were originally dances, or was it once a military weapon (namely, the so-called modern type - with a long handle without a guard), and are the strong blades on such swords really a product of crossing the 70s of the twentieth century , or they were originally placed on such swords.
..
Harryflashman
Here is a straight Omani cattara, with a clearly local blade, judging by the depth of the valleys, the blade is at least ~2/3 thick . The Arabs did not know any parry with a wedge, or a thrust, and no armor (mostly). Therefore, it was chopped on a grand scale (as Burton also noted) and the chopping part (the last third) could be thin.
Until the ~19th century, local, Persian and Indian blades were held in high esteem. In the 19th, the two most popular types of long blades were Shantiyan and Madjar: the distorted Saint Etienne (French supposedly were famous for their flexibility) and Magyar (more likely, the Solingen version of the blade with a hussar, see the analogy of the Caucasian Gurda Madjar). The flexibility of the blade was popular not only in Arabia: see Caucasian blades rolled into a sieve, Indian urumi.
The idea of special dancing swords in a period when poor Bedouins raided each other twice a month, when weapons were vital objects, when they were given names and polished to a mirror finish, when the blade cost a fortune, strikes me as absurd.
That's when it became profitable to entertain tourists, then they probably started dancing swords and making and selling stupid giaours.
What, Caucasians in the 19th century made special daggers and checkers for dancing at village weddings?
Or do they continue to use old grandfather relics for a concert in the House of Culture?
Musashi
So then Ibrahim is lying?
Sinrin
MusashiIn general, they are thin and flexible. You see, my grandfather bends like.
Well, it seems to be modern. In real Cathars of the 19th century, the blade bends no more than, say, an Indian firangi. And the blade, by the way, is of a similar type.
Harryflashman
Musashi
So then Ibrahim is lying?
I'm not saying that I'm lying, but I don't see the point in it.
Dancing was undoubtedly the same as in other cultures. But why make special swords for this when you can dance with your combat? Here, at the same time, you can come up with sacredness in all its aspects :-)
Many old-time warblades were thin and buckled under their weight. LB even writes about this in his book (p. 39). So the division of swords into dance - flexible and combat - rigid is fundamentally wrong.
My straight cattara is thin, but does not bend under its weight, does not vibrate. On it, by the way, the gourde mark.
Arabat
In my opinion, the question itself is absurd. Weapons are not invented specifically for dancing. Obviously, initially there were normal combat swords, they could not have been. Another thing is that now they have degenerated.
Musashi
SinrinIn real Cathars of the 19th century, the blade bends no more than, say, an Indian firangi.
And the blade, by the way, is of a similar type.
There are also saifs of the 19th century with a blade that bends at 90 degrees...
Musashi
