How to reject the dance
How do you reject?
in the same way What is the real jerk dance? According to Oktane of Audio Push, jerkin’ culture came from gang members dancing at parties, stating: “Jerking actually came from gang-banging. Like, it was a dance that gang members did.
|Stylistic origins||West Coast hip hop hyphy|
|Cultural origins||Late 2000s; Inland Empire; Los Angeles, California|
Is the jerk the same as the reject? It was approximately 2008 when the Jerk culture begun. Since Jerkin comes out of the suburbs of Los Angeles we know the dances that preceded were Clowning and Krumping. … Their adaptation of footwork became known as the “reject. ” Reject is one of the signature dance moves of Jerkin.
What is a reject person? reject. noun. re·ject | ˈrē-ˌjekt Definition of reject (Entry 2 of 2) : a rejected person or thing especially : one rejected as not wanted, unsatisfactory, or not fulfilling requirements.
What is the synonym of reject?
Some common synonyms of reject are decline, refuse, repudiate, and spurn. While all these words mean “to turn away by not accepting, receiving, or considering,” reject implies a peremptory refusal by sending away or discarding. rejected the manuscript as unpublishable.
Beside this Is Jive Latin?
The jive is a dance style that originated in the United States from African Americans in the early 1930s. … In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing.
Are reject and jerk the same thing? It was approximately 2008 when the Jerk culture begun. Since Jerkin comes out of the suburbs of Los Angeles we know the dances that preceded were Clowning and Krumping. … Their adaptation of footwork became known as the “reject.” Reject is one of the signature dance moves of Jerkin.
What’s the jerk move?
When did the reject dance come out? The Rej3ctz are an American hip-hop and electronic music group that originated from California’s party scene, and rose to prominence in late 2010 with their single “Cat Daddy”, and its eponymous dance, which became a viral phenomenon, reaching more than 70 million views on YouTube.
Is Rejection an emotion?
A person may reject, or refuse to accept, a gift, for example. In the field of mental health care, rejection most frequently refers to the feelings of shame, sadness, or grief people feel when they are not accepted by others. A person might feel rejected after a significant other ends a relationship.
What is a cast off? 1 : to unfasten or untie a boat or a line. 2 : to turn one’s partner in a square dance and pass around the outside of the set and back. 3 : to finish a knitted fabric by casting off all stitches.
What is the opposite word of reject?
What is the opposite of reject?
What does rejection do to a person?
Social rejection increases anger, anxiety, depression, jealousy and sadness. It reduces performance on difficult intellectual tasks, and can also contribute to aggression and poor impulse control, as DeWall explains in a recent review (Current Directions in Psychological Science, 2011).
What is a synonym for do not agree? In this page you can discover 79 synonyms, antonyms, idiomatic expressions, and related words for disagree, like: disagreement, disagreeable, dissentious, inconsistent, disagreeing, dissent, dissident, inconsonance, argue, oppose and concur.
What is the opposite of feeling rejected? hail. fáilte. Noun. ▲ Opposite of a rejection or denial of the truth of a statement.
How can I learn jive?
Is merengue fast or slow? Tempo is one of the primary differences between the two genres. While merengue is slower and more melodic, the Haitian méringue is more suited to fast-paced dancing.
What do jive dancers wear?
There’s no modern jive dress code, no requirement to wear a specific style of outfit. You can just turn up in what you fancy. Jeans are popular, with leggings now popular for girls, dresses for those who like to dress up a bit more, and t-shirts or shirts for men.
When was jerking popular?
The jerk was a popular or fad dance in the 1960s.
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List of steps and moves from house dance as collected by FraGue
The list of house dance steps below is what I learned in my journey with house dance. It is not complete and will never be as our dances are still alive and growing every day.
Bold is the name of the move that I consider the correct one. Most of the time it’s the name I got taught.
(In parenthesis there are alternative names when written next to the name or general comments when in the back of the line).
In italic letters, I added additional info when I have it. The name after an s stand for source, meaning who I learned the move from. o stands for origin and is used whenever a move is from another style imported into house.
I also add a link to tutorials when I find ones, that I consider good.
How to make the most out of your house dance steps
If you want to find out how to make the most out of the moves you already know, consider grabbing a copy of Dance Smart from Amazon or get a free copy of 7 Questions To Ask Every Move when signing up for my email list.
The List of House Dance Steps & Moves
- Jack in the Box. s Buddha Stretch
- Criss Cross. s Didier o Hip Hop
- Jack Jumps. s Loftex
- Stomp. s Buddha Stretch
- Shuffe (Dodger, Shuffle & Dodge). s Rabah, Loftex
- Pas de Bourée. s Rabah
- Sidewalk. s Caleaf
- Salsa Step. s David Colas
- Snake. s Loftex
- Roger Rabbit (Reject). s Caleaf, Loftex o Hip Hop
- Set Up. s Loftex
- Farmer. s Marjory Smarth
- Gallop Shuffle. s Caleaf
- Gallop Shuffle Cross. s Caleaf
- Heel Toe. s Rabah
- Heel Toe Hop. s Loftex
- Can Opener. s Loftex
- Player. s Loftex
- Train. s Caleaf
- Scissors. s Hiro
- Lotus (Marjory). s Loftex
- Salsa Hop. s Caleaf
- Swirl. s Loftex
- Chase. s Didier
- Loose Legs. s Caleaf
- African Step. s Loftex
- Triangle. s Loftex
- Diamond. s Loftex
- Crosswalk. s Caleaf
- Crossroads. s Rabah
- Peter Paul. s Loftex
- Pow Wow (B-Boys). s Loftex
- Jogs. s Loftex
- Reverse Jogs. s Loftex
- Pivoting Pas de Bourée (Pivot Step). s Loftex
- Spongebob (Party Machine). s Link
- Scribble Feet (Triplet Step). s Caleaf
- Lofty. s Storm
- Dolphin. s Niako
- Spiderman Style. s Loftex
- Tip Tap Toe (Fort Green). s Buddha Stretch
- The Skate. s Buddha Stretch o Hip Hop
I also have a list of hip hop dance moves, and another one for breaking/breakdance.
If you want to make the most out of your moves, consider grabbing a copy oy my book Dance Smart, which is about concepts you can apply to all your steps. This would mean the world for me and I do a little happy dance every time someone orders the book.
invitation to dance and refusal of invitation
MILONGA ETIQUETTE: INVITATION TO DANCE AND REJECTION OF INVITATION
I have been preparing for writing this article for a long time, encountering many funny and not so funny episodes in the milongas. Many of us, immersed in the study of tango steps, attend milongas without realizing that there are certain unwritten rules for inviting to dance, giving consent or declining. Although cabeceo, or the invitation to dance with a look and a nod of the head, flourishes in Buenos Aires, we do not live in Buenos Aires and must develop our own customs. (Of course, it will be great if we use the cabeceo, because thanks to it, both men and especially women get the opportunity to dance with the partners they want to dance with. However, the problem is that the cabeceo only works if everyone knows about it). So I've compiled a list of "rules" that, if followed, will make the milonga an enjoyable experience for both genders.
1. First and last tango rule
The first and last tango of the milonga has a special meaning in the mind of the milonguero or milonguera. Ideally, one wants to start the milonga safely, dancing with a capable, adequate partner to prepare oneself for a long evening of dancing. A good partner will give you unconditional pleasure, but a bad partner is able to completely discourage dancing for the whole evening. Milonguero they say: to make up for the impression of a bad partner, you need two good ones, moreover, in a row. Therefore, the choice of the first partner in the milonga should be carefully considered. The last tanda (a series of tango songs) is also significant. In Buenos Aires, they say that the tanda should be danced with a lover (sweetheart) or a contender for your heart. I have a more frivolous approach: I believe that the last tanda should be danced with your partner, unless you agree on a different option. If you don’t have a soulmate, you can dance with anyone. However, if you are dancing with a person who you know has a milonga partner and the last tanda is announced, you should kindly ask if your partner should dance it with their significant other.
2. No babysitting
A typical scenario: a woman is sitting at a table in a milonga, a man comes up to her and invites her to dance. Instead of refusing him for good, she says “no, not now”, refers to fatigue, the need for a break, waiting for a friend, etc. The guy does not leave, but SIT NEXT TO HER and waits for her to agree to dance with him. There is what I call babysitting. The man turns into a babysitter. Moreover, both men and women indulge in this cruel act. When someone tells you "no", it means that for a while you have to back off. Hence the next rule.
3. Duration "No"
After discussing this issue with many milongueros and milongueras, I have come to the following conclusion. "No" means "No for a while". However, if you are denied, you cannot make a second attempt at the beginning of the next tanda! Only when 2, 5, maybe 7 tandas have passed, do you have the right to invite this person to dance again. Don't play hunter or huntress. It may well be that the person who refused you, if he had a good reason not to dance with you then, will come up to you and offer you a dance.
4. Penalty box
When you refuse someone, it imposes certain obligations on you. When you refuse, you forfeit the right to dance the same tango with someone who dances better than the person you refused. You must at least wait for the next song, or preferably the next tanda, to begin. You can regard this time spent without dancing as a penalty. Sometimes the rejection you make hurts you. Suppose you are in the "penalty box" and suddenly you are invited to dance by a person who, as you know, dances absolutely amazingly! You know that if you refuse him, he will most likely never invite you again, but if you agree, the person you refused will think badly of you (and then he may never invite you again). In some situations, it is impossible to gain without losing.
5. Dance interference
I've seen old black-and-white films in which a youngster a la Clark Gable or Errol Flynn wedged into the dance of some star and her "unsuccessful" partner, about whom the viewer forgets the very next minute. Good thing this only happens in the movies. I am sure that it is forbidden to wedge into the dance in all milongas in all countries of the world. When I was a beginner dancer, someone came up to me one day and asked if I could join your dance. Inwardly, I good-naturedly scolded the man and his entire family. You can invite to dance during the cortina (minutes of quiet music playing between tandas), and not during the breaks between tanda songs, when two people are standing and talking! WAIT.
After a minute cortina, the DJ usually plays three or four songs of the same orchestra or style. This series of songs is called "tanda". The words "thank you" or the word "thank you" mean that you intend to stop dancing with your partner. Don't make the mistake of thanking the person for every tango. Wait for the end of the tanda, then give thanks. If we don't wait for the end of the tanda and give thanks, we are passing on a certain message to the partner.
We danced four songs: It was great / I liked it / Let's dance some more.
Three songs were danced: It was not bad/Sorry, my leg hurts/Oh! My bus is in five minutes, I have to go!
Two songs danced: How long did you last, ha!/You should take more lessons/I thought the first bad tango was my fault, but now I see it's yours.
Danced one song: Hmm, it didn't work out/Can you sit down and just watch?/Please don't invite me to this milonga again.
I strongly believe that if women begin to use their power of rejection and unspoken communication, leaders will begin to work seriously to improve the quality of dancing. If we let mediocre leaders dance with great followers and vice versa, why would they develop? I remember an old argument with a friend of mine. She was upset because during the whole tanda, one terrible leader almost beat her, as a result of which she began to look bad and feel bad. I witnessed all this, and I really did not like the way the leader behaved, but I also did not like the fact that my friend did not bother to stop this abuse in time. Ladies, please use the power given to you to say "no" during bad dances! It's better to sit out all evening listening to music and chatting with friends than having someone drag you around the dance floor like Achilles dragged Hector in the movie Troy. When I was a beginner, I was often rejected by good wingmen. But I never took it as an insult. I just learned to dance better.
I'm not saying you shouldn't dance with beginners. Everyone should give one or two milonga dances to a newcomer as a kind of “community service” so that they feel welcome here. But there is a definite difference between a beginner and a bad dancer who, sorry, doesn't get it. At every milonga there are a few guys who, even though they dance for quite a long time, literally rape their partners. These people have no incentive to get better, because in any case they achieve their dances.
It is always unpleasant to hear rejection. Rejection can easily hurt feelings. Please keep this in mind when you refuse. Refuse the way you would refuse to continue a relationship if you didn’t want to hurt a person and at the same time give him any hope. For example:
“Sorry, the reason is not in you, but in me”
“I don’t feel very well, I need to be alone for a while”
"You Deserve More"
“I know we danced then, but that was then, not now.”
If you get rejected, accept it and move on. Phrases like the following will not help you:
"Tell me why!"
"Name at least one good reason"
"I can change"
“Look, I'll be here. Tell me if you change your mind"
“But everything was going well…”
This is when the leaders or followers stop dancing with a partner ahead of time and complete the tanda with another person. Bad business. What could be worse than in a dance with one person, unequivocally looking towards the other! Quite often I notice how this happens in the milongas, and all I can say about this is “bad, bad, bad!” In rule 5, I already wrote: Invite to dance should be during the cortina (minutes of quiet music that sounds between tandas).
Quite often a lady asking me to dance is rejected because at that moment I am doing something that excludes dancing with her (drinking, relaxing, going to change my shirt, etc.) But this lady does not retire, and gives out her main trump card: "But I'm leaving in five minutes!", which puts me in an awkward position, because I begin to feel obliged to dance with her here and now, despite all my studies. And - even worse - when I succumb to her onslaught and dance with her, it turns out that this lady was not going to leave in five minutes at all! I think many people will agree with my words that if a person says that he is going to leave, then let him make sure that I do not see his outerwear on a hanger at the very end of the milonga. And it would be better for all such characters to refrain from the desire to use excessive force at the moment of the dance invitation and, for example, not to drag their unwilling partner by the hand to the dance floor, shouting "Let's dance!" You must always give the other person the choice to dance with you or not, adhere to the rules of etiquette and not turn into a beast. To summarize: The dance will not bring pleasure if the inviter applies violence to the invitee. People want to dance for fun, not because of obligation.
10. Heels in stockings
Since rejection always hurts, the ladies came up with an original way to convey to men the fact that they do not accept invitations. They take off their shoes. Heels in stockings serve as proof that the ladies are not dancing yet and that at this moment they should not be invited. When the ladies are in this position, potential partners do not pester them. (On the other hand, a lady can always give a man a wonderful compliment by agreeing to put on shoes for him if he dares to approach her and invite her during the rest).
When you are going to invite a lady to dance, pay attention to her body language, her behavior. There are non-verbal cues to consider when inviting. Gentlemen, if you're walking towards a lady and you see her turn away quickly, bend down to adjust her shoe strap, start rummaging through her purse, it means SHE DOES NOT WANT TO DANCE. If she suddenly gets up and goes to the bathroom, do not follow her, do not stop her by the shoulder with the thought that she may not have noticed you. If she notices you and does not look away, or smiles, or raises her hand in greeting, or just looks very pleased that you are going to her, then feel free to invite her! If you are not sure if a lady wants to dance with you or not, just walk up and say hello, and then watch her reaction.
You can also just look around to see who is ready to dance at the moment. If people are standing or sitting near the dance floor, following the dancers, or looking around for potential partners, they are more likely to accept an invitation. If they are completely engrossed in the interlocutor, something to eat, drink and look like they are not going to dance, be careful. Try to catch their eye. If the person you want to invite is immersed in an active conversation, don't wander around, don't tap your toe on the floor or your finger on the table, don't wait for the conversation to break off for a second. Don't get involved. Invite someone else.
12. Dance license
Some may think it's old-fashioned, but I think it's pretty sweet: when addressing a couple of dancers who are married or dating and asking either of them to dance, ask permission from the other. So you show courtesy and express recognition of the second half. It seems rude to me to invite one of the couple without saying a word to the other. This rule also applies to women who must ask a woman for permission to dance with her man. Ladies, if a gentleman is standing embracing his significant other, and you come up and ask him to dance, instead of taking one and dragging him away, greet both first. Unfortunately, rudeness is common in milongas.
It may seem that most of these rules should not have been described, but they are not. Anyone who violates the above rules violates them because he gives vent to his egoism. But we are all human. We all love tango music, we love to dance and we have to learn to be together in the milongas. Pair dancing is the feeling of another person. So let's stick to the rules so that our milongas are enjoyable for everyone present.
Author: Ney Melo
How to refuse a guy in a dance?))
How to refuse a guy in ...
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if you don't want to dance say no
Something in which club you won’t join the sluts no
ahah author how old are you?
if you don't want to dance like that, say I don't want to
I was in the camp and there was one boy with me in the detachment. He was tall, but so scary, and we were in the same detachment ... we sometimes sat all together with counselors, and I just look at him (quite by accident) and he was already staring at me. In general, I thought he liked me. And one day he came up to me at the discos and invited me to a slow dance ..... I, of course, correctly refused (and how can I dance with such a tall one) and he fell behind .. but then he approached me like that 2 more times, I again refused him. .....Did he really think that I like him...........AND THEN ALL THE REMAINING TIME IN THE CAMP HE LOOKED SO TERRIBLY AT ME......generally horror
#18 9000 9000
2222 today I went up to a girl in a club to dance, and she said that she herself was in the part of girls . .. I went to talk with another, we talked, and she, too, was one of these, as it turned out. I guess I ended up in the wrong club xD
something in which club you don’t come slow-moving no
and where are the slow-moving ones included? something to which club you won’t come slow-moving no
ahah author how old are you?
if you don't want to dance, say I don't want to
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