How to learn couple dance
5 Basic Dance Steps for Wedding that Everyone Should Know — Duet Dance Studio Chicago
Knowing some simple basic dance steps is helpful to anyone, whether you are preparing for a wedding, prom or social event. The tutorial videos below show you some of the most versatile basic dance steps for wedding. Instead of rocking side to side with your partner, impress your special someone with these simple yet fun dance steps at your next event!
1. The Side Basic
This basic dance step is easy to master and works great with 80% of the songs they play at weddings and parties. You can dance it slowly to slower songs or speed it up for songs with faster tempo. Not only can you dance this step with a partner, you can also use it as a solo dance move! The key is to dance to the beat and move your feet rhythmically. Practice this a lot until you don't have to think about it.
2. The Right Turn
Once you have mastered the side basic, you can surprise your partner with a simple right turn. This turn is an extension from the side basic. Footwork is the same for the leader. The key is to signal your partner at the right time and lead with confidence.
3. The Waltz Box Step
What do you do when a romantic waltz song comes on at a wedding? Learn this simple waltz box step and "sweep your partner off her feet!" Surprisingly, you might already know the wedding waltz basic. Remember the PE ballroom dance class you took way back when you were in grade school? Does the Box Step sound familiar to you? The waltz box step is one of the most versatile and most taught basic dance steps in partner dancing. Let's take a little refresher course on the box step here!
4. The Under Arm Turn
One of the most exciting things about partner dancing is that you get to turn your partner. And who doesn't like to turn? The Under Arm Turn we are showing you below is an extension from the Waltz Box. It's a graceful turn that will not only impress your partner but also the onlookers!
Lastly, no dance is complete without a fancy dip! Many people are afraid of this move. In fact, it is a fairly safe move if you understand the correct posture and body positions for this pose. Watch this tutorial and learn to dip your partner safely and gracefully.
What is your favorite dance step for weddings? Please comment below. And if you'd like to learn more dance moves for your wedding, click the button below.
Online Wedding Dance Lessons
The Duet Team is a group of friendly dancers who are passionate about helping people and sharing the joy of ballroom dance. And we love to make new friends and have fun at work! Duet Dance Studio is located in Chicago West Bucktown. We offer ballroom dance lessons, wedding dance instruction and private dance parties. Online Wedding Dance Lessons and Skype dance lessons are also available! Dances we teach include Salsa, Swing, Tango, Bachata, Merengue, Waltz and Foxtrot. Sign up for an introductory dance lesson now to get started!
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How To Dance At A Wedding For Couples
Learn how to dance at a wedding using easy dance moves perfect for couples dancing. We’ll show 2 different dances below including the Foxtort and Swing which fit most wedding dances. You can learn more Ballroom dancing in this guide.
How to dance at a wedding – Using Foxtort:
Foxtrot is a classy dance that fits most 4/4 songs. It is one of the easiest ones to do.
The key is to get around the room smoothly… As you approach a corner, that is the perfect time to do the rock step turn and get back to “the line of dance” (counter clockwise) with your basic step.
The foot patterns:
For the basic step:
Men: Forward, forward, side, close
Ladies: Back, back, side, close
For the rocks step (the corner step):
Men: Forward,replace, side, close
Ladies: Back, replace, side, close
You will use the closed hold in this dance. That means the men’s left hand is connected to the lady’s right hand. And the men’s right arm is placed on the lady’s left shoulder blade area, while the lady’s left arm is placed on top of his shoulder. Be sure to apply a little bit of pressure forward so that you are “connected” to one another for better leading and following.
How to count the Foxtort:
The music is phrased in counts of 8 so you want to listen to the beats and count them 1-8. Once you’re able to do that you can count the foxtrot basic timing which is: Slow, Slow, Quick, Quick. That means the slow gets 2 beats and the quick gets 1 beat.
Check out more Foxtrot dance lessons here.
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How to dance at a wedding – Using Swing:
The Swing also fits many of the same songs that a Foxtrot would, but it’s best to use for more energetic/faster type of songs.
The foot patterns for basic step:
Starting with left foot
Rocks step – Step back with left and replace on right.
Triple step to left – Side, close, side (left, right, left)
Trip step to right – Side, close, side (right, left, right)
Starting with right foot
Rocks step – Step back with right and replace on left.
Triple step to right – Side, close, side (right, left, right)
Triple step to left – Side, close, side (left, right, left)
The frame in Swing is a little looser (not so rigid). Often times the man’s left hand and lady’s right hand will be down at around the waist level – with the man’s left thumb wrapping the top of lady’s hand. Then on the other side, the man’s right arm is placed around the lady’s left shoulder blade area, and lady’s left arm is placed on the top of his shoulder.
How to count the Swing:
You can simply count the Swing with: Rock step, triple step, triple step. Or you can also use numbers like: 1,2, 3 a 4, 3 a 4. It is important to note that the rock steps are full beats, while the triple steps are syncopated. What does that mean? Well, you’d have to give more time for the rock steps.
Check out more Swing dance lessons here.
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Any questions? Leave a comment below and let us know90,000 12 life hacks, to quickly learn how to dance from Mamita Dance
Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango
Author: Pavel Pavel
Psychologist, Lecturer Salsa
on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow. nine0003
This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.
1. Listen to music
The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores. nine0003
An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.
2. Watch videos of good dancers
It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself). nine0003
Meaningful video viewing is about building an understanding of HOW dancers make a particular impression on a partner or viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.
It is important to distinguish a show from a disco dance, a staged performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance teachers will always throw off a couple of videos of worthy landmarks. nine0007
Tango Z. Showreel.
Online modern tango courses
Tango nuevo is the most advanced version of tango. We can quickly learn to dance from zero to a steep level.
3. Dance in salsatecas/milongas/discotheques
A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”. nine0003
In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.
4. Dance with partners or partners not of your level
The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widened in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere. nine0003
It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.
How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too. nine0003
Dancing with partners of your level doesn't make you grow. Dance with both beginners and more advanced dancers
Dominican Bachata Women's Style Online Course
Want to learn how to hypnotize those around you with the most appetizing part of your body? On the course we will tell you all the secrets.
5. Learn to dance for a partner and for a partner
Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner. nine0003
In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.
6. Do not memorize the links
Always try to look deeper and understand the through principle and idea of movement. Understanding what and how is done will make it possible to independently generate any sequences and chips. nine0003
Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.
In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.
7. Develop your body
Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you. nine0003
The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.
You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship. nine0003
8. Try on the images of inspiring dancers
A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.
With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently. nine0003
9. Dance to offbeat music
Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.
The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them. nine0007
Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for the style
10. Try your hand at basic dance directions
dances exist according to their own non-choreographic laws.
This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles. nine0003
Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.
11. Look for battle sensations
Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of big cities. nine0003
If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.
The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.
Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements. nine0007
12. Communicate with professionals
The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.
Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion. nine0003
Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.
Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances. Regardless of your level, the suggested 12 life hacks can get you off the ground and greatly accelerate your dance growth. There is no way here without your motivation and activity. Take your dance development into your own hands. nineOl000 Dangerous sexuality
Salsa: destroyers of stereotypes
Couple dancing as a source of strength.
Self-destruction of the couple dance community
The Salsa series as a mirror of the community
Mamita Fridays: salsa, bachata
Destroying the myths about leading pair dances
Does dancing make us better?
The seven deadly sins of teachers
Why we will never dance bachata like the Dominicans
Dispute over musicality
Selection of dances according to alcohol preferences
Where to find inspiration for dancing? nine0003
Terrible tango nuevo
Distribution of roles in a salsa party
Argentinean tango through the eyes of a salsa dancer
Is there a predisposition to dancing?
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