How to do the panoramic dance

how to do panoramic dance



For You




Full mirrored tutorial with detailed explanations on my YouTube: Jing Huang 🥰 Come learn with me! #izonepanoramachallenge #izone #fyp #kpopdance

40.1K Likes, 183 Comments. TikTok video from JING 🐰 (@jing.h): "Full mirrored tutorial with detailed explanations on my YouTube: Jing Huang 🥰 Come learn with me! #izonepanoramachallenge #izone #fyp #kpopdance". 📷RLR | 🙌🏻🔝🚁 | 🙆🏻‍♀️⬇️👏🏻🙋🏻‍♀️ | .... Panorama.


Panorama - IZ*ONE (아이즈원)



Answer to @da_best_day here's the tutorial. hope it helps u🥴 #izone #wizone #panorama

14K Likes, 122 Comments. TikTok video from ᴍᴀʀᴛᴜᴋɪ (@martayunjo): "Answer to @da_best_day here's the tutorial. hope it helps u🥴 #izone #wizone #panorama". cc: | okay it's one, two and walk | walk, walk, walk, walk, keep walking, keep walking, just keep walking | .... original sound.


original sound - ᴍᴀʀᴛᴜᴋɪ



Reply to @karamellips mirrored and 50% slowed @officializone_ #kpop #izone #izonepanorama #izonepanoramachallenge #dancetutorial #learnontiktok

507 Likes, 8 Comments. TikTok video from Karen (@karamellips): "Reply to @karamellips mirrored and 50% slowed @officializone_ #kpop #izone #izonepanorama #izonepanoramachallenge #dancetutorial #learnontiktok". Panorama Izone tutorial | 🧎‍♀️ | ⬆👋x3 🙅‍♀️👊👊 | .... Panorama.


Panorama - IZ*ONE (아이즈원)



PANORAMIC TUTORIAL ‼️ This helped me learn the dance, I hope it works for you 😂 #UltraSmoothMoves #fyp #xyzbca #tutorial #dance #funny #hey

1.9K Likes, 33 Comments. TikTok video from ✨BE SEAN✨ (@officialbesean): "PANORAMIC TUTORIAL ‼️ This helped me learn the dance, I hope it works for you 😂 #UltraSmoothMoves #fyp #xyzbca #tutorial #dance #funny #hey". original sound.


original sound - ✨BE SEAN✨


Lexus- Dance Tutorials

Reply to @officialcandyyy panoramic dance tutorial 😍🍑 #MyHobby #dancetutorial #RedBullDanceYourStyle #foryoupage

264 Likes, 5 Comments. TikTok video from Lexus- Dance Tutorials (@lexuswilliams_): "Reply to @officialcandyyy panoramic dance tutorial 😍🍑 #MyHobby #dancetutorial #RedBullDanceYourStyle #foryoupage". 🤛🏽🤛🏽 🖐🏽⬆️⬇️ ✌🏽 💪🏽⬅️ 💪🏽🔄 🌊 👇🏽👇🏽 🤫 👊🏽👊🏽 🤜🏽🤛🏽 🍑🍑 🔎🔍 🍑🔄 💪🏽🦵🏽 🍑🍑🍑🍑 | ✅ | ✅ | .... original sound.


original sound - I.D.



“Panorama Bi**h“ Dance Tutorial

TikTok video from tik._.tok.helper (@tik._.tok.helper): "“Panorama Bi**h“ Dance Tutorial". ᑭᗩᑎOᖇᗩᗰᗩ ᗷ**ᑕᕼ | 2 “L signs“ and push to front | 2 number eight movments | .... Different Varieties (Explicit).


Different Varieties (Explicit) - KINGMOSTWANTED



PANORAMIC tutorial 🤪🤩 #foryou #foryoupage #dancetutorial #dancing #selflove #dance #tutorial #SnickersFixTheWorld

TikTok video from cassidy (@cassidyyyjm): "PANORAMIC tutorial 🤪🤩 #foryou #foryoupage #dancetutorial #dancing #selflove #dance #tutorial #SnickersFixTheWorld". original sound.


original sound - eliana 🧿


Ryan XD 🐣

Reply to @whitebreadie & @itsmeains_ i hope this helps 🥺 #tutorial #dancetutorial #kpop #izone #fyp #kpopfyp #panorama #foryou #foryoupage #kpoper #kpopers

255 Likes, 10 Comments. TikTok video from Ryan XD 🐣 (@ryandance4fun): "Reply to @whitebreadie & @itsmeains_ i hope this helps 🥺 #tutorial#dancetutorial#kpop#izone#fyp#kpopfyp#panorama#foryou#foryoupage#kpoper#kpopers". MIRRORED+SLOWED DANCE TUTORIAL. Panorama.


Panorama - IZ*ONE (아이즈원)


sean 🇮🇩

Reply to @anakibu04__ semoga membantu frenz 🥳 #panorama #kpopdance #izone #fyp #foryou #dancetutorial #viral

1. 3K Likes, 14 Comments. TikTok video from sean 🇮🇩 (@doinggreatsean): "Reply to @anakibu04__ semoga membantu frenz 🥳 #panorama #kpopdance #izone #fyp #foryou #dancetutorial #viral". IZ*ONE – Panorama dance tutorial. original sound - sean 🇲🇨.


original sound - sean 🇲🇨 - sean 🇮🇩

Melding Dance and Panoramic Visuals to Immerse Audiences in “Humanity”

Technology is everywhere in our modern world, changing the way that we bank, shop, communicate, and do business. It’s also changing how we experience art. Interactive installations, 3D visuals, augmented reality, and projection mapping help art break loose from frames and traditional stages to immerse viewers in multisensory, creative experiences.

batwin + robin productions specializes in merging technology advances with art to create multimedia experiences that excite the imagination, the intellect, and the senses. The agency’s award-winning work has been featured in museums, events, sports arenas, and stages on and off Broadway.

“Every project is completely different, whether we’re doing the Christmas Spectacular at Radio City Music Hall or producing animated fundraising screens for a charity gala,” says Linda Batwin, principal and creative director at batwin + robin. “We challenge ourselves to stay on the forefront of technology to bring creative ideas to life.”

A common thread across many batwin + robin productions is using large-scale visuals, whether it’s video projected onto the walls of a concert hall, animations displayed on a massive LED screen, or cinematic show openers projected on the ice at Madison Square Gardens. batwin + robin can spend months or even years collaborating with partners to brainstorm new ways of presenting visuals and supporting the performance or content. Throughout the production process, Adobe Creative Cloud apps including After Effects and InDesign, and Adobe Stock, play a key role in helping batwin + robin execute on its vision for creating compelling multimedia experiences.

Premiering a new hit

One of the latest projects batwin + robin worked on is the show Humanity, which premiered December 2018 on Holland America Lines’ newest Pinnacle class cruise ship. Developed in collaboration with RWS Entertainment Group, a full-service production company in NYC that creates award-winning custom entertainment, live events and branded experiences worldwide, Humanity is a new type of live entertainment experience that combines dance with 270-degrees of panoramic visuals. Visual effects and motion graphics display across a two-story tall, 250-foot long LED wall and seamlessly extend onto the stage using projection mapping.

The unique visuals allow the Humanity dancers from Step One Dance Company to interact in a way that audiences have never seen. In one segment, a dancer appears to play with light as an object, first holding it in his hand, and then sending it soaring around the theater. In another act, a single performer dances across the stage followed by her shadow. As the dance progresses, she breaks away from her shadow mirroring her and challenges it to a dance-off.

“It’s probably one of the biggest hits in the past decade for Holland America Line,” says director John Charron of RWS. “I’ve heard that they’ve never failed to receive a standing ovation. It’s not just dancers in front of wallpaper, it’s the visual effects and graphics that play a role too. The effect is stunning.”

The making of


RWS Entertainment Group brought batwin + robin in early in the production process. Linda and Adam Casini, a producer with batwin + robin, eagerly took up the task of creating a wholly unique interactive show. “Humanity started with a lot of meetings with RWS and Holland America Line to get an idea of what they wanted to do for the show, what has been done with interactive dance, and how we could go beyond that to make it an even more amazing experience for a live theater audience,” says Adam.

As with most batwin + robin projects, Humanity began as a series of storyboards and concept boards created with Adobe InDesign. Producers pulled together sketches, photographs, and image assets into InDesign files to create a strong outline of the proposed production.

The team at batwin + robin has found that Adobe Stock serves as a helpful source of inspiration for concept boards. Working directly through InDesign, producers can search through millions of stock photographs, video clips, and graphics to help illustrate the types of visuals that the producer wants to use.

“The concept boards are the backbone of our production process,” says Linda. “We share the concept boards with music producers, lighting directors, choreographers, and anyone else involved on the project. The back-and-forth collaboration helps us to further develop ideas.”

After finalizing the storyboards for Humanity, RWS workshoped the performance at their studios in NYC. batwin + robin then used this workshop footage to create a 3D previsualization model of the show using Adobe After Effects and MAXON Cinema 4D.

“It’s important that every audience member walks away from Humanity with a fantastic experience,” says Linda. “The previsualization helps us understand how people see the performance from different seats.”

The bulk of the show’s visuals are built using After Effects to create animations, add motion graphics, and incorporate 3D elements created in Cinema 4D.

“We’re generally creating full-resolution assets using After Effects and Photoshop at the same time as the previsualization,” adds Adam. “It means that we can move quickly to finalize and render assets once they’re approved.”

Prior to the show’s launch, batwin + robin joined the RWS production team aboard the Holland America Line ship for final adjustments to visuals and programming. If there were any changes needed, batwin + robin adjusted and re-rendered the After Effects file and then encoded the final master files using Adobe Media Encoder.

With Humanity already a big hit on the cruise, batwin + robin is already working to adjust the show for other ships. Not all ships have 250 feet of LED screen, so the team needs to rework visuals and adjust the choreography to meet the needs of every stage.

“It’s hard to pick a favorite moment from the show,” says Adam. “For me, it might be one scene where the dancers are surrounded by rain. You watch as the rain takes on different qualities, until it becomes a complete abstraction with umbrellas and flowers. The show is full of beautiful little moments and unexpected touches. It never stops being fun to see the amazed reactions from audiences.”

90,000 12 life hacks, to quickly learn how to dance from Mamita Dance


Author: Pavel Gather
Psychologist, Lecturer Salsa and Tango


Author: Pavel Pavel
Psychologist, Lecturer Salsa

on At the start, you always want to get a quick result. When it doesn't happen, the hypothesis arises that everything takes time. After a conditionally acceptable time, humility comes to mastering pair dances, which, perhaps, is not given, and I will just do what I learned somehow.

This is the most common story of those who believe that the mere act of attending a pair dance class is enough to learn how to dance.
Absolutely not. If you want to really dance well, you have to make an effort outside of the dance class. A good teacher will definitely be needed, but the initiative should be on your side.

1. Listen to music

The most common and accessible advice that is given already in the first lessons. And it definitely works. Music creates a certain atmosphere of the dance and intuitively you want to move to it. It doesn't matter where you listen to music - in the car, on headphones while walking or doing household chores.

An addition that will help you dance better is your active participation in the music. Sing along, dance or simply beat musical accents with any free parts of the body. In the subway, for example, it is enough to tap out bright moments with your fingers, in the car to sing along with sounds, and at home you can jump for pleasure.

2. Watch videos of good dancers

It's complicated, but also obvious. It’s more difficult, because without recommendations from more experienced dancers, unfortunately, it’s not so easy to find a good quality video on the net (I mean not the resolution quality, but the content itself).

Meaningful viewing of the video is to form an understanding of HOW the dancers make this or that impression on the partner or the viewer. Technology is at the heart of everything. Understanding how the pros do it is a big step forward.

It is important to distinguish between a show and a disco dance, a choreographed performance from an improvisation, a stylized dance from an authentic one, etc. Ask for recommendations and dance instructors will always upload a couple of videos of worthy landmarks.

Tango Z. Showreel.

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3. Dance in salsatecas/milongas/discotheques

A very delicate moment when it is worth coming to the first party. From a technical point of view, most students in 1-3 months have a sufficient set of figures and techniques to come and dance calmly. Psychologically, the same moment can be stretched out for an indefinite time. After all, it is imperative to “not lose face”, “learn more figures” and be sure what to do in case “there is an unfamiliar movement”.

In fact, the partygoers don't really care (except for a small layer of non-professional teachers who want to help inexperienced dancers by treating them as customers in the future). It is important to come and try dancing after a month of classes. You can only with friends or guys from your group. This will be enough to feel the adrenaline and inspiration from the dance.

4. Dance with partners or partners not of your level

The conventional wisdom that you need to practice in groups of your level does not withstand the test of experience. Perhaps now your eyes widen in surprise, and you want to meaningfully read the phrase again. Yes, you saw everything correctly: when you dance with a partner of your level, you don’t grow anywhere.

It's important to understand that not only does it work one way and you have to dance with cooler dancers, but it works even more effectively the other way. It is no coincidence that teaching pair dances dramatically raises the level of the teacher himself. You have an endless stream of very beginner dancers.

How it works. A more experienced partner needs to be "stretched". It's easy and obvious. With beginners, you need to take more initiative on yourself, see the general pattern of the dance more widely, turn on and insure more, try to be an example and be more careful. The quality of interaction begins to grow significantly. And wonderful partners too.

Dancing with partners of your level doesn't make you grow. Dance with beginners and more advanced dancers

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5. Learn to dance for a partner and for a partner

Turks and Argentines are one of the best partners in the world. In Russia, partners are highly valued. Why? The answer is simple. In Argentina and Turkey, it is not questionable for men to ask another man to lead in one piece or another and give feedback on the quality of the lead. For them, it will be a great shame to hear moralizing from a partner, or even more so to be known in the community as an insecure partner.

In Russia, due to the constant, often far-fetched, opinion that there are more women in pair dances, partners calmly get up and study their partner's part. Such partners then grow into very cool dancers and teachers. In no case do this at parties, only in class. Here we are talking only about the learning strategy. At parties, be yourself.

6. Do not memorize the links

Always try to look deeper and understand the through principle and idea of ​​movement. Understanding what and how is done will make it possible to independently generate any sequences and chips.

Human memory is limited and there will always be a moment when something will escape and your repertoire will be limited by the size of RAM.

In Argentine tango, for example, there are seven levels of movement construction that, when mastered, will allow you to make millions of combinations. And how many dance sequences can you really remember? In rueda, more than 150 figures dance in a rare circle. It's hard to keep more in mind.

7. Develop your body

Many years of experience in teaching couple dance shows that as soon as everyone pairs up in a class, any progress in individual style ends. But it is the individual style that distinguishes everyone at the disco: partners change, and style is always with you.

The body as the main instrument of dance must be very plastic, responsive and emotional. Surprisingly, not all pair dance schools have a general physical warm-up. It is vital to tune the body and understand how it works.

You can always train extra and concentrate more on the basic steps, as their true value is as body work. The sequence of steps is, in fact, the simplest thing that can be in pair dancing. The quality of individual performance determines the craftsmanship.

8. Try on the images of inspiring dancers

A psychological life hack for those who have already mastered the steps, but still feel that there is not enough brightness and drive. Most are terribly afraid of being someone else's "clone". Here the action is the same as under the influence of hypnosis - the more you resist, the more you plunge into an altered state of consciousness.

With a high degree of probability, you are already dancing like someone else's "clone". A meaningful fitting of someone else's image is that you mentally take the image of the one who inspires you (inspiration is critical in this case) and "put on" yourself. Then you start dancing and trying to feel in general how it is to be able, for example, to be the best partner or the sexiest partner in a disco. This is much more difficult than it seems. But it works extremely efficiently.

9. Dance to offbeat music

Habitual rhythms keep you tight. Tango salon or speedy timba leave little room for experimentation and fantasy. Pattern dancing is always noticeable and is reserved for beginners.

The truly new is born outside of the usual. Look for places to experiment. If there is no place, organize self-training. The main thing is not to get carried away, because music determines the style. We bring something new to pair dances, rather than trying to change them.

Search, improvise, don’t be afraid to go beyond, develop in different directions, be inspired by music atypical for the style

10. Try your hand at basic dance directions

dances exist according to their own non-choreographic laws.

This is the deepest delusion, which has turned into a ceiling for the qualitative development of partner dances. After all, all professional dancers, for example, in salsa or bachata, build their ideas on the basic choreographic principles.

Do not think that choreography is only applicable on stage. Any meaningful movement of the body can be choreographic. In general, try classical or modern choreography. Basically, hip-hop can work too.

11. Look for battle sensations

Pair dances return us to an active position of manifestation of our body. As in the days of our ancient ancestors, we impress the members of the opposite sex by how dexterous, hardy, sexy, etc. we are. Modern laws of the jungle in the entourage of big cities.

If you look around the dance floor, it becomes clear that the majority are clearly herbivores (not in the sense of vegetarians, but in relation to those around them). I am sure that predators are always more interesting in terms of the attractiveness of the image - try to find a counterbalance among herbivores, for example, a cat woman or a lion man.

The conversation is about an internal position, not about aggressiveness. Lability and lack of control are inherent in adolescents, and not in adult self-sufficient people.

Accordingly, even a training or friendly battle gives, on the one hand, practical skills - to make a bright sequence of movements, bring an idea to a climax, show a spectacular feature, on the other hand, develops the psychological basis of the dance - self-confidence, resistance to extraneous attention, self-control and self-control in complex elements.

12. Communicate with professionals

The environment shapes the internal position. Basically, real passionaries of the dance community are ready to openly talk, discuss and support the development of dance in every possible way. Universal principles and the ideas they articulate have a much longer and more practical perspective than meets the eye.

Accept that, for example, behind the words "listen to your partner" is not only a beautiful metaphor, but also a practical skill to literally listen to your partner. At the same time, always treat every thought, even the most respected teacher, as a private opinion.

Your skill will lie in finding the scope of the idea even in conflicting opinions. Most often, the contradiction is speculative and the truth lies in the angle of perception or situationality.

Your dancing growth will stop sooner or later. This can happen at the level of three basic steps or years of experience in teaching and show performances. Regardless of your level, the suggested 12 life hacks can get you off the ground and greatly accelerate your dance growth. There is no way here without your motivation and activity. Take your dance development into your own hands. 9Ol000 Dangerous sexuality

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7 tips for those who want to learn how to dance

September 9, 2020Reno5Life

Dancing is a great way to make friends with your body and gain self-confidence. And yes, they can be mastered at any age.



1. Choose your style

The idea here is the same as for sports: if you secretly hate yoga or iron exercises, you are unlikely to go to workouts week after week. To achieve noticeable progress in dancing, a beginner will have to practice a lot and regularly, so it’s better not to torture yourself and choose a direction that really ignites.

You can focus on the music that you like - you need to catch the drive from movements to it. It is music that forms the style of dance and its energy, so decide what is closer to you: for example, funk lovers should try popping or locking, folk fans may like Irish dancing, and if you respect jazz, swing and everything like that, take a closer look at lindy hop.

Another criterion is the nature of the movements. Some are closer to dynamic, as in hip-hop, others are smooth and sensual - for this in tango. There are also health restrictions to consider. So, twerk is not suitable if there are problems with the lumbar spine, with sore knees it is better not to get involved in shuffle, and it will be difficult for an aged person to master house.

2. Set a goal

Photo: Iakov Filimonov / Shutterstock

You can start dancing at any age, but it's important to keep in mind why you started it in the first place. It is perhaps too bold to expect that in half a year of classes it will be possible to reach the level of international dance championships from scratch. But if you want to try dancing in order to develop plasticity and learn to feel the body better, great, go ahead.

Don't expect to get it right the first time. When you learn from scratch, difficulties are absolutely normal, the main thing is not to score in classes. Over time, both the correct posture and a beautiful gait will be developed, and as a bonus you will also get self-confidence - with freedom of movement, freedom from complexes will come.


Don't give up on sports

Some dances in themselves make for a good workout. A vigorous shuffle will replace cardio, and a break can give a load to almost all muscle groups. And yet, without preparation, it will not be easy. A more or less good stretch is needed in any type of dance, and, for example, strong arms and strong abdominal and back muscles are also useful for pole dancing. You can combine dancing with strength exercises, but you need to give the body time to recover and not plan classes in a row, but allocate at least a day of rest between them.

And don't forget to warm up before dancing. So that the training does not end with an injury, the muscles and joints need to be prepared for the load. You can allocate 10–15 minutes for a warm-up, it should include simple articular gymnastics (at least elementary rotational movements of the shoulders and knees), tilts and dynamic stretching.

4. Take some lessons from a trainer

Especially if you have never danced before. Those with experience can learn new styles at home with video tutorials, but that's because they already know how to control their bodies. Beginners are unlikely to succeed, but disappointment in themselves and demotivation are guaranteed - if you can’t repeat elementary movements, then there’s no point in doing it.

Nothing really strange here. Without preparation, it is difficult to just take it and start moving freely. At least the basic elements are better to master under the guidance of a pro, and when you feel that you are coping, supplement these lessons with home workouts.

5. Learn something new in every class

When you repeat the same set of exercises and movements over and over again, classes turn into a good way to pass your free time, only you can forget about progress. Acquaintance with new elements is the same mandatory part of any workout as a warm-up. It doesn't matter if you work with a mentor or on your own.

Do not immediately try to copy cool dancers. First, study the basic movements, then try to combine them into bundles until you hone them to automatism, and then experiment and improvise, creating something new based on familiar elements.

6. Record yourself on video

It is not necessary to record the entire workout from the warm-up, it is enough to record only those moments with which you have problems. These can be separate movements or bundles that are not given in any way. Review the video and, if possible, objectively assess what is wrong: perhaps there are technical problems that are difficult to notice in the process. When you understand what's wrong, try to repeat the movement and record it on video again - and so on until you achieve a good result.

This approach will help you find errors and track progress. You can not even limit yourself to memorized ligaments, but improvise - then see how it looks from the outside.

7. Find like-minded people

Photo: Iakov Filimonov / Shutterstock

If you need an extra reason not to miss classes, then meeting new people can be a good motivation. It is easier here for those who train in a group. Often the dance school becomes the center of a close-knit community, where people come not only for the sake of classes, but also just to spend time together at dance parties.

Finally, the more partners around, the more experience. Do not limit yourself to dancers of your level of training and practice with those who are stronger or weaker than you. In the first case, you will be able to improve your skills, and in the second, you will try yourself as a coach - this, by the way, is a good way to learn to take more initiative and understand the very principle of movement in dance, and not just memorize the alternation of chords.

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