How to dip dance move


Should You Do It? – Yami Dance Shoes

 

As we've all seen in the movies or TV, dipping is very sexy, and it adds a fabulous flair to a routine. It’s one move that’ll wow the audience, for sure!

Here’s the thing: it may look like a simple stunt to pull and it only takes a second to execute but dipping is a complex dance move. It’s definitely not for beginners! 

Dipping a person in real life is not only tricky; it can be dangerous if you're not used to making such a stunt. It’s all fun and games until someone breaks a nose or bangs the head on the hard floor from a stunt gone wrong.

The dancers doing the dipping on TV are professionals with *years* of experience and training with such maneuvers.

Part of the fun of dancing is that you can experiment with different moves and give your own twist to the dance style itself. And yes, dipping your dance partner seems like a great idea to attract attention on the dance floor. So should you do it? What are the essential factors that you should consider before dipping a partner? If you’re the one being dipped, what are the things that you need to know before pulling such a complex stunt? Here are some tips: 

Are you fit enough to dip?

One of the most important things to consider when executing a complicated stunt is your own level of fitness and experience making such a move. You don't want to risk injuring yourself and your dance partner with a spontaneous dip. 

When you’re doing the dipping, you’re basically taking on your partner’s body weight on top of your own. And your back, shoulders, and legs will take the brunt of the pressure as you dip someone. Sure, dipping is only done for a split second, but one wrong move and you and your partner could end up crumpled on the dance floor. 

To dip a partner safely and successfully, you need to focus your center of gravity lower to keep the torso and legs stable. Keep your legs wide apart at hip-width to maintain your balance, then bring one leg forward and bend as you dip your partner lower. This way, you can keep your balance while shifting your force to your hands as you hold your dance partner lower. Bring her back up gently by shifting your force to your upper torso and back. 

Your hands should hold the partner firmly, so you don’t lose your grip. Also, your arms should be strong enough to take on the added weight. 

Lead your partner

If you’re doing the dipping, then you have to lead your partner. Since you're leading the dance, you need to ask your partner if it's okay to dip because surprising her with one might lead to a broken nose!

If you are dipping a stranger and not a regular dance partner, you need to know if she has the technical know-how to be dipped. If she doesn't, and she’s trusting you with this dance move, you need to check yourself if you can dip her safely despite her lack of experience and figure out ways to maneuver the dance in a way that lets you dip a first-timer properly. 

Pro tip: Always check if your dance partner is appropriately dressed before asking for dipping. If she’s wearing a short dress, she might accidentally expose herself in the process. 

Safety First 

Assuming that you have the technical ability to dip a total stranger safely, you need to check the area where you'd like to make a move. The area should be big enough for the dip. Check if other couples are going in and out of the space before the dip, so you don't end up accidentally bumping heads. 

If the dance floor is crowded or if people kept going in and out of the area where you'd like to dip your partner, do not make a move. You can only control your own movements and not the actions of those around you. You cannot avoid bumping to other dancers if the space is too tight for a dip, and you don't want to injure someone just because you insist on making this dance move.

Dance Basics: How To Dip Your Partner

 

 

Bachata: A Quick Dip

 

 

No one likes a spontaneous dip. When you’re about to do the dip, let her know. Give her a signal or something, like placing your hand on her upper back and gently lowering her backward. She’ll get the message. 

If your dance partner stiffens as you try to lower her backward, it’s a sign that she doesn’t want to be dipped and never force her to perform one. 

Finally and most importantly, do not push your partner too far for a dip, and never dip aggressively. Dipping should be done gently and with care. It's a difficult stunt to pull off as is, and you don't want to give the impression that you’re too much of a showoff by dipping aggressively at the expense of your dance partner.

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How to Perform the dance move "the Dip" « Hip Hop :: WonderHowTo

Check out this instructional dance video to learn how to do "The Dip". Learn this smooth move to rock in the clubs or at parties. This is a prerequisite for one of the types of freak dancing. Chihoe "Groove" Szeto teaches you popular, fun dance moves step by step in these tutorial videos. Remember to have fun and practice your hip hop skills with this tutorial video.

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How I “dived” into IT / Sudo Null IT News

Deep breath and . .
Instructions for those who want to change their profession and enter IT. On the example of my experience of studying at Yandex Practicum.

At the beginning of last year, I seriously thought about changing my career. By the time I was 32, I had come a long way in the Telecom industry. I was simply bored, and the industry itself had been degrading for several years. Of course, the financial prospects were also doubtful, and my son was born .. With long thoughts, I came to the path of an IT developer. I chose the language and platform for learning, as a result I completed the paid course "Python-developer" from Yandex Practicum this year. Today I am looking for a job. Today I will describe my path. I share because a year ago I personally lacked just such information that would save me time and money! nine0005

What you need to understand when deciding to change careers: IT development is both a difficult and easy area. It is complicated for the following reasons:

  • You need to know a large stack of technologies, and the technologies themselves are dynamically changing, becoming obsolete, being replaced.

  • When something goes wrong, there can be +100500 reasons for this, and the legs of problems can grow from completely different places - from a comma in the code, to a software package on a particular laptop. nine0005

  • IT Co. is a constant learning.

  • Often there is no one to teach you inside the company. Of course, there are large corporations where there will be someone to go to for advice. However, they are often not up to you.

  • In IT, the skills of self-learning and information extraction are extremely important.

  • In IT Co., it's normal to bang your head against the wall and look for a solution for several days. nine0005

  • The IT community is generally very friendly.

  • There are many paid and free courses.

A serious argument in favor of IT Co. are salaries - the average salary for developers in the country is higher than in other areas.

Who shouldn't go to IT? Firstly, for people who cannot allocate 1-4 hours for additional education every day. You have to learn a lot and constantly. Secondly, sharp individualists or frankly not sociable people - IT is already at the stage of study - this is a team work, you will have to get acquainted, communicate with people, and the farther into the forest, the more! Thirdly, those who do not know how to deep work will often have to deal with topics that are not something that can be understood in an hour or two, in a couple of days. In fact, all these moments will take place with any change of activity - but the allocation of time for the IT sphere is the most important criterion. nine0005

How to enter IT Co.?

Let's start with free or cheap ways:

  • Moving within the current company is not uncommon. If you have already decided to go to IT, analyze whether your current employer needs such specialists. If there is already such a staff, talk to them, clarify their pain, workload, maybe they are just in the rubble, they need extra hands. Next, go to the cadres, to the leadership and talk about your desire and willingness to learn. nine0005

  • Self-learning. This option will work if you have a lot of free time. Many technologies can really be mastered to some extent by yourself - here perseverance and English will help you. But if there are absolutely no acquaintances in IT who sometimes help with advice, the path is almost a dead end.

  • Free courses. There are not so many Russian speakers, but they are and are constantly updated. The most famous: Stepik. The pool of such courses is poor and enough to get started or familiarize yourself. Again, we need acquaintances in IT, otherwise get ready for dead ends. nine0005

  • Training programs for large IT companies. There are not enough IT specialists, serious companies grow them themselves. School 21 from Sberbank, Tinkoff Fintech, Alfa Campus from Alfabank, Yandex Academy, there are others. There is a strict selection of candidates for such courses - it’s a meat grinder in places, because this is more a way for those who have trained themselves and have done something with their own hands. A huge plus of such projects is the maximum possible employment at the exit. Follow these projects and try! nine0005

  • Receive a government subsidy to pay for paid courses. Read the conditions for getting under support here ( https://profidigital.gosuslugi.ru/ ). Courses change every month, so if you don’t have what you need, check back in a month. Yandex Practicum courses, where I studied Python, are also there.

If you fall under state subsidies, I advise you to use this chance! If you don’t get it: take free courses yourself, read the “materiel”, try to do something with your own hands and ..... And save up for paid ones! nine0005

Now let's talk about paid courses and why they give much more, but first the most important thing about paid courses:

No one will learn there for you, the courses will not give answers to all your questions, most likely they will not even give half. This is what many do not understand when they come to paid courses. The courses teach you to “hold the spoon” rather than putting food in your mouth. As I mentioned, self-study and information retrieval are needed in IT and they are needed no less in courses! However, paid courses have a huge boost effect, and here's why (I'm talking about my studies at Yandex Practicum):

  • Information is structured. This saves time for studying the material.

  • The information is current. Also saves time!

  • As a rule, courses have deadlines - they keep you in good shape, due to which you will learn quickly. You can't get that in self-study.

  • Courses result in a diploma/certificate.

  • Courses provide real projects in the portfolio, and this is very important for the future employer. nine0005

  • Courses provide a quick entry into the community. Starting from mentors, curators, ending with the fact that students from the stream know each other and pull each other further in life.

  • Courses often have an employment program. And employment is, believe me, another science that you can’t get anywhere for free!

  • Code review - a very cool bonus that some courses give - You are not just taught to write code, but taught to write it optimally and beautifully - an important skill in work! nine0005

  • The material in the courses touches on topics that you yourself would not guess to study. Infrastructure, soft skills, algorithms and much more.

Summary: If you don't want to delay the transition to IT Co., you will have to choose courses.

I hope I was able to clear up the dilemma of moving to IT for many and chart the path. In the next article I will write how I chose courses and languages, which ones I chose, why and what I got in the end!

Evgenia Kovrizhnykh, blogger: Is the viewer ready to dive into the layering? nine0001

“Answer me a question, is this art?” – this is how the heated discussion of the performance “The Seagull” based on the play by A. P. Chekhov began. staged at the Regional Khabarovsk Musical Theater by directors S. Listopadov and D. Panteleeva

Is the viewer ready to dive into the layering? Print symbols? Think big? Ask yourself questions after what you see, from the series how do I even live? Who am i? Not to be afraid to leave the boundaries of the warm favorite swamp and move on?

“Answer me the question, is this art?” – this is how the heated discussion of the performance “The Seagull” based on the play by A.P. Chekhov began. staged at the Regional Khabarovsk Musical Theater by directors S. Listopadov and D. Panteleeva

Is the viewer ready to dive into layering? Print symbols? Think big? Ask yourself questions after what you see, from the series how do I even live? Who am i? Not to be afraid to leave the boundaries of the warm favorite swamp and move on?

During the discussion of the play, there were many well-established formulations about what theater is: “You are killing the theater! The theater is an opportunity to dress up in the best costumes and have a pleasant evening”, “We spent two acts in some kind of basement with boxes”, “The theater brings beauty, beautiful scenery and costumes, and I was ashamed to look at your farce!” Where is the spirit of the Khabarovsk theater? Where is Count Muravyov-Amursky?” and even the artists confirmed that they are not always inspired by the staged story: "work is work. " nine0005

So, how did the stereotyped thinking of the Khabarovsk theater break, which, as we know, is already more than 90 years old.

The curtain, the skeleton of a white seagull is lowered to eye level, look! Think!

What is it about? Why? A symbol that the whole old theater is dead?

The spectator is immersed in symbolism even at this stage, the set designer of the performance Ten A.M.

We have already seen all these classical productions a thousand times, familiar replicas, costumes from the Chekhov period, the best phrases on the program of the performance 19centuries about what it is - the real Chekhov.

What if the world is not an established form? What if theater is a living organism?

Scene. Around the boxes, named the repertory program of the theater. It is in these that the chic costumes of the theater troupe wander. These boxes will be dragged throughout the performance from place to place. One of the spectators in the discussion will say: “Why did you drive our favorite artists like that, they are not workers after all.

Boxes as a symbol of the old theatre? nine0005

Actors in colorful costumes, with elements in the form of additional arms and legs, made of dark predominantly brown shades of shiny fabric by costume designer N. Syzdykova.

Who is this?

They dance and sing, adding some absurdity to the storyline, if you don't go into analysis.

What if they are our cockroaches?

Then the plot begins to twist, we read the characters further.

Actors move skeletons around the stage, dance and dress them up in costumes. Skeletons are hiding in those same boxes. Skeletons in the closet? nine0005

In one of the scenes, the actor N.Turanov in the image of Treplev throws the seagull he killed at the feet of the young and beautiful Zarechnaya (actress N.Bobovskaya). In this performance, everyone is wrongly in love, that is, not in the one with whom until old age. Everyone has their own love torn to shreds and everyone is unhappy in their own way. The seagull shot by Konstantin becomes a symbol of unfulfilled dreams and everyone feels like such a seagull, restless over the waves of fate. And then a stuffed animal remains from a live seagull. Likewise, from the love of all heroes, a pitiful semblance remains. But everyone agrees to live in this illusory world, except for Treplev, he does not need such a dead life. Nina Zarechnaya, superbly sculpted by the actress Bobovskaya, wanted to take off on the wings of love, but life broke off and threw her to the ground. How light was her image at the beginning, she ran around the stage with shining eyes, the image of a ray of light, something good and real. At the end of the performance, she was infected with the overall picture, got herself cockroaches and skeletons in the closet. She became the image of a seagull, or rather its stuffed animal, shot over the lake. The atmosphere of Chekhov's melancholy is 100% transferred. nine0005

And how deafening is the final shot, even though you re-read the plot hundreds of times, eating into long-familiar images. This noise is deafening and has long become its own terrible symbol that torments in nightmares.


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