How do you dance to trap music

Bailando Te Conocí Lyrics Songtext Listen to songs Lyrics -

See Duki's biography and discography for all his recordings. His music can be found on their "Temporada De Reggaetón 2" [Watch] - "Desde El Fin Del Mundo" [Watch] - "Singles" [Watch] - "24" [Watch] - .

and twitter fans twitter

Duki Words

Quedeletras >> Lyrics >> d >> Duki

Ton Lyrics Duki

[She Don't Give a FO (feat. Khea)]

[Bailando Te Conocí]

[Malbec]

[Pintao]

[No me Llores (Remix)] 0 [Hijo de la Noche]

[Ley De Atracción]

[Me Gusta Lo Simple ft Aleman]

[Acapella]

[Muriéndome]

[Chico Estrella]

[No Vendo Trap]

[B.U.H.O Midel x Arse x Khea (Ft. Duki x Klave)]

[Ella9 Es Una G] 0 ]

[EO EO]

[Givenchy]

[Sin Culpa]

[I Don't Know]

[Midtown]

CD

[Temporada De Reggaetón 2]

[Desde El Fin Del Mundo]

[Singles]

[24]

[Super Sangre Joven]

[Singles]

Letras de canciones - Letras de canciones - Traducida - Translate Lyrics

Traduçao - Traduzione Testi

lyrics Deutsche Übersetzungen

Facebook

Twitter

Trap is the main musical genre of the 2010s. It spread all over the world

In the 2010s, the trap beat became one of the hallmarks of modern music. Simon Reynolds recalls how he broke into the pop charts from the streets of Atlanta, creating music scenes around the world along the way.

"Trap world: how the 808 beat dominated contemporary music" written by renowned UK music critic Simon Reynolds was written for The Face and published in November 2019. We have translated it with minor cuts. You can read the original version here.

"Cookin' up dope with a Uzi" is just one of the more catchy lines that so many in "Bad and Boujee", a song by the Atlanta trio Migos, which reached #1 on Billboard in January 2017.

For the heroes of "Boujee" - suddenly rich representatives of the low class - in France they came up with the definition nouveau riche. At the beginning of the track Offset solemnly declares: "We ain't really never had no old money / We got a whole lotta new money though" Their girls wear sophisticated jewelry but eat KFC and Pot Noodles. Produced by in-demand Atlanta producer Metro Boomin, the track sounds both concise and luxe. Voices - with the jumping flow that has become a hallmark of Migos - mesmerize and hook the listener. As addictive as the drugs they claimed to be selling, "Bad and Boujee" has amassed nearly 1.5 billion streams on YouTube and Spotify.

This sound is called "trap" and has dominated popular music throughout the 2010s. Migos and their generation - Future, 21 Savage, Playboi Carti, 2 Chainz, Cardi B and producers Metro Boomin, Zaytoven, Southside, Mike WiLL Made-It - mostly came from Atlanta or other southern cities. But their beats, flows and production techniques have gone all over the planet.

Trap has made its way into pop music, from Katy Perry's "Dark Horse" in 2013 to songs on Miley Cyrus' album "Bangerz" (produced by Mike WiLL) and more recent hits by Ariana Grande and Billie Eilish. It sparked the birth of mutant forms of underground and street music, from the sub-style of EDM (also called "trap" or EDM trap, as if to add confusion), exemplified by Baauer's 2012 viral hit "Harlem Shake", to separate subcultures. like a drill.

Drill is a moody variety of trap that found its voice at the height of crime in Chicago and later inspired a generation of British drillers. Popularized by Chief Keef, the Chicago drill reflected the character of the city. His English counterpart turned out to be a typical London subspecies of trap. The instrumentals of beatmakers like Carns Hill sounded very British, with echoes of jungle and UK garage in deep, twitchy basses and piano loops (interestingly, the London sound subsequently determined the sound of the new Brooklyn drill scene, with London producer 808 Melo producing most tracks of Pop Smoke). Local criminal specifics also had a local character, which is expressed, for example, in frequent references to crimes involving knives (and in England in recent years, edged weapons have become abnormally popular - Approx. The Flow). Dripping and splashing in UK drill means blood on the sidewalks, unlike in American trap where it means looking dazzling and overspending.

Trap is a sound, it's a view of the world, it's a life position. But first it was a word: the name of a place where they sell drugs. Often this was an abandoned house, , with a single entrance, , to make it easier to defend against attacks from rival gangs. "Trap" is like a trap for drug addicts, but there is a second meaning: the lifestyle of a drug dealer is a trap, because the money is too good to refuse, despite growing paranoia and the prospect of an early death.

The term was popularized in the 2000s by Atlanta rappers T.I., Young Jeezy and Gucci Mane, whose 2005 album "Trap House" was the first of 13 of his albums and mixtapes to feature the word in the title. Like other black styles of music from the US South that took the world by storm—jazz and blues—trap began as a low-key genre with a bad reputation, played in strip clubs and other places where criminals came to spend illegally earned money.

With the growing popularity of trap, the emphasis shifted from work hard (in the sense of selling drugs and defending the territory) to play hard. Alex Toomey, a sound engineer who worked closely with Metro Boomin and Young Thug, and also had a hand in Travis Scott's early music, explains that this is just another side of the obsession with authenticity: "In trap, it's about being real. The more successful rappers, the more they read about what they have become" - night parties in the hotel after the concert, the most expensive alcohol, drugs and women instead of the intense routine of drug dealing.

The sound of trap has also evolved, from the simpler and more direct in the 2000s to the layered and viscous, which in the hands of artists such as Travis Scott has become almost a kind of ambient.

The cornerstone of trap is the beat. Its roots go back to 80s electro and the Roland 808 drum machine. New York rap took the path of sampling drum breaks, the South chose programmed rhythms. The party-oriented, rattling sound of Miami bass and New Orleans bounce mixed with gangsta rap lyrics and trap was born.

Another key component of trap in the 2010s was autotune. Technology designed to correct vocals has blurred the line between rap and singing.

"People who couldn't sing started to explore different melodic patterns," says Toomei, who specializes in vocal processing. "Autotune gave them confidence. Technology brought us a lot of new melodies and modulations."

Instead of post-processing a record, rappers like Future would auto-tune in the studio in real time. Listening to their modified voice in headphones, they learned to bring this effect to an extreme. With Young Thug, Travis Scott and Quavo from Migos, the voice turned into an instrument from which they extracted magical trills, decorated like Arabic music and filled with a similar religious feeling - in contrast to the not always decent content of the lyrics.

While these lyrics are full of provocative imagery and contagious slang, trap is not built around narrative or the high poetic style of more conscious and intelligent forms of rap from Rakim to Kendrick Lamar.

Today's singing MCs are more interested in texture than text. Some veterans of the genre and longtime listeners speak confidently about the degradation of rap. It is more correct to say that the new generation has found other ways of self-expression.

Take ad lib, one of the most exciting tricks in trap. Ad-libs are vaguely similar to what used to be called "backs", when the second MC repeats line endings or key phrases. But now it’s also just some sounds that don’t make sense, but complete the sound picture and sometimes create polyphony that makes trap sound like classic doo-wop.

Drugs are a big part of the trap background. Rappers used to read about weed and codeine cough syrup, now the drugstore drugs Xanax and Percocet have been added to the list. These and other drugs - such as "molly" (mdma) - were not only mentioned endlessly by rappers, but also influenced his woozy sound, which can be heard echoes of electronic IDM artists like Aphex Twin and Boards of Canada.

As Toomey says, a new kind of psychedelia was born, but much darker than its predecessor from the 60s: after all, zans and perks are painkillers and antidepressants.

Lil Uzi Vert's emo hit "XO Tour Llif3" contains the sad verse "Xanny, help the pain, yeah /Please, Xanny, make it go away", which ends with the catchy hook "all my friends are dead /push me to the edge". Trap is the highest expression of what cultural theorist Mark Fisher called " depressive hedonism ", the feeling of inner emptiness that fills you while you pour elite alcohol inside to the clink of jewelry on your wrist, with the money from the sale of which you can buy a house. Having a spiritual emptiness has become the maximum status symbol.

Trap has replaced rock from the position music of rebellion and vice of our era, rappers appropriated the very concept of "rockstar", and their listeners began to behave like at rock concerts . Post Malone wrote the track "Rockstar", Rae Sremmurd - "Black Beatles", and Future called himself Future Hendrix - The hippest rappers have embraced the rock star aesthetic and traded baggy clothing for leather jackets, skinny jeans and heavy metal font merch. Trap today delivers what the Stones and Led Zep once offered their listeners: a dream brakes and millions of fans around the world need more and more.0010

"Pull Up" is a trap track released in 2018, a few years after "Bad and Boujee". But it was recorded halfway across the globe from Atlanta by Slovak rapper Samey, with guest MCs Ego and Yzomandias from neighboring Czech Republic. Released by leading Central European trap label Fck Them, "Pull Up" has a recognizable sound. But if you see sci-fi movie cars, flowing champagne and barely dressed girls at a pool party in American rap videos, Samey's video falls short of those expectations.

They may have gotten a car with pop-up doors, but they have the inhospitable gray buildings of Bratislava in the background. Despite the gold teeth, chains and tattoos, the clothes of the heroes of the video are far from the futuristic chic of Migos.

“Yzo is the original /Yzo is not a remake”, read by Yzomandias. This is not entirely true: he is strongly focused on America and specifically on Atlanta, from flow to slang (he, in particular, also calls money "guap"). Linguists have a word "glocal" that describes this syndrome: global entertainment formats collide with local cultures. Despite the clear intention to reproduce what they saw in the American videos, they still endow their video and track with local features.

A couple of years ago I went on a trip through several European countries, during which I met many old friends. The conversation also touched on what our children listen to. And the answer, no matter what country, has always been "trap". And during these conversations, I realized that each country has its own local version.

In France, PNL became big stars with a sad and pompous mixture of trap and variety shows. The fusion of reggaeton and trap prevails in Latin America. Trap can be heard in the bazaars of Morocco and from cars in India. But nowhere has it received such distribution as in Central Europe.

Polish label SB MAFFIJA hit 137 million streams in the first six months of 2019, while rapper Taco Hemingway and pop singer Dawid Podsiadlo performed at the 60,000 capacity National Stadium. Bands and rappers such as MO฿฿YN, Szpaku Szpaku and Kaz Balagne, bypass radio and television, recruit armies of fans through YouTube and Instagram.

Trap group/label Milion+ is the leader in the Czech Republic. Local music critic Milos Hroch says that their music is transnational in nature, and there is nothing local in their videos - there are only luxury brands and antidepressants. Hroch points to the Opak Dissu project as an example of Czech rap rooted in local reality rather than living in fictional Atlanta. A participant once said that half of Czech rappers live at home with their mother, and half study at the institute. And that the trap life here is going to the factory every day, that its roots are in the village, and that they took away her sound from Atlanta, but fill it with their own stories.

In Italy, the Dark Polo Gang has been a subject of controversy among fans and critics. Some argued that this is a symbol of the degradation of rap, others ironically supported this trap simulator with clips teetering on the verge of parody and mimicry. Damir Ivic, historian of Italian rap, says that the first wave of Italian rap of the 90s had a more pronounced national character: "It incorporated elements of reggae and ska and sounded very original. There is nothing Italian in the current trap wave - tattooed teenagers mumble about success and drugs."

Eurotrap is criticized by conscious hip-hop fans who complain about its apolitical hedonism, sexism and materialism. An unreasonable and ideologically devoid of protest against the authorities is also present in it - watch the clip of the Austrian Yung Hurn "Fick Die Polizei" with filming of street protests, burning police cars and tear gas. But Hurn tends to record more standard trap themes with titles like "Ferrari" or "Skrt Skrt". The latter is named after the adlib popularized by Migos, which imitates the sound of spinning wheels

"We speak the language of today's youth," says Bad Bunny, a Puerto Rican reggaeton trap musician who featured on Cardi B's huge hit "I Like It." A genre born in black America, embraced with open arms by youth around the world,

However, trap is based on the disillusionment where the hope of collective prosperity is a delusion.Trap considers life wild - this is reflected in "Bad and Boujee", where Offset describes his gang as savage, ruthless (*wild, merciless) In this war of all against all, you are either the winner or victim, and your chances of being among the minority of winners steadily decrease.0010

If this is a view of the world, it is very depressing and apolitical. The fact that trap resonates so strongly around the world - and especially in the former communist countries of Eastern Europe, which were most rapidly rebuilding to an American-style market economy - is very revealing.

Learn more

• 
  How to become a backup dancer for kpop
• 
  How to learn belly dancing
• 
  How to stab dance
• 
  How to dance swing steps for beginners
• 
  How to make dancing animation
• 
  How to learn bhangra dancing
• 
  How to dance like elvis
• 
  How to get dancing hot dog snapchat
• 
  How many players can play just dance 4
• 
  How to dance the two step
• 
  How old was baby and johnny in dirty dancing

10841 Bluegrass Parkway, Louisville, KY 40299
Site Map

(502) 836-2348