How to crank dance

How to Do the Soulja Boy hip hop cranking move « Hip Hop :: WonderHowTo

When rap sensation Soulja Boy came out with his namesake hit "Crank That (Soulja Boy)" in 2007 you could walk past a single neighborhood block without witnesses at least one kid out in his driveway practicing the arm swishes and leg pops.

Even three years later, the Soulja Boy crank is still one of the most popular and widely known hip hop dance moves around. If you want to learn it for yourself, check out this dance tutorial.

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Soulja Boy and Dance Crazes

Kevin Driscoll

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During the summer of 2007, U. S. pop media seemed saturated with talk show hosts and pro athletes dancing along to “Crank Dat (Soulja Boy).” By the time an official music video was shot in late July, the dance craze was already approaching an apex, with new videos appearing daily on MySpace and YouTube. Close inspection of the phenomenon reveals a diverse array of overlapping audiences exploiting “Crank Dat” as a producerly framework for the expression of personal, social, and political messages. Steeped in southern hip-hop’s independent tradition, teenage rapper Soulja Boy Tell ’Em championed the songs, dances, and videos produced by these audiences in pursuit of his own commercial success. “Crank Dat,” for all its confusion, contradiction, and welcoming incompleteness, is a valuable demonstration of spreadability in practice.

In the dominant narrative of the 1990s, hip-hop was driven to pop dominance by a rivalry between Los Angeles and New York City. Excluded from mainstream media channels, artists living in the southern U. S. were forced to develop an alternative hip-hop industry supported primarily by locally grown “indie” record labels with connections to regional radio personalities, nightclub DJs, and mom-and-pop record-shop owners (Grem 2006). This independence enabled the southern artists to develop innovative sounds and styles quite distinct from their coastal peers. In 2003, with CD sales flagging, major record labels turned to these indies in search of new talent to revitalize the industry. Among the many southern styles attracting attention, snap music deviated the most from the conventional hip-hop template. Snap’s minimal drum programming and repetitive lyrics destabilized unquestioned hip-hop norms such as the value of complex wordplay and the use of funk and soul samples.

Snap records such as “Lean Wit It, Rock Wit It,” by Dem Franchize Boyz, explicitly call on listeners to get “loose” and move their bodies. True to the genre’s name, the music video for “Lean Wit It” depicts crowds of dancers freezing on the third beat of every bar to flamboyantly snap their fingers. Such a wholesale embrace of dancing was simply not compatible with the hard gangsta pose prevalent among contemporary New York City and Los Angeles artists. New York rapper Fat Joe makes the tension plain in his 2004 hit “Lean Back,” when he professes that “gangstas don’t dance,” over a decidedly bouncy, southern-inflected beat. Unlike the joyful abandon of Dem Franchize Boys, the dancers in Fat Joe’s video plant their feet and twist at the hip in a self-conscious antidance far removed from the breakdancing and pop-locking that once characterized New York City hip-hop.

By 2006, snap music’s nationwide visibility was on the wane, but a small group of young hip-hop producers continued trading fun, often parodic, snap songs on the music-sharing website Soundclick. Many of the lyrics in their songs turned on the same goofy phrase: “Crank dat!” The producers were connected in parallel on other sites, and the songs, lyrics, jokes, and videos they created frequently migrated back and forth across these platforms. As the “Crank Dat” phenomenon grew, some of the participants created dances to the songs and uploaded videos of themselves performing the steps.

Shortly, there were a number of songs and dances floating around with similar titles: “Crank Dat (Robocop),” “Crank Dat (Roosevelt),” “Crank Dat (Mega Man),” and so on. The same snap simplicity that drew criticism from hip-hop traditionalists proved a fertile foundation for the young music makers on Soundclick. Whereas the densely layered, sample-based recordings characteristic of coastal hip-hop can intimidate or confound tenderfoot producers, snap’s minimalism makes it highly legible to newcomers. Individual drum hits stand out from the sparse sonic structure, and the basic snap rhythm is easily reproduced using low-cost software such as FL Studio or Garageband. Each new version of “Crank Dat” provided a blueprint from which subsequent versions could be produced.

DeAndre Way, better known today as Soulja Boy Tell ’Em, was one of the snap producers actively posting music to Soundclick in 2006. As a high school student in Batesville, a town in the rural northwest corner of Mississippi, Way learned to make animations, to edit photos, and to record music on his home computer. Following a pattern set by other commercially successful southern artists, the aspiring rapper soon produced a hip-hop mix tape, found a manager, and started performing on the weekends in roller rinks and at teen dances. Week after week, he documented this slow grind toward pop stardom in home videos, cell phone pictures, and short journal entries posted to his MySpace blog.

Way, like several other Soundclick users, created his own version of “Crank Dat” titled “Crank Dat (Soulja Boy),” incorporating a looping steel-pan melody, a catchy refrain, and his own quirky slang. Throughout the track, his lyrics instruct the listener to perform various movements: “crank it,” “roll,” “superman,” “lean/rock,” “supersoak,” “roosevelt,” “shuffle,” and “jig.” To the average hip-hop fan, some of these movements would be familiar, but others, such as the roosevelt, were peculiar to the Soundclick niche from which “Crank Dat” emerged.

Soulja Boy catalyzed and accelerated the “Crank Dat” phenomenon when he reposted a video by the Cash Camp Clique to his MySpace page on February 25, 2007. Above the video of three teenagers dancing to “Crank Dat (Soulja Boy),” Way wrote, “Dis is how u do da dance to my new song. Just punch to da left or right den crank it 3 times.” Within a month, he had collected and reposted half a dozen videos of other people doing “Crank Dat (Soulja Boy),” each time garnering more comments and attention to his MySpace blog. By the end of the springtime, his page had received millions of views, and his songs on Soundclick were being downloaded tens of thousands of times (de Leon 2007). On May 15, Soulja Boy signed a contract with a major record label due in large part to the online popularity of “Crank Dat (Soulja Boy).”

For a particular cultural artifact to spread, its expressive potential must be accessible across seemingly disparate audiences. The Cash Camp Clique demonstrated, through their idiosyncratic clothes, slang, dancing, and southern accents, multiple points of entry into the “Crank Dat” phenomenon. And Soulja Boy, by debuting his song as the soundtrack to another group’s homemade dance video, implicitly invited viewers to create further variations. The audiences that took up this invitation kept only the elements they found relevant. They felt free to create new dance steps, to rework the audio, to alter the video, and to introduce their own symbols of local significance.

The thousands of videos that make up the “Crank Dat” phenomenon present dimensions of hip-hop culture that are typically absent from conventional pop channels. References to video games, comics, professional sports, and anime appear alongside self-conscious performances of nerd, jock, geek, and preppy stereotypes. This light-hearted imagery inevitably commingles with culturally specific markers of ethnic, racial, and gender-based difference—signs frequently referenced in the public comments left by viewers. Not only did video makers use the “Crank Dat” framework for self-expression and identity play, but they took advantage of the discursive affordances of YouTube and MySpace to engage in discussion and debate around the videos they created.

In the first year of Way’s career as Soulja Boy Tell ’Em, he rarely performed the role of rapper or producer. Rather, he acted as curator, cheerleader, and embodied symbol for the collective “Crank Dat” phenomenon. Realizing the potential value of his popular MySpace blog, Way reposted select videos, rewarding the creators with social capital in the form of visibility, respect, and esteem. He frequently encouraged fans to become producers and tried to inspire friendly competition among them, challenging listeners explicitly in his lyrics, “Y’all can’t do it like me / so don’t do it like me.” Occasionally, reflecting on the curious trajectory of his career, he credited the “fans” for his success. On the day he signed his major-label contract, Soulja Boy blogged, “I still need yall support all da fans yall da ones who helped [me] get signed! i luv yall!”

DeAndre Way’s goals were not radical. As prefame blog posts from 2006 attest, his aspirations did not stray far from the title of that summer’s Cam’ron single: “Girls, Cash, Cars. ” Yet it is precisely the unremarkable nature of his ambitions that makes this story worth examining. Way was not trying to undermine the conventional music industry—quite the contrary—nor did he attempt to control “Crank Dat” after signing a major-label contract. By maintaining this balance, Way enabled powerful reciprocity between the popular productivity of his peers online and the amplifying apparatus of the pop media industry.


de Leon, Krishtine. 2007. “Youngest in Charge.” The Source 216 (December): 54–59.

Grem, Darren E. 2006. “The South Got Something to Say: Atlanta’s Dirty South and the Southernization of Hip-Hop America.” Southern Cultures 12 (4): 55–73.

Dancing as a sport: choosing the right direction

October 31, 2016 Health

If you're tired of the treadmill or the monotonous fitness routine, then it's time to go dancing. Lifehacker will tell you about the advantages of different dance styles and help you choose the right one for you.

Why you should dance

  • Regular dancing will make your body slimmer. During training, from 200 to 800 kcal are burned per hour - no worse than when doing fitness. nine0010
  • You can strengthen the respiratory organs and the heart, increase the body's endurance, cleanse the blood vessels of cholesterol.
  • Beautiful posture and gait - something that you can be proud of after regular exercise. Dancing will help you learn how to hold your back correctly.
  • You will develop excellent coordination, responsiveness and flexibility of the body.
  • Become sociable and self-confident.
  • Learn not to be ashamed of your own body and move beautifully to the music.
  • You will have the opportunity to express yourself. In dance, a person is completely liberated, which contributes to psycho-emotional unloading.
  • You are in a great mood. After a gym or fitness training, many people feel tired, and after dancing, on the contrary, a surge of strength and vigor.

Which direction to choose


Hip-hop is a cheerful, perky and very energy-intensive youth dance direction. You will be able to express your emotions, feelings or protest, to be liberated thanks to the movements that the body itself suggests. This is drive and adrenaline, the spirit of competition and leadership. Rules and restrictions are blurred here, but at the same time, a bright, clear style is felt. nine0003

This direction is characterized by downward-facing movements, relaxed half-bent knees and a low body position. High jumps are replaced by sliding on the floor, there is a quick and unexpected transition from undulating and slow movements to sharp and clear ones. The dancer should appear completely relaxed, and the dance should be cheeky.

Who suits

Anyone who is young or feels young, confident and bold. Hip-hop can be a useful hobby for your child. For children and adolescents, it will help strengthen the musculoskeletal system, correct slight stoop and form a proportional figure. Moreover, this dance direction brings up strong-willed qualities and determination, helps to show individuality. nine0003

According to the study, hip-hop is the most beneficial dance direction for a child: 57% of the duration of a workout a person is in motion. Scientists recognized flamenco as the least active: in this case, the children were mobile only 14% of the time.

  • The main distinguishing feature: hip-hop is not danced to the rhythm of the melody, but to the beat, which must be recognized and clearly captured in the musical composition.
  • This is not just a dance, but a way of self-expression and a way of life. Hip-hop fans often wear clothes that emphasize their freedom: wide leg pants, sneakers, baseball caps, hooded sweatshirts. nine0010
  • Hip-hop is always open to experimentation and improvisation. An important role in this direction is played by character, namely, confidence, self-affirmation, a certain stubbornness and perseverance. This type of dance will help you become more daring, psychologically liberated and open in communication.
  • This dance perfectly works out the muscles of the legs, arms and shoulder girdle, improves fine motor skills.

Hip-hop can be considered a set of anaerobic exercises, so the contraindications are standard, as well as for regular workouts. People who have problems with their knee joints should be especially careful with such activities, as they have a large load. nine0003

Strip plastic

Training combines aerobic exercise with elements of seductive dance. Each lesson includes a warm-up, including stretching, and learning the dance sequences. The muscles of the legs and arms, hips and buttocks, abdomen, back and chest receive an excellent load.

Beginners will have to master the basic elements: waves with the body and arms, circular movements of the hips and chest, arches in the back while standing, sitting and lying on the floor. As you progress, the training includes complicated dance combinations with elements of acrobatics (splits, flips, racks). nine0003

Suitable for

This type of dance is designed for all girls and women, regardless of their physical form, appearance and age. If you not only strive for a beautiful figure and graceful walk, but also want to learn how to love yourself, attract and seduce the opposite sex, then strip plastic is ideal for you.

  • Strip-plastic will help to overcome complexes more easily, give you the opportunity to see your body and its advantages in a new way, as well as correct or hide imperfections. After regular exercise, you will not only look better, but also feel more confident and attractive. nine0010
  • When teaching this style, much attention is paid to posture and stretching, without which it is impossible to perform high-quality dance elements.
  • The program also includes a fashion show. It will take a few weeks, and you will begin to move smoothly and uninhibited, and the gait will become easy.
  • Another advantage is that many of the movements are done with arch in the lower back. Usually these muscles are poorly developed due to a sedentary lifestyle. This type of dance will be an excellent prevention of diseases such as scoliosis and osteochondrosis. nine0010
  • During this training, reincarnation takes place, you will be able to reveal your sensuality and tell about secret desires, try on different roles - from a modest housewife to a vamp. You will master the art of attracting men and learn how to arouse their interest.

Diseases of the respiratory system, heart, blood vessels and joints can become an obstacle to exercise. With osteochondrosis, there is a limitation: you can not twist strongly in the spine. At the same time, strengthening the muscles of the back and abs, stretching the muscles of the hips, shoulder girdle and pelvis will help to significantly alleviate the manifestations of the disease. nine0003

Belly Dancing

idance-nyc. com

This is one of the sexiest trends that helps to prolong a woman's youth and attractiveness. Mandatory components of oriental dances are strikes (sharp movements of the hips) and vibration in combination with smooth waves, circles, eights. Movement coordination is very important. The dance pattern should look holistic, capturing all the attention of the viewer.

Who suits

Ideal for mature women. Unlike jogging or aerobics, belly dancing is a gentle form of physical activity. This means that you can perform movements without putting too much stress on your knees, shins and feet. nine0003

  • You can start mastering the eastern direction even in poor physical shape: belly dance will independently prepare your body for the necessary loads.
  • This activity helps shape the feminine figure. Since the movements of the hips in this dance are quite complex in terms of coordination, those muscles that are difficult to use during normal exercises are being worked out. Such physical activity contributes to a healthy pregnancy and facilitates childbirth. nine0010
  • After 2-3 months of belly dancing, women feel better in case of gynecological diseases. Blood circulation improves, especially in the pelvic organs, inflammation of the appendages disappears, menstrual pains are forgotten.
  • It is impossible to create a perfect figure by practicing only oriental dances, as this is a fairly uniform load. Not all muscle groups are involved here, for example, the back of the thigh, the gluteal muscle, and triceps practically do not work.

Classes are not recommended for gynecological exacerbations, as well as cardiovascular diseases and problems with the spine.

Latin American dances (salsa, bachata, cha-cha-cha, mamba, rumba)

Latin American dances are known for their fiery, impulsive and positive. Classes consist of three parts:

  • Warm-up - semi-circular rotation of the head, hips, circular movements of the shoulders and the like.
  • The main part is learning movements and their repetition.
  • Cooldown - usually static stretching exercises and dance moves at a slow pace.
Suitable for

This type of training is ideal for energetic and emotional people. It embodies the incendiary rhythm and clarity of movement. Latin American dances are also a great way to warm up relationships in a couple or make new acquaintances.

  • The main feature of such dances is the constant work of the hip muscles with a fixed position of the back and a springy step. Therefore, the main load falls on the muscles of the shoulders, lower back and legs. Also, this type of dance helps to improve the heart rate.
  • One of the important features is that you will not even notice the load on the body as a whole. The maximum that you will feel is a slight pleasant fatigue. This is due to the proportionality of the load on the whole body.
  • Actively engaging in Latin American dancing, you can not only lose weight, but also pump up your hips, if you have a tendency to do so. nine0010

In the presence of cardiovascular diseases and problems with the musculoskeletal system, such dances are contraindicated.



Zumba is one of the most popular weight loss workouts. It has been distributed in over 180 countries. This fitness program combines elements of hip hop, salsa, samba, merengue, mambo, flamenco and belly dance. Its goal is to work out the maximum number of muscles, while not exhausting you with repeated repetitions of trivial exercises. nine0003

The direction was invented by Colombian Alberto Perez in the late 90s. He was a professional choreographer and devoted his entire life to teaching others Latin dances. Later, zumba became the basis for the training of many stars (Shakira, Beyoncé, Britney Spears).

Who suits

Zumba does not tolerate restrictions, it can be practiced by people of any age, men and women with any abilities and skills. All choreographic movements are simple and clear.

  • Training is like a party where everyone dances using simple combinations of movements.
  • You don't need any special physical training to get started, so Zumba is great for beginners.
  • The dance program is very diverse, which means you won't be bored.
  • The emphasis in training is on the lower body, which allows you to tighten your muscles well and get rid of cellulite.

Categorical contraindications are hernia of the lumbar spine, displacement of the vertebrae, diseases of the bones, ligaments, joints, thrombosis, problems with the heart muscle, high blood pressure, post-traumatic period, pregnancy at any time. nine0003


Contempo is a combination of dance techniques from Western (classical dance, modern jazz) and Eastern (qigong, taijiquan, yoga) arts of movement.

Basic exercises are built by analogy with classical and modern ones: from simple to more complex. The lesson includes exercises in the stalls (work on the floor), relaxation techniques, as well as stretching.

Suitable for

Amateur and professional dancers. Height, weight, complexion of a person are not important here. Contempo is suitable for you if you want to not only keep a good shape, move beautifully, but also know yourself. nine0003

  • Globally, contempo differs from other dance styles by its inward orientation, interest in the quality of the moving body, its relationship with space, time, partner. The dancer accumulates energy, thoughts, emotions inside himself, and then gives them to the viewer.
  • The peculiarity of the dance also lies in the alternation of muscle tension and relaxation, falling and rising, sudden stops (often on straight legs), balancing.
  • Breathing during contempo should be measured, as if it continues to move. Martial arts brought this requirement to the dance. nine0010
  • Contempo gravitates more towards the floor, while emphasizing the ease and expressiveness of movements. Usually danced barefoot.

Standard restrictions for physical activities. Moreover, this type of dance is quite difficult, exhausting, and you need to be in excellent psychological shape for training. Long stretches, practicing jumps can exhaust a person with a fine mental organization and lead him into a state of depression.

Celtic dances

This is a rather complex set of movements, during which you need to keep the whole body in tension. Training is often exhausting, with a fairly large load. Before starting, a 15-minute warm-up is necessary to warm up the main muscle groups, after which the basic elements of the dance begin to be worked out. For the performance of this style, not only the movements of the dancer are important, but also their appearance, especially shoes. The most famous type of Celtic dance that everyone knows about is the step. nine0003

Suitable for

Patient people who are attracted to the theme of social dancing. Complex combinations are inherent in this style, the elements of which will have to be learned not only in the classroom, but also at home (perhaps even mentally).

  • You have to get used to a rather unusual position. The dance is performed on half-toes (the dancer raises his heels and stands on his toes), the upper body is motionless, the arms are always lowered. The basic rule is fast footwork. nine0010
  • This is a group dance, therefore, on the one hand, you will have to give up any liberties, on the other hand, you will have to develop a sense of partnership when you feel yourself one with other people. Psychologists say that such training is especially useful for those who have difficulty joining the team or are afraid of communication.
  • Music has a clear rhythm and requires the same exact steps. It is important to hit both the note and the foot.
  • Another curious feature is that it is better not to practice any other dances before starting training. Classical choreographic training often gets in the way. For example, in ballet, the feet and hips are strongly turned to the sides. Here, on the contrary, the legs are always crossed. And forget about the hands. nine0010
  • The system of Celtic dances is extremely interesting because it heals the spine without missing a single section, just like a real doctor. The habit of keeping your back straight will form after a few weeks of regular practice.
  • Constant training will form the ideal calf muscles. Although any kind of dance has a positive effect on the muscles of the legs, the Celtic ones receive a well-deserved gold medal.
  • This type of activity does not give any load on the hands, so if necessary (or if desired) you need to work out this zone separately. nine0010

Large shock loads (jumps) do not allow those who have problems with the heart, blood vessels, spine and joints to practice Celtic dances. Progressive varicose veins are also a contraindication.

We have reviewed several basic dance directions from which you can start your acquaintance with the world of dance. Take a few classes and you'll see what's right for you. When choosing, consider your age, the complexity of training, your physical condition and goals. nine0003

We start dancing. What keeps the Chuvash traditions. | CULTURE:Person | CULTURE

Today dance folklore, meeting with an authentic performer is a rarity. We are talking about the diversity of national folklore, its traditions, new trends and much more with the People's Artist of Chuvashia, choreographer, teacher, author of the book “We start dancing. Riding Chuvash dances by Lydia Popova.

Photo: From the personal archive

Lidia Popova - People's Artist of the Chuvash Republic, choreographer-teacher, methodologist-expert. Graduated from the Chuvash Republican School of Culture, Moscow State University of Culture and Art, teacher at the Cheboksary Musical College named after. F. M. Pavlova, participant of interregional and republican scientific and practical conferences, member of the jury of international and all-Russian competitions. nine0003

Start from amateur performance

- Lidia Avenirovna, I can't help but ask you how it happened that you ended up in the Chuvash State Song and Dance Ensemble?

- I saw the performances of this ensemble, and it seemed to me that they were celestials. There was no thought that I could be in this team, I thought that it was absolutely impossible to get there. But I've been remarkably lucky.

I went in for sports, attended circles, including dancing. In the usual eight-year school where I studied, just a unique creative pedagogical team worked. The teachers devoted a lot of time to us. After school, I immediately went to work and in my free time attended a dance club at the factory club "30 years of CHASSR", where I also led a children's dance club. nine0003 Krasnochetayskaya dance Photo: From the personal archive

Once I saw an advertisement in the newspaper about recruitment to the state song and dance ensemble, I decided to see how artists were selected for work. And there I was offered to try it myself. I went through three strict rounds, in the end it turned out that out of more than 40 people they chose me. So I quite unexpectedly got into the ensemble.

When I started working there, it turned out that everything is very difficult, this is already a profession, not an amateur team. Success doesn't just happen. A very short life in art, especially for dancers - only 20 years. And they fly by like two days. nine0003

We had an amazing dancer - Kapustina Tatyana Minovna. During the war, in front-line brigades, when there were no men, she danced for the boys. Once, seeing my timidity, she told me: “You have to work here and become a good dancer or leave here!” And I proved that I can work, work for the result. This is probably why I was invited more than once to well-known groups: the Northern State Russian Folk Choir, Choir. Pyatnitsky, Kuban Cossack Choir and other groups in Russia. I still wonder to myself how I didn't agree. nine0003

Not all competitions are equally useful

- You are often invited to the jury of many competitions, and not only republican ones. Tell me, how do you choose which competition you are ready to judge, and which ones you refuse to judge?

- Indeed, recently I have been invited to the jury of many competitions. Any festival for me personally is a study. It is valuable that, in addition to the competitive, there should also be an educational moment. Seminars, discussions, informal communication. The festival is a place where you show your skills and see what others can do - a kind of exchange of experience. It's very good when children from different groups get to know each other, arrange "battles", discos... It's a very good experience and school for both choreographers and contestants. Of the latter, which I would like to note, these are, for example, festivals - “Dances of the Volga Region” (Penza), “Barsik” (Kazan), “Constellation” (Cheboksary), etc.

- Cheboksary has recently hosted many contests and festivals. How to separate the wheat from the chaff? What to pay attention to?

- Many contests and festivals are probably not bad, but there is also a minus when its organizers are focused on making money. An indicator of the solidity of the competition, of course, is the composition of the jury. The competition should help the growth of participants, enrich the experience of choreographers. It is interesting when there is someone to learn from and with whom you can communicate creatively. nine0003 Photo:

Own, native

- Dancing is very popular in Chuvashia. In your opinion, in the opinion of an expert, are national traditions in dance strong enough, or is the republic captured by modern trends?

- Yes, contemporary art prevails today. This is absolutely true and not only with us. Because traditional culture began to fade into the background. Therefore, in Russia as a whole, and in Chuvashia in particular, much attention is now being paid to the preservation of folk traditions, which are the soul of the people. If we do not preserve our culture today, our roots, then we will lose our own, and someone else's will not become ours. nine0003

Children growing up in superficial, superficial modern information are alienated from their native culture. I often notice that even students, when they come to me, treat folklore with a certain carelessness and misunderstanding. And only after long conversations about folklore, about our culture, they begin to be imbued with it. I am surprised to discover a gaping abyss in the ignorance of national culture.

Back in Soviet times, when we were on tour with an ensemble in Czechoslovakia, we met Irish people there, who said that dancing in their schools is a separate compulsory subject. Unfortunately, this is not the case in our schools, so we must work to explain that our culture is our soul, our heart, we cannot live without it. nine0003

A large component of culture is folk tradition. And this knowledge must be instilled from childhood. In my opinion, the Soviet school was much stronger, education was excellent. I believe that the education system that brought up people who know how to appreciate work, who know how to appreciate culture, who know how to think, who know how to work . .. is simply being destroyed.

Folklore teaches to feel

- How do you feel about experiments and innovations in dance?

- The dance must develop. Take, for example, classical dance. During the revolution, the American dancer Isadora Duncan danced in front of soldiers and sailors... And her art was perceived as something new. Then she said that classical dance would die, no one needed it, only modern would remain. Modern, of course, develops to this day, but classical dance continues to live. Innovation must be, as one amazingly talented choreographer Boris Eifman says: “Everything is invented, there is a school, there is a system.” But you can come up with something of your own on the basis of an existing one. Moreover, any new work must pass through your soul. nine0003

Expensive art

- Are there strong and eminent groups in Chuvashia today?

- Of course there is. Now they have a very difficult time, because the existence of the team rests on finances. In general, dance is an expensive art: a costume and shoes are needed for each performance.

We have many worthy teams in Chuvashia. The best of them were awarded the title of "people's". Among them stands out the well-deserved group of Russia - the dance ensemble "Suvar", whose leader is A.N. Muzykantov was awarded the Soul of Russia prize by the Russian government, and this is a great honor for Chuvashia. There are groups known not only in our republic, but also abroad: the dance theater "Vostorg" (head L. Panfilova), the dance ensemble "Tantash" (head A. Popov), the School of Modern Dance "Solntseklyosh", head E Yaroslavtseva, ballroom dance groups under the direction of E. Yarutkina, I. Likhovid and others. And besides this, there are quite a lot of talented ballet masters in Chuvashia - A. Muzhikova, I. Lvov, S. Morskova, T. Petrova...


- If we talk about young choreographers, do they have a place to realize themselves in Chuvashia?

- For those who want to study choreographic art, we have the College of Culture, there is a very good strong choreographic department.

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