How to be flexible fast for dance

How to Boost Your Flexibility

"How can I get more flexible?" It's a question every dancer has asked themselves at one time or another. Whether you're attempting your first split or trying to nail a crazy high extension in your new dance uniform, flexibility is one of the key components to being a great dancer. If you want to improve yours, it can certainly enhance your rehearsals in the studio and performances on the stage. Just make sure you take the right approach. Here are some tips to help you in the process.

Tip #1: Take your time.

There's no fast way to get more flexible. So don't look for some quick fix on the Internet that will magically elongate your dance moves. It doesn't exist and you could actually wind up hurting yourself in the process. In fact, when you try to make too much progress too fast, you're going to end up with some kind of sprain or strain in your muscles, tendons or joints.

Instead, take a gradual approach. Try to slowly and patiently improve flexibility so that your muscles have the time they need to safely adapt.

Tip #2: Warm up first.

Another vital tip to improving your flexibility involves warming up first. If you start stretching with cold muscles, you're going to wind up with an injury because your muscles aren't limber and ready to stretch in the way you want them to. Doing so can also cause muscle instability that impacts both your strength and agility.

So rather than jumping into difficult stretches or exercises to enhance flexibility, warm up first with a few minutes of cardio. This can be as simple as some jumping jacks or running in place for a couple of minutes. Then ease yourself slowly into your first stretching pose and take it from there.

Tip #3: Listen to your body.

When it comes to stretching and building flexibility, everyone's body is different. What's easy and comes naturally for one dancer -- who's more limber -- might take months of work for another. That's why it's important to listen to your body and pay attention to what works for you. Some dancers are naturally built to be more flexible, so don't compare yourself to others during the process.

When you're holding your stretches, also be careful that you don't hold them for too long. In the beginning of class, aim for holding your stretches no longer than 15 seconds. Toward the end of class, however, you can hold stretches for longer - from 60 to 90 seconds.

Tip #4: Perform dynamic stretches before class and static stretches after.

According to Dictionary.com, a dynamic stretch is "a type of sports fitness routine in which momentum and active muscular effort are used to stretch and the end position is not held."

These types of stretches -- such as shoulder rolls, torso twists, and arm swings -- are best used just after warm up, at the beginning of class. Some other good dynamic stretches for the lower body include hip circles, forward and backward lunges, and leg swings. Regardless of which you choose, dynamic stretching is ideal for the start of class because you're getting your heart rate up, while also stretching and warming up muscles.

Static stretching, on the other hand, involves holding a certain stretch for a specific period of time. This is usually best done toward the end of class, during your cool down period. You should hold these stretches for at least 30 seconds, or even up to 60 or 90 seconds -- especially if you have a particular muscle you're trying to enhance flexibility in. At the end of your dance class, your muscles will be nice and limber, so you'll be able to push them further during static stretches.

Both dynamic and static stretches are good ways for dancers to improve their flexibility. However, it's best to avoid ballistic stretching, which incorporates bouncing movements where the muscles and tendons are rapidly stretched and relaxed. This can cause strain and can even damage tendons, joints and muscles.

Tip #5: Use strength training.

If you're trying to improve your flexibility as a dancer, then add some strength training to your workout routine mix. While flexibility improves the length of your muscles, strong muscles mean you can hold your dance positions for longer.

Tip #6: Don't push too hard.

If you're having sharp or severe pain, chances are, you've taken things too far. Don't continue on or try to push through the pain. Pain is your body's way of signaling that something is wrong. Likewise, don't stretch for too long before a big performance. Doing so can actually cut down on your ability to perform your jumps properly.

At Just for Kix, we offer all styles of dance uniforms and dance wear that are both stylish, as well as comfortable and functional. From hip hop pants to crop tops and sweatshirts, we've got you covered (literally)! Shop now and check out our collections.

Request a Just For Kix Catalog!

So you want to be flexible... — A Dancer's Life

L: Hyperextension R: Normal knee

There's always that one person in every class whose bones seem to be made of rubber (if indeed, there are any bones!) and who can lounge around in splits just as easily as they can hold a split penché; which is to say, effortlessly.

Now, this person might be you, but if it isn't.. fear not! We've got some helpful pointers to get you on track to acing that arabesque! First of all, it's important to remember that just as we are born with different body types, there are different types of flexibility too. What we mean by this, is that certain people will be born with a naturally higher capacity for flexibility. Bodies vary greatly from person to person and some people will have longer muscle fibers, allowing them to stretch their muscles further, and with more ease - and some people will have shallower, less restrictive joints and sockets, giving them a greater range of movement (you know those people with hyper-extension in their knees and elbows, yep, that's them) being 'flexible' is going to come a little easier to these individuals.

Miss/Mr flexible that we were talking about above will probably fall into this category, so it's important not to get frustrated or annoyed with yourself if you've been trying for ages and you still can't touch your toes to your head whilst they can. .. It's okay, have a brief Lion King moment* and then get on with it. The key is to remember that how you start does not determine how you finish, just because you couldn't touch your toes in the beginning (and everyone else could) doesn't mean you won't be knocking everyone over with a perfect Grand Battement a little down the track. It's all up to you.

*Scar: giving us a life lesson

So, you've accepted the fact that you're not the most flexible.. yet, and that getting flexible is hard, but you also know that flexibility is an important physical advantage, if not a necessity, for a dancer (and that you reallllyy want to have Darcy Bussel's arabesque, and split kicks like those dancers on SYTYCD!) now what are you going to do about it? Well, these exercises for starters!

Remember: Make sure your body is adequately warm (see our warm-up guide here) before you begin these stretches to prevent muscles seizing up and causing injury to yourself. Don't push yourself too hard in one go, keep in mind that long term improved flexibility is much more rewarding than being uber flexible for one day, and then being so stiff you can't stretch all week!

1. Stretching for back flexibility.

Lower back stretches. To begin, start by laying stomach side-down on the floor, legs straight out arms bent with hands placed next to either armpit, elbows by your side. Push the upper body up of the ground and towards the ceiling, keeping the hips firmly on the floor and pushing back away from your hands to give your back a gentle stretch (See Image 1.). Return to the neutral lying position, this time with arms by your side and bend the knees so that the feet are brought up and in towards the back. Reach your hands up and take hold of your ankles and pull the legs up and over towards the head whilst simultaneously lifting the torso up off the ground towards your feet (See image 2.).

Basic lower back stretch.

The second back exercise

Upper Back Stretches. Next, kneel on your knees, with the feet flat to the ground (so tops of the feet will be against the floor) and keeping everything below the hips vertical, lower the upper back and head backwards over the legs, allowing the arms to remain by your side. Go back as far as you need until a stretch is felt in the upper back (see Image 3.), if this is quite easy then raise the arms above the head and repeat, allowing the the pelvis and upper legs to also tilt backwards with the aim being placing your hands (stretched up above your head, not by your side as before), and finally your head on the floor (See Image 4.). This should also gently stretch your quadriceps.

Basic stretch

The advanced stretch

Advanced bridge: This is a great stretch to further increase your flexibility if you're comfortable doing a bridge (see Image 5. ) - If this stretch is still a little difficult for you then just keep practicing bridges, and re-asses in a couple of weeks. - Once you are up in a bridge shift your body so that your weight rests primarily over the arms, and gradually try to straighten you knees. This is very effective in stretching out the upper back and shoulders (See Image 6.). Don't worry if you can't get their just yet, gentle daily repetition will lead to gradual but significant improvement. If you can easily straighten your knees then relax back to a normal bridge, walk the hands a little closer to your feet and repeat until a reasonable stretch is felt. From here the next step is to bend the knees once more and lower yourself down so that your upper body is supported on your elbows, and your hands are folded under your head (see Image 7.)

The bridge.

Head to floor

Stretch for Arabesque/attitude: Now for a stretch that will aid with increasing your splits and back flexibility, improving the line of your arabesque/attitude and lengthening the quadriceps. Using a theraband, bend one leg backwards at the knee, and with one end of the theraband grasped in each hand, loop the centre over the flat top of your foot. Sometimes it can be good to have someone supporting you as you do this (but not necessary), once you've steadied your balance, begin to extend the leg up and backwards, keeping the supporting leg straight, as well as tension in the theraband and using it to pull your leg up and over your head. Make sure you don't let the upper body collapse, but hold yourself upright with as straight a back as possible (See Image 8.). Try to hold it here for 10 to 15 seconds and then repeat with the other leg.

Stretching for Splits/Arabesque

2. Stretching for splits / leg flexibility.

Inner thigh / Middle Splits stretches. The next few stretches will focus on improving the flexibility in your inner leg (adductors), hamstring and gluteal muscles to aid in getting a flatter side splits and higher kicks/battements. Remember to breathe and relax into the stretch, never force or 'bounce' it!

Standing Straddle Stretch: From a neutral standing position, split the legs so that the distance between the heels of the feet is approximately one and a half times the width of your shoulders, or a little wider, and you are now standing in a straddled position, with your feet facing forwards in a slight turn-out. Shift the torso to your right, so that the upper body is in line with the right leg and gradually lean forward trying to keep the spine relatively flat. At the same time use your hands to wrap around your ankle and gently pull the body closer; You should be aiming to press the entire upper body against your leg with the head reaching as close to the ground as possible (See image 9.). Return to the upright 'straddle' position and repeat to the left side. Perform the stretch again, this time keeping the upper body over the middle of the legs and leaning forwards, one hand on each ankle, until the chest is almost in between the legs, or as close as possible (See image 10. ).

Focus on getting the stomach and chest flat, rather than just the head.

View fullsize

Frog and Butterfly Stretch: Now for some floor stretches that will greatly improve your middle splits, hip range, and also your turnout. Please keep in mind that people with a very limited range of movement in their hips sockets may find these stretches to be too uncomfortable, so make sure you modify your routine as needed, not all stretches are suited to everyone which is why it's important to listen to your body.

Start sitting on the floor with your knees bent and the soles of your feet pressed together, legs drawn in and hands resting on your ankles. Gradually press your knees down towards the ground until a stretch is felt (See image 11), if no stretch is felt and knees can be flattened easily then hold the legs down, and keeping a long spine gradually bend forwards with the aim of touching your forehead to the your toes.

Keeping good posture is essential.

Next, position the body so that you're resting on your elbows and knees, back straight, and gradually spread the knees apart, pressing the hips down towards the floor and making sure you keep the knees in line with the hips (this bit is important!). It is helpful if you can get a friend or partner to gently press down on the lower back to increase the stretch. Once you have gone as far as you can, take several deep breaths and relax into the position, holding for 20 - 30 seconds before relaxing.

Finally, lay flat on the ground, stomach to the floor and draw the legs up in a turned out position with the soles of the feet touching (Don't sickle!). Keep bending the knees until you're in the 'frog position'. Unlike the previous stretch where the hips had to be held directly over the knees, the focus of this exercise is to keep the pelvis firmly connected to the floor, aiming also to get the ankles as close to the ground as possible. Don't be worried if your feet are stuck up in the air to begin with, some people will be more limited by their hips sockets (and turn-out capabilities) than others, and some will be able to get their hips and ankles to the ground immediately (See image 13.). Practice is the key here, with repetition everyone has the potential for improvement.

Hips remain pressed to the floor as knees draw in.

Next, sit up with your legs stretched out to the sides (in a relaxed middle split position) and make sure your toes are facing up towards the ceiling with no rolling forwards. If you like, you might find it beneficial to sit with your back against a wall to ensure you're not sinking or collapsing your posture. Now reach your left arm up from the side, and over your head, and still facing forwards bend towards your right leg, trying to feel the stretch all along the leg and up your side (See image 14.). Keep going until you feel a stretch and then hold for a count of 10. Relax, and repeat on the other side. Now repeat the exercise, this time shifting the upper body towards the leg and flattening all the way from your lower spine to your head until you are folded over your leg (See image 15.). This should give you a completely different stretch, as you engage new muscles to the ones targeted in the previous exercise. Once again hold the position for a count of 10 and repeat on the other side. Finally, return to the upright, forward-facing position and placing your hands in the centre, begin to walk them forward away from your body, allowing the chest to eased forward with them. Maintaining a straight a spine as possible, lower yourself towards the ground as you continue to walk the hands out. As you do this you should find your pelvis also rotating a little and coming forwards, placing you in a deeper, flatter middle split. Make sure to pause every few beats and take a couple of deep breaths, and then creep the hands forward a little further and repeat until hopefully you look like this (See image 16. )! Once you relax from the stretch be sure to shake your legs out a little bit so your muscles aren't storing the tension.

Toes facing upwards, upper body facing forwards.

The body has now shifted to face the leg, toes remain pointed towards the ceiling (they may be flexed or stretched according to preference).

Flatten from the lower spine, so the back stays as flat as possible, this provides a much more effective stretch.

Et Voila! There you have it; A selection of fantastic stretching exercises that will help you improve your flexibility in leaps and bounds (not without practice and dedication though)!

Article by Elly Ford

types of flexibility and basic stretching exercises

Contents

A flexible body, elastic muscles and mobile joints are the key to beauty and health at any age. Flexibility is not only innate, but also an acquired quality. Without a doubt, every dancer should have it.

What is flexibility

Flexibility is the ability of the body, namely muscles, ligaments and joints, to give maximum amplitude in various movements and physical exercises.

The flexibility of the body depends on genetics, the structure of the joints, the elasticity of the tendons. This indicator is also related:

with age. Children and adolescents tend to be more flexible than adults;
with floor. Women are naturally more flexible than men;
with the level of physical fitness and fitness.

Types of flexibility as it happens

There are several varieties:

Dynamic flexibility is the maximum possible range of motion in a joint without any outside help. For example, standing against a wall, the athlete raises the leg to the highest possible level and holds it for several seconds. Also, the dynamic view is fixed when performing exercises, for example, with swings; nine0015
Passive (static) flexibility always exceeds active dynamic. It is achieved with an external impact on the joint. For example, the athlete or his partner holds the raised leg with the hand in maximum amplitude;
Special refers to the mobility of specific joints. Different sports and dances require different levels of joint mobility;
Anatomical. Habitual daily movements in terms of joint mobility are very limited. Use of the reserve of pledged flexibility up to 95% occurs only during special classes;
Excessive flexibility is dangerous, as the stability of the joint is lost and the maximum stretching of muscles and ligaments is reached. This is fraught with injuries (dislocation, rupture, sprain).

Why flexibility is important for dancers

Good flexibility is the key to beautiful amplitude movements and speed of changing positions

A flexible body is more responsive, plastic and enduring. Good amplitude in the work of all joints gives excellent coordination between all parts of the body. nine0003

These motor indicators are extremely important in dance. Movable joints and stretch-responsive muscles make the body supple, able to quickly perform complex movements and ligaments.

Flexibility can be improved by regular stretching.

What exercises help to develop flexibility

Stretching (from the English "stretching") always begin with a quality warm-up of the whole body. Pulling muscles and ligaments is possible only in a heated state. To do this, it is enough to perform a warm-up of 2-3 dynamic exercises, involving all the main joints. nine0003

Flexibility exercises:

Neck . Grab your head with your right hand and press your ear against your right shoulder, stretching the left side of your neck. Lock the position for 30 seconds. Repeat with your left hand.
Spine, thoracic . Starting position on all fours. Bend your back down and lift your head up, remaining in the position for 10-15 seconds. Arch your back up, lowering your head down. Hold the position for another 15 seconds. Repeat several times at a slow pace. nine0071
Spine, back of thighs . An exercise from the arsenal of yoga "Downward Dog". Place your feet and hands on the floor shoulder-width apart and bring them closer until you reach the body in an inverted V. The foot is completely on the floor, legs are straight. For greater effect in position, you can sway slightly, creating a arch in the back.
Spine, core muscles . Lying on your stomach, bend your knees, bring your feet to your buttocks. Wrap your arms around your feet and pull your legs back and up. The thoracic spine takes the maximum deflection. The position is fixed for 20-30 seconds. nine0071
Hip Extension . Lunge forward with your right foot and shift your weight onto it. Tilt your body forward and lean on your elbows. Maintain the position for up to 30 seconds. Repeat with the other leg.
Lateral Thigh Extension . Sitting on the floor, spread your legs as wide as possible. Place your body and arms on the floor as far as possible. Stay in position for up to 30 seconds.

Tips from experienced choreographers for stretching

Flexibility exercises are performed at a calm pace, the muscles are stretched until a slight tolerable pain appears. In each position, you should stay up to 20-30 seconds, holding the maximum amplitude of the stretch.

For general flexibility development, it is enough to stretch 1-2 sessions per week as a small addition to the main workout. The presented set of flexibility exercises is one of the possible options for this form of training.

If increasing the flexibility of the body is the main task, then it is worth doing stretching in the format of a full-fledged lesson. We recommend starting stretching under the guidance of an experienced instructor. nine0003

Benefits of working with a coach:

safety : no risk of injury;
effectiveness : the coach selects the exercises based on the physical data of the student;
speed : a professional instructor uses techniques to achieve maximum results in the shortest possible time.

The dance studio "La Boca" is open for stretching and stretching. Classes are conducted by a professional ballerina Victoria Krivtsova and an international master of sports in Latin American dances Olga Dubravina. Lessons are held in small groups and with an individual approach to everyone. nine0003

19 simple ideas to develop body plasticity at home – Bachata Dance School

Surely everyone wants to quickly and effortlessly have good plastic without leaving home (and even better without getting up from the couch).

This article will not contain specific exercises - you can easily find them on the Internet. Here ideas will be presented in order to add to your “piggy bank” and then develop, develop, develop ...

For each item, there are tons of instructional videos and tips online to get you closer to your goal. The plasticity of the body is like a flower, the more you water it, the more beautiful it becomes.

So let's get started.

Waves . This is a very spectacular and important component for the beauty of the dance. Train them at home. The main dances that will help you develop the waves well are oriental dances, bachata, kizomba.

Examples of beautiful body waves

Moving through the levels. Spectacular when you can move from the floor to the upper level (standing position) without much effort and tension.
Sensitivity . In order to better manage your body, it is necessary to develop its sensitivity. You must simultaneously feel the body as a whole, as a whole.
Copy of . Try to copy the plastic dance and record it on video. Then watch the video and dance again to the same music. Do this several times. The quality of your dance will begin to change. nine0015
Images . When you dance, come up with an image for yourself and do not leave it until the end of the dance.
Mirror operation. Dance in front of a mirror to better see yourself from the side. Experiment and come up with new moves. Read the article improvisation in dance on our Bachata.Su website.
Video recording. One of the most effective ways to improve plasticity is to record a video and then watch it, find things you like, don't like, then correct and record the video again. nine0015
Work with stresses in the body. Excess tension must be removed from the body, for this various yoga exercises can help, as well as just constant and continuous work on oneself.
Breathing. It is important to control the breath so that it is continuous. And if there is an "unnecessary" tension, "exhale through it."
Music and emotions. Explore what kind of music you get the most beautiful dance.
Stretching and twine. nine0028 Adds spectacle and aesthetics to your dance. However, keep in mind that twine is such a specific thing that it requires regular practice. You need to practice regularly.

Lightweight. In order to develop lightness in dance, firstly, it is necessary to work with the relaxation of the body, and secondly, it is necessary to follow the impulses of the body, to catch the inertia of movement.

Movement speed. You can develop the speed of movements by turning on faster music.

Muscle training. nine0028 The main muscles for a girl are abs and buttocks, for a man - abs, chest, shoulders, back. However, do not forget about the development of the muscles of the arms and legs.

Muscle memory. You need to make sure that the muscles memorize the dance moves as quickly as possible. For this there are necessary exercises.

Feedback. An outside view is important. Ask people you trust to evaluate your dance.

Turn the head on and off. nine0028 As you know, the brain develops in dance. Wrong statement that you need to turn off your head in the dance. There must be freedom and control at the same time in the dance. You can turn off your head if you want, or you can join the dance again.

Regularity . Remember - little but often is better than a lot but rarely.

Inspiration . As often as possible, do what inspires you - books, films, music. This will definitely improve your dancing.

We analyze all these exercises in detail on our On-Line course

Body plastic surgery is a regular and painstaking work on yourself.
Learn more

How to do dancing tricks

How to make a dance video

How to thread the needle dance

Teaching children how to dance

How long is dancing with the stars tour show

How to dance cape verdean pasada

How tall is maddie from dance moms

Learn how to country line dance

How to be a great dancer in hip hop

Who taught michael jackson how to dance

How to do the percolator dance